8th Floor - Revision history

Dotclub: /* Works */

2025-01-03T03:03:03Z

Works

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	== Interpretations ==		== Interpretations ==
	* ''[[Regular Everything II]]'' (1971)

	== Exhibition catalog ==		== Exhibition catalog ==
	* Released in 2018<ref>https://www.greenenaftaligallery.com/shop/michael-krebber-and-mayo-thompson-ground-floor-8th-floor</ref>		* Released in 2018<ref>https://www.greenenaftaligallery.com/shop/michael-krebber-and-mayo-thompson-ground-floor-8th-floor</ref>

Dotclub: /* Works */

2025-01-03T02:59:29Z

Works

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	\|Death and the Lady		\|Death and the Lady
	\|Ink on paper		\|Ink on paper
	\|		\|Appeared in ''Texas Observer'', May 12, 1972
	\|-		\|-
	\|1972		\|1972

Dotclub: /* Works */

2025-01-03T02:57:17Z

Works

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	\|Victims		\|Victims
	\|Ink on paper		\|Ink on paper
	\|Appeared in ''Texas Observer'', October 20, ~~1973~~		\|Appeared in ''Texas Observer'', October 20, 1972
	\|-		\|-
	\|1972		\|1972
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	\|Man		\|Man
	\|Ink on paper		\|Ink on paper
	\|		\|Appeared in ''Texas Observer'', April 13, 1973
	\|-		\|-
	\|1972		\|1972
	\|Woman		\|Woman
	\|Ink on paper		\|Ink on paper
	\|		\|Appeared in ''Texas Observer'', April 13, 1973
	\|-		\|-
	\|2015		\|2015

Dotclub: /* Works */

2025-01-03T02:55:11Z

Works

Show changes

Dotclub: /* Reviews */

2023-12-05T05:57:17Z

Reviews

← Older revision	Revision as of 22:57, 4 December 2023
(No difference)

Dotclub: /* Reviews */

2023-12-05T05:57:17Z

Reviews

← Older revision		Revision as of 22:57, 4 December 2023
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	=== On a scale of 1 to 10… ten being the worst ===		=== On a scale of 1 to 10… ten being the worst ===
	~~July~~ 2016		May 2016

	Kyle D. Thorne<blockquote>[...] At [[Mayo Thompson]]’s show, ''8th Floor'', in 2015 at Greene Naftali in New York, I was struck by how much the individual works spoke to each other through the order in which you experienced them. When entering the show, the first few things encountered by the viewer were tables full of pen and ink drawings of everyday events. The next few pieces were on the back wall and they became progressively darker in subject matter. What came next were a series of bronze castings, and a large paper work that acted as a respite to the dark subject matter. These were followed by a group of drawings that then brought the exhibition to a close. Adapting this approach to my own studio practice, I began to consider not only the relationships within each piece, but also how decisions about one piece could influence or change the viewer's understanding of the other pieces. [...]</blockquote>		Kyle D. Thorne<blockquote>[...] At [[Mayo Thompson]]’s show, ''8th Floor'', in 2015 at Greene Naftali in New York, I was struck by how much the individual works spoke to each other through the order in which you experienced them. When entering the show, the first few things encountered by the viewer were tables full of pen and ink drawings of everyday events. The next few pieces were on the back wall and they became progressively darker in subject matter. What came next were a series of bronze castings, and a large paper work that acted as a respite to the dark subject matter. These were followed by a group of drawings that then brought the exhibition to a close. Adapting this approach to my own studio practice, I began to consider not only the relationships within each piece, but also how decisions about one piece could influence or change the viewer's understanding of the other pieces. [...]</blockquote>

Dotclub: /* Exhibition catalog */

2023-12-05T05:57:04Z

Exhibition catalog

← Older revision	Revision as of 22:57, 4 December 2023
(No difference)

Dotclub: /* Exhibition catalog */

2023-12-05T05:57:04Z

Exhibition catalog

← Older revision		Revision as of 22:57, 4 December 2023
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	\|-		\|-
	\|1971		\|1971
	\|Regular Everything II		\|[[Regular Everything II]]
	\|174 Ink on paper drawings		\|174 Ink on paper drawings
	\|-		\|-
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	== Interpretations ==		== Interpretations ==
	* "Regular Everything~~" was a chapter in {{RLink\|Rangoon}}~~ (~~1970~~) ~~that consisted of 12 full-page illustrations~~		* ''[[Regular Everything II]]'' (1971)

	== Exhibition catalog ==		== Exhibition catalog ==
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	File:8th-Floor-front.jpg\|		File:8th-Floor-front.jpg\|
	</gallery>		</gallery>

			== Reviews ==

			=== On a scale of 1 to 10… ten being the worst ===
			July 2016

			Kyle D. Thorne<blockquote>[...] At [[Mayo Thompson]]’s show, ''8th Floor'', in 2015 at Greene Naftali in New York, I was struck by how much the individual works spoke to each other through the order in which you experienced them. When entering the show, the first few things encountered by the viewer were tables full of pen and ink drawings of everyday events. The next few pieces were on the back wall and they became progressively darker in subject matter. What came next were a series of bronze castings, and a large paper work that acted as a respite to the dark subject matter. These were followed by a group of drawings that then brought the exhibition to a close. Adapting this approach to my own studio practice, I began to consider not only the relationships within each piece, but also how decisions about one piece could influence or change the viewer's understanding of the other pieces. [...]</blockquote>

	== References ==		== References ==
	[[Category:Exhibitions]]		[[Category:Exhibitions]]

Dotclub at 04:10, 5 December 2023

2023-12-05T04:10:57Z

← Older revision	Revision as of 21:10, 4 December 2023
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Dotclub at 04:10, 5 December 2023

2023-12-05T04:10:57Z

← Older revision		Revision as of 21:10, 4 December 2023
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	[https://www.greenenaftaligallery.com/exhibitions/mayo-thompson '''View exhibition online''']		[https://www.greenenaftaligallery.com/exhibitions/mayo-thompson '''View exhibition online''']

			<ref>https://greenenaftaligallery.com/exhibitions/mayo-thompson</ref><blockquote>Greene Naftali is pleased to present a solo exhibition of never before seen work by [[Mayo Thompson]], the first exhibition exclusively devoted to his visual art. Since cofounding the formative avant-garde, psychedelic rock collaborative Red Krayola in 1966, Thompson has operated from a position of resistance and critical negativity, two themes outlined in the [[A Manifesto for The Red Krayola\|manifesto]] published on the occasion of the band’s participation in the [[Whitney Biennial 2012\|2012 Whitney Biennial]]. Overturning conventions of authorship and genre in favor of collaborative working models, Thompson has previously collaborated with conceptual art collective [[Art & Language]] and [[Albert Oehlen]], among others. This exhibition will include a series of black and white line drawings from the early 1970s, new works on paper, and a sculpture that plays on Duck Rabbit, the classic visual illusion that illustrates two different ways of seeing.</blockquote>

	== Works ==		== Works ==