Art-Language Vol. 4 No. 2 - Revision history

Dotclub at 12:22, 25 January 2024

2024-01-25T12:22:42Z

← Older revision	Revision as of 05:22, 25 January 2024
(No difference)

Dotclub at 12:22, 25 January 2024

2024-01-25T12:22:42Z

← Older revision		Revision as of 05:22, 25 January 2024
Line 33:		Line 33:
	\|Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse		\|Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse
	\|10-18		\|10-18
	\|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full article]		\|[https://www.art-language.org/texte/b/TII32h.htm#anglais '''Full article''']
	\|		\|
	\|-		\|-

Dotclub at 23:07, 18 October 2023

2023-10-18T23:07:55Z

← Older revision	Revision as of 16:07, 18 October 2023
(No difference)

Dotclub at 23:07, 18 October 2023

2023-10-18T23:07:55Z

← Older revision		Revision as of 16:07, 18 October 2023
Line 40:		Line 40:
	\|		\|
	\|		\|
			* ''[[Art & Language (Van Abbemuseum, 1980)\|Art & Language]]'' (1980)
	\|-		\|-
	\|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given		\|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
Line 45:		Line 46:
	\|		\|
	\|		\|
			* Excerpt in ''[[Art & Language (Van Abbemuseum, 1980)\|Art & Language]]'' (1980)
	\|-		\|-
	\|Method 5: A Crisis of Liberality for the Decaying Macaroni...		\|Method 5: A Crisis of Liberality for the Decaying Macaroni...

Dotclub at 03:30, 9 October 2023

2023-10-09T03:30:25Z

← Older revision	Revision as of 20:30, 8 October 2023
(No difference)

Dotclub at 03:30, 9 October 2023

2023-10-09T03:30:25Z

← Older revision		Revision as of 20:30, 8 October 2023
Line 14:		Line 14:
	!pg.		!pg.
	!Notes		!Notes
			!Reprinted in
	\|-		\|-
	\|A note on the cover		\|A note on the cover
	\|3-5		\|3-5
			\|
	\|		\|
	\|-		\|-
	\|Preamble		\|Preamble
	\|6		\|6
			\|
	\|		\|
	\|-		\|-
	\|Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism		\|Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism
	\|7-9		\|7-9
			\|
	\|		\|
	\|-		\|-
Line 30:		Line 34:
	\|10-18		\|10-18
	\|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full article]		\|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full article]
			\|
	\|-		\|-
	\|Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism...		\|Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism...
	\|19-41		\|19-41
			\|
	\|		\|
	\|-		\|-
	\|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given		\|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
	\|42-54		\|42-54
			\|
	\|		\|
	\|-		\|-
	\|Method 5: A Crisis of Liberality for the Decaying Macaroni...		\|Method 5: A Crisis of Liberality for the Decaying Macaroni...
	\|55-61		\|55-61
			\|
	\|		\|
	\|-		\|-
	\|Method 6: Random complaints		\|Method 6: Random complaints
	\|62-65		\|62-65
			\|
	\|		\|
	\|-		\|-
	\|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration		\|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration
	\|66-81		\|66-81
	\|~~<ref>Republished in~~ ''[[Art & Language 1975-78]]'' (1978)~~</ref>~~		\|
			\|
			* ''[[Art & Language 1975-78]]'' (1978)
			* ''[[Art & Language (Van Abbemuseum, 1980)\|Art & Language]]'' (1980)
	\|}		\|}

Dotclub at 08:50, 8 October 2023

2023-10-08T08:50:22Z

← Older revision	Revision as of 01:50, 8 October 2023
(No difference)

Dotclub at 08:50, 8 October 2023

2023-10-08T08:50:22Z

← Older revision		Revision as of 01:50, 8 October 2023
Line 52:		Line 52:
	\|}		\|}

			== References ==
	== ~~Background~~ ==


	{{Navbox-Art-Language}}		{{Navbox-Art-Language}}

	~~== References ==~~

	[[Category:Art-Language]]		[[Category:Art-Language]]

Dotclub at 02:51, 29 July 2023

2023-07-29T02:51:55Z

← Older revision	Revision as of 19:51, 28 July 2023
(No difference)

Dotclub at 02:51, 29 July 2023

2023-07-29T02:51:55Z

← Older revision		Revision as of 19:51, 28 July 2023
Line 49:		Line 49:
	\|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration		\|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration
	\|66-81		\|66-81
	\|		\|<ref>Republished in ''[[Art & Language 1975-78]]'' (1978)</ref>
	\|}		\|}