Mostly About Rauschenberg - Revision history

Dotclub at 01:23, 2 December 2024

2024-12-02T01:23:13Z

← Older revision		Revision as of 18:23, 1 December 2024
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	* 45 - 50 minutes		* 45 - 50 minutes
	* 16mm		* 16mm
	* [https://vimeo.com/104634830 7 minute excerpt on Vimeo]
			[https://vimeo.com/104634830 '''7 minute excerpt on Vimeo''']

	== Background ==		== Background ==

Dotclub at 08:51, 12 September 2023

2023-09-12T08:51:41Z

← Older revision		Revision as of 01:51, 12 September 2023
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	* Do you think that it will go out for release?		* Do you think that it will go out for release?
	* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.		* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.
	[[Mayo Thompson]], ~~2006~~<ref>https://www.houstonpress.com/music/inquiring-minds-an-hour-with-the-red-krayola-mastermind-mayo-thompson-6520083?showFullText=true</ref><blockquote>RO: How did you wind up assisting Robert Rauschenberg?		[[Mayo Thompson]], 2010<ref>https://www.houstonpress.com/music/inquiring-minds-an-hour-with-the-red-krayola-mastermind-mayo-thompson-6520083?showFullText=true</ref><blockquote>RO: How did you wind up assisting Robert Rauschenberg?

	MT: Accident. I was sitting in Europe in the summer of '73, and I went to Greece to make a record with a guy named [[Manos Hadjidakis]], the guy who wrote "Never on Sunday." And he was ill and couldn't work, so I just sat there for a month waiting and waiting and waiting and finally I just couldn't stay there anymore. I was running out of money; there was nothing I could do. And there was nothing for me to do there.		MT: Accident. I was sitting in Europe in the summer of '73, and I went to Greece to make a record with a guy named [[Manos Hadjidakis]], the guy who wrote "Never on Sunday." And he was ill and couldn't work, so I just sat there for a month waiting and waiting and waiting and finally I just couldn't stay there anymore. I was running out of money; there was nothing I could do. And there was nothing for me to do there.

Dotclub at 08:51, 12 September 2023

2023-09-12T08:51:20Z

@@ Line 55: / Line 55: @@
 * Do you think that it will go out for release?
 * I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.
 == References ==

imported>Dotclub at 19:43, 17 April 2023

2023-04-17T19:43:58Z

← Older revision		Revision as of 12:43, 17 April 2023
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	\|}		\|}

	== ~~Sources~~ ==		== Retrospectives ==
			[[Mayo Thompson]], 2005<ref>https://fnewsmagazine.com/2005/04/dead-letters-to-lost-worlds/</ref>
	* We worked on a version of a biography of, you know, one of those art documentaries about him. There was a company in France making a film about him and the director was a guy named ClŽmente whose brother was this actor in Belle du Jour, you know, the one with the golden teeth. Anyway, Mr. ClŽmente started this film and Bob wouldn’t let it go out as it sat. And there was some discussion: Well, what do we do? And he said, Do you know anybody who can film because maybe we can do some more parts? And I said, Well, I had some background in film when I was in college: We used to make movies and shit like that. So we rented a movie camera and started shootin’ film with Bob reading his aphorisms, like, The only value of a good idea is that it’s an excuse to work. Stuff like that. Anyway, we cut our version of the film together and played it in Venice, but it never was released. It was handed on to somebody else, who then made another edit and then another edit. I think it finally came out, but I never saw the end one. I have a version of the one we made on VHS.		* We worked on a version of a biography of, you know, one of those art documentaries about him. There was a company in France making a film about him and the director was a guy named ClŽmente whose brother was this actor in Belle du Jour, you know, the one with the golden teeth. Anyway, Mr. ClŽmente started this film and Bob wouldn’t let it go out as it sat. And there was some discussion: Well, what do we do? And he said, Do you know anybody who can film because maybe we can do some more parts? And I said, Well, I had some background in film when I was in college: We used to make movies and shit like that. So we rented a movie camera and started shootin’ film with Bob reading his aphorisms, like, The only value of a good idea is that it’s an excuse to work. Stuff like that. Anyway, we cut our version of the film together and played it in Venice, but it never was released. It was handed on to somebody else, who then made another edit and then another edit. I think it finally came out, but I never saw the end one. I have a version of the one we made on VHS.
	* Do you think that it will go out for release?		* Do you think that it will go out for release?
	* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.~~<ref>https://fnewsmagazine.com/2005/04/dead-letters-to-lost-worlds/</ref>~~		* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.

	== References ==		== References ==

imported>Dotclub at 08:57, 10 April 2023

2023-04-10T08:57:46Z

← Older revision		Revision as of 01:57, 10 April 2023
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	== Background ==		== Background ==
	* ~~{{RLink\|~~Records}}		* [[Mayo Thompson Records Nature on the Rauschenberg Estate]]

	== Contents ==		== Contents ==

imported>Dotclub at 10:02, 8 January 2023

2023-01-08T10:02:38Z

← Older revision		Revision as of 03:02, 8 January 2023
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	== Background ==		== Background ==
	* {{RLink\|Records}}		* {{RLink\|Records}}

			== Contents ==

	== Crew ==		== Crew ==
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	* Do you think that it will go out for release?		* Do you think that it will go out for release?
	* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.<ref>https://fnewsmagazine.com/2005/04/dead-letters-to-lost-worlds/</ref>		* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.<ref>https://fnewsmagazine.com/2005/04/dead-letters-to-lost-worlds/</ref>

	~~== Mayo Thompson Records Nature on the Rauschenberg Estate ==~~


	== References ==		== References ==

imported>Dotclub at 09:59, 8 January 2023

2023-01-08T09:59:58Z

← Older revision		Revision as of 02:59, 8 January 2023
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	* 16mm		* 16mm
	* [https://vimeo.com/104634830 7 minute excerpt on Vimeo]		* [https://vimeo.com/104634830 7 minute excerpt on Vimeo]

			== Background ==
			* {{RLink\|Records}}

	== Crew ==		== Crew ==
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	== Mayo Thompson Records Nature on the Rauschenberg Estate ==		== Mayo Thompson Records Nature on the Rauschenberg Estate ==
	'''Mayo Thompson Records Nature on the Rauschenberg Estate''' is German radio program directed by Karl Bruckmaier for Bayerischer Rundfunk<ref>https://hoerspiele.dra.de/vollinfo.php?tipp=1&dukey=1369863</ref>. First airing July 9, 1994, it showcases some of Mayo Thompson's field recordings for ''Mostly About Rauschenberg'' and provides commentary on them in the context of the recordings as "readytapes".

	~~{{tracklist~~
	~~\| title1 = Mosquito & Crows~~
	~~\| title2 = Attraction~~
	~~\| title3 = Call Me Horse~~
	~~\| title4 = I Don't Care~~
	~~\| total_length = 9:15~~
	}}

	== References ==		== References ==

imported>Dotclub at 09:56, 8 January 2023

2023-01-08T09:56:03Z

← Older revision		Revision as of 02:56, 8 January 2023
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	== References ==		== References ==

			[[Category:Films & videos]]
	[[Category:Cancelled projects]]		[[Category:Cancelled projects]]

imported>Dotclub at 09:54, 8 January 2023

2023-01-08T09:54:25Z

← Older revision		Revision as of 02:54, 8 January 2023
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	\| total_length = 9:15		\| total_length = 9:15
	}}		}}

			== References ==

	[[Category:Cancelled projects]]		[[Category:Cancelled projects]]

imported>Dotclub at 00:15, 15 November 2022

2022-11-15T00:15:49Z

← Older revision		Revision as of 17:15, 14 November 2022
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	\| [https://www.kinematographie.de/1ZTG08.HTM Source] (unverified)		\| [https://www.kinematographie.de/1ZTG08.HTM Source] (unverified)
	\|}		\|}

			== Sources ==
			* We worked on a version of a biography of, you know, one of those art documentaries about him. There was a company in France making a film about him and the director was a guy named ClŽmente whose brother was this actor in Belle du Jour, you know, the one with the golden teeth. Anyway, Mr. ClŽmente started this film and Bob wouldn’t let it go out as it sat. And there was some discussion: Well, what do we do? And he said, Do you know anybody who can film because maybe we can do some more parts? And I said, Well, I had some background in film when I was in college: We used to make movies and shit like that. So we rented a movie camera and started shootin’ film with Bob reading his aphorisms, like, The only value of a good idea is that it’s an excuse to work. Stuff like that. Anyway, we cut our version of the film together and played it in Venice, but it never was released. It was handed on to somebody else, who then made another edit and then another edit. I think it finally came out, but I never saw the end one. I have a version of the one we made on VHS.
			* Do you think that it will go out for release?
			* I doubt it. That’s one of them business things. And Bob is involved in big business at the level he operates. So you have to be extremely circumspect about these things. But on the other hand, maybe the attitude toward copyright will change to some extent, and then the attitude could maybe accommodate a view of it as just information. If it is seen as missing information, and therefore it would be valid for it to be considered just as some more information about the same thing. We’ll see.<ref>https://fnewsmagazine.com/2005/04/dead-letters-to-lost-worlds/</ref>

	== Mayo Thompson Records Nature on the Rauschenberg Estate ==		== Mayo Thompson Records Nature on the Rauschenberg Estate ==