Shows/1994-10-07 - Revision history

Dotclub at 11:12, 7 August 2024

2024-08-07T11:12:12Z

← Older revision		Revision as of 04:12, 7 August 2024
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	8:00pm: シンポジウム by Mayo Thompson, Albert Oehlen, David Grubbs, 佐々木敦（映画・音楽評論）, 小倉利丸（経済学／現代資本主義）, 小倉正史（美術批評）, 大友良英（ミュージジャン）平井（音楽論・思想・批判）, 松山晋也（スタジオ・ヴォイス編集者）他未定。		8:00pm: シンポジウム by Mayo Thompson, Albert Oehlen, David Grubbs, 佐々木敦（映画・音楽評論）, 小倉利丸（経済学／現代資本主義）, 小倉正史（美術批評）, 大友良英（ミュージジャン）平井（音楽論・思想・批判）, 松山晋也（スタジオ・ヴォイス編集者）他未定。

			9:30pm: オープン・ディスカッション ※レコード、CD販売有り

			参加入場料：2500円（1 ドリンク）

	</blockquote>		</blockquote>

Dotclub at 11:08, 7 August 2024

2024-08-07T11:08:49Z

← Older revision		Revision as of 04:08, 7 August 2024
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	6:45pm: パフォーマンス by Mayo Thompson, Albert Oehlen, 秋田昌美, 大友良英, 灰野敬二		6:45pm: パフォーマンス by Mayo Thompson, Albert Oehlen, 秋田昌美, 大友良英, 灰野敬二

	8:00pm: シンポジウム by Mayo Thompson, Albert Oehlen, David Grubbs, 佐々木敦（映画・音楽評論）, 小倉利丸（経済学／現代資本主義）, 小倉正史（美術批評）, 大友良英（ミュージジャン）平井（音楽論・思想・批判）		8:00pm: シンポジウム by Mayo Thompson, Albert Oehlen, David Grubbs, 佐々木敦（映画・音楽評論）, 小倉利丸（経済学／現代資本主義）, 小倉正史（美術批評）, 大友良英（ミュージジャン）平井（音楽論・思想・批判）, 松山晋也（スタジオ・ヴォイス編集者）他未定。

	</blockquote>		</blockquote>

Dotclub at 11:04, 7 August 2024

2024-08-07T11:04:49Z

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 |Billing =
 }}
 == Retrospectives ==

Dotclub at 10:44, 7 August 2024

2024-08-07T10:44:38Z

← Older revision		Revision as of 03:44, 7 August 2024
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	\|Billing =		\|Billing =
	}}		}}

	~~== Recording ==~~

	~~Filmed for {{RLink\|Tokyo}}~~

	== Retrospectives ==		== Retrospectives ==
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	DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—''just do it'', you know? (''laughter'')</blockquote>[[John McEntire]], 2021<blockquote>[https://www.instagram.com/p/CWq_WzWBdME/ Photo with Keiji Haino]</blockquote>		DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—''just do it'', you know? (''laughter'')</blockquote>[[John McEntire]], 2021<blockquote>[https://www.instagram.com/p/CWq_WzWBdME/ Photo with Keiji Haino]</blockquote>

			== Recording ==

			Filmed for {{RLink\|Tokyo}}

	== References ==		== References ==
	{{Shows\|1994}}		{{Shows\|1994}}

Dotclub at 08:39, 7 August 2024

2024-08-07T08:39:09Z

← Older revision		Revision as of 01:39, 7 August 2024
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	\|Country =JP		\|Country =JP
	\|City =Tokyo		\|City =Tokyo
	\|Image1=		\|Image1=Shows-1994-Japan-tour-poster.jpg
	\|Image2=		\|Image2=
	\|Event =Symposium on music and art		\|Event =Symposium on music and art

Dotclub at 23:42, 24 August 2023

2023-08-24T23:42:22Z

← Older revision		Revision as of 16:42, 24 August 2023
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	== Retrospectives ==		== Retrospectives ==
	[[David Grubbs]], 2013<ref>https://bombmagazine.org/articles/david-grubbs/</ref><blockquote>DG: ~~[...]~~ We had performed part of [<nowiki/>[[Victorine]]] in Tokyo in ’94 at P3 art and environment, a crazy performance space that was in the basement of a Zen temple. When we were doing the sound check a monk came down to ask us to proofread something he was translating into English.		[[David Grubbs]], 2013<ref>https://bombmagazine.org/articles/david-grubbs/</ref><blockquote>DG: We had performed part of [<nowiki/>[[Victorine]]] in Tokyo in ’94 at P3 art and environment, a crazy performance space that was in the basement of a Zen temple. When we were doing the sound check a monk came down to ask us to proofread something he was translating into English.

	CSY: He didn’t tell you to turn it down?		CSY: He didn’t tell you to turn it down?

imported>Dotclub at 23:42, 11 May 2023

2023-05-11T23:42:26Z

← Older revision		Revision as of 16:42, 11 May 2023
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	P3 Art and Environment ~~symposium~~ on music and art		{{ConcertInfo
			\|Date = October 7, 1994
			\|Venue =P3 Art and Environment
			\|Country =JP
			\|City =Tokyo
			\|Image1=
			\|Image2=
			\|Event =Symposium on music and art
			\|Tour =
			\|Billing =
			}}

	~~Tokyo~~		== Recording ==

	Filmed for ~~[[The Red Krayola in~~ Tokyo]]		Filmed for {{RLink\|Tokyo}}

	== Retrospectives ==		== Retrospectives ==

imported>Dotclub at 09:05, 9 May 2023

2023-05-09T09:05:00Z

← Older revision		Revision as of 02:05, 9 May 2023
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	== References ==		== References ==
	{{Shows}}		{{Shows\|1994}}

imported>Dotclub at 08:29, 17 April 2023

2023-04-17T08:29:17Z

← Older revision		Revision as of 01:29, 17 April 2023
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	CSY: Not like at brain-melting volume?		CSY: Not like at brain-melting volume?

	DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—''just do it'', you know? (''laughter'')</blockquote>		DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—''just do it'', you know? (''laughter'')</blockquote>[[John McEntire]], 2021<blockquote>[https://www.instagram.com/p/CWq_WzWBdME/ Photo with Keiji Haino]</blockquote>

	== References ==		== References ==
	{{Shows}}		{{Shows}}

imported>Dotclub at 08:20, 17 April 2023

2023-04-17T08:20:22Z

← Older revision		Revision as of 01:20, 17 April 2023
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	Tokyo		Tokyo

			Filmed for [[The Red Krayola in Tokyo]]

	== Retrospectives ==		== Retrospectives ==