<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://redkrayolawiki.org/w/index.php?action=history&amp;feed=atom&amp;title=Shows%2F1997-04-10</id>
	<title>Shows/1997-04-10 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://redkrayolawiki.org/w/index.php?action=history&amp;feed=atom&amp;title=Shows%2F1997-04-10"/>
	<link rel="alternate" type="text/html" href="https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;action=history"/>
	<updated>2026-05-07T21:20:58Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.1</generator>
	<entry>
		<id>https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;diff=10848&amp;oldid=prev</id>
		<title>imported&gt;Dotclub at 01:12, 12 May 2023</title>
		<link rel="alternate" type="text/html" href="https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;diff=10848&amp;oldid=prev"/>
		<updated>2023-05-12T01:12:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:12, 11 May 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bill Meyer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bill Meyer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;For 30 years Mayo Thompson has lead the Red Krayola through myriad incarnations and stylistic shifts: psychedelia, improvisation, acoustic songcraft, textural experimentation, and bent art rock have all been grist for his mill at some time or another. Thompson is an especially artful lyricist who has animated songs as diverse as the erotic fantasy &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“The Lesson” &lt;/del&gt;(from his 1970 solo album &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Corky’s &lt;/del&gt;Debt to His Father) and the manifesto &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“A &lt;/del&gt;Portrait of V.I. Lenin in the Style of Jackson &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pollock” &lt;/del&gt;(from 1981’s Kangaroo?) with trenchant wit. He’s punctuated years of inactivity with bursts of productivity; the last three years have been the most prolific in Red Krayola history. On Hazel, the group’s newest album, Thompson and more than a dozen confederates have synthesized the diverse strategies of past lineups into unpredictable and jagged–but decidedly pop–music. For this tour Thompson has reconvened the same band that played here a couple years ago: two Chicagoans, David Grubbs and Jim &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;O’Rourke &lt;/del&gt;of Gastr del Sol, and two Californians, guitarist Tom Watson (Slovenly, Overpass) and drummer George Hurley (the Minutemen, Firehose). They make a muscular, flexible unit that’s as adept at negotiating Thompson’s oblique convolutions as it is at articulating his catchiest melodies. Gastr del Sol opens.&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;For 30 years &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Mayo Thompson&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;has lead the Red Krayola through myriad incarnations and stylistic shifts: psychedelia, improvisation, acoustic songcraft, textural experimentation, and bent art rock have all been grist for his mill at some time or another. Thompson is an especially artful lyricist who has animated songs as diverse as the erotic fantasy &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“[[The Lesson]]” &lt;/ins&gt;(from his 1970 solo album &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Corky&#039;s &lt;/ins&gt;Debt to His Father&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;) and the manifesto &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;“[[&lt;/ins&gt;Portrait of V. I. Lenin in the Style of Jackson &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pollock, Part I|A Portrait of V.I. Lenin in the Style of Jackson Pollock]]” &lt;/ins&gt;(from 1981’s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Kangaroo?&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;) with trenchant wit. He’s punctuated years of inactivity with bursts of productivity; the last three years have been the most prolific in Red Krayola history. On &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Hazel&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, the group’s newest album, Thompson and more than a dozen confederates have synthesized the diverse strategies of past lineups into unpredictable and jagged–but decidedly pop–music. For this tour Thompson has reconvened the same band that played here a couple years ago: two Chicagoans, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;David Grubbs&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Jim &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;O&#039;Rourke]] &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Gastr del Sol&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, and two Californians, guitarist &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Tom Watson&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;(Slovenly, Overpass) and drummer &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;George Hurley&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;(the Minutemen, Firehose). They make a muscular, flexible unit that’s as adept at negotiating Thompson’s oblique convolutions as it is at articulating his catchiest melodies. Gastr del Sol opens.&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Shows|1997}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Shows|1997}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Dotclub</name></author>
	</entry>
	<entry>
		<id>https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;diff=10847&amp;oldid=prev</id>
		<title>imported&gt;Dotclub at 01:10, 12 May 2023</title>
		<link rel="alternate" type="text/html" href="https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;diff=10847&amp;oldid=prev"/>
		<updated>2023-05-12T01:10:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:10, 11 May 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Chicago Reader ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Chicago Reader ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;April 10, 1997&amp;lt;ref&amp;gt;https://chicagoreader.com/music/red-krayola-2/&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;April 10, 1997&amp;lt;ref&amp;gt;https://chicagoreader.com/music/red-krayola-2/&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bill Meyer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Bill Meyer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Dotclub</name></author>
	</entry>
	<entry>
		<id>https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;diff=10846&amp;oldid=prev</id>
		<title>imported&gt;Dotclub: Created page with &quot;{{ConcertInfo |Date =April 10, 1997 |Venue =Empty Bottle |Country =US |City =Chicago, Illinois |Image1= |Image2= |Event = |Tour = |Billing =  * The Red Krayola * Gastr del Sol }}  == Announcement ==  === Chicago Reader === April 10, 1997&lt;ref&gt;https://chicagoreader.com/music/red-krayola-2/&lt;/ref&gt; Bill Meyer  &lt;blockquote&gt;For 30 years Mayo Thompson has lead the Red Krayola through myriad incarnations and stylistic shifts: psychedelia, improvisation, acoustic songcraft...&quot;</title>
		<link rel="alternate" type="text/html" href="https://redkrayolawiki.org/w/index.php?title=Shows/1997-04-10&amp;diff=10846&amp;oldid=prev"/>
		<updated>2023-05-12T01:10:28Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{ConcertInfo |Date =April 10, 1997 |Venue =Empty Bottle |Country =US |City =Chicago, Illinois |Image1= |Image2= |Event = |Tour = |Billing =  * &lt;a href=&quot;/wiki/The_Red_Krayola&quot; title=&quot;The Red Krayola&quot;&gt;The Red Krayola&lt;/a&gt; * &lt;a href=&quot;/wiki/Gastr_del_Sol&quot; title=&quot;Gastr del Sol&quot;&gt;Gastr del Sol&lt;/a&gt; }}  == Announcement ==  === Chicago Reader === April 10, 1997&amp;lt;ref&amp;gt;https://chicagoreader.com/music/red-krayola-2/&amp;lt;/ref&amp;gt; Bill Meyer  &amp;lt;blockquote&amp;gt;For 30 years Mayo Thompson has lead the Red Krayola through myriad incarnations and stylistic shifts: psychedelia, improvisation, acoustic songcraft...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{ConcertInfo&lt;br /&gt;
|Date =April 10, 1997&lt;br /&gt;
|Venue =Empty Bottle&lt;br /&gt;
|Country =US&lt;br /&gt;
|City =Chicago, Illinois&lt;br /&gt;
|Image1=&lt;br /&gt;
|Image2=&lt;br /&gt;
|Event =&lt;br /&gt;
|Tour =&lt;br /&gt;
|Billing = &lt;br /&gt;
* [[The Red Krayola]]&lt;br /&gt;
* [[Gastr del Sol]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Announcement ==&lt;br /&gt;
&lt;br /&gt;
=== Chicago Reader ===&lt;br /&gt;
April 10, 1997&amp;lt;ref&amp;gt;https://chicagoreader.com/music/red-krayola-2/&amp;lt;/ref&amp;gt;&lt;br /&gt;
Bill Meyer&lt;br /&gt;
&lt;br /&gt;
&amp;lt;blockquote&amp;gt;For 30 years Mayo Thompson has lead the Red Krayola through myriad incarnations and stylistic shifts: psychedelia, improvisation, acoustic songcraft, textural experimentation, and bent art rock have all been grist for his mill at some time or another. Thompson is an especially artful lyricist who has animated songs as diverse as the erotic fantasy “The Lesson” (from his 1970 solo album Corky’s Debt to His Father) and the manifesto “A Portrait of V.I. Lenin in the Style of Jackson Pollock” (from 1981’s Kangaroo?) with trenchant wit. He’s punctuated years of inactivity with bursts of productivity; the last three years have been the most prolific in Red Krayola history. On Hazel, the group’s newest album, Thompson and more than a dozen confederates have synthesized the diverse strategies of past lineups into unpredictable and jagged–but decidedly pop–music. For this tour Thompson has reconvened the same band that played here a couple years ago: two Chicagoans, David Grubbs and Jim O’Rourke of Gastr del Sol, and two Californians, guitarist Tom Watson (Slovenly, Overpass) and drummer George Hurley (the Minutemen, Firehose). They make a muscular, flexible unit that’s as adept at negotiating Thompson’s oblique convolutions as it is at articulating his catchiest melodies. Gastr del Sol opens.&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Shows|1997}}&lt;/div&gt;</summary>
		<author><name>imported&gt;Dotclub</name></author>
	</entry>
</feed>