Sources - Revision history

Dotclub at 20:57, 7 August 2024

2024-08-07T20:57:52Z

← Older revision		Revision as of 13:57, 7 August 2024
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	Temporary page containing links and sources.		Temporary page containing links and sources.
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			\|Joseph Beuys
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			\|[[File:Temple-of-Poseidon.jpg\|center\|frameless\|88x88px]]
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	=== Dates ===		=== Dates ===

imported>Dotclub: /* 1967-10-20 Art International: Jules Olitski and Roy Lichtenstein */

2022-10-12T00:50:12Z

1967-10-20 Art International: Jules Olitski and Roy Lichtenstein

← Older revision		Revision as of 17:50, 11 October 2022
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	<blockquote>		<blockquote>
	The rather tired and simple-minded analogue to music as an essentially lineal medium ignores the total involvement of its psychological perception as well as the physical nature of sound--both of which helped Marshall McLuhan, for example, to different conclusions about the medium than those arrived at by Fried or implied in the painting of Olitski. In music itself, there are the impressive statements by a group from Houston that so far has played and recorded under the name "The Red Crayola". At this last summer's Berkeley Folk Music Festival, the three young musicians, Steve Cunningham, Mayo Thompson, and the artist Rick Barthelme performed several one-second pieces. Together with groups such as Country Joe and the Fish, the Velvet Underground, the San Francisco rock bands, or the more radical sounding post-Cage rock music of Joseph Byrd's and Michael Agnello's new group called "United States of America", the enveloping electric sound of that contemporary music which is ''alive'' makes Fried's understanding of music conceived as line-of-sight obsolete. It is instant and pervasive music in the twentieth century as a corollary of the aesthetic reasons for dropping the nineteenth-century obsession with the melodic line (from Cage, Coltrane and Coleman way back to Webern). What would help critical writing in both fields make more sense is a really fresh and demanding inquiry into parallel aesthetic phenomena and interrelationships of music and the visual arts.		In music itself, there are the impressive statements by a group from Houston that so far has played and recorded under the name "The Red Crayola". At this last summer's Berkeley Folk Music Festival, the three young musicians, Steve Cunningham, Mayo Thompson, and the artist Rick Barthelme performed several one-second pieces. Together with groups such as Country Joe and the Fish, the Velvet Underground, the San Francisco rock bands, or the more radical sounding post-Cage rock music of Joseph Byrd's and Michael Agnello's new group called "United States of America", the enveloping electric sound of that contemporary music which is ''alive'' makes Fried's understanding of music conceived as line-of-sight obsolete. It is instant and pervasive music in the twentieth century as a corollary of the aesthetic reasons for dropping the nineteenth-century obsession with the melodic line (from Cage, Coltrane and Coleman way back to Webern). What would help critical writing in both fields make more sense is a really fresh and demanding inquiry into parallel aesthetic phenomena and interrelationships of music and the visual arts.
	<ref>Art International Vol.11, Iss.8: p.58: https://www.kurtvonmeier.com/jules-olitski-and-roy-lichtenstein View on [https://archive.org/details/sim_art-international_1967-10-20_11_8/page/58/mode/2up?q=%22Red+crayola%22 Internet Archive]</ref>		<ref>Art International Vol.11, Iss.8: p.58: https://www.kurtvonmeier.com/jules-olitski-and-roy-lichtenstein View on [https://archive.org/details/sim_art-international_1967-10-20_11_8/page/58/mode/2up?q=%22Red+crayola%22 Internet Archive]</ref>
	</blockquote>		</blockquote>

imported>Dotclub: /* 1969-08-08 Cash Box: Metanomena */

2022-10-11T23:02:20Z

1969-08-08 Cash Box: Metanomena

← Older revision		Revision as of 16:02, 11 October 2022
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	<blockquote>		<blockquote>
	At another level are the groups like Arther Brown, Bonzo Dog Doodah Band, Hapshash and the Coloured Coat (featuring the Human Host and the Heavy Metal Kids!) , the Mothers of Invention, Captain Beefheart and Red Crayola, the Texas group that, as Rolling Stone pointed out, are proud of the fact that they have never been invited to play anywhere twice. In an appearance at the Berkeley Folk Festival several years ago they utilized a galvanized drum with chicken wire stretched across the top supporting a chunk of ice which, as it melted and dripped, provided a kind of bottom to their sound which at the top consisted of electronic distortion at such a high level of intensity that when they ~~per- formed~~, all of the street peoples' dogs fled howling from the scene.		At another level are the groups like Arther Brown, Bonzo Dog Doodah Band, Hapshash and the Coloured Coat (featuring the Human Host and the Heavy Metal Kids!) , the Mothers of Invention, Captain Beefheart and Red Crayola, the Texas group that, as Rolling Stone pointed out, are proud of the fact that they have never been invited to play anywhere twice. In an appearance at the Berkeley Folk Festival several years ago they utilized a galvanized drum with chicken wire stretched across the top supporting a chunk of ice which, as it melted and dripped, provided a kind of bottom to their sound which at the top consisted of electronic distortion at such a high level of intensity that when they performed, all of the street peoples' dogs fled howling from the scene.
	<ref>https://worldradiohistory.com/hd2/IDX-Business/Music/Archive-Cash-Box-IDX/60s/1969/CB-1969-08-09-OCR-Page-0040.pdf</ref>		<ref>https://worldradiohistory.com/hd2/IDX-Business/Music/Archive-Cash-Box-IDX/60s/1969/CB-1969-08-09-OCR-Page-0040.pdf</ref>
	</blockquote>		</blockquote>

imported>Dotclub: /* 2016 */

2022-10-03T23:51:13Z

2016

@@ Line 1,175: / Line 1,175: @@
 {{collapse top|2016}}
 == 2016 ==
 {{collapse bottom}}
 {{collapse top|2017}}
 == 2017 ==

imported>Dotclub: /* 2021-04-21 J. Spaceman and John Coxon Play The Red Krayola Live 1967 */

2022-10-03T23:44:17Z

2021-04-21 J. Spaceman and John Coxon Play The Red Krayola Live 1967

← Older revision		Revision as of 16:44, 3 October 2022
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	== 2021 ==		== 2021 ==

	=== 2021-04-21 J. Spaceman and John Coxon Play The Red Krayola Live 1967 ===		=== 2021-04-21 J. Spaceman and John Coxon Play The Red Krayola Live 1967 LP ===

	Recorded 2019-10-19		Recorded 2019-10-19

imported>Dotclub: /* 2021 */

2022-10-03T23:29:52Z

2021

← Older revision		Revision as of 16:29, 3 October 2022
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	== 2021 ==		== 2021 ==

			=== 2021-04-21 J. Spaceman and John Coxon Play The Red Krayola Live 1967 ===

			Recorded 2019-10-19

			<blockquote>
			"Trems, feedback, metronomes and a music box………This recording was made during preparation for a joint performance by J Spaceman and J Coxon as part of : Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019.

			The idea was to attempt to do a cover version of The Red Krayola’s radical and unrepeatable performance at the Angry Arts Festival in 1967. Spaceman and Coxon listened, separately, to the recordings from the Venice Pavilion Concert and then got together to try to play a version of it without rehearsal. This is a recording of that that anti-rehearsal which they then attempted to repeat in NYC a week later at the the Art and Language Lisson Gallery show."
			<ref>https://boomkat.com/products/play-the-red-krayola-live-1967</ref>
			</blockquote>

	{{collapse bottom}}		{{collapse bottom}}

	{{collapse top\|2022}}		{{collapse top\|2022}}

	== 2022 ==		== 2022 ==
	{{collapse bottom}}		{{collapse bottom}}

	== References ==		== References ==

imported>Dotclub: /* 2018 */

2022-10-03T06:03:07Z

2018

← Older revision		Revision as of 23:03, 2 October 2022
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	== 2018 ==		== 2018 ==

			=== 2018 Ground Floor / 8th Floor exhibition catalog===

	=== 2018-01-26 Art, Mystery novella ===		=== 2018-01-26 Art, Mystery novella ===

imported>Dotclub: /* 2017 */

2022-10-03T05:20:35Z

2017

← Older revision		Revision as of 22:20, 2 October 2022
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	{{collapse top\|2017}}		{{collapse top\|2017}}
	== 2017 ==		== 2017 ==

			=== 2017-07-27 Drag City catalog added to Apple Music ===

			Excerpt:

			<blockquote>
			Barring a few notable exceptions (like Jim O’Rourke’s solo records), the label’s entire catalog will have made its way to streaming, via Apple Music, by tomorrow.
			<ref>https://pitchfork.com/thepitch/drag-city-streaming-where-to-start/</ref>
			</blockquote>

	=== 2017-10-17 announced Art, Mystery novella ===		=== 2017-10-17 announced Art, Mystery novella ===

imported>Dotclub: /* 2018 */

2022-10-03T05:16:19Z

2018

← Older revision		Revision as of 22:16, 2 October 2022
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	7-9 PM		7-9 PM
	<ref>http://356mission.com/item/mayo-thompson-book-launch-and-signing/?tab=More</ref>		<ref>http://356mission.com/item/mayo-thompson-book-launch-and-signing/?tab=More</ref>
			</blockquote>

			=== 2018-04-01 Drag City catalog added to Spotify ===

			<blockquote>
			Independent label Drag City notoriously kept their releases off major streaming services until they finally moved the majority of their catalog over to Apple Music last year. Now, the majority of the label’s discography is available on Spotify, Tidal, and Google Play.
			<ref>https://pitchfork.com/news/drag-city-records-now-streaming-on-spotify-and-tidal/</ref>
	</blockquote>		</blockquote>

imported>Dotclub: /* 2018 */

2022-10-03T05:14:00Z

2018

@@ Line 1,218: / Line 1,218: @@
 -9 PM
 <ref>http://356mission.com/item/mayo-thompson-book-launch-and-signing/?tab=More</ref>
 </blockquote>

← Older revision		Revision as of 13:57, 7 August 2024
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	Temporary page containing links and sources.		Temporary page containing links and sources.
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			\|[[File:Parable-front.jpg\|center\|frameless\|88x88px]]
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			\|[[File:Coconut-Hotel-front.png\|center\|frameless\|88x88px]]
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			\|[[File:Live-1967-front.jpg\|center\|frameless\|88x88px]]
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			\|[[File:God-Bless-front.jpg\|center\|frameless\|88x88px]]
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			\|[[File:Corky-front.png\|center\|frameless\|88x88px]]
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			\|[[File:Corrected-1982-front.png\|center\|frameless\|88x88px]]
			\|Joseph Beuys
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			\|[[File:Wives-in-Orbit-front.jpg\|center\|frameless\|89x89px]]
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			\|[[File:Soldier-Talk-front.jpg\|center\|frameless\|88x88px]]
			\|[[File:Van-Brienenoordbrug-postcard.jpg\|center\|frameless\|88x88px]]
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			\|[[File:Micro-Chips-front.jpg\|center\|frameless\|88x88px]]
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			\|[[File:Micro-Chips-back.jpg\|center\|frameless\|88x88px]]
			\|[[File:Temple-of-Poseidon.jpg\|center\|frameless\|88x88px]]
			\|-
			\|[[File:Born-in-Flames-front.jpg\|center\|frameless\|92x92px]]
			\|[[File:Born-in-Flames-Soviet-poster.jpg\|center\|frameless\|127x127px]]
			\|[[File:Born-in-Flames-back.jpg\|center\|frameless\|91x91px]]
			\|[[File:Otto-Ready-for-Battle.jpg\|center\|frameless\|151x151px]]
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			\|[[File:Baselitz-Akt-1978.jpg\|center\|frameless\|109x109px]]
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			\|[[File:Deyneka-Future-Pilots.jpg\|center\|frameless\|88x88px]]
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			\|[[File:Freud-Jokes.jpg\|center\|frameless\|112x112px]]
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			\|[[File:Black-Snakes-front.png\|center\|frameless\|88x88px]]
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			\|[[File:Three-Songs-front.jpg\|center\|frameless\|88x88px]]
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			\|[[File:Three-Songs-back.jpg\|center\|frameless\|88x88px]]
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	=== Dates ===		=== Dates ===