https://redkrayolawiki.org/w/index.php?action=history&feed=atom&title=Vinyl_IIVinyl II - Revision history2026-05-08T06:54:06ZRevision history for this page on the wikiMediaWiki 1.43.1https://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13060&oldid=prevDotclub at 20:50, 24 November 20232023-11-24T20:50:19Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Vinyl II|''Vinyl II'']] is a 2000 short film by [[Stephen Prina]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Vinyl II|''Vinyl II'']] is a 2000 short film by <ins style="font-weight: bold; text-decoration: none;">artist and musician </ins>[[Stephen Prina]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[https://vimeo.com/417417674 '''Watch on Vimeo''']</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[https://vimeo.com/417417674 '''Watch on Vimeo'''] <ins style="font-weight: bold; text-decoration: none;">(21:04)</ins></div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[https://ubu.com/film/prina_vinyl.html '''Watch on UbuWeb''']</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[https://ubu.com/film/prina_vinyl.html '''Watch on UbuWeb'''] <ins style="font-weight: bold; text-decoration: none;">(21:11)</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td></tr>
</table>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13059&oldid=prevDotclub at 20:49, 24 November 20232023-11-24T20:49:38Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000."<ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>"The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000."<ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The performance was filmed October 4, 1999.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Paintings ===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Paintings ===</div></td></tr>
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</table>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13058&oldid=prevDotclub at 20:31, 31 October 20232023-10-31T20:31:39Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:31, 31 October 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote></del>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. [...] the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).<del style="font-weight: bold; text-decoration: none;"></blockquote></del><ref>https://www.<del style="font-weight: bold; text-decoration: none;">cubittartists</del>.org<del style="font-weight: bold; text-decoration: none;">.uk</del>/<del style="font-weight: bold; text-decoration: none;">stephen-prina-vinyl-ii<</del>/<del style="font-weight: bold; text-decoration: none;">ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000</del>.</<del style="font-weight: bold; text-decoration: none;">blockquote</del>></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">"</ins>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. [...] the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).<ins style="font-weight: bold; text-decoration: none;">"</ins><ref>https://www.<ins style="font-weight: bold; text-decoration: none;">tfaoi</ins>.org/<ins style="font-weight: bold; text-decoration: none;">aa/1aa</ins>/<ins style="font-weight: bold; text-decoration: none;">1aa429</ins>.<ins style="font-weight: bold; text-decoration: none;">htm</ins></<ins style="font-weight: bold; text-decoration: none;">ref</ins>></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">"The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000."<ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Paintings ===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Paintings ===</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><gallery mode="packed"></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><gallery mode="packed"></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Retrospectives ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Retrospectives ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Stephen Prina]], 2000<ref>https://nicolasexertier.blogspot.com/2014/05/stephen-prina-monochrome-painting.html</ref> (translated)<blockquote>I think all art is didactic. [...] From a work of art emanates an attitude towards certain kinds of subjects, towards a formal arrangement that is to some extent parallel to the organizations we find in the social sphere. It seems to me that art always works that way. It formulates more or less explicitly proposals on how social orders might be reorganized. Such is the didactic function of art, I think. In my movie (''Vinyl II''), for example, I'm not trying to make people learn things about Georges de La Tour. I use it more as a detour to get something else. I don't think this film is about Georges de La Tour or Honthorst or even about the painting itself or the museum itself. Rather, it has to do with the policy of our movement as spectators through the museum. This is why I tried to produce such a strict and formalizing movement of the camera through the museum. It is a movement parallel to that which we carry out when we walk in a museum. We see some things while others escape us. We either have an attraction for something or we don't. This is at the heart of all inclusion or exclusion procedures. [...]</blockquote>Stephen Prina, 2016<ref>https://www.studiointernational.com/stephen-prina-interview-galesburg-illinois</ref><blockquote>For a long time, I kept the works quite separate. Even within my visual art practice I thought that I wanted to dig my heels in and establish the parameters of what, for example, a photo project could be, or what a drawing or painting project could be. I wanted to keep these things quite separate. I didn’t want to make hybrids per se. It was the same with the music. Then I came in contact with the book In Search of Wagner by Theodor Adorno, and that very clearly articulates the tendency towards the ''Gesamtkunstwerk'' – the total artwork. Adorno very well articulated my inchoate thoughts. That was something that I followed in my practice for some time. It wasn’t until 2000 when I was commissioned to make an artwork for the Getty Museum, I told them I would like to make a music film, and that was the first project where there was this full integration of the visual and the musical.</blockquote></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Stephen Prina]], 2000<ref>https://nicolasexertier.blogspot.com/2014/05/stephen-prina-monochrome-painting.html</ref> (translated)<blockquote>I think all art is didactic. [...] From a work of art emanates an attitude towards certain kinds of subjects, towards a formal arrangement that is to some extent parallel to the organizations we find in the social sphere. It seems to me that art always works that way. It formulates more or less explicitly proposals on how social orders might be reorganized. Such is the didactic function of art, I think. In my movie (''Vinyl II''), for example, I'm not trying to make people learn things about Georges de La Tour. I use it more as a detour to get something else. I don't think this film is about Georges de La Tour or Honthorst or even about the painting itself or the museum itself. Rather, it has to do with the policy of our movement as spectators through the museum. This is why I tried to produce such a strict and formalizing movement of the camera through the museum. It is a movement parallel to that which we carry out when we walk in a museum. We see some things while others escape us. We either have an attraction for something or we don't. This is at the heart of all inclusion or exclusion procedures. [...]</blockquote>Stephen Prina, 2016<ref>https://www.studiointernational.com/stephen-prina-interview-galesburg-illinois</ref><blockquote>For a long time, I kept the works quite separate. Even within my visual art practice I thought that I wanted to dig my heels in and establish the parameters of what, for example, a photo project could be, or what a drawing or painting project could be. I wanted to keep these things quite separate. I didn’t want to make hybrids per se. It was the same with the music. Then I came in contact with the book <ins style="font-weight: bold; text-decoration: none;">''</ins>In Search of Wagner<ins style="font-weight: bold; text-decoration: none;">'' </ins>by Theodor Adorno, and that very clearly articulates the tendency towards the ''Gesamtkunstwerk'' – the total artwork. Adorno very well articulated my inchoate thoughts. That was something that I followed in my practice for some time. It wasn’t until 2000 when I was commissioned to make an artwork for the Getty Museum, I told them I would like to make a music film, and that was the first project where there was this full integration of the visual and the musical.</blockquote></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Reviews ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Reviews ==</div></td></tr>
</table>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13057&oldid=prevDotclub: /* Lyrics */2023-10-31T20:29:03Z<p><span class="autocomment">Lyrics</span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Vinyl II]] is a 2000 short film by [[Stephen Prina]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Vinyl II<ins style="font-weight: bold; text-decoration: none;">|''Vinyl II''</ins>]] is a 2000 short film by [[Stephen Prina]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://vimeo.com/417417674 '''Watch on Vimeo''']</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[https://vimeo.com/417417674 '''Watch on Vimeo''']</div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=== Other recordings ===</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A condensed version of the piece appears on ''[[Concerto for Modern, Movie, and Pop Music for Ten Instruments and Voice]]'' (2011).</ins></div></td></tr>
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</table>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13056&oldid=prevDotclub at 08:03, 7 July 20232023-07-07T08:03:14Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Retrospectives ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Retrospectives ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Stephen Prina]], <del style="font-weight: bold; text-decoration: none;">April </del>2000<ref>https://nicolasexertier.blogspot.com/2014/05/stephen-prina-monochrome-painting.html</ref> (translated)<blockquote><del style="font-weight: bold; text-decoration: none;">[...] </del>I think all art is didactic. [...] From a work of art emanates an attitude towards certain kinds of subjects, towards a formal arrangement that is to some extent parallel to the organizations we find in the social sphere. It seems to me that art always works that way. It formulates more or less explicitly proposals on how social orders might be reorganized. Such is the didactic function of art, I think. In my movie (''Vinyl II''), for example, I'm not trying to make people learn things about Georges de La Tour. I use it more as a detour to get something else. I don't think this film is about Georges de La Tour or Honthorst or even about the painting itself or the museum itself. Rather, it has to do with the policy of our movement as spectators through the museum. This is why I tried to produce such a strict and formalizing movement of the camera through the museum. It is a movement parallel to that which we carry out when we walk in a museum. We see some things while others escape us. We either have an attraction for something or we don't. This is at the heart of all inclusion or exclusion procedures. [...]</blockquote></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[Stephen Prina]], 2000<ref>https://nicolasexertier.blogspot.com/2014/05/stephen-prina-monochrome-painting.html</ref> (translated)<blockquote>I think all art is didactic. [...] From a work of art emanates an attitude towards certain kinds of subjects, towards a formal arrangement that is to some extent parallel to the organizations we find in the social sphere. It seems to me that art always works that way. It formulates more or less explicitly proposals on how social orders might be reorganized. Such is the didactic function of art, I think. In my movie (''Vinyl II''), for example, I'm not trying to make people learn things about Georges de La Tour. I use it more as a detour to get something else. I don't think this film is about Georges de La Tour or Honthorst or even about the painting itself or the museum itself. Rather, it has to do with the policy of our movement as spectators through the museum. This is why I tried to produce such a strict and formalizing movement of the camera through the museum. It is a movement parallel to that which we carry out when we walk in a museum. We see some things while others escape us. We either have an attraction for something or we don't. This is at the heart of all inclusion or exclusion procedures. [...]<ins style="font-weight: bold; text-decoration: none;"></blockquote>Stephen Prina, 2016<ref>https://www.studiointernational.com/stephen-prina-interview-galesburg-illinois</ref><blockquote>For a long time, I kept the works quite separate. Even within my visual art practice I thought that I wanted to dig my heels in and establish the parameters of what, for example, a photo project could be, or what a drawing or painting project could be. I wanted to keep these things quite separate. I didn’t want to make hybrids per se. It was the same with the music. Then I came in contact with the book In Search of Wagner by Theodor Adorno, and that very clearly articulates the tendency towards the ''Gesamtkunstwerk'' – the total artwork. Adorno very well articulated my inchoate thoughts. That was something that I followed in my practice for some time. It wasn’t until 2000 when I was commissioned to make an artwork for the Getty Museum, I told them I would like to make a music film, and that was the first project where there was this full integration of the visual and the musical.</ins></blockquote></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Reviews ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Reviews ==</div></td></tr>
</table>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13055&oldid=prevDotclub at 07:23, 28 June 20232023-06-28T07:23:12Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Vinyl II]] is a 2000 short film by [[Stephen Prina]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Vinyl II]] is a 2000 short film by [[Stephen Prina]].</div></td></tr>
</table>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13054&oldid=previmported>Dotclub at 20:43, 13 June 20232023-06-13T20:43:45Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[https://vimeo.com/417417674 Watch on Vimeo]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[https://vimeo.com/417417674 <ins style="font-weight: bold; text-decoration: none;">'''</ins>Watch on Vimeo<ins style="font-weight: bold; text-decoration: none;">'''</ins>]</div></td></tr>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[https://ubu.com/film/prina_vinyl.html Watch on UbuWeb]</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[https://ubu.com/film/prina_vinyl.html <ins style="font-weight: bold; text-decoration: none;">'''</ins>Watch on UbuWeb<ins style="font-weight: bold; text-decoration: none;">'''</ins>]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td></tr>
</table>imported>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13053&oldid=previmported>Dotclub at 06:58, 24 May 20232023-05-24T06:58:20Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:58, 23 May 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. [...] the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).</blockquote><ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. <del style="font-weight: bold; text-decoration: none;">Prina’s film, however, revolves around two Baroque paintings </del>[...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000.</blockquote></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. [...] the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).</blockquote><ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000.</blockquote></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Paintings ===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Paintings ===</div></td></tr>
</table>imported>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13052&oldid=previmported>Dotclub at 06:56, 24 May 20232023-05-24T06:56:25Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:56, 23 May 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11">Line 11:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. [...] the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).</blockquote><ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. Prina’s film, however, revolves around two Baroque paintings [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000.</blockquote></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. [...] the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).</blockquote><ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. Prina’s film, however, revolves around two Baroque paintings [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000.</blockquote></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">=== Paintings ===</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><gallery mode="packed"></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><gallery mode="packed"></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>File:Gerrit van Honthorst (Dutch - Christ Crowned with Thorns - Google Art Project.jpg|Christ Crowned with Thorns by Gerrit van Honthorst, 1620</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>File:Gerrit van Honthorst (Dutch - Christ Crowned with Thorns - Google Art Project.jpg|Christ Crowned with Thorns by Gerrit van Honthorst, 1620</div></td></tr>
</table>imported>Dotclubhttps://redkrayolawiki.org/w/index.php?title=Vinyl_II&diff=13051&oldid=previmported>Dotclub at 06:55, 24 May 20232023-05-24T06:55:18Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:55, 23 May 2023</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Background ==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. <del style="font-weight: bold; text-decoration: none;">Featuring an original score and a performance by the artist, </del>the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).</blockquote><ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. Prina’s film, however, revolves around two Baroque paintings [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000.</blockquote></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ref>https://www.tfaoi.org/aa/1aa/1aa429.htm</ref><blockquote>Prina's Vinyl II is a 21-minute, 16-mm film shot in the Getty galleries. <ins style="font-weight: bold; text-decoration: none;">[...] </ins>the film focuses on the relationship between works in the Getty collection by two artists known for dramatically illuminated night scenes: Georges de La Tour (The Musicians' Brawl, 1625-30) and Gerrit van Honthorst (Christ Crowned with Thorns, circa 1620).</blockquote><ref>https://www.cubittartists.org.uk/stephen-prina-vinyl-ii</ref><blockquote>The work’s title is a reference to Andy Warhol’s film Vinyl (1965), itself loosely based upon Anthony Burgess’s book A Clockwork Orange. Prina’s film, however, revolves around two Baroque paintings [...] The film features both a vocal performance and score by the artist, accompanied by a group of musicians and shot in the galleries of the J. Paul Getty Center in Los Angeles, where it was originally commissioned as part of the ‘Departures’ show in 2000.</blockquote></div></td></tr>
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</table>imported>Dotclub