Art-Language Vol. 3 No. 1

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Note: A digital copy of this issue is included in the free Home From Home Kit D'exposition.

Art-Language Vol. 3 No. 1
Publication Art-Language
Date September 1974
Volume 3
Number 1
Publisher
Editor Ian Burn, Mel Ramsden, Terry Smith

Contents

Title pg. Reprinted in
1. Caution 1
2. Somewhere to Begin 2-4
3. Language has a Hold on us 5-7
4. Market Relations 8-9
5. Apodictic Tableaux 10-12
6. Ideal Speakers... 13-14
7. Annotations... Selective Memory (Histrionics?)... 15-17
8. Cacophonous... 18-19
9. Bureaucracy... 20
10. Points of Order? 21-22
11. No Refuge in 'Audience'... 23-26
12. 'Sometimes I feel like an Artist...' 27-31
13. Institutional Serenity 32-35
14. A 'Logic' of Going-On? 36
15. Do We Have Anything like 'Assertion'? 37-41
16. What are we doing in Language? 42-43
17. 'Consistency' is an Ideological Postulate 44-47
18. Dead Horse... 48-49
19. Iteration 50
20. More Exhortations? 51-53
21. Joseph Kosuth says that the group is a Cultural Ghetto 54-55
22. ...Overboard about Kierkegaard 57-59
23. Fur Teacups 60-61
24. Straight Talk? 62-63
25. Equivocating... 64-67
26. Routine... 68
27. ...Corpse of Official Language 69-70
28. We Wish they had a Dictionary 71-73
29. ...Concatenation... 74-75
30. Bxal-ing 76-79
31. Endless Revisability... 80-82
32. Striving in the Uproar 83-86
33. Art-Career Components 87-89
34. The Unreality of this Culture 90-97
35. Modeish about Cultural Indeterminacy 98-100
36. Exploitation... Education... 101-103
37. Shop-Floorish? 104-105
38. Leftish Critique 106-108
39. Sporadic Encounter 109-110

Retrospectives

Charles Harrison, 1991[1]

In recognition of the increasingly transatlantic character of the group, Art-Language, vol. 3, no. 1, was composed entirely of transcripts from conversations recorded in New York and was edited by Burn, Ramsden, and Smith. This edition of the journal was published in September 1974 with the subtitle 'Draft for an Anti-Textbook'. That this publication was largely disregarded in England, however, served only to emphasize the grounds of divergence of interests. With the publication of The Fox in New York the following April, the quorateness of Art-Language itself was finally called into question.

Reviews

Art & Language International

2016[2]

Robert Bailey

References

  1. Essays on Art & Language, pg. 114
  2. pg.70-76