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* ''Happenings'' (ed. Oscar Masotta, 1967)
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|-
|[[Christine Kozlov]]
|[[Christine Kozlov]]
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|6
|6
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* ''Nonanthropomorphic Art by Four Young Artists'' (1967)
|-
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|Hélio Oiticica
|Hélio Oiticica
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|8
|8
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* ''Aspiro ao Grande Labirinto'' (1986)
* ''Hélio Oiticica'' (ed. Guy Brett, 1992)
|-
|-
|Sol LeWitt
|Sol LeWitt
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|12
|12
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* ''Artforum'' (Summer 1967)
|-
|-
|Sigmund Bode
|Sigmund Bode
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|18
|18
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* ''Aspen'', 5–6 (Fall-Winter 1967)
|-
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|Mel Bochner
|Mel Bochner
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|22
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* ''Artforum'' (December 1967)
|-
|-
|Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni
|Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni
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|28
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* ''Six Years: The Dematerialization of the Art Object from 1966 to 1972'' (1973)
|-
|-
|Michel Claura
|Michel Claura
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|32
|32
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* ''Arts Magazine'' (November 1967)
|-
|-
|Adrian Piper
|Adrian Piper
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|36
|36
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* ''Out of Order, Out of Sight. Volume II: Selected Writings in Art Criticism 1967–1992'' (Adrian Piper, 1996)
|-
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|Hélio Oiticica
|Hélio Oiticica
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|40
|40
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* ''Nova Objetividade Brasileira'' (1967)
* ''Hélio Oiticica'' (ed. Guy Brett, 1992)
|-
|-
! colspan="4" |II. 1968
! colspan="4" |II. 1968
|-
|-
|Lucy R. Lippard and John Chandler
|The Dematerialization of Art
|46
|
|
* ''Art International'' (February 1968)
|-
|Terry Atkinson
|Concerning the Article "The Dematerialization of Art"
|52
|
|
* ''Six Years: The Dematerialization of the Art Object from 1966 to 1972'' (1973)
|-
|Yvonne Rainer
|Statement
|60
|
|
* ''The Mind Is a Muscle''
* ''Yvonne Rainer: Work 1961–73'' (1974)
|-
|Hanne Darboven
|Statement to Lucy Lippard
|62
|
|
|-
|-
|Georges Boudaille
|Interview with Daniel Buren: Art Is No Longer Justifiable or Setting the Record Straight
|66
|
|
* ''Les Lettres Francaises'' (1968)
|-
|María Teresa Gramuglio and Nicolás Rosa
|Tucumán Burns
|76
|
|
|-
! colspan="4" |III. 1969
|-
|Michel Claura
|Paris Commentary
|82
|
|
* ''Studio International'' (January 1969)
|-
|Gregory Battcock
|Painting Is Obsolete
|88
|
|
* ''New York Free Press'' (January 23, 1969)
|-
|-
|Dan Graham
|Art Workers’ Coalition Open Hearing Presentation
|92
|
|
* ''An Open Hearing on the Subject: What Should Be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers’ Coalition'' (1969)
|-
|Editors of ''[[Art-Language]]''
|Introduction
|98
|
|
* ''[[Art-Language Vol. 1 No. 1]]'' (May 1969)
|-
|Sol LeWitt
|Sentences on Conceptual Art
|106
|
|
* ''0–9'', no. 5 (January 1969)
* ''[[Art-Language Vol. 1 No. 1]]'' (May 1969)
|-
|Ian Burn
|Dialogue
|110
|
|
* ''Art Press'' (The Society for Theoretical Art & Analysis, July 1969)
|-
|-
|Lee Lozano
|Dialogue Piece
|112
|
|
|-
|Mierle Laderman Ukeles
|Maintenance Art Manifesto, Proposal for an Exhibition, "CARE"
|122
|
|
|-
|John Murphy
|Patron’s Statement for "When Attitudes Become Form"
|126
|
|
|-
|Piero Gilardi
|Politics and the Avant-Garde
|128
|
|
* ''Op Losse Schroeven: situaties en cryptostructuren'' (1969)
|-
|-
|Jean Clay
|Art Tamed and Wild
|136
|
|
* ''Studio International'' (June 1969)
|-
|Rolf Wedewer
|Introduction to ''Konzeption/Conception''
|142
|
|
* ''Konzeption/Conception'' (1969)
|-
|Daniel Buren
|Beware
|144
|
|
* ''Konzeption/Conception'' (1969)
* ''VH101'', no. 1 (Spring 1970)
* ''Studio International'' (March 1970)
|-
|Joseph Kosuth
|Art After Philosophy
|158
|
|
* ''Studio International'' (October, November 1969)
|-
|-
|Lucy R. Lippard
|Introduction to ''557,087''
|178
|
|
* ''557,087'' (1969)
* ''955,000'' (1970)
|-
! colspan="4" |IV. 1970
|-
|Ian Burn
|Conceptual Art as Art
|188
|
|
* ''Art and Australia'' (September 1970)
|-
|Mel Bochner
|Excerpts from Speculation (1967–1970)
|192
|
|
* ''Artforum'' (May 1970)
|-
|[[Charles Harrison]] and Seth Siegelaub
|On Exhibitions and the World at Large
|198
|
|
* ''Studio International'' (December 1969)
|-
|-
|[[Charles Harrison]]
|Notes Towards Art Work
|204
|
|
* ''Studio International'' (February 1970)
|-
|Athena Tacha Spear
|Introduction to ''Art in the Mind''
|210
|
|
|-
|Kynaston McShine
|Introduction to ''Information''
|212
|
|
* ''Information'' (1970)
|-
|Jack Burnham
|Alice’s Head: Reflections on Conceptual Art
|216
|
|
* ''Artforum'' (February 1970)
|-
|-
|Harold Rosenberg
|De-aestheticization
|220
|
|
* ''The New Yorker'' (January 24, 1970)
|-
|Luis Camnitzer
|Contemporary Colonial Art
|224
|
|
* ''Marcha'' (1970)
|-
|Cildo Meireles
|Insertions in Ideological Circuits
|232
|
|
* ''Malasartes'', no. 1 (September-November 1975)
* ''Cildo Meireles: IVAM Centre del Carme, 2 Febrero/23 abril 1995'' (1995)
|-
! colspan="4" |V. 1971-1974
|-
|Michel Claura
|Interview with Lawrence Weiner
|236
|
|
* ''VH-101'', 5 (Spring 1971)
|-
|-
|Jeanne Siegel
|An Interview with Hans Haacke
|242
|
|
|-
|Victor Burgin
|Rules of Thumb
|248
|
|
|-
|Terry Smith
|Propositions
|258
|
|
|-
|Catherine Millet
|Interview with ''[[Art-Language]]''
|262
|
|
|-
|-
|Max Kozloff
|The Trouble with Art-as-Idea
|268
|
|
|-
|Robert Smithson
|Cultural Confinement
|280
|
|
|-
|Robert Smithson
|Production for Production’s Sake
|284
|
|
|-
|Michel Claura and Seth Siegelaub
|L’art conceptuel
|286
|
|
|-
|-
|Lucy R. Lippard
|Postface, in ''Six Years: The Dematerialization of the Art Object, 1966 to 1972''
|294
|
|
|-
|Adrian Piper
|In Support of Meta-Art
|298
|
|
|-
|Hans Haacke
|All the "Art" That’s Fit to Show
|302
|
|
|-
! colspan="4" |VI. 1975-1977
|-
|Sarah Charlesworth
|A Declaration of Dependence
|308
|
|
|-
|-
|Ian Burn
|The Art Market: Affluence and Degradation
|320
|
|
|-
|Joseph Kosuth
|1975
|334
|
|
|-
|[[Art & Language|Art & Language, UK]]
|Having-Your-Heart-in-the-Right-Place-Is-Not-Making-History
|350
|
|
|-
|[[Art & Language|Art & Language, UK]]
|The Timeless Lumpenness of Radical Cultural Life
|354
|
|
|-
|-
|Marcel Broodthaers
|To Be ''bien pensant...'' or Not to Be. To Be Blind
|358
|
|
|-
|Allan Sekula
|Documentary and Corporate Violence
|360
|
|
|-
|Martha Rosler
|To Argue for a Video of Representation. To Argue for a Video Against the Mythology of Everyday Life
|366
|
|
|-
|Mary Kelly
|Notes on Reading the ''Post-Partum Document''
|370
|
|
|-
|-
|Benjamin H. D. Buchloh
|Moments of History in the Work of Dan Graham
|376
|
|
|-
! colspan="4" |VII. Memoirs of Conceptual Art
|-
|Ian Burn
|The ’Sixties: Crisis and Aftermath (or the Memoirs of an Ex-Conceptual Artist)
|392
|
|
|-
|Cildo Meireles
|Statements
|410
|
|
|-
|Ian Wilson
|Conceptual Art
|414
|
|
|-
|-
|Dan Graham
|My Works for Magazine Pages: "A History of Conceptual Art"
|418
|
|
|-
|Adrian Piper
|On Conceptual Art
|424
|
|
|-
|Robert Barry
|Statement
|426
|
|
|-
|Victor Burgin
|Yes, Difference Again: What History Plays the First Time Around as Tragedy, It Repeats as Farce
|428
|
|
|-
|-
|Deke Dusinberre, Seth Siegelaub, Daniel Buren, and Michel Claura
|Working with Shadows, Working with Words
|432
|
|
|-
|[[Art & Language]]
|We Aimed to Be Amateurs
|442
|
|
|-
|Mary Kelly and Terry Smith
|A Conversation About Conceptual Art, Subjectivity and the ''Post-Partum Document''
|450
|
|
|-
|Joseph Kosuth
|Intention(s)
|460
|
|
|-
|-
|
|Michael Corris
|
|Inside a New York Art Gang: Selected Documents of Art & Language, New York
|
|470
|
|
|-
|-
|
|Martha Rosler
|
|Statement
|
|486
|
|
|-
|-
|
|Blake Stimson
|
|"Dada—Situationism/Tupamaros—Conceptualism": An Interview with Luis Camnitzer
|
|492
|
|
|-
|-
|
! colspan="4" |VIII. Critical Histories of Conceptual Art
|
|
|
|-
|-
|
|Jeff Wall
|
|Dan Graham’s Kammerspiel
|
|504
|
|
|-
|-
|
|Benjamin H. D. Buchloh
|
|Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions
|
|514
|
|
|-
|-
|
|[[Charles Harrison]]
|
|Conceptual Art and Critical Judgement
|
|538
|
|
|-
|-
|
|Adrian Piper
|
|The Logic of Modernism
|
|546
|
|
|-
|-
|
|Mari Carmen Ramírez
|
|Blueprint Circuits: Conceptual Art and Politics in Latin America
|
|550
|
|
|-
|-
|
|Thomas Crow
|
|Unwritten Histories of Conceptual Art
|
|564
|
|
|}
|}


== References ==
== References ==

Latest revision as of 14:49, 27 October 2023

1999 anthology edited by Alexander Alberro and Blake Stimson

Contents

Author Title pg. Originally published in
Alexander Alberro Reconsidering Conceptual Art, 1966–1977 xvi
Blake Stimson The Promise of Conceptual Art xxxviii
I. 1966-1967
Eduardo Costa, Raúl Escari, Roberto Jacoby A Media Art (Manifesto) 2
  • Happenings (ed. Oscar Masotta, 1967)
Christine Kozlov Compositions for Audio Structures 6
  • Nonanthropomorphic Art by Four Young Artists (1967)
Hélio Oiticica Position and Program 8
  • Aspiro ao Grande Labirinto (1986)
  • Hélio Oiticica (ed. Guy Brett, 1992)
Sol LeWitt Paragraphs on Conceptual Art 12
  • Artforum (Summer 1967)
Sigmund Bode Excerpt from Placement as Language (1928) 18
  • Aspen, 5–6 (Fall-Winter 1967)
Mel Bochner The Serial Attitude 22
  • Artforum (December 1967)
Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni Statement 28
  • Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973)
Michel Claura Buren, Mosset, Toroni or Anybody 30
Michael Baldwin Remarks on Air-Conditioning: An Extravaganza of Blandness 32
  • Arts Magazine (November 1967)
Adrian Piper A Defense of the "Conceptual" Process in Art 36
  • Out of Order, Out of Sight. Volume II: Selected Writings in Art Criticism 1967–1992 (Adrian Piper, 1996)
Hélio Oiticica General Scheme of the New Objectivity 40
  • Nova Objetividade Brasileira (1967)
  • Hélio Oiticica (ed. Guy Brett, 1992)
II. 1968
Lucy R. Lippard and John Chandler The Dematerialization of Art 46
  • Art International (February 1968)
Terry Atkinson Concerning the Article "The Dematerialization of Art" 52
  • Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973)
Yvonne Rainer Statement 60
  • The Mind Is a Muscle
  • Yvonne Rainer: Work 1961–73 (1974)
Hanne Darboven Statement to Lucy Lippard 62
Georges Boudaille Interview with Daniel Buren: Art Is No Longer Justifiable or Setting the Record Straight 66
  • Les Lettres Francaises (1968)
María Teresa Gramuglio and Nicolás Rosa Tucumán Burns 76
III. 1969
Michel Claura Paris Commentary 82
  • Studio International (January 1969)
Gregory Battcock Painting Is Obsolete 88
  • New York Free Press (January 23, 1969)
Dan Graham Art Workers’ Coalition Open Hearing Presentation 92
  • An Open Hearing on the Subject: What Should Be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers’ Coalition (1969)
Editors of Art-Language Introduction 98
Sol LeWitt Sentences on Conceptual Art 106
Ian Burn Dialogue 110
  • Art Press (The Society for Theoretical Art & Analysis, July 1969)
Lee Lozano Dialogue Piece 112
Mierle Laderman Ukeles Maintenance Art Manifesto, Proposal for an Exhibition, "CARE" 122
John Murphy Patron’s Statement for "When Attitudes Become Form" 126
Piero Gilardi Politics and the Avant-Garde 128
  • Op Losse Schroeven: situaties en cryptostructuren (1969)
Jean Clay Art Tamed and Wild 136
  • Studio International (June 1969)
Rolf Wedewer Introduction to Konzeption/Conception 142
  • Konzeption/Conception (1969)
Daniel Buren Beware 144
  • Konzeption/Conception (1969)
  • VH101, no. 1 (Spring 1970)
  • Studio International (March 1970)
Joseph Kosuth Art After Philosophy 158
  • Studio International (October, November 1969)
Lucy R. Lippard Introduction to 557,087 178
  • 557,087 (1969)
  • 955,000 (1970)
IV. 1970
Ian Burn Conceptual Art as Art 188
  • Art and Australia (September 1970)
Mel Bochner Excerpts from Speculation (1967–1970) 192
  • Artforum (May 1970)
Charles Harrison and Seth Siegelaub On Exhibitions and the World at Large 198
  • Studio International (December 1969)
Charles Harrison Notes Towards Art Work 204
  • Studio International (February 1970)
Athena Tacha Spear Introduction to Art in the Mind 210
Kynaston McShine Introduction to Information 212
  • Information (1970)
Jack Burnham Alice’s Head: Reflections on Conceptual Art 216
  • Artforum (February 1970)
Harold Rosenberg De-aestheticization 220
  • The New Yorker (January 24, 1970)
Luis Camnitzer Contemporary Colonial Art 224
  • Marcha (1970)
Cildo Meireles Insertions in Ideological Circuits 232
  • Malasartes, no. 1 (September-November 1975)
  • Cildo Meireles: IVAM Centre del Carme, 2 Febrero/23 abril 1995 (1995)
V. 1971-1974
Michel Claura Interview with Lawrence Weiner 236
  • VH-101, 5 (Spring 1971)
Jeanne Siegel An Interview with Hans Haacke 242
Victor Burgin Rules of Thumb 248
Terry Smith Propositions 258
Catherine Millet Interview with Art-Language 262
Max Kozloff The Trouble with Art-as-Idea 268
Robert Smithson Cultural Confinement 280
Robert Smithson Production for Production’s Sake 284
Michel Claura and Seth Siegelaub L’art conceptuel 286
Lucy R. Lippard Postface, in Six Years: The Dematerialization of the Art Object, 1966 to 1972 294
Adrian Piper In Support of Meta-Art 298
Hans Haacke All the "Art" That’s Fit to Show 302
VI. 1975-1977
Sarah Charlesworth A Declaration of Dependence 308
Ian Burn The Art Market: Affluence and Degradation 320
Joseph Kosuth 1975 334
Art & Language, UK Having-Your-Heart-in-the-Right-Place-Is-Not-Making-History 350
Art & Language, UK The Timeless Lumpenness of Radical Cultural Life 354
Marcel Broodthaers To Be bien pensant... or Not to Be. To Be Blind 358
Allan Sekula Documentary and Corporate Violence 360
Martha Rosler To Argue for a Video of Representation. To Argue for a Video Against the Mythology of Everyday Life 366
Mary Kelly Notes on Reading the Post-Partum Document 370
Benjamin H. D. Buchloh Moments of History in the Work of Dan Graham 376
VII. Memoirs of Conceptual Art
Ian Burn The ’Sixties: Crisis and Aftermath (or the Memoirs of an Ex-Conceptual Artist) 392
Cildo Meireles Statements 410
Ian Wilson Conceptual Art 414
Dan Graham My Works for Magazine Pages: "A History of Conceptual Art" 418
Adrian Piper On Conceptual Art 424
Robert Barry Statement 426
Victor Burgin Yes, Difference Again: What History Plays the First Time Around as Tragedy, It Repeats as Farce 428
Deke Dusinberre, Seth Siegelaub, Daniel Buren, and Michel Claura Working with Shadows, Working with Words 432
Art & Language We Aimed to Be Amateurs 442
Mary Kelly and Terry Smith A Conversation About Conceptual Art, Subjectivity and the Post-Partum Document 450
Joseph Kosuth Intention(s) 460
Michael Corris Inside a New York Art Gang: Selected Documents of Art & Language, New York 470
Martha Rosler Statement 486
Blake Stimson "Dada—Situationism/Tupamaros—Conceptualism": An Interview with Luis Camnitzer 492
VIII. Critical Histories of Conceptual Art
Jeff Wall Dan Graham’s Kammerspiel 504
Benjamin H. D. Buchloh Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions 514
Charles Harrison Conceptual Art and Critical Judgement 538
Adrian Piper The Logic of Modernism 546
Mari Carmen Ramírez Blueprint Circuits: Conceptual Art and Politics in Latin America 550
Thomas Crow Unwritten Histories of Conceptual Art 564

References

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