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Paintings by [[Art & Language]].
== Background ==
== Background ==
Claude Monet - ''Poplars on the Epte'' (1891)
'''Further reading:'''
* [[Essays on Art & Language|''Essays on Art & Language'']]
* [[Conceptual Art and Painting: Further Essays on Art & Language|''Conceptual Art and Painting: Further Essays on Art & Language'']].


== Works ==
== Works ==
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!Title
!Title
!Hostage
!Hostage
!Study
! colspan="3" |Notes
!Surf
!Notes
|-
|-
|1988
|1988
|1
|1
|Hostage I
|
|
|
| colspan="3" |
|
|
|
|-
|-
|1988
|1988
|2
|2
|Hostage II
|
|
|
| colspan="3" |
|
|
|
|-
|-
|1988
|1988
Line 32: Line 34:
|Hostage III
|Hostage III
|[[File:A-L-Hostage-03.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-03.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|1988
|1988
Line 40: Line 40:
|Hostage IV
|Hostage IV
|[[File:A-L-Hostage-04.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-04.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|1988
|1988
Line 48: Line 46:
|Hostage V
|Hostage V
|[[File:A-L-Hostage-05.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-05.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|1988
|1988
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|Hostage VI
|Hostage VI
|[[File:A-L-Hostage-06.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-06.png|center|frameless|100x100px]]
|
| colspan="3" |
|
* ''[[Essays on Art & Language]]'' (1991) pg.247
|Essays on Art & Language pg.247
|-
|-
|1988
|1988
|7
|7
|Hostage VII
|
|
|
| colspan="3" |
|
* ''[[Art & Language in Practice Vol. 2]]'' (1999)
|
|
|-
|-
|1988
|1988
Line 72: Line 66:
|Hostage VIII
|Hostage VIII
|[[File:A-L-Hostage-08.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-08.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|1988
|1988
|9
|9
|Hostage IX
|Hostage IX
|[[File:A-L-Hostage-09.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-09.jpg|center|frameless|117x117px]]
|
| colspan="3" |
|
* ''[[Essays on Art & Language]]'' (1991) pg.245
|Essays on Art & Language pg.245
|-
|-
|1988
|1988
|10
|10
|Hostage X
|Hostage X
|[[File:A-L-Hostage-10.webp|center|frameless|100x100px]]
|[[File:A-L-Hostage-10.png|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|1988
|1988
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|Hostage XI
|Hostage XI
|[[File:A-L-Hostage-11.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-11.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|
|-
|-
|1988
|1988
Line 104: Line 92:
|Hostage XII
|Hostage XII
|[[File:A-L-Hostage-12.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-12.png|center|frameless|100x100px]]
|
| colspan="3" |
|
* ''[[Essays on Art & Language]]'' (1991) pg.246
|Essays on Art & Language pg.246
|-
|-
|
|
|13
|13
|Hostage XIII (1)
|Hostage XIII (1)
|[[File:A-L-Hostage-13-1.webp|center|frameless|100x100px]]
|[[File:A-L-Hostage-13-1.png|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|
|
|13
|13
|Hostage XIII (3)
|Hostage XIII (3)
|[[File:A-L-Hostage-13-3.webp|center|frameless|100x100px]]
|[[File:A-L-Hostage-13-3.png|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|
|
|14
|14
|Hostage XIV
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
|15
|15
|Hostage XV
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
|16
|16
|Hostage XVI
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
|17
|17
|Hostage XVII
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
|18
|18
|Hostage XVIII
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
|19
|19
|Hostage XIX
|Hostage XIX
|[[File:A-L-Hostage-19.webp|center|frameless|100x100px]]
|[[File:A-L-Hostage-19.png|center|frameless|100x100px]]
|
| colspan="3" |
|
* ''[https://archive.org/details/contemporarypain0000unse/page/60/mode/1up Contemporary Painting]'' (1992)
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001)
|-
|-
|
|
|20
|20
|Hostage XX
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
Line 184: Line 156:
|Hostage XXI
|Hostage XXI
|[[File:A-L-Hostage-21.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-21.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
* Behind the text: "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|
|-
|-
|
|
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|Hostage XXII
|Hostage XXII
|[[File:A-L-Hostage-22.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-22.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
|
|-
|-
|
|
|23
|23
|Hostage XXIII
|
|
|
| colspan="3" |
|
|
|
|-
|-
|
|
|24
|24
|Hostage XXIV
|Hostage XXIV
|[[File:A-L-Hostage-24.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-24.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.87
|Conceptual Art and Painting pg.87
|-
|-
|
|
|25
|25
|Hostage XXV
|Hostage XXV
|[[File:A-L-Hostage-25.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-25.png|center|frameless|100x100px]]
|
| colspan="3" |
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.100
|Conceptual Art and Painting pg.100
|-
!Year
!#
!Title
!Hostage
!Study
!Surf
!Notes
|-
|-
|
|
|26
|26
|
|Hostage XVI
|
|
|
|
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|
|
|-
|-
|
|1989
|27
|27
|
|Hostage XXVII
|
|[[File:A-L-Hostage-27.jpg|center|frameless|99x99px]]
|
|[[File:A-L-Study-for-Hostage-27.jpg|center|frameless|100x100px]]
|
|
|
|
|-
|-
|
|1989
|28
|28
|Hostage XXVIII
|Hostage XXVIII
|[[File:A-L-Hostage-28.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-28.jpg|center|frameless|100x100px]]
|
|
|
|
|Art & Language Paints a Landscape
|
* Art & Language Paints a Landscape
* ''[https://archive.org/details/contemporarypain0000unse/page/66/mode/1up Contemporary Painting]'' (1992)
|-
|-
|1989
|1989
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|[[File:A-L-Hostage-29.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-29.jpg|center|frameless|100x100px]]
|
|
|Conceptual Art and Painting pg.83
|
* ''[https://archive.org/details/contemporarypain0000unse/page/68/mode/1up Contemporary Painting]'' (1992)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.83
|-
|-
|
|1989
|30
|30
|Hostage XXX
|
|
|
|[[File:A-L-Study-for-Hostage-30.jpg|center|frameless|100x100px]]
|
|
|
|
|
|-
|-
|
|1989
|31
|31
|
|Hostage XXXI
|
|[[File:A-L-Hostage-31.jpg|center|frameless|99x99px]]
|
|
|
|
|
|
|-
|-
|
|1989
|32
|32
|
|Hostage XXXII
|
|[[File:A-L-Hostage-32.jpg|center|frameless|99x99px]]
|
|
|
|
Line 278: Line 255:
|
|
|33
|33
|
|Hostage XXXIII
|
|
|
|
Line 286: Line 263:
|
|
|34
|34
|
|Hostage XXXIV
|
|
|
|
Line 294: Line 271:
|
|
|35
|35
|
|Hostage XXXV
|
|
|
|
Line 300: Line 277:
|
|
|-
|-
|
|1990
|36
|36
|Hostage XXXVI
|Hostage XXXVI
|
|[[File:A-L-Hostage-36.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-36.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-36.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-36.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-36.png|center|frameless|100x100px]]
|
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|1990
|1990
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|[[File:A-L-Study-for-Hostage-37.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-37.jpg|center|frameless|100x100px]]
|
|
|Art & Language Paints a Landscape
|"Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|1990
|1990
|38
|38
|
|Hostage XXXVIII
|
|
|
|
Line 326: Line 304:
|1990
|1990
|39
|39
|
|Hostage XXXIX
|
|
|
|
Line 335: Line 313:
|40
|40
|Hostage XL
|Hostage XL
|[[File:A-L-Hostage-40.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-40.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-40.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-40.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-40.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-40.jpg|center|frameless|100x100px]]
|Conceptual Art and Painting pg.105
|
* ''Contemporary Painting'' (1992): [https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Surf 40], [https://archive.org/details/contemporarypain0000unse/page/71/mode/1up Study 40]
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.105
|-
|-
|1990
|1990
|41
|41
|Hostage XLI
|
|
|
|
|
|
|
|
|
* ''[https://archive.org/details/contemporarypain0000unse/page/70/mode/1up Contemporary Painting]'' (1992)
|-
|-
|1990
|1990
|42
|42
|
|Hostage XLII
|
|
|
|
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|1990
|1990
|43
|43
|Hostage XLIII
|
|
|
|[[File:A-L-Study-for-Hostage-43.png|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-43.webp|center|frameless|100x100px]]
||
||
|
|
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|1990
|1990
|48
|48
|Hostage XLVIII
|
|
|
|[[File:A-L-Study-for-Hostage-48.png|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-48.webp|center|frameless|100x100px]]
||
||
|
|
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|50
|50
|Hostage L
|Hostage L
|[[File:A-L-Hostage-50.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-50.jpg|center|frameless|100x100px]][[File:A-L-Hostage-50-text.jpg|center|frameless|100x100px]]
|
|
|
|
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|1990
|1990
|52
|52
|Hostage LII
|
|
|
|[[File:A-L-Study-for-Hostage-52.png|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-52.webp|center|frameless|100x100px]]
||
||
|
|
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|1990
|1990
|53
|53
|
|Hostage LIII
|[[File:A-L-Hostage-53.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-53.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-53.webp|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-53.png|center|frameless|100x100px]]
|
|
|
|
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|
|
|
|
|Conceptual Art and Painting pg.114
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.114
|-
|-
|1990
|1990
|55
|55
|Hostage LV
|[[File:A-L-Hostage-55.jpg|center|frameless|100x100px]]
|
|
|
|
|
|
|
* ''[[Art & Language in Practice Vol. 2]]'' (1999)
|
|-
|-
|1990
|1990
|56
|56
|
|Hostage LVI
|
|[[File:A-L-Hostage-56.jpg|center|frameless|100x100px]]
|
|
|
|
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|1990
|1990
|58
|58
|Hostage LVIII
|[[File:A-L-Hostage-58.jpg|center|frameless|100x100px]]
|
|
|
|
|
|
|
* ''[https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Contemporary Painting]'' (1992)
|
|-
|-
|1990
|1990
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|Hostage LX
|Hostage LX
|[[File:A-L-Hostage-60.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-60.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-60.webp|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-60.png|center|frameless|100x100px]]
||
||
|
|
Line 502: Line 486:
|1990
|1990
|61
|61
|
|Hostage LXI
|
|[[File:A-L-Hostage-61.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-61.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-61.jpg|center|frameless|100x100px]]
||
||
Line 510: Line 494:
|1990
|1990
|62
|62
|
|Hostage LXII
|
|
|[[File:A-L-Study-for-Hostage-62.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-62.jpg|center|frameless|100x100px]]
Line 534: Line 518:
|1990
|1990
|65
|65
|
|Hostage LXV
|
|
|[[File:A-L-Study-for-Hostage-65.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-65.jpg|center|frameless|100x100px]]
Line 546: Line 530:
|
|
|
|
|Conceptual Art and Painting pg.120 - Hostage song
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.120
* "[[Hostage (song)|Hostage]]" song
|-
|-
|1990
|1990
|67
|67
|
|Hostage LXVII
|
|[[File:A-L-Hostage-67.jpg|center|frameless|98x98px]]
|
|
|
|
Line 563: Line 550:
|
|
|
|
* ''[https://archive.org/details/contemporarypain0000unse/page/71/mode/1up Contemporary Painting]'' (1992)
|-
|-
|1990
|1990
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|
|
|
|
|<ref>https://www.art-language.org/page/h/R100.htm</ref>
|
* ''[[Art & Language in Practice Vol. 2]]'' (1999)
* <ref>https://www.art-language.org/page/h/R100.htm</ref>
|-
|-
|1990
|1990
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|73
|73
|Hostage LXXIII
|Hostage LXXIII
|[[File:A-L-Hostage-73.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-73.jpg|center|frameless|100x100px]][[File:A-L-Hostage-73-text.jpg|center|frameless|100x100px]]
|
|
|
|
|
|Conceptual Art and Painting pg.121 - Hostage song
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.121
 
* "[[Hostage (song)|Hostage]]" song
|-
|-
|1990
|1990
Line 610: Line 603:
|[[File:A-L-Study-for-Hostage-74.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-74.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-74.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-74.jpg|center|frameless|100x100px]]
|Conceptual Art and Painting pg.106
|
* ''[https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Contemporary Painting]'' (1992)
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.106
|-
|-
|1990
|1990
Line 618: Line 614:
|[[File:A-L-Study-for-Hostage-75.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-75.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-75.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-75.jpg|center|frameless|100x100px]]
|Conceptual Art and Painting pg.116
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.116<ref>https://archive.org/details/lesensfigureacqu0000fond/page/35/mode/1up</ref>
|-
|-
|1990
|1990
Line 627: Line 624:
|[[File:A-L-Surf-76.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-76.jpg|center|frameless|100x100px]]
|
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|
|
Line 647: Line 645:
|79
|79
|Hostage LXXIX
|Hostage LXXIX
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-79.jpg|center|frameless|100x100px]]
|
|[[File:A-L-Study-for-Hostage-79.jpg|center|frameless|100x100px]]
|
|
|
|
|-
|-
|
|1991
|80
|80
|
|
Line 659: Line 657:
|
|
|
|
|}
=== Studies for Hostage ===
{| class="wikitable"
!Year
!
!Title
!Notes
|-
|-
|1990
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|81
|Study for Hostage 37
|Art & Language Paints a Landscape
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 43
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 52
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 53
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 61
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 65
|
|
|-
|-
|1991
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|82
|Study for Hostage 79
|
|
|
|
|
|
|-
|-
|1990
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|83
|Study for Hostage 83
|Hostage LXXXIII
|
|
|}
|[[File:A-L-Study-for-Hostage-83.png|center|frameless|100x100px]]
 
=== Surf ===
{| class="wikitable"
!Year
!
!Title
!Notes
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Surf 36
|Art & Language Paints a Landscape
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Surf 40
|Conceptual Art and Painting pg.104
|-
|1990
|[[File:A-L-Surf-74.jpg|center|frameless|100x100px]]
|Surf 74
|Conceptual Art and Painting pg.106
|-
|1990
|[[File:A-L-Surf-75.jpg|center|frameless|100x100px]]
|Surf 75
|
|
|-
|1990
|[[File:A-L-Surf-76.jpg|center|frameless|100x100px]]
|Surf 76
|
|
|}
|}

Latest revision as of 05:57, 9 October 2023

Paintings by Art & Language.

Background

Claude Monet - Poplars on the Epte (1891)

Further reading:

Works

Year # Title Hostage Notes
1988 1 Hostage I
1988 2 Hostage II
1988 3 Hostage III
1988 4 Hostage IV
1988 5 Hostage V
1988 6 Hostage VI
1988 7 Hostage VII
1988 8 Hostage VIII
1988 9 Hostage IX
1988 10 Hostage X
1988 11 Hostage XI
  • "Art & Language Paints a Landscape" Critical Inquiry (1995)
1988 12 Hostage XII
13 Hostage XIII (1)
13 Hostage XIII (3)
14 Hostage XIV
15 Hostage XV
16 Hostage XVI
17 Hostage XVII
18 Hostage XVIII
19 Hostage XIX
20 Hostage XX
21 Hostage XXI
  • Behind the text: "Art & Language Paints a Landscape" Critical Inquiry (1995)
22 Hostage XXII
23 Hostage XXIII
24 Hostage XXIV
25 Hostage XXV
Year # Title Hostage Study Surf Notes
26 Hostage XVI
1989 27 Hostage XXVII
1989 28 Hostage XXVIII
1989 29 Hostage XXIX
1989 30 Hostage XXX
1989 31 Hostage XXXI
1989 32 Hostage XXXII
33 Hostage XXXIII
34 Hostage XXXIV
35 Hostage XXXV
1990 36 Hostage XXXVI
  • "Art & Language Paints a Landscape" Critical Inquiry (1995)
1990 37 Hostage XXXVII
"Art & Language Paints a Landscape" Critical Inquiry (1995)
1990 38 Hostage XXXVIII
1990 39 Hostage XXXIX
1990 40 Hostage XL
1990 41 Hostage XLI
1990 42 Hostage XLII
1990 43 Hostage XLIII
1990 44
1990 45
1990 46
1990 47
1990 48 Hostage XLVIII
1990 49 Hostage XLIX
1990 50 Hostage L
1990 51
1990 52 Hostage LII
1990 53 Hostage LIII
1990 54 Hostage LIV
1990 55 Hostage LV
1990 56 Hostage LVI
1990 57
1990 58 Hostage LVIII
1990 59
1990 60 Hostage LX
1990 61 Hostage LXI
1990 62 Hostage LXII
1990 63
1990 64
1990 65 Hostage LXV
1990 66 Hostage LXVI
1990 67 Hostage LXVII
1990 68
1990 69 Hostage LXIX
1990 70 Hostage LXX
1990 71
1990 72
1990 73 Hostage LXXIII
1990 74 Hostage LXXIV
1990 75 Hostage LXXV
1990 76 Hostage LXXVI
  • "Art & Language Paints a Landscape" Critical Inquiry (1995)
77
78
1991 79 Hostage LXXIX
1991 80
1991 81
1991 82
1991 83 Hostage LXXXIII

Interpretations

References

  1. ↑ https://www.art-language.org/page/h/R100.htm
  2. ↑ https://archive.org/details/lesensfigureacqu0000fond/page/35/mode/1up
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