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''[[Modernism, Criticism, Realism|Modernism, Criticism, Realism: Alternative Contexts for Art]]'' is an anthology compiled by Charles Harrison and Fred Orton published 1984 | ''[[Modernism, Criticism, Realism|Modernism, Criticism, Realism: Alternative Contexts for Art]]'' is an anthology compiled by [[Charles Harrison]] and Fred Orton published 1984 | ||
'''[https://archive.org/details/modernismcritici0000unse Read on Archive.org]''' | |||
[https://search.worldcat.org/title/11639319 '''Worldcat'''] | |||
== Contents == | |||
{| class="wikitable" | |||
! | |||
!Author | |||
!Title | |||
!pg. | |||
!Notes | |||
|- | |||
! colspan="5" |I. Aesthetics of Sensibility | |||
|- | |||
|1. | |||
|Clement Greenberg | |||
|''Complaints of an Art Critic'' | |||
|3 | |||
| | |||
|- | |||
|2. | |||
|Richard Wollheim | |||
|''The Work of Art as Object'' | |||
|9 | |||
| | |||
|- | |||
|3. | |||
|John Passmore | |||
|''The Dreariness of Aesthetics'' | |||
|19 | |||
| | |||
|- | |||
|4. | |||
|Beryl Lake | |||
|''A Study of the Irrefutability of Two Aesthetic Theories'' | |||
|25 | |||
| | |||
|- | |||
|5. | |||
|Alasdair MacIntyre | |||
|''Emotivism'' | |||
|37 | |||
| | |||
|- | |||
! colspan="5" |II. Knowledge and Representation | |||
|- | |||
|6. | |||
|Jaakko Hintikka | |||
|''Knowing How, Knowing That, and Knowing What...'' | |||
|47 | |||
| | |||
|- | |||
|7. | |||
|Ludwig Wittgenstein | |||
|''Seeing and Seeing as'' | |||
|57 | |||
| | |||
|- | |||
|8. | |||
|N. R. Hanson | |||
|''Observation'' | |||
|69 | |||
| | |||
|- | |||
|9. | |||
|Nelson Goodman | |||
|''Seven Strictures on Similarity'' | |||
|85 | |||
| | |||
|- | |||
|10. | |||
|Noam Chomsky | |||
|''On Cognitive Capacity'' | |||
|93 | |||
| | |||
|- | |||
|11. | |||
|Barry Barnes | |||
|''Conceptions of Knowledge'' | |||
|101 | |||
| | |||
|- | |||
|12. | |||
|Alison Assiter | |||
|''Philosophical Materialism or the Materialist Conception of History'' | |||
|113 | |||
| | |||
|- | |||
! colspan="5" |III. Representation and Art | |||
|- | |||
|13. | |||
|William M. Ivins Jnr. | |||
|''The Blocked Road to Pictorial Communication'' and ''The Road Block Broken'' | |||
|125 | |||
| | |||
|- | |||
|14. | |||
|Michael Baxandall | |||
|''The Cognitive Style'' | |||
|139 | |||
| | |||
|- | |||
|15. | |||
|[[Art & Language]] | |||
|''Portrait of V. I. Lenin'' | |||
|145 | |||
|''[[Art-Language Vol. 4 No. 4]]'' | |||
|- | |||
! colspan="5" |IV. Expression | |||
|- | |||
|16. | |||
|Nelson Goodman | |||
|''Expression'' | |||
|173 | |||
| | |||
|- | |||
|17. | |||
|Thomas S. Szasz | |||
|''Hysteria as Communication'' | |||
|181 | |||
| | |||
|- | |||
|18. | |||
|[[Art & Language]] | |||
|''Abstract Expression'' | |||
|191 | |||
|''[[Art-Language Vol. 5 No. 1]]'' | |||
|- | |||
! colspan="5" |V. Communities and Interests | |||
|- | |||
|19. | |||
|C. B. Macpherson | |||
|''The Twentieth-Century Dilemma'' | |||
|207 | |||
| | |||
|- | |||
|20. | |||
|Alasdair MacIntyre | |||
|''The Idea of a Social Science'' | |||
|213 | |||
| | |||
|- | |||
|21. | |||
|Thomas S. Kuhn | |||
|''Paradigms, Tacit Knowledge and Incommensurability'' | |||
|229 | |||
| | |||
|- | |||
|22. | |||
|Barry Barnes | |||
|''Culture and History'' | |||
|243 | |||
| | |||
|- | |||
|23. | |||
|[[Art & Language]] | |||
|''Author and Producer Revisited'' | |||
|251 | |||
|''[[Art-Language Vol. 5 No. 1]]'' | |||
|- | |||
|24. | |||
|Noam Chomsky | |||
|''Some General Features of Language'' | |||
|261 | |||
| | |||
|} | |||
== References == |
Latest revision as of 19:38, 22 October 2024
Modernism, Criticism, Realism: Alternative Contexts for Art is an anthology compiled by Charles Harrison and Fred Orton published 1984
Contents
Author | Title | pg. | Notes | |
---|---|---|---|---|
I. Aesthetics of Sensibility | ||||
1. | Clement Greenberg | Complaints of an Art Critic | 3 | |
2. | Richard Wollheim | The Work of Art as Object | 9 | |
3. | John Passmore | The Dreariness of Aesthetics | 19 | |
4. | Beryl Lake | A Study of the Irrefutability of Two Aesthetic Theories | 25 | |
5. | Alasdair MacIntyre | Emotivism | 37 | |
II. Knowledge and Representation | ||||
6. | Jaakko Hintikka | Knowing How, Knowing That, and Knowing What... | 47 | |
7. | Ludwig Wittgenstein | Seeing and Seeing as | 57 | |
8. | N. R. Hanson | Observation | 69 | |
9. | Nelson Goodman | Seven Strictures on Similarity | 85 | |
10. | Noam Chomsky | On Cognitive Capacity | 93 | |
11. | Barry Barnes | Conceptions of Knowledge | 101 | |
12. | Alison Assiter | Philosophical Materialism or the Materialist Conception of History | 113 | |
III. Representation and Art | ||||
13. | William M. Ivins Jnr. | The Blocked Road to Pictorial Communication and The Road Block Broken | 125 | |
14. | Michael Baxandall | The Cognitive Style | 139 | |
15. | Art & Language | Portrait of V. I. Lenin | 145 | Art-Language Vol. 4 No. 4 |
IV. Expression | ||||
16. | Nelson Goodman | Expression | 173 | |
17. | Thomas S. Szasz | Hysteria as Communication | 181 | |
18. | Art & Language | Abstract Expression | 191 | Art-Language Vol. 5 No. 1 |
V. Communities and Interests | ||||
19. | C. B. Macpherson | The Twentieth-Century Dilemma | 207 | |
20. | Alasdair MacIntyre | The Idea of a Social Science | 213 | |
21. | Thomas S. Kuhn | Paradigms, Tacit Knowledge and Incommensurability | 229 | |
22. | Barry Barnes | Culture and History | 243 | |
23. | Art & Language | Author and Producer Revisited | 251 | Art-Language Vol. 5 No. 1 |
24. | Noam Chomsky | Some General Features of Language | 261 |