Charles Harrison: Difference between revisions
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{| class="wikitable" | {| class="wikitable" | ||
!Year | !Year | ||
! | |||
!Title | !Title | ||
!pp. | !pp. | ||
!Publisher | !Publisher | ||
! | |||
|- | |- | ||
|1969 | |1969 | ||
| | |||
|''Ben Nicholson'' | |''Ben Nicholson'' | ||
|77 | |77 | ||
|Tate Gallery Publications, London | |Tate Gallery Publications, London | ||
| | |||
|- | |- | ||
|1981 | |1981 | ||
| | |||
|''English Art and Modernism 1900-1939'' | |''English Art and Modernism 1900-1939'' | ||
|416 | |416 | ||
|Allen Lane and Indiana University Press, London and Bloomington | |Allen Lane and Indiana University Press, London and Bloomington | ||
| | | | ||
|- | |- | ||
|1993 | |1993 | ||
|''Modernity and Modernism: French Painting in the Nineteenth Century'' (with F. Frascina, N. Blake, B. Fer, and T. Garb) | | | ||
|''Modernity and Modernism: French Painting in the Nineteenth Century'' (with F. Frascina, N. Blake, B. Fer, and T. Garb)<ref>[https://archive.org/details/modernitymoderni0000unse_v8w8 Archive.org]</ref> | |||
| | | | ||
|Yale University Press, New Haven and London | |Yale University Press, New Haven and London | ||
|[https://archive.org/details/modernitymoderni0000unse_v8w8 Archive.org] | |||
|- | |- | ||
|1993 | |1993 | ||
|''Primitivism, Cubism, Abstraction: The Early Twentieth Century'' (with F. Frascina and G. Perry) | | | ||
|''Primitivism, Cubism, Abstraction: The Early Twentieth Century'' (with F. Frascina and G. Perry)<ref>[https://archive.org/details/primitivismcubis0000harr_e4n8 Archive.org]</ref> | |||
| | | | ||
|Yale University Press, New Haven and London | |Yale University Press, New Haven and London | ||
|[https://archive.org/details/primitivismcubis0000harr Archive.org] | |||
|- | |- | ||
|1993 | |1993 | ||
| | |||
|''Modernism in Dispute: Art Since the Forties'' (with Paul Wood, F. Frascina and J. Harris) | |''Modernism in Dispute: Art Since the Forties'' (with Paul Wood, F. Frascina and J. Harris) | ||
| | | | ||
|Yale University Press, New Haven and London | |Yale University Press, New Haven and London | ||
|[https://archive.org/details/modernismindispu00hcen Archive.org] | |||
|- | |- | ||
|1997 | |1997 | ||
| | |||
|''Modernism'' | |''Modernism'' | ||
|80 | |80 | ||
|Tate Gallery Publishing, London and Cambridge University Press | |Tate Gallery Publishing, London and Cambridge University Press | ||
| | |||
|- | |||
|2005 | |||
| | |||
|''Painting the Difference: Sex and Spectator in Modern Art'' | |||
|300 | |||
|Chicago University Press, Chicago and London | |||
|[https://archive.org/details/paintingdifferen0000harr Archive.org] | |||
|- | |||
|2009 | |||
| | |||
|''Since 1950: Art and Its Criticisms'' | |||
| | |||
|Yale University Press | |||
| | |||
|- | |||
|2009 | |||
| | |||
|''Introduction to Art'' | |||
|300 | |||
|Yale University Press | |||
| | |||
|- | |||
|2011 | |||
| | |||
|''Charles Harrison, Looking Back'' | |||
| | |||
|Ridinghouse, London | |||
|[https://archive.org/details/charlesharrisonl0000harr Archive.org] | |||
|} | |||
=== Art & Language === | |||
{| class="wikitable" | |||
!Year | |||
! | |||
!Title | |||
!pp. | |||
!Publisher | |||
! | |||
|- | |||
|1982 | |||
|[[File:AL-Provisional-History-front.jpg|center|frameless|41x41px]] | |||
|[[A Provisional History of Art & Language|''A Provisional History of Art & Language'']] (with Fred Orton) | |||
|89 | |||
|Editions Fabre, Paris | |||
| | |||
|- | |||
|1985 | |||
|[[File:AL-5-3-front.jpg|center|frameless|51x51px]] | |||
|''[[Art-Language Vol. 5 No. 3|Blue Poles: Some Strictures on the Deletion of the Project 'Art and Society'<nowiki/>]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |||
|88 | |||
|Art-Language | |||
| | |||
|- | |- | ||
| | |1991 | ||
|''Art | |[[File:Essays-on-AL-front.jpg|center|frameless|55x55px]] | ||
| | |''[[Essays on Art & Language]]'' | ||
| | |302 | ||
|Basil Blackwell, Oxford | |||
|[https://archive.org/details/essaysonartlangu0000harr Archive.org] | |||
|- | |- | ||
|1999 | |1999 | ||
|''[[Art & Language in Practice Vol. 1|Art & Language in Practice: Vol I Illustrated Handbook]]'' | |[[File:AL-in-Practice-Vol-1-front.jpg|center|frameless|50x50px]] | ||
|''[[Art & Language in Practice Vol. 1|Art & Language in Practice: Vol I Illustrated Handbook]]'' | |||
|300 | |300 | ||
|Fundació Antoni Tàpies, Barcelona | |Fundació Antoni Tàpies, Barcelona | ||
| | | | ||
|- | |- | ||
|2001 | |2001 | ||
|[[File:Harrison-Conceptual-Art-and-Painting-front.png|center|frameless|46x46px]] | |||
|''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' | |''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' | ||
|234 | |234 | ||
|MIT Press, Cambridge, MA, and London | |MIT Press, Cambridge, MA, and London | ||
|[https://archive.org/details/conceptualartpai0000char Archive.org] | |||
|- | |- | ||
|2005 | |2005 | ||
|[[File:AL-Writings-2005-front.jpg|center|frameless|51x51px]] | |||
|''[[Art & Language: Writings]]'' | |''[[Art & Language: Writings]]'' | ||
|300 | |300 | ||
|Lisson Gallery | |Lisson Gallery | ||
| | | | ||
|- | |- | ||
|2006 | |2006 | ||
|''Homes from | |[[File:A-L-catalog-2006-Homes-from-Homes-II-front.jpg|center|frameless|43x43px]] | ||
|''Homes from Homes II'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |||
|272 | |272 | ||
| | |||
| | | | ||
|- | |- | ||
|2007 | |2007 | ||
|[[File:AL-Albert-Joan-Sinbad.jpg|center|frameless|50x50px]] | |||
|''[[Albert, Joan and Sinbad]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |''[[Albert, Joan and Sinbad]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | ||
|45 | |45 | ||
| | | | ||
|[https://archive.org/details/albertjoanysinba0000unse Archive.org] | |||
|- | |- | ||
|2009 | |2009 | ||
| | | | ||
| | |''Art & Language Writings'' | ||
| | |||
|EMMA - Espoo Museum of Modern Art | |||
| | |||
|} | |||
=== As editor === | |||
{| class="wikitable" | |||
!Year | |||
! | |||
!Title | |||
!pp. | |||
!Publisher | |||
! | |||
|- | |||
|1982 | |||
| | |||
|''Modern Art and Modernism: A Critical Anthology'' (with Francis Frascina) | |||
| | |||
| | |||
|[https://archive.org/details/modernartmoderni00fras Archive.org] | |||
|- | |||
|1984 | |||
| | |||
|''[[Modernism, Criticism, Realism]]'' (with Fred Orton) | |||
|280 | |||
| | |||
|[https://archive.org/details/modernismcritici0000unse Archive.org] | |||
|- | |- | ||
| | |1992 | ||
|''[[Art | | | ||
|''[[Art in Theory 1900-1990|Art in Theory 1900-1990: An Anthology of Changing Ideas]]'' (with Paul Wood) | |||
|1190 | |||
|Basil Blackwell, Oxford | |||
| | | | ||
|- | |- | ||
| | |1998 | ||
|'' | | | ||
| | |''Art in Theory 1815-1900'' (with Paul Wood and Jason Gaiger) | ||
| | |1098 | ||
|Blackwells, Oxford and Cambridge, MA | |||
|[https://archive.org/details/artintheory181510000unse/ Archive.org] | |||
|- | |- | ||
| | |2000 | ||
| | | | ||
| | |''Art in Theory 1648-1815'' (with Paul Wood and Jason Gaiger) | ||
|1220 | |||
|Blackwells, Oxford | |||
|[https://archive.org/details/artintheory164810000unse/ Archive.org] | |||
|} | |} | ||
Latest revision as of 22:26, 7 October 2023
Charles Harrison | |
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[[File:{{{Image1}}}|upright|center|frameless]] | |
[[File:{{{Image2}}}|upright|center|frameless]] | |
Born | 1942 |
Country |
Charles Harrison was an art historian that worked with Art & Language since the early 1970s.
Bibliography
Books
Year | Title | pp. | Publisher | ||
---|---|---|---|---|---|
1969 | Ben Nicholson | 77 | Tate Gallery Publications, London | ||
1981 | English Art and Modernism 1900-1939 | 416 | Allen Lane and Indiana University Press, London and Bloomington | ||
1993 | Modernity and Modernism: French Painting in the Nineteenth Century (with F. Frascina, N. Blake, B. Fer, and T. Garb)[2] | Yale University Press, New Haven and London | Archive.org | ||
1993 | Primitivism, Cubism, Abstraction: The Early Twentieth Century (with F. Frascina and G. Perry)[3] | Yale University Press, New Haven and London | Archive.org | ||
1993 | Modernism in Dispute: Art Since the Forties (with Paul Wood, F. Frascina and J. Harris) | Yale University Press, New Haven and London | Archive.org | ||
1997 | Modernism | 80 | Tate Gallery Publishing, London and Cambridge University Press | ||
2005 | Painting the Difference: Sex and Spectator in Modern Art | 300 | Chicago University Press, Chicago and London | Archive.org | |
2009 | Since 1950: Art and Its Criticisms | Yale University Press | |||
2009 | Introduction to Art | 300 | Yale University Press | ||
2011 | Charles Harrison, Looking Back | Ridinghouse, London | Archive.org |
Art & Language
Year | Title | pp. | Publisher | ||
---|---|---|---|---|---|
1982 | ![]() |
A Provisional History of Art & Language (with Fred Orton) | 89 | Editions Fabre, Paris | |
1985 | ![]() |
Blue Poles: Some Strictures on the Deletion of the Project 'Art and Society' (with Michael Baldwin and Mel Ramsden) | 88 | Art-Language | |
1991 | ![]() |
Essays on Art & Language | 302 | Basil Blackwell, Oxford | Archive.org |
1999 | ![]() |
Art & Language in Practice: Vol I Illustrated Handbook | 300 | Fundació Antoni Tàpies, Barcelona | |
2001 | ![]() |
Conceptual Art and Painting: Further Essays on Art & Language | 234 | MIT Press, Cambridge, MA, and London | Archive.org |
2005 | ![]() |
Art & Language: Writings | 300 | Lisson Gallery | |
2006 | ![]() |
Homes from Homes II (with Michael Baldwin and Mel Ramsden) | 272 | ||
2007 | ![]() |
Albert, Joan and Sinbad (with Michael Baldwin and Mel Ramsden) | 45 | Archive.org | |
2009 | Art & Language Writings | EMMA - Espoo Museum of Modern Art |
As editor
Year | Title | pp. | Publisher | ||
---|---|---|---|---|---|
1982 | Modern Art and Modernism: A Critical Anthology (with Francis Frascina) | Archive.org | |||
1984 | Modernism, Criticism, Realism (with Fred Orton) | 280 | Archive.org | ||
1992 | Art in Theory 1900-1990: An Anthology of Changing Ideas (with Paul Wood) | 1190 | Basil Blackwell, Oxford | ||
1998 | Art in Theory 1815-1900 (with Paul Wood and Jason Gaiger) | 1098 | Blackwells, Oxford and Cambridge, MA | Archive.org | |
2000 | Art in Theory 1648-1815 (with Paul Wood and Jason Gaiger) | 1220 | Blackwells, Oxford | Archive.org |