Art & Language: Writings: Difference between revisions
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== Contents == | == Contents == | ||
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! | |||
!Title | |||
!pp. | |||
!Year | |||
!First publication | |||
|- | |||
|1. | |||
|John Roberts — The 'Black Debt': Art & Language's Writing | |||
|9 | |||
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|- | |||
|2. | |||
|Portrait of V.I. Lenin | |||
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|- | |||
|3. | |||
|Kangaroo? | |||
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|1982 | |||
|''Art Journal Vol. 42 No. 2'' | |||
|- | |||
|4. | |||
|Manet's 'Olympia' and Contradiction | |||
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|- | |||
|5. | |||
|Letter to a Canadian Curator | |||
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|1982 | |||
|''[[Art-Language Vol. 5 No. 1]]'' | |||
|- | |||
|6. | |||
|Painting by Mouth | |||
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|- | |||
|7. | |||
|A Souvenir of Documenta 7 | |||
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|8. | |||
|Art & Language Paints a Picture | |||
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|- | |||
|9. | |||
|Victorine | |||
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|1984 | |||
|''[[Art-Language Vol. 5 No. 2]]'' | |||
|- | |||
|10. | |||
|Failed Town Planning | |||
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|<ref>https://www.art-language.org/page/f/193.htm</ref> | |||
|- | |||
|11. | |||
|To Say of a Painting That It is a Fake | |||
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|12. | |||
|Informed Spectators | |||
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|13. | |||
|Tales from the Pit | |||
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|14. | |||
|David: Unsightly Scenes | |||
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|15. | |||
|Seeing Paintings and Painting's Seeing | |||
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|16. | |||
|We Aim to be Amateurs | |||
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|17. | |||
|Moti Memoria | |||
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|- | |||
|18. | |||
|Making Meaningless | |||
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|1999 | |||
|''[[Art & Language in Practice Vol. 2]]'' | |||
|- | |||
|19. | |||
|Art & Language and the Jackson Pollock Bar | |||
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|20. | |||
|Postscript: Wrongs Healed in Official Hope | |||
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|21. | |||
|Roma Reason | |||
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|22. | |||
|Interview: The Too Dark to Read Exhibition; Joëlle Pijaudier-Cabot with Art & Language, Installed in the Style of the Jackson Pollock Bar | |||
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|23. | |||
|Almost Too Dark to See | |||
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|} | |||
== References == | == References == |
Revision as of 01:36, 29 July 2023
Contents
Title | pp. | Year | First publication | |
---|---|---|---|---|
1. | John Roberts — The 'Black Debt': Art & Language's Writing | 9 | ||
2. | Portrait of V.I. Lenin | |||
3. | Kangaroo? | 1982 | Art Journal Vol. 42 No. 2 | |
4. | Manet's 'Olympia' and Contradiction | |||
5. | Letter to a Canadian Curator | 1982 | Art-Language Vol. 5 No. 1 | |
6. | Painting by Mouth | |||
7. | A Souvenir of Documenta 7 | |||
8. | Art & Language Paints a Picture | |||
9. | Victorine | 1984 | Art-Language Vol. 5 No. 2 | |
10. | Failed Town Planning | [1] | ||
11. | To Say of a Painting That It is a Fake | |||
12. | Informed Spectators | |||
13. | Tales from the Pit | |||
14. | David: Unsightly Scenes | |||
15. | Seeing Paintings and Painting's Seeing | |||
16. | We Aim to be Amateurs | |||
17. | Moti Memoria | |||
18. | Making Meaningless | 1999 | Art & Language in Practice Vol. 2 | |
19. | Art & Language and the Jackson Pollock Bar | |||
20. | Postscript: Wrongs Healed in Official Hope | |||
21. | Roma Reason | |||
22. | Interview: The Too Dark to Read Exhibition; Joëlle Pijaudier-Cabot with Art & Language, Installed in the Style of the Jackson Pollock Bar | |||
23. | Almost Too Dark to See |