Index: Difference between revisions
imported>Dotclub Created page with "== Background == == Index == A Abel Charlie absolute music accessibility accomodation AC-DC acid rock Adorno Theodor Afghanistan the war aggression ambience ambiguity ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art american music rolls, masters of the amor&language; Anderson luana Andrus Walt Annesley Ben aor aprexart; —Tim Griffin; —Bennett Simpson Armstrong Louis arrangement art —t..." |
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== Index == | == Index == | ||
A | === A === | ||
Abel Charlie | <blockquote>Abel, Charlie | ||
absolute music | absolute music | ||
accessibility | accessibility | ||
accomodation | accomodation | ||
AC-DC | AC-DC | ||
acid rock | acid rock | ||
Adorno Theodor | Adorno Theodor | ||
Afghanistan the war | Afghanistan the war | ||
aggression | aggression | ||
ambience | ambience | ||
ambiguity | ambiguity | ||
ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art | ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art | ||
american music rolls, masters of the | american music rolls, masters of the | ||
amor&language; | amor&language; | ||
Anderson luana | Anderson luana | ||
Andrus Walt | Andrus Walt | ||
Annesley Ben | Annesley Ben | ||
aor | aor | ||
aprexart; —Tim Griffin; —Bennett Simpson | aprexart; —Tim Griffin; —Bennett Simpson | ||
Armstrong Louis | Armstrong Louis | ||
arrangement | arrangement | ||
art —the very idea; —the work of | art —the very idea; —the work of | ||
art & language; —collaboration; —A&L; (UK); A&L; (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L; (Provisional); —The Fox 4 | art & language; —collaboration; —A&L; (UK); A&L; (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L; (Provisional); —The Fox 4 | ||
Art & Language paints a picture | Art & Language paints a picture | ||
Art & Language sings a song | Art & Language sings a song | ||
art rock | art rock | ||
Artforum | Artforum | ||
artworld | artworld | ||
audience | audience | ||
aura; —patina | aura; —patina | ||
authenticity | authenticity | ||
autonomy | autonomy | ||
avant-garde; —substitutes, cognates | avant-garde; —substitutes, cognates | ||
B | Ayler, Albert and Donald</blockquote> | ||
Baby & Child Care | |||
=== B === | |||
<blockquote>Baby & Child Care | |||
Banks, George | Banks, George | ||
Barker, Danny | Barker, Danny | ||
Barker, Dave | Barker, Dave | ||
Barthelme, Frederick; —the Barthelme Family | Barthelme, Frederick; —the Barthelme Family | ||
Beatles, The | Beatles, The | ||
Beatniks | Beatniks | ||
Bennie & Smith | Bennie & Smith | ||
Berkeley Folk Festival | Berkeley Folk Festival | ||
Berry, Chuck | Berry, Chuck | ||
Birch, Gina | Birch, Gina | ||
Black Snakes | Black Snakes | ||
Blank, Les | Blank, Les | ||
Blondet, Jose-Luis | Blondet, Jose-Luis | ||
Blues, Hollers, & Hellos | Blues, Hollers, & Hellos | ||
Blum, Tim | Blum, Tim | ||
Bomb Records | Bomb Records | ||
von Bonin, Cosima | von Bonin, Cosima | ||
bootleg recording; —records | bootleg recording; —records | ||
Borden, Lizzie | Borden, Lizzie | ||
Born in Flames | Born in Flames | ||
“Born in Flames”/“The Sword of God” (I, II) | “Born in Flames”/“The Sword of God” (I, II) | ||
Bowie, David | Bowie, David | ||
Bowman, Bill | Bowman, Bill | ||
Brown, Glenn | Brown, Glenn | ||
Bubblegum | Bubblegum | ||
Buchholz Gallery Cologne | Buchholz Gallery Cologne | ||
C | Büttner, Werner</blockquote> | ||
Cage, John | |||
=== C === | |||
<blockquote>Cage, John | |||
camp | camp | ||
Capitalism | Capitalism | ||
Caracos, Jean | Caracos, Jean | ||
Carl, Rüdiger | Carl, Rüdiger | ||
Carpenter, Merlin | Carpenter, Merlin | ||
Catacombs, The | Catacombs, The | ||
Chamberlain, Jesse | Chamberlain, Jesse | ||
Channelview High School | Channelview High School | ||
Charly Records | Charly Records | ||
“Chemistry”/“Farewell to Arms” | “Chemistry”/“Farewell to Arms” | ||
Clark, Anne | Clark, Anne | ||
Clark, Guy | Clark, Guy | ||
class | class | ||
“classic, the” | “classic, the” | ||
Cockettes, The | Cockettes, The | ||
Coconut Hotel | Coconut Hotel | ||
Coleman, Ornette; —harmolodics | Coleman, Ornette; —harmolodics | ||
Collectables Records | Collectables Records | ||
“Columbia” | “Columbia” | ||
Communism | Communism | ||
concepts; —possession; —capacity; —extension | concepts; —possession; —capacity; —extension | ||
Conceptual Art | Conceptual Art | ||
content | content | ||
Corrected Slogans; —Lp/CD; —the musical comedy | Corrected Slogans; —Lp/CD; —the musical comedy | ||
Country & Western: —Outlaw Country | Country & Western: —Outlaw Country | ||
cover | cover | ||
Crawdaddy | Crawdaddy | ||
Crayola, The Red | Crayola, The Red | ||
Crayola Crayons | Crayola Crayons | ||
crayon | crayon | ||
Cream | Cream | ||
Creem | Creem | ||
Cunningham, Steve; —the Cunningham Family | Cunningham, Steve; —the Cunningham Family | ||
D | Cuthell, Dick</blockquote> | ||
“Dairymaid’s Lament”/“Free Piece” | |||
=== D === | |||
<blockquote>“Dairymaid’s Lament”/“Free Piece” | |||
Dance; —dance and music | Dance; —dance and music | ||
Davis, Frank | Davis, Frank | ||
Davis, Miles | Davis, Miles | ||
Del Vikings, The | Del Vikings, The | ||
Deliverance | Deliverance | ||
Denson, Ed | Denson, Ed | ||
Description, Theory of | Description, Theory of | ||
Diederichsen, Diedrich | Diederichsen, Diedrich | ||
Disco; —dance floor | Disco; —dance floor | ||
djs | djs | ||
Domino, Antoine “Fats” | Domino, Antoine “Fats” | ||
Doors, The | Doors, The | ||
Dorau, Andreas | Dorau, Andreas | ||
Dower, Alex | Dower, Alex | ||
Drag City Records | Drag City Records | ||
Draper, Simon | Draper, Simon | ||
Dreher, Christoph | Dreher, Christoph | ||
Driscoll, Mike | Driscoll, Mike | ||
Drummond, Paul | Drummond, Paul | ||
Duchamp, Marcel | Duchamp, Marcel | ||
E | Dylan, Bob</blockquote> | ||
Electro | |||
=== E === | |||
<blockquote>Electro | |||
Emerson, Bonnie | Emerson, Bonnie | ||
Emo | Emo | ||
emotions | emotions | ||
empire | empire | ||
Eno, Brian | Eno, Brian | ||
epistemology | epistemology | ||
Erickson, Roky | Erickson, Roky | ||
“Eve of Destruction” | “Eve of Destruction” | ||
F | expression</blockquote> | ||
Fahey, John | |||
=== F === | |||
<blockquote>Fahey, John | |||
failure; —the concept; —the facts | failure; —the concept; —the facts | ||
fame; —notoriety | fame; —notoriety | ||
Familiar Ugly, The | Familiar Ugly, The | ||
Farrar, “Red” George | Farrar, “Red” George | ||
Fascism | Fascism | ||
fashion | fashion | ||
Ferrari, Luc | Ferrari, Luc | ||
fidelity | fidelity | ||
Fingerpainting | Fingerpainting | ||
Fingerpointing | Fingerpointing | ||
Five American Portraits | Five American Portraits | ||
FM radio | FM radio | ||
Folk-rock | Folk-rock | ||
form; —the formal; —the informal; —formalism; see also Modernist Formalism | form; —the formal; —the informal; —formalism; see also Modernist Formalism | ||
Foucault, Michel | Foucault, Michel | ||
“4teen”/“Stink Program” | “4teen”/“Stink Program” | ||
Frame, Pete | Frame, Pete | ||
Francis, Sam | Francis, Sam | ||
F.R.E.D. | F.R.E.D. | ||
freedom | freedom | ||
Free-form freakout | Free-form freakout | ||
free improvisation | free improvisation | ||
Froman, Mark | Froman, Mark | ||
function; —design; —default | function; —design; —default | ||
Fugs, The | Fugs, The | ||
funk; —funky; —Funk | funk; —funky; —Funk | ||
G | “Future Pilots”/“Ratman: the Weightwatcher” (I, II)</blockquote> | ||
Gaye, Angus | |||
=== G === | |||
<blockquote>Gaye, Angus | |||
Gerson, Skipper | Gerson, Skipper | ||
Getty, The | Getty, The | ||
Gilbert, Chris | Gilbert, Chris | ||
Glam Rock | Glam Rock | ||
glamour; see also aura | glamour; see also aura | ||
Glass Records | Glass Records | ||
Glennie, Ian | Glennie, Ian | ||
Gnam, Manuel | Gnam, Manuel | ||
Go-Ahead Booking | Go-Ahead Booking | ||
God Bless The Red Krayola and All Who Sail With It | God Bless The Red Krayola and All Who Sail With It | ||
Goodman, Marian | Goodman, Marian | ||
Goodman, Nelson | Goodman, Nelson | ||
“Greasy Street” | “Greasy Street” | ||
“Green Door” | “Green Door” | ||
Grenada, the invasion of | Grenada, the invasion of | ||
groups and groupies | groups and groupies | ||
Grubbs, David | Grubbs, David | ||
Gulf War, The | Gulf War, The | ||
H | Gulfgate</blockquote> | ||
hack | |||
=== H === | |||
<blockquote>hack | |||
Haino, Keiji | Haino, Keiji | ||
“Hard Rock Café” | “Hard Rock Café” | ||
Hazel | Hazel | ||
Heavy Metal | Heavy Metal | ||
Hendrix, Jimi; —Trio, The | Hendrix, Jimi; —Trio, The | ||
Henschen, Bobby | Henschen, Bobby | ||
Hermann, Tom | Hermann, Tom | ||
Hertz, Richard | Hertz, Richard | ||
Hip-Hop | Hip-Hop | ||
hippies | hippies | ||
hit song | hit song | ||
hoax; —the very idea; see failure | hoax; —the very idea; see failure | ||
Hoet, Jan | Hoet, Jan | ||
holism | holism | ||
hootenanny | hootenanny | ||
Horowitz, Ira | Horowitz, Ira | ||
House | House | ||
Hunter, Fredericka | Hunter, Fredericka | ||
Hurley, George | Hurley, George | ||
I | “Hurricane Fighter Plane”</blockquote> | ||
ICA London | |||
=== I === | |||
<blockquote>ICA London | |||
idealism | idealism | ||
ideas, —million-dollar; —dime a dozen; —hybrids | ideas, —million-dollar; —dime a dozen; —hybrids | ||
identity; —personation; —role playing | identity; —personation; —role playing | ||
Iggy: —Stooge; —Pop | Iggy: —Stooge; —Pop | ||
improvisation | improvisation | ||
industries; —The Culture Industry; —the music industry | industries; —The Culture Industry; —the music industry | ||
innovation; —novelty; see also novelty songs | innovation; —novelty; see also novelty songs | ||
insurgency | insurgency | ||
Intelligent Life in the Universe | Intelligent Life in the Universe | ||
International Artists | International Artists | ||
interpretation; —open texts; | interpretation; —open texts; | ||
—asymmetry; —privilege; | —asymmetry; —privilege; | ||
—transcendence | —transcendence | ||
Introduction | Introduction | ||
Iraq, the war in | Iraq, the war in | ||
irony | irony | ||
J | Irwin, Robert</blockquote> | ||
Jackson Pollock Bar, The | |||
=== J === | |||
<blockquote>Jackson Pollock Bar, The | |||
Japan in Paris in LA | Japan in Paris in LA | ||
Japan Records | Japan Records | ||
Jazz | Jazz | ||
Jefferson Airplane; —Jefferson Starship | Jefferson Airplane; —Jefferson Starship | ||
Johnson, Sue | Johnson, Sue | ||
K | Johnston, Lynn</blockquote> | ||
Kangaroo? | |||
=== K === | |||
<blockquote>Kangaroo? | |||
karaoke | karaoke | ||
Kelley, Mike | Kelley, Mike | ||
Kidron, Adam | Kidron, Adam | ||
Kinks, The | Kinks, The | ||
Kippenberger, Martin | Kippenberger, Martin | ||
kitsch | kitsch | ||
Knoebel, Carmen and Imi | Knoebel, Carmen and Imi | ||
KNUZ “Battle of the Bands” | KNUZ “Battle of the Bands” | ||
König, Kasper; see Portikus | König, Kasper; see Portikus | ||
Kozlov, Christine | Kozlov, Christine | ||
Krauss, Scott | Krauss, Scott | ||
Krebber, Michael | Krebber, Michael | ||
Kunsthalle Graz | Kunsthalle Graz | ||
Kunstverein Graz | Kunstverein Graz | ||
L | Kupersmith, Noel</blockquote> | ||
Lauder, Andrew | |||
=== L === | |||
<blockquote>Lauder, Andrew | |||
laws, rules, standards, norms, conventions | laws, rules, standards, norms, conventions | ||
Libertarianism | Libertarianism | ||
lightshow | lightshow | ||
Little Richard | Little Richard | ||
Live 1967 | Live 1967 | ||
Live in Paris 1978 | Live in Paris 1978 | ||
logic | logic | ||
Logic, Lora | Logic, Lora | ||
Louisiana Gallery, The | Louisiana Gallery, The | ||
love | love | ||
M | Love Street Light Circus and Feel Good Machine, The</blockquote> | ||
Maimone, Tony | |||
=== M === | |||
<blockquote>Maimone, Tony | |||
Malefactor, Ade | Malefactor, Ade | ||
Mathieu, Konrad | Mathieu, Konrad | ||
Mayr, Matthias | Mayr, Matthias | ||
MC5 | MC5 | ||
McEntire, John | McEntire, John | ||
media | media | ||
mediation; —the very idea | mediation; —the very idea | ||
medium | medium | ||
memory | memory | ||
von Meier, Kurt | von Meier, Kurt | ||
Metyko, Mike and Barbara | Metyko, Mike and Barbara | ||
“Microchips & Fish”/“The Story So Far” | “Microchips & Fish”/“The Story So Far” | ||
Minimalism | Minimalism | ||
misrepresentation; see representation | misrepresentation; see representation | ||
model | model | ||
modern, the | modern, the | ||
monophonic recording | monophonic recording | ||
MOR Radio | MOR Radio | ||
“Mother” | “Mother” | ||
Mother | Mother | ||
Mozart, W. A.; —instrumental and vocal music; —opera; —Lorenzo da Ponte; Five American Portraits—Ad Reinhardt | Mozart, W. A.; —instrumental and vocal music; —opera; —Lorenzo da Ponte; Five American Portraits—Ad Reinhardt | ||
Mulier Mulier Gallery | Mulier Mulier Gallery | ||
Music; —as organized sound; —in itself; —in and as chaos; —the culture and sociality of; —meaning, use and exchange; —authorship and ownership; —History of; —politics of; —production and distribution of; —functional types: academic, popular; —commercial music; —genre; —professional, amateur; —Theory of; —ontology; —Physics/Chemistry/Biology; —instrumentality, intension and extension; —systems and approaches; —style; —objectification: instruments and devices, materials; —potential and possibility given phenomenal effect and affect; —the mind-body distinction and other philosophical puzzles; —states of being; performance: scores, improvisation | Music; —as organized sound; —in itself; —in and as chaos; —the culture and sociality of; —meaning, use and exchange; —authorship and ownership; —History of; —politics of; —production and distribution of; —functional types: academic, popular; —commercial music; —genre; —professional, amateur; —Theory of; —ontology; —Physics/Chemistry/Biology; —instrumentality, intension and extension; —systems and approaches; —style; —objectification: instruments and devices, materials; —potential and possibility given phenomenal effect and affect; —the mind-body distinction and other philosophical puzzles; —states of being; performance: scores, improvisation | ||
Music-Language (BMI) | Music-Language (BMI) | ||
music-minus-one | music-minus-one | ||
Mutesong | Mutesong | ||
N | Muzak®</blockquote> | ||
Nakahara, Masaya | |||
=== N === | |||
<blockquote>Nakahara, Masaya | |||
Napalm Death | Napalm Death | ||
necessity | necessity | ||
New Age | New Age | ||
New Orleans House | New Orleans House | ||
“New Stream” | “New Stream” | ||
New Wave; —“no wave” | New Wave; —“no wave” | ||
Nine Gross & Conspicuous Errors | Nine Gross & Conspicuous Errors | ||
O | Nono, Luigi</blockquote> | ||
Oban, George | |||
=== O === | |||
<blockquote>Oban, George | |||
Oehlen, Albert | Oehlen, Albert | ||
“Oh-bla-di” | “Oh-bla-di” | ||
Ohio | Ohio | ||
“Old Man’s Dream”/“The Milkmaid” | “Old Man’s Dream”/“The Milkmaid” | ||
Ono, Yoko | Ono, Yoko | ||
O’Rourke, Jim | O’Rourke, Jim | ||
Otomo, Yoshihide | Otomo, Yoshihide | ||
P | overlap; —overlay</blockquote> | ||
P-Vine Records | |||
=== P === | |||
<blockquote>P-Vine Records | |||
Panama, the invasion of | Panama, the invasion of | ||
Parable of Arable Land, The | Parable of Arable Land, The | ||
Parsons, Tony | Parsons, Tony | ||
perfect; —perfection | perfect; —perfection | ||
performance | performance | ||
Penmann, Ian | Penmann, Ian | ||
Pharmacology | Pharmacology | ||
Philip Glass Ensemble, The | Philip Glass Ensemble, The | ||
Piering, Scott | Piering, Scott | ||
Plank, Conny | Plank, Conny | ||
Portikus | Portikus | ||
Post-modernism | Post-modernism | ||
pre-modern | pre-modern | ||
pretense | pretense | ||
Prina, Stephen | Prina, Stephen | ||
Prinzhorn, Martin | Prinzhorn, Martin | ||
Pritchett, Holly, Joe and Pat | Pritchett, Holly, Joe and Pat | ||
Pryde, Josephine | Pryde, Josephine | ||
Psychedelic Music | Psychedelic Music | ||
Psychology | Psychology | ||
punk | punk | ||
Q | Pure Freude Records</blockquote> | ||
quality | |||
=== Q === | |||
<blockquote>quality | |||
quantity | quantity | ||
“querelle” | “querelle” | ||
quiddity | quiddity | ||
R | Quiet Album, The</blockquote> | ||
Ra, Sun | |||
=== R === | |||
<blockquote>Ra, Sun | |||
Radar Records | Radar Records | ||
radio; —Top 40; —Pacifica; —radio play; —“payola” | radio; —Top 40; —Pacifica; —radio play; —“payola” | ||
Randazzo, Elisa | Randazzo, Elisa | ||
Rap | Rap | ||
Rauschenberg, Robert | Rauschenberg, Robert | ||
rave | rave | ||
Ravenstine, Allen | Ravenstine, Allen | ||
“Rebellation Generation” | “Rebellation Generation” | ||
recidivism | recidivism | ||
Rec Rec Records | Rec Rec Records | ||
record | record | ||
Red Gold | Red Gold | ||
Red Krayola, The | Red Krayola, The | ||
reference; —referentiality; —types of; —modal aspect in | reference; —referentiality; —types of; —modal aspect in | ||
repetition | repetition | ||
representation | representation | ||
Reynolds, Simon | Reynolds, Simon | ||
Rhythm & Blues | Rhythm & Blues | ||
Richter, Tommy | Richter, Tommy | ||
Rivers, Bea and Sam | Rivers, Bea and Sam | ||
“roadie” | “roadie” | ||
Rock ’n’ Boll | Rock ’n’ Boll | ||
Rogers, Lelan; —Kenny | Rogers, Lelan; —Kenny | ||
Rogerson, Tom | Rogerson, Tom | ||
Rollet, Quentin “Q” | Rollet, Quentin “Q” | ||
Rolling Stone | Rolling Stone | ||
Rolling Stones, The | Rolling Stones, The | ||
Rough Trade; —Music/Records | Rough Trade; —Music/Records | ||
S | Rush, Ray</blockquote> | ||
S-A Johannsson Quintet | |||
=== S === | |||
<blockquote>S-A Johannsson Quintet | |||
Savage, Jon | Savage, Jon | ||
Schact, Danny | Schact, Danny | ||
Schlick, Jörg | Schlick, Jörg | ||
Schöneberger, Jürgen | Schöneberger, Jürgen | ||
Scott, Richard and family | Scott, Richard and family | ||
Semiotics | Semiotics | ||
Sharp, Claude and F. Cavett | Sharp, Claude and F. Cavett | ||
Shawyer, Ivor | Shawyer, Ivor | ||
Shotgun Wedding | Shotgun Wedding | ||
Sighs Trapped By Liars | Sighs Trapped By Liars | ||
singer/song | singer/song | ||
Singles | Singles | ||
Slayer | Slayer | ||
Slezak, Rudi | Slezak, Rudi | ||
Smiley High School | Smiley High School | ||
Smith, Mike; —Portal Excursion | Smith, Mike; —Portal Excursion | ||
Smith, Tommy | Smith, Tommy | ||
Socialism | Socialism | ||
Soldier Talk | Soldier Talk | ||
solidarity; —individual, family, community, neighborhood, national, international | solidarity; —individual, family, community, neighborhood, national, international | ||
Sordide Sentimental | Sordide Sentimental | ||
Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference | Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference | ||
Sound Art | Sound Art | ||
soundtrack music for screen/stage | soundtrack music for screen/stage | ||
Soundtracks, Epic | Soundtracks, Epic | ||
sponsorship; —‘this burning man indicates…’ | sponsorship; —‘this burning man indicates…’ | ||
state, the; —anarchy; —utopia | state, the; —anarchy; —utopia | ||
Steffek, Keith | Steffek, Keith | ||
Steirischer Herbst (Graz) | Steirischer Herbst (Graz) | ||
Stockhausen, Karlheinz | Stockhausen, Karlheinz | ||
Struggle in New York: “…and now for something completely different” | Struggle in New York: “…and now for something completely different” | ||
substitutes: —stand-ins; —specters | substitutes: —stand-ins; —specters | ||
T | Sunshine Records (Hamburg)</blockquote> | ||
Tapier Music (BMI) | |||
=== T === | |||
<blockquote>Tapier Music (BMI) | |||
Techno | Techno | ||
technology | technology | ||
teeny bopper | teeny bopper | ||
teleology | teleology | ||
television | television | ||
theatre | theatre | ||
Thomas, David | Thomas, David | ||
Thompson, Hazel Muhl | Thompson, Hazel Muhl | ||
Thompson, Marilyn | Thompson, Marilyn | ||
Thompson, Mayo; —Mayo J., Sr. | Thompson, Mayo; —Mayo J., Sr. | ||
Three Songs on a Trip to the United States/Bismarckstr. 50 | Three Songs on a Trip to the United States/Bismarckstr. 50 | ||
Top of the Pops | Top of the Pops | ||
total recall | total recall | ||
Trance | Trance | ||
transformation | transformation | ||
“Transparent Radiation” | “Transparent Radiation” | ||
Travis, Geoff | Travis, Geoff | ||
trend | trend | ||
U | turntablism</blockquote> | ||
United States of America, The | |||
=== U === | |||
<blockquote>United States of America, The</blockquote> | |||
=== V === | |||
<blockquote>Varèse, Edgard | |||
Victorine | Victorine | ||
“Victory Garden” | “Victory Garden” | ||
Vietnam War, The | Vietnam War, The | ||
van Vliet, Don | van Vliet, Don | ||
W | Vogelauer, Maria</blockquote> | ||
Walmsley, Pete | |||
=== W === | |||
<blockquote>Walmsley, Pete | |||
“War Pigs” | “War Pigs” | ||
“War Sucks” | “War Sucks” | ||
Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground | Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground | ||
Watson, Tom | Watson, Tom | ||
“We Built This City” | “We Built This City” | ||
Weltanschauung | Weltanschauung | ||
White, Chris | White, Chris | ||
Whitney Museum of American Art, —Whitney Biennial; —in the work of Art & Language | Whitney Museum of American Art, —Whitney Biennial; —in the work of Art & Language | ||
Who, The | Who, The | ||
Williams, Christopher | Williams, Christopher | ||
Williams, Rachel | Williams, Rachel | ||
Wire, The | Wire, The | ||
“Wives in Orbit”/“Yik-Yak” | “Wives in Orbit”/“Yik-Yak” | ||
Wood, Rosemary | Wood, Rosemary | ||
Y | Woronov, Mary</blockquote> | ||
Yang, Sandy | |||
=== Y === | |||
<blockquote>Yang, Sandy | |||
Yonemoto; —Bruce; —Norman | Yonemoto; —Bruce; —Norman | ||
Yoshimoto, Sachiyo | Yoshimoto, Sachiyo | ||
Young, Neil | Young, Neil | ||
Z | “Your Body is Hot”/”Crayolas on 45”</blockquote> | ||
Zappa, Frank; see also van Vliet | |||
=== Z === | |||
<blockquote>Zappa, Frank; see also van Vliet</blockquote> |
Revision as of 05:10, 17 January 2023
Background
Index
A
Abel, Charlie
absolute music
accessibility
accomodation
AC-DC
acid rock
Adorno Theodor
Afghanistan the war
aggression
ambience
ambiguity
ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art
american music rolls, masters of the
amor&language;
Anderson luana
Andrus Walt
Annesley Ben
aor
aprexart; —Tim Griffin; —Bennett Simpson
Armstrong Louis
arrangement
art —the very idea; —the work of
art & language; —collaboration; —A&L; (UK); A&L; (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L; (Provisional); —The Fox 4
Art & Language paints a picture
Art & Language sings a song
art rock
Artforum
artworld
audience
aura; —patina
authenticity
autonomy
avant-garde; —substitutes, cognates
Ayler, Albert and Donald
B
Baby & Child Care
Banks, George
Barker, Danny
Barker, Dave
Barthelme, Frederick; —the Barthelme Family
Beatles, The
Beatniks
Bennie & Smith
Berkeley Folk Festival
Berry, Chuck
Birch, Gina
Black Snakes
Blank, Les
Blondet, Jose-Luis
Blues, Hollers, & Hellos
Blum, Tim
Bomb Records
von Bonin, Cosima
bootleg recording; —records
Borden, Lizzie
Born in Flames
“Born in Flames”/“The Sword of God” (I, II)
Bowie, David
Bowman, Bill
Brown, Glenn
Bubblegum
Buchholz Gallery Cologne
Büttner, Werner
C
Cage, John
camp
Capitalism
Caracos, Jean
Carl, Rüdiger
Carpenter, Merlin
Catacombs, The
Chamberlain, Jesse
Channelview High School
Charly Records
“Chemistry”/“Farewell to Arms”
Clark, Anne
Clark, Guy
class
“classic, the”
Cockettes, The
Coconut Hotel
Coleman, Ornette; —harmolodics
Collectables Records
“Columbia”
Communism
concepts; —possession; —capacity; —extension
Conceptual Art
content
Corrected Slogans; —Lp/CD; —the musical comedy
Country & Western: —Outlaw Country
cover
Crawdaddy
Crayola, The Red
Crayola Crayons
crayon
Cream
Creem
Cunningham, Steve; —the Cunningham Family
Cuthell, Dick
D
“Dairymaid’s Lament”/“Free Piece”
Dance; —dance and music
Davis, Frank
Davis, Miles
Del Vikings, The
Deliverance
Denson, Ed
Description, Theory of
Diederichsen, Diedrich
Disco; —dance floor
djs
Domino, Antoine “Fats”
Doors, The
Dorau, Andreas
Dower, Alex
Drag City Records
Draper, Simon
Dreher, Christoph
Driscoll, Mike
Drummond, Paul
Duchamp, Marcel
Dylan, Bob
E
Electro
Emerson, Bonnie
Emo
emotions
empire
Eno, Brian
epistemology
Erickson, Roky
“Eve of Destruction”
expression
F
Fahey, John
failure; —the concept; —the facts
fame; —notoriety
Familiar Ugly, The
Farrar, “Red” George
Fascism
fashion
Ferrari, Luc
fidelity
Fingerpainting
Fingerpointing
Five American Portraits
FM radio
Folk-rock
form; —the formal; —the informal; —formalism; see also Modernist Formalism
Foucault, Michel
“4teen”/“Stink Program”
Frame, Pete
Francis, Sam
F.R.E.D.
freedom
Free-form freakout
free improvisation
Froman, Mark
function; —design; —default
Fugs, The
funk; —funky; —Funk
“Future Pilots”/“Ratman: the Weightwatcher” (I, II)
G
Gaye, Angus
Gerson, Skipper
Getty, The
Gilbert, Chris
Glam Rock
glamour; see also aura
Glass Records
Glennie, Ian
Gnam, Manuel
Go-Ahead Booking
God Bless The Red Krayola and All Who Sail With It
Goodman, Marian
Goodman, Nelson
“Greasy Street”
“Green Door”
Grenada, the invasion of
groups and groupies
Grubbs, David
Gulf War, The
Gulfgate
H
hack
Haino, Keiji
“Hard Rock Café”
Hazel
Heavy Metal
Hendrix, Jimi; —Trio, The
Henschen, Bobby
Hermann, Tom
Hertz, Richard
Hip-Hop
hippies
hit song
hoax; —the very idea; see failure
Hoet, Jan
holism
hootenanny
Horowitz, Ira
House
Hunter, Fredericka
Hurley, George
“Hurricane Fighter Plane”
I
ICA London
idealism
ideas, —million-dollar; —dime a dozen; —hybrids
identity; —personation; —role playing
Iggy: —Stooge; —Pop
improvisation
industries; —The Culture Industry; —the music industry
innovation; —novelty; see also novelty songs
insurgency
Intelligent Life in the Universe
International Artists
interpretation; —open texts;
—asymmetry; —privilege;
—transcendence
Introduction
Iraq, the war in
irony
Irwin, Robert
J
Jackson Pollock Bar, The
Japan in Paris in LA
Japan Records
Jazz
Jefferson Airplane; —Jefferson Starship
Johnson, Sue
Johnston, Lynn
K
Kangaroo?
karaoke
Kelley, Mike
Kidron, Adam
Kinks, The
Kippenberger, Martin
kitsch
Knoebel, Carmen and Imi
KNUZ “Battle of the Bands”
König, Kasper; see Portikus
Kozlov, Christine
Krauss, Scott
Krebber, Michael
Kunsthalle Graz
Kunstverein Graz
Kupersmith, Noel
L
Lauder, Andrew
laws, rules, standards, norms, conventions
Libertarianism
lightshow
Little Richard
Live 1967
Live in Paris 1978
logic
Logic, Lora
Louisiana Gallery, The
love
Love Street Light Circus and Feel Good Machine, The
M
Maimone, Tony
Malefactor, Ade
Mathieu, Konrad
Mayr, Matthias
MC5
McEntire, John
media
mediation; —the very idea
medium
memory
von Meier, Kurt
Metyko, Mike and Barbara
“Microchips & Fish”/“The Story So Far”
Minimalism
misrepresentation; see representation
model
modern, the
monophonic recording
MOR Radio
“Mother”
Mother
Mozart, W. A.; —instrumental and vocal music; —opera; —Lorenzo da Ponte; Five American Portraits—Ad Reinhardt
Mulier Mulier Gallery
Music; —as organized sound; —in itself; —in and as chaos; —the culture and sociality of; —meaning, use and exchange; —authorship and ownership; —History of; —politics of; —production and distribution of; —functional types: academic, popular; —commercial music; —genre; —professional, amateur; —Theory of; —ontology; —Physics/Chemistry/Biology; —instrumentality, intension and extension; —systems and approaches; —style; —objectification: instruments and devices, materials; —potential and possibility given phenomenal effect and affect; —the mind-body distinction and other philosophical puzzles; —states of being; performance: scores, improvisation
Music-Language (BMI)
music-minus-one
Mutesong
Muzak®
N
Nakahara, Masaya
Napalm Death
necessity
New Age
New Orleans House
“New Stream”
New Wave; —“no wave”
Nine Gross & Conspicuous Errors
Nono, Luigi
O
Oban, George
Oehlen, Albert
“Oh-bla-di”
Ohio
“Old Man’s Dream”/“The Milkmaid”
Ono, Yoko
O’Rourke, Jim
Otomo, Yoshihide
overlap; —overlay
P
P-Vine Records
Panama, the invasion of
Parable of Arable Land, The
Parsons, Tony
perfect; —perfection
performance
Penmann, Ian
Pharmacology
Philip Glass Ensemble, The
Piering, Scott
Plank, Conny
Portikus
Post-modernism
pre-modern
pretense
Prina, Stephen
Prinzhorn, Martin
Pritchett, Holly, Joe and Pat
Pryde, Josephine
Psychedelic Music
Psychology
punk
Pure Freude Records
Q
quality
quantity
“querelle”
quiddity
Quiet Album, The
R
Ra, Sun
Radar Records
radio; —Top 40; —Pacifica; —radio play; —“payola”
Randazzo, Elisa
Rap
Rauschenberg, Robert
rave
Ravenstine, Allen
“Rebellation Generation”
recidivism
Rec Rec Records
record
Red Gold
Red Krayola, The
reference; —referentiality; —types of; —modal aspect in
repetition
representation
Reynolds, Simon
Rhythm & Blues
Richter, Tommy
Rivers, Bea and Sam
“roadie”
Rock ’n’ Boll
Rogers, Lelan; —Kenny
Rogerson, Tom
Rollet, Quentin “Q”
Rolling Stone
Rolling Stones, The
Rough Trade; —Music/Records
Rush, Ray
S
S-A Johannsson Quintet
Savage, Jon
Schact, Danny
Schlick, Jörg
Schöneberger, Jürgen
Scott, Richard and family
Semiotics
Sharp, Claude and F. Cavett
Shawyer, Ivor
Shotgun Wedding
Sighs Trapped By Liars
singer/song
Singles
Slayer
Slezak, Rudi
Smiley High School
Smith, Mike; —Portal Excursion
Smith, Tommy
Socialism
Soldier Talk
solidarity; —individual, family, community, neighborhood, national, international
Sordide Sentimental
Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference
Sound Art
soundtrack music for screen/stage
Soundtracks, Epic
sponsorship; —‘this burning man indicates…’
state, the; —anarchy; —utopia
Steffek, Keith
Steirischer Herbst (Graz)
Stockhausen, Karlheinz
Struggle in New York: “…and now for something completely different”
substitutes: —stand-ins; —specters
Sunshine Records (Hamburg)
T
Tapier Music (BMI)
Techno
technology
teeny bopper
teleology
television
theatre
Thomas, David
Thompson, Hazel Muhl
Thompson, Marilyn
Thompson, Mayo; —Mayo J., Sr.
Three Songs on a Trip to the United States/Bismarckstr. 50
Top of the Pops
total recall
Trance
transformation
“Transparent Radiation”
Travis, Geoff
trend
turntablism
U
United States of America, The
V
Varèse, Edgard
Victorine
“Victory Garden”
Vietnam War, The
van Vliet, Don
Vogelauer, Maria
W
Walmsley, Pete
“War Pigs”
“War Sucks”
Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground
Watson, Tom
“We Built This City”
Weltanschauung
White, Chris
Whitney Museum of American Art, —Whitney Biennial; —in the work of Art & Language
Who, The
Williams, Christopher
Williams, Rachel
Wire, The
“Wives in Orbit”/“Yik-Yak”
Wood, Rosemary
Woronov, Mary
Y
Yang, Sandy
Yonemoto; —Bruce; —Norman
Yoshimoto, Sachiyo
Young, Neil
“Your Body is Hot”/”Crayolas on 45”
Z
Zappa, Frank; see also van Vliet