Art & Language: Writings: Difference between revisions
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| Line 15: | Line 15: | ||
|2. | |2. | ||
|Portrait of V.I. Lenin | |Portrait of V.I. Lenin | ||
| | |23 | ||
| | |1983 | ||
| | |''Modernism, Criticism. Realism'' | ||
|- | |- | ||
|3. | |3. | ||
| Line 28: | Line 28: | ||
|Manet's 'Olympia' and Contradiction | |Manet's 'Olympia' and Contradiction | ||
| | | | ||
| | |1981 | ||
| | |''Block 5, September'' | ||
|- | |- | ||
|5. | |5. | ||
| Line 52: | Line 52: | ||
|Art & Language Paints a Picture | |Art & Language Paints a Picture | ||
| | | | ||
| | |1983 | ||
| | |''Gewad Informatief'' | ||
|- | |- | ||
|9. | |9. | ||
| Line 64: | Line 64: | ||
|Failed Town Planning | |Failed Town Planning | ||
| | | | ||
| | |1987 | ||
|<ref>https://www.art-language.org/page/f/193.htm</ref> | |''Artscribe International, March-April<ref>https://www.art-language.org/page/f/193.htm</ref>'' | ||
|- | |- | ||
|11. | |11. | ||
|To Say of a Painting That It is a Fake | |To Say of a Painting That It is a Fake | ||
| | | | ||
| | |1987 | ||
| | |''Artscribe International, May'' | ||
|- | |- | ||
|12. | |12. | ||
| Line 82: | Line 82: | ||
|Tales from the Pit | |Tales from the Pit | ||
| | | | ||
| | |1988 | ||
| | |''Artscribe International, Nov/Dec'' | ||
|- | |- | ||
|14. | |14. | ||
|David: Unsightly Scenes | |David: Unsightly Scenes | ||
| | | | ||
| | |1991 | ||
| | |''Artscribe International, March-April'' | ||
|- | |- | ||
|15. | |15. | ||
|Seeing Paintings and Painting's Seeing | |Seeing Paintings and Painting's Seeing | ||
| | | | ||
| | |1994 | ||
| | |''[[Art-Language New Series No. 1]]'' | ||
|- | |- | ||
|16. | |16. | ||
|We Aim to be Amateurs | |We Aim to be Amateurs | ||
| | | | ||
| | |1997(?) | ||
| | |''[[Art-Language New Series No. 2]]''(?) | ||
|- | |- | ||
|17. | |17. | ||
|Moti Memoria | |Moti Memoria | ||
| | | | ||
| | |1997 | ||
| | |''The Impossible Document: Photography and Conceptual Art in Britain 1966-1976'' | ||
|- | |- | ||
|18. | |18. | ||
| Line 124: | Line 124: | ||
|Postscript: Wrongs Healed in Official Hope | |Postscript: Wrongs Healed in Official Hope | ||
| | | | ||
| | |2001 | ||
| | |''Kunstforum International 155, June-July'' | ||
|- | |- | ||
|21. | |21. | ||
|Roma Reason | |Roma Reason | ||
| | | | ||
| | |2003 | ||
| | |''MJ-Manifesta Journal, journal of Contemporary Curatorship, No.1, Spring/Summer'' | ||
|- | |- | ||
|22. | |22. | ||
Revision as of 01:51, 29 July 2023
Contents
| Title | pp. | Year | First publication | |
|---|---|---|---|---|
| 1. | John Roberts — The 'Black Debt': Art & Language's Writing | 9 | ||
| 2. | Portrait of V.I. Lenin | 23 | 1983 | Modernism, Criticism. Realism |
| 3. | Kangaroo? | 1982 | Art Journal Vol. 42 No. 2 | |
| 4. | Manet's 'Olympia' and Contradiction | 1981 | Block 5, September | |
| 5. | Letter to a Canadian Curator | 1982 | Art-Language Vol. 5 No. 1 | |
| 6. | Painting by Mouth | 1982 | Art-Language Vol. 5 No. 1 | |
| 7. | A Souvenir of Documenta 7 | |||
| 8. | Art & Language Paints a Picture | 1983 | Gewad Informatief | |
| 9. | Victorine | 1984 | Art-Language Vol. 5 No. 2 | |
| 10. | Failed Town Planning | 1987 | Artscribe International, March-April[1] | |
| 11. | To Say of a Painting That It is a Fake | 1987 | Artscribe International, May | |
| 12. | Informed Spectators | |||
| 13. | Tales from the Pit | 1988 | Artscribe International, Nov/Dec | |
| 14. | David: Unsightly Scenes | 1991 | Artscribe International, March-April | |
| 15. | Seeing Paintings and Painting's Seeing | 1994 | Art-Language New Series No. 1 | |
| 16. | We Aim to be Amateurs | 1997(?) | Art-Language New Series No. 2(?) | |
| 17. | Moti Memoria | 1997 | The Impossible Document: Photography and Conceptual Art in Britain 1966-1976 | |
| 18. | Making Meaningless | 1999 | Art & Language in Practice Vol. 2 | |
| 19. | Art & Language and the Jackson Pollock Bar | |||
| 20. | Postscript: Wrongs Healed in Official Hope | 2001 | Kunstforum International 155, June-July | |
| 21. | Roma Reason | 2003 | MJ-Manifesta Journal, journal of Contemporary Curatorship, No.1, Spring/Summer | |
| 22. | Interview: The Too Dark to Read Exhibition; Joëlle Pijaudier-Cabot with Art & Language, Installed in the Style of the Jackson Pollock Bar | |||
| 23. | Almost Too Dark to See |