Art & Language: Writings: Difference between revisions
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|[https://www.academia.edu/25808391/Black_Debt Full article] | |[https://www.academia.edu/25808391/Black_Debt Full article] | ||
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|[https://archive.org/details/modernismcritici0000unse/page/145/mode/1up Full article] | |[https://archive.org/details/modernismcritici0000unse/page/145/mode/1up Full article] | ||
|''[[Art-Language Vol. 4 No. 4]]'' (1983) | |||
|''[[Art-Language Vol. 4 No. 4]]'' | |||
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|<ref>https://www.tandfonline.com/doi/abs/10.1080/00043249.1982.10792764</ref> | |<ref>https://www.tandfonline.com/doi/abs/10.1080/00043249.1982.10792764</ref> | ||
|''Art Journal Vol. 42 No. 2'' (1982) | |||
|''Art Journal Vol. 42 No. 2'' | |||
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|''Block 5'', September 1981 | |||
|''Block 5'', September | |||
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|''[[Art-Language Vol. 5 No. 1]]'' (1982) | |||
|''[[Art-Language Vol. 5 No. 1]]'' | |||
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|''[[Art-Language Vol. 5 No. 1]]'' (1982) | |||
|''[[Art-Language Vol. 5 No. 1]]'' | |||
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|7. | |7. | ||
|''A Souvenir of Documenta 7'' | |''A Souvenir of Documenta 7'' | ||
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|''Gewad Informatief'' (1983) | |||
|''Gewad Informatief'' | |||
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|''[[Art-Language Vol. 5 No. 2]]'' (1984) | |||
|''[[Art-Language Vol. 5 No. 2]]'' | |||
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|''Artscribe International'', March-April 1987<ref>https://www.art-language.org/page/f/193.htm</ref> | |||
|''Artscribe International'', March-April<ref>https://www.art-language.org/page/f/193.htm</ref> | |||
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|''Artscribe International'', May 1987 | |||
|''Artscribe International'', May | |||
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|''Informed Spectators'' | |''Informed Spectators'' | ||
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|''Artscribe International'', Nov/Dec 1988 | |||
|''Artscribe International'', Nov/Dec | |||
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|''Artscribe International'', March-April 1991 | |||
|''Artscribe International'', March-April | |||
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|''[[Art-Language New Series No. 1]]'' (1994) | |||
|''[[Art-Language New Series No. 1]]'' | |||
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|16. | |16. | ||
|''We Aim to be Amateurs'' | |''We Aim to be Amateurs'' | ||
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| | |[https://www.art-language.org/texte/b/TII08h.htm#anglais Full article] | ||
|''[[Art-Language New Series No. 2]]''(1997) | |||
|''[[Art-Language New Series No. 2]]''( | |||
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|17. | |17. | ||
|''Moti Memoria'' | |''Moti Memoria'' | ||
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| | |[https://www.art-language.org/texte/a/TI25h.htm#anglais Excerpt] (56-57) | ||
|''The Impossible Document: Photography and Conceptual Art in Britain 1966-1976'' (ed. John Roberts, 1997) | |||
|''The Impossible Document: Photography and Conceptual Art in Britain 1966-1976'' | |||
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|18. | |18. | ||
|''Making Meaningless'' | |''Making Meaningless'' | ||
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| | |[https://www.art-language.org/texte/b/TII14h.htm#anglais Full article] | ||
|''[[Art & Language in Practice Vol. 2]]'' (1999) | |||
|''[[Art & Language in Practice Vol. 2]]'' | |||
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|19. | |19. | ||
|''Art & Language and the Jackson Pollock Bar'' | |''Art & Language and the Jackson Pollock Bar'' | ||
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|''Kunstforum International'' 155, June-July 2001 | |||
|''Kunstforum International'' 155, June-July | |||
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|21. | |21. | ||
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|[https://www.radicalphilosophyarchive.com/issue-files/rp109_article2_romareason_artlanguage.pdf Full article] | |[https://www.radicalphilosophyarchive.com/issue-files/rp109_article2_romareason_artlanguage.pdf Full article] | ||
|''Radical Philosophy'' 109, Sep/Oct 2001 | |||
|''Radical Philosophy'' 109, Sep/Oct | |||
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|22. | |22. | ||
|''Interview: The Too Dark to Read Exhibition; Joëlle Pijaudier-Cabot with Art & Language, Installed in the Style of the Jackson Pollock Bar'' | |''Interview: The Too Dark to Read Exhibition; Joëlle Pijaudier-Cabot with Art & Language, Installed in the Style of the Jackson Pollock Bar'' | ||
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|23. | |23. | ||
|''Almost Too Dark to See'' | |''Almost Too Dark to See'' | ||
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Revision as of 07:00, 16 October 2023


Art & Language: Writings is a 2005 essay collection by Art & Language.
Contents
Title | pp. | First publication | ||
---|---|---|---|---|
1. | John Roberts — The 'Black Debt': Art & Language's Writing | 9 | Full article | |
2. | Portrait of V.I. Lenin | 23 | Full article | Art-Language Vol. 4 No. 4 (1983) |
3. | Kangaroo? | [1] | Art Journal Vol. 42 No. 2 (1982) | |
4. | Manet's 'Olympia' and Contradiction (Apropos T.J. Clark's and Peter Wollen's Recent Articles) | Block 5, September 1981 | ||
5. | Letter to a Canadian Curator | Art-Language Vol. 5 No. 1 (1982) | ||
6. | Painting by Mouth | Art-Language Vol. 5 No. 1 (1982) | ||
7. | A Souvenir of Documenta 7 | |||
8. | Art & Language Paints a Picture | Gewad Informatief (1983) | ||
9. | Victorine | Art-Language Vol. 5 No. 2 (1984) | ||
10. | Failed Town Planning | Artscribe International, March-April 1987[2] | ||
11. | To Say of a Painting That It is a Fake | Artscribe International, May 1987 | ||
12. | Informed Spectators | |||
13. | Tales from the Pit | Artscribe International, Nov/Dec 1988 | ||
14. | David: Unsightly Scenes | Artscribe International, March-April 1991 | ||
15. | Seeing Paintings and Painting's Seeing | Art-Language New Series No. 1 (1994) | ||
16. | We Aim to be Amateurs | Full article | Art-Language New Series No. 2(1997) | |
17. | Moti Memoria | Excerpt (56-57) | The Impossible Document: Photography and Conceptual Art in Britain 1966-1976 (ed. John Roberts, 1997) | |
18. | Making Meaningless | Full article | Art & Language in Practice Vol. 2 (1999) | |
19. | Art & Language and the Jackson Pollock Bar | |||
20. | Postscript: Wrongs Healed in Official Hope | Kunstforum International 155, June-July 2001 | ||
21. | Roma Reason: Luhmann's Art as a Social System | Full article | Radical Philosophy 109, Sep/Oct 2001 | |
22. | Interview: The Too Dark to Read Exhibition; Joëlle Pijaudier-Cabot with Art & Language, Installed in the Style of the Jackson Pollock Bar | |||
23. | Almost Too Dark to See |