Charles Harrison: Difference between revisions
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|1969 | |1969 | ||
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|77 | |77 | ||
|Tate Gallery Publications, London | |Tate Gallery Publications, London | ||
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|1981 | |1981 | ||
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|416 | |416 | ||
|Allen Lane and Indiana University Press, London and Bloomington | |Allen Lane and Indiana University Press, London and Bloomington | ||
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|1982 | |1982 | ||
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|89 | |89 | ||
|Editions Fabre, Paris | |Editions Fabre, Paris | ||
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|1985 | |1985 | ||
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|88 | |88 | ||
|Art-Language | |Art-Language | ||
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|1991 | |1991 | ||
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|302 | |302 | ||
|Basil Blackwell, Oxford | |Basil Blackwell, Oxford | ||
| | |[https://archive.org/details/essaysonartlangu0000harr Archive.org] | ||
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|1993 | |1993 | ||
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|''Modernity and Modernism: French Painting in the Nineteenth Century'' (with F. Frascina, N. Blake, B. Fer, and T. Garb) | |''Modernity and Modernism: French Painting in the Nineteenth Century'' (with F. Frascina, N. Blake, B. Fer, and T. Garb)<ref>[https://archive.org/details/modernitymoderni0000unse_v8w8 Archive.org]</ref> | ||
| | | | ||
|Yale University Press, New Haven and London | |Yale University Press, New Haven and London | ||
|[https://archive.org/details/modernitymoderni0000unse_v8w8 Archive.org] | |||
|- | |- | ||
|1993 | |1993 | ||
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|''Primitivism, Cubism, Abstraction: The Early Twentieth Century'' (with F. Frascina and G. Perry) | |''Primitivism, Cubism, Abstraction: The Early Twentieth Century'' (with F. Frascina and G. Perry)<ref>[https://archive.org/details/primitivismcubis0000harr_e4n8 Archive.org]</ref> | ||
| | | | ||
|Yale University Press, New Haven and London | |Yale University Press, New Haven and London | ||
|[https://archive.org/details/primitivismcubis0000harr Archive.org] | |||
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|1993 | |1993 | ||
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|Yale University Press, New Haven and London | |Yale University Press, New Haven and London | ||
|[https://archive.org/details/modernismindispu00hcen Archive.org] | |||
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|1997 | |1997 | ||
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|80 | |80 | ||
|Tate Gallery Publishing, London and Cambridge University Press | |Tate Gallery Publishing, London and Cambridge University Press | ||
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|2001 | |2001 | ||
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|234 | |234 | ||
|MIT Press, Cambridge, MA, and London | |MIT Press, Cambridge, MA, and London | ||
|[https://archive.org/details/conceptualartpai0000char Archive.org] | |||
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|2005 | |2005 | ||
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|300 | |300 | ||
|Lisson Gallery | |Lisson Gallery | ||
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|2005 | |2005 | ||
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|300 | |300 | ||
|Chicago University Press, Chicago and London | |Chicago University Press, Chicago and London | ||
|[https://archive.org/details/paintingdifferen0000harr Archive.org] | |||
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|2006 | |2006 | ||
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|''Homes from Home II'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |''Homes from Home II'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | ||
|272 | |272 | ||
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|45 | |45 | ||
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|[https://archive.org/details/albertjoanysinba0000unse Archive.org] | |||
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|2009 | |2009 | ||
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|Yale University Press | |Yale University Press | ||
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|2009 | |2009 | ||
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|EMMA - Espoo Museum of Modern Art | |EMMA - Espoo Museum of Modern Art | ||
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|2009 | |2009 | ||
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|300 | |300 | ||
|Yale University Press | |Yale University Press | ||
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|2011 | |2011 | ||
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|Ridinghouse, London | |Ridinghouse, London | ||
|[https://archive.org/details/charlesharrisonl0000harr Archive.org] | |||
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=== Editor === | |||
{| class="wikitable" | |||
!Year | |||
! | |||
!Title | |||
!pp. | |||
!Publisher | |||
! | |||
|- | |||
|1982 | |||
| | |||
|''Modern Art and Modernism: A Critical Anthology'' (with Francis Frascina) | |||
| | |||
| | |||
|[https://archive.org/details/modernartmoderni00fras Archive.org] | |||
|- | |||
|1984 | |||
| | |||
|''[[Modernism, Criticism, Realism]]'' (with Fred Orton) | |||
|280 | |||
| | |||
|[https://archive.org/details/modernismcritici0000unse Archive.org] | |||
|- | |||
|1992 | |||
| | |||
|''[[Art in Theory 1900-1990|Art in Theory 1900-1990: An Anthology of Changing Ideas]]'' (with Paul Wood) | |||
|1190 | |||
|Basil Blackwell, Oxford | |||
| | |||
|- | |||
|1998 | |||
| | |||
|''Art in Theory 1815-1900'' (with Paul Wood and Jason Gaiger) | |||
|1098 | |||
|Blackwells, Oxford and Cambridge, MA | |||
|[https://archive.org/details/artintheory181510000unse/ Archive.org] | |||
|- | |||
|2000 | |||
| | |||
|''Art in Theory 1648-1815'' (with Paul Wood and Jason Gaiger) | |||
|1220 | |||
|Blackwells, Oxford | |||
|[https://archive.org/details/artintheory164810000unse/ Archive.org] | |||
|- | |||
|1999 | |||
|[[File:AL-in-Practice-Vol-1-front.jpg|center|frameless|50x50px]] | |||
|''[[Art & Language in Practice Vol. 1|Art & Language in Practice: Vol I Illustrated Handbook]]'' | |||
|300 | |||
|Fundació Antoni Tàpies, Barcelona | |||
| | |||
|} | |} | ||
Revision as of 14:20, 28 August 2023
Charles Harrison | |
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[[File:{{{Image1}}}|upright|center|frameless]] | |
[[File:{{{Image2}}}|upright|center|frameless]] | |
Born | 1942 |
Country |
Charles Harrison was an art historian that worked with Art & Language since the early 1970s.
Bibliography
Books
Year | Title | pp. | Publisher | ||
---|---|---|---|---|---|
1969 | Ben Nicholson | 77 | Tate Gallery Publications, London | ||
1981 | English Art and Modernism 1900-1939 | 416 | Allen Lane and Indiana University Press, London and Bloomington | ||
1982 | ![]() |
A Provisional History of Art & Language (with Fred Orton) | 89 | Editions Fabre, Paris | |
1985 | ![]() |
Blue Poles: Some Strictures on the Deletion of the Project 'Art and Society' (with Michael Baldwin and Mel Ramsden) | 88 | Art-Language | |
1991 | ![]() |
Essays on Art & Language | 302 | Basil Blackwell, Oxford | Archive.org |
1993 | Modernity and Modernism: French Painting in the Nineteenth Century (with F. Frascina, N. Blake, B. Fer, and T. Garb)[2] | Yale University Press, New Haven and London | Archive.org | ||
1993 | Primitivism, Cubism, Abstraction: The Early Twentieth Century (with F. Frascina and G. Perry)[3] | Yale University Press, New Haven and London | Archive.org | ||
1993 | Modernism in Dispute: Art Since the Forties (with Paul Wood, F. Frascina and J. Harris) | Yale University Press, New Haven and London | Archive.org | ||
1997 | Modernism | 80 | Tate Gallery Publishing, London and Cambridge University Press | ||
2001 | Conceptual Art and Painting: Further Essays on Art & Language | 234 | MIT Press, Cambridge, MA, and London | Archive.org | |
2005 | ![]() |
Art & Language: Writings | 300 | Lisson Gallery | |
2005 | Painting the Difference: Sex and Spectator in Modern Art | 300 | Chicago University Press, Chicago and London | Archive.org | |
2006 | Homes from Home II (with Michael Baldwin and Mel Ramsden) | 272 | |||
2007 | ![]() |
Albert, Joan and Sinbad (with Michael Baldwin and Mel Ramsden) | 45 | Archive.org | |
2009 | Since 1950: Art and its Criticisms | Yale University Press | |||
2009 | Art & Language Writings | EMMA - Espoo Museum of Modern Art | |||
2009 | Introduction to Art | 300 | Yale University Press | ||
2011 | Charles Harrison, Looking Back | Ridinghouse, London | Archive.org |
Editor
Year | Title | pp. | Publisher | ||
---|---|---|---|---|---|
1982 | Modern Art and Modernism: A Critical Anthology (with Francis Frascina) | Archive.org | |||
1984 | Modernism, Criticism, Realism (with Fred Orton) | 280 | Archive.org | ||
1992 | Art in Theory 1900-1990: An Anthology of Changing Ideas (with Paul Wood) | 1190 | Basil Blackwell, Oxford | ||
1998 | Art in Theory 1815-1900 (with Paul Wood and Jason Gaiger) | 1098 | Blackwells, Oxford and Cambridge, MA | Archive.org | |
2000 | Art in Theory 1648-1815 (with Paul Wood and Jason Gaiger) | 1220 | Blackwells, Oxford | Archive.org | |
1999 | ![]() |
Art & Language in Practice: Vol I Illustrated Handbook | 300 | Fundació Antoni Tàpies, Barcelona |