Colour Theory, No. 3: Difference between revisions
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** [[Mayo Thompson]] | ** [[Mayo Thompson]] | ||
** Rüdiger Carl | ** Rüdiger Carl | ||
== Retrospectives == | |||
[[David Grubbs]], 2002<ref>''The Wire'', April 2002 pg.22</ref><blockquote>On "Disco Death" from ''The Last of England OST'' (Mute) 1987 | |||
[Instantly] It's the JB Slik record on [[Leiterwagen]]. It's an [[Albert Oehlen]] production. JB Slik is a persona of the artist [[Jörg Schlick]], from Graz in Austria. [Upon seeing the interviewer's evident bewilderment] Isn't it? [Shown the album] Well, it's been ''sampled'' on the JB Slik album. Is it Mayo's track? Good call. That's hilarious! The JB Slik track samples this, with the worst, funniest faux scratching you've ever heard. I took it on tour a couple of years ago and would always ask for that track to be played after the show, because everybody would turn to the DJ and start shouting.</blockquote> | |||
== Interpretations == | == Interpretations == | ||
Revision as of 14:20, 30 January 2025
Lyrics
(instrumental)
Chronology
- A version of the song titled "Disco Death" was released on the soundtrack for Derek Jarman's film "The Last of England" in 1987[1]
- Tilda Swinton - vocals
- Albert Oehlen - writer
- Mayo Thompson - writer, producer
- Another version titled "Farbenlehre 3" ("Colour Theory 3") was released on a 7" attributed to Megabody in 1987. Albert Oehlen is credited with writing.[2]
- Albert Oehlen
- Andreas Dorau
- Mayo Thompson
- Rüdiger Carl
Malefactor, Ade
- Albert Oehlen
- Mayo Thompson
- Rüdiger Carl
Retrospectives
David Grubbs, 2002[3]
On "Disco Death" from The Last of England OST (Mute) 1987 [Instantly] It's the JB Slik record on Leiterwagen. It's an Albert Oehlen production. JB Slik is a persona of the artist Jörg Schlick, from Graz in Austria. [Upon seeing the interviewer's evident bewilderment] Isn't it? [Shown the album] Well, it's been sampled on the JB Slik album. Is it Mayo's track? Good call. That's hilarious! The JB Slik track samples this, with the worst, funniest faux scratching you've ever heard. I took it on tour a couple of years ago and would always ask for that track to be played after the show, because everybody would turn to the DJ and start shouting.
Interpretations
- See also "Colour Theory, No. 4"
References
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