Conceptual Art: A Critical Anthology: Difference between revisions
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1999 anthology edited by Alexander Alberro and Blake Stimson | 1999 anthology edited by Alexander Alberro and Blake Stimson | ||
== Contents == | |||
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!Author | |||
!Title | |||
!pg. | |||
!Originally published in | |||
|- | |||
|Alexander Alberro | |||
|Reconsidering Conceptual Art, 1966–1977 | |||
|xvi | |||
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|- | |||
|Blake Stimson | |||
|The Promise of Conceptual Art | |||
|xxxviii | |||
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|- | |||
! colspan="4" |I. 1966-1967 | |||
|- | |||
|Eduardo Costa, Raúl Escari, Roberto Jacoby | |||
|A Media Art (Manifesto) | |||
|2 | |||
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|[[Christine Kozlov]] | |||
|Compositions for Audio Structures | |||
|6 | |||
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|Hélio Oiticica | |||
|Position and Program | |||
|8 | |||
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|- | |||
|Sol LeWitt | |||
|Paragraphs on Conceptual Art | |||
|12 | |||
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|- | |||
|Sigmund Bode | |||
|Excerpt from ''Placement as Language'' (1928) | |||
|18 | |||
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|Mel Bochner | |||
|The Serial Attitude | |||
|22 | |||
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|Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni | |||
|Statement | |||
|28 | |||
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|- | |||
|Michel Claura | |||
|Buren, Mosset, Toroni or Anybody | |||
|30 | |||
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|[[Michael Baldwin]] | |||
|Remarks on Air-Conditioning: An Extravaganza of Blandness | |||
|32 | |||
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|Adrian Piper | |||
|A Defense of the "Conceptual" Process in Art | |||
|36 | |||
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|Hélio Oiticica | |||
|General Scheme of the New Objectivity | |||
|40 | |||
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! colspan="4" |II. 1968 | |||
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== References == | == References == |
Revision as of 13:56, 27 October 2023
1999 anthology edited by Alexander Alberro and Blake Stimson
Contents
Author | Title | pg. | Originally published in |
---|---|---|---|
Alexander Alberro | Reconsidering Conceptual Art, 1966–1977 | xvi | |
Blake Stimson | The Promise of Conceptual Art | xxxviii | |
I. 1966-1967 | |||
Eduardo Costa, Raúl Escari, Roberto Jacoby | A Media Art (Manifesto) | 2 | |
Christine Kozlov | Compositions for Audio Structures | 6 | |
Hélio Oiticica | Position and Program | 8 | |
Sol LeWitt | Paragraphs on Conceptual Art | 12 | |
Sigmund Bode | Excerpt from Placement as Language (1928) | 18 | |
Mel Bochner | The Serial Attitude | 22 | |
Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni | Statement | 28 | |
Michel Claura | Buren, Mosset, Toroni or Anybody | 30 | |
Michael Baldwin | Remarks on Air-Conditioning: An Extravaganza of Blandness | 32 | |
Adrian Piper | A Defense of the "Conceptual" Process in Art | 36 | |
Hélio Oiticica | General Scheme of the New Objectivity | 40 | |
II. 1968 | |||