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! colspan="4" |IV. 1970
! colspan="4" |IV. 1970
|-
|-
|Ian Burn
|Conceptual Art as Art
|188
|
|
|-
|Mel Bochner
|Excerpts from Speculation (1967–1970)
|192
|
|
|-
|[[Charles Harrison]] and Seth Siegelaub
|On Exhibitions and the World at Large
|198
|
|
|-
|[[Charles Harrison]]
|Notes Towards Art Work
|204
|
|
|-
|-
|Athena Tacha Spear
|Introduction to ''Art in the Mind''
|210
|
|
|-
|Kynaston McShine
|Introduction to ''Information''
|212
|
|
|-
|Jack Burnham
|Alice’s Head: Reflections on Conceptual Art
|216
|
|
|-
|Harold Rosenberg
|De-aestheticization
|220
|
|
|-
|-
|Luis Camnitzer
|Contemporary Colonial Art
|224
|
|
|-
|Cildo Meireles
|Insertions in Ideological Circuits
|232
|
|
|-
! colspan="4" |V. 1971-1974
|-
|Michel Claura
|Interview with Lawrence Weiner
|236
|
|
|-
|Jeanne Siegel
|An Interview with Hans Haacke
|242
|
|
|-
|-
|Victor Burgin
|Rules of Thumb
|248
|
|
|-
|Terry Smith
|Propositions
|258
|
|
|-
|Catherine Millet
|Interview with ''[[Art-Language]]''
|262
|
|
|-
|Max Kozloff
|The Trouble with Art-as-Idea
|268
|
|
|-
|-
|Robert Smithson
|Cultural Confinement
|280
|
|
|-
|Robert Smithson
|Production for Production’s Sake
|284
|
|
|-
|Michel Claura and Seth Siegelaub
|L’art conceptuel
|286
|
|
|-
|Lucy R. Lippard
|Postface, in ''Six Years: The Dematerialization of the Art Object, 1966 to 1972''
|294
|
|
|-
|-
|Adrian Piper
|In Support of Meta-Art
|298
|
|
|-
|Hans Haacke
|All the "Art" That’s Fit to Show
|302
|
|
|-
! colspan="4" |VI. 1975-1977
|-
|Sarah Charlesworth
|A Declaration of Dependence
|308
|
|
|-
|Ian Burn
|The Art Market: Affluence and Degradation
|320
|
|
|-
|-
|Joseph Kosuth
|1975
|334
|
|
|-
|[[Art & Language|Art & Language, UK]]
|Having-Your-Heart-in-the-Right-Place-Is-Not-Making-History
|350
|
|
|-
|[[Art & Language|Art & Language, UK]]
|The Timeless Lumpenness of Radical Cultural Life
|354
|
|
|-
|Marcel Broodthaers
|To Be ''bien pensant...'' or Not to Be. To Be Blind
|358
|
|
|-
|-
|Allan Sekula
|Documentary and Corporate Violence
|360
|
|
|-
|Martha Rosler
|To Argue for a Video of Representation. To Argue for a Video Against the Mythology of Everyday Life
|366
|
|
|-
|Mary Kelly
|Notes on Reading the ''Post-Partum Document''
|370
|
|
|-
|Benjamin H. D. Buchloh
|Moments of History in the Work of Dan Graham
|376
|
|
|-
|-
! colspan="4" |VII. Memoirs of Conceptual Art
|-
|Ian Burn
|The ’Sixties: Crisis and Aftermath (or the Memoirs of an Ex-Conceptual Artist)
|392
|
|
|-
|Cildo Meireles
|Statements
|410
|
|
|-
|Ian Wilson
|Conceptual Art
|414
|
|
|-
|Dan Graham
|My Works for Magazine Pages: "A History of Conceptual Art"
|418
|
|
|-
|-
|Adrian Piper
|On Conceptual Art
|424
|
|
|-
|Robert Barry
|Statement
|426
|
|
|
|-
|Victor Burgin
|Yes, Difference Again: What History Plays the First Time Around as Tragedy, It Repeats as Farce
|428
|
|
|-
|-
|
|Deke Dusinberre, Seth Siegelaub, Daniel Buren, and Michel Claura
|
|Working with Shadows, Working with Words
|
|432
|
|
|-
|-
|
|[[Art & Language]]
|
|We Aimed to Be Amateurs
|
|442
|
|
|-
|-
|
|Mary Kelly and Terry Smith
|
|A Conversation About Conceptual Art, Subjectivity and the ''Post-Partum Document''
|
|450
|
|
|-
|-
|
|Joseph Kosuth
|
|Intention(s)
|
|460
|
|
|-
|-
|
|Michael Corris
|
|Inside a New York Art Gang: Selected Documents of Art & Language, New York
|
|470
|
|
|-
|-
|
|Martha Rosler
|
|Statement
|
|486
|
|
|-
|-
|
|Blake Stimson
|
|"Dada—Situationism/Tupamaros—Conceptualism": An Interview with Luis Camnitzer
|
|492
|
|
|-
|-
|
! colspan="4" |VIII. Critical Histories of Conceptual Art
|
|
|
|-
|-
|
|Jeff Wall
|
|Dan Graham’s Kammerspiel
|
|504
|
|
|-
|-
|
|Benjamin H. D. Buchloh
|
|Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions
|
|514
|
|
|-
|-
|
|[[Charles Harrison]]
|
|Conceptual Art and Critical Judgement
|
|538
|
|
|-
|-
|
|Adrian Piper
|
|The Logic of Modernism
|
|546
|
|
|-
|-
|
|Mari Carmen Ramírez
|
|Blueprint Circuits: Conceptual Art and Politics in Latin America
|
|550
|
|
|-
|-
|
|Thomas Crow
|
|Unwritten Histories of Conceptual Art
|
|564
|
|
|}
|}


== References ==
== References ==

Revision as of 14:15, 27 October 2023

1999 anthology edited by Alexander Alberro and Blake Stimson

Contents

Author Title pg. Originally published in
Alexander Alberro Reconsidering Conceptual Art, 1966–1977 xvi
Blake Stimson The Promise of Conceptual Art xxxviii
I. 1966-1967
Eduardo Costa, Raúl Escari, Roberto Jacoby A Media Art (Manifesto) 2
Christine Kozlov Compositions for Audio Structures 6
Hélio Oiticica Position and Program 8
Sol LeWitt Paragraphs on Conceptual Art 12
Sigmund Bode Excerpt from Placement as Language (1928) 18
Mel Bochner The Serial Attitude 22
Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni Statement 28
Michel Claura Buren, Mosset, Toroni or Anybody 30
Michael Baldwin Remarks on Air-Conditioning: An Extravaganza of Blandness 32
Adrian Piper A Defense of the "Conceptual" Process in Art 36
Hélio Oiticica General Scheme of the New Objectivity 40
II. 1968
Lucy R. Lippard and John Chandler The Dematerialization of Art 46
Terry Atkinson Concerning the Article "The Dematerialization of Art" 52
Yvonne Rainer Statement 60
Hanne Darboven Statement to Lucy Lippard 62
Georges Boudaille Interview with Daniel Buren: Art Is No Longer Justifiable or Setting the Record Straight 66
María Teresa Gramuglio and Nicolás Rosa Tucumán Burns 76
III. 1969
Michel Claura Paris Commentary 82
Gregory Battcock Painting Is Obsolete 88
Dan Graham Art Workers’ Coalition Open Hearing Presentation 92
Editors of Art-Language Introduction 98
Sol LeWitt Sentences on Conceptual Art 106
Ian Burn Dialogue 110
Lee Lozano Dialogue Piece 112
Mierle Laderman Ukeles Maintenance Art Manifesto, Proposal for an Exhibition, "CARE" 122
John Murphy Patron’s Statement for "When Attitudes Become Form" 126
Piero Gilardi Politics and the Avant-Garde 128
Jean Clay Art Tamed and Wild 136
Rolf Wedewer Introduction to Konzeption/Conception 142
Daniel Buren Beware 144
Joseph Kosuth Art After Philosophy 158
Lucy R. Lippard Introduction to 557,087 178
IV. 1970
Ian Burn Conceptual Art as Art 188
Mel Bochner Excerpts from Speculation (1967–1970) 192
Charles Harrison and Seth Siegelaub On Exhibitions and the World at Large 198
Charles Harrison Notes Towards Art Work 204
Athena Tacha Spear Introduction to Art in the Mind 210
Kynaston McShine Introduction to Information 212
Jack Burnham Alice’s Head: Reflections on Conceptual Art 216
Harold Rosenberg De-aestheticization 220
Luis Camnitzer Contemporary Colonial Art 224
Cildo Meireles Insertions in Ideological Circuits 232
V. 1971-1974
Michel Claura Interview with Lawrence Weiner 236
Jeanne Siegel An Interview with Hans Haacke 242
Victor Burgin Rules of Thumb 248
Terry Smith Propositions 258
Catherine Millet Interview with Art-Language 262
Max Kozloff The Trouble with Art-as-Idea 268
Robert Smithson Cultural Confinement 280
Robert Smithson Production for Production’s Sake 284
Michel Claura and Seth Siegelaub L’art conceptuel 286
Lucy R. Lippard Postface, in Six Years: The Dematerialization of the Art Object, 1966 to 1972 294
Adrian Piper In Support of Meta-Art 298
Hans Haacke All the "Art" That’s Fit to Show 302
VI. 1975-1977
Sarah Charlesworth A Declaration of Dependence 308
Ian Burn The Art Market: Affluence and Degradation 320
Joseph Kosuth 1975 334
Art & Language, UK Having-Your-Heart-in-the-Right-Place-Is-Not-Making-History 350
Art & Language, UK The Timeless Lumpenness of Radical Cultural Life 354
Marcel Broodthaers To Be bien pensant... or Not to Be. To Be Blind 358
Allan Sekula Documentary and Corporate Violence 360
Martha Rosler To Argue for a Video of Representation. To Argue for a Video Against the Mythology of Everyday Life 366
Mary Kelly Notes on Reading the Post-Partum Document 370
Benjamin H. D. Buchloh Moments of History in the Work of Dan Graham 376
VII. Memoirs of Conceptual Art
Ian Burn The ’Sixties: Crisis and Aftermath (or the Memoirs of an Ex-Conceptual Artist) 392
Cildo Meireles Statements 410
Ian Wilson Conceptual Art 414
Dan Graham My Works for Magazine Pages: "A History of Conceptual Art" 418
Adrian Piper On Conceptual Art 424
Robert Barry Statement 426
Victor Burgin Yes, Difference Again: What History Plays the First Time Around as Tragedy, It Repeats as Farce 428
Deke Dusinberre, Seth Siegelaub, Daniel Buren, and Michel Claura Working with Shadows, Working with Words 432
Art & Language We Aimed to Be Amateurs 442
Mary Kelly and Terry Smith A Conversation About Conceptual Art, Subjectivity and the Post-Partum Document 450
Joseph Kosuth Intention(s) 460
Michael Corris Inside a New York Art Gang: Selected Documents of Art & Language, New York 470
Martha Rosler Statement 486
Blake Stimson "Dada—Situationism/Tupamaros—Conceptualism": An Interview with Luis Camnitzer 492
VIII. Critical Histories of Conceptual Art
Jeff Wall Dan Graham’s Kammerspiel 504
Benjamin H. D. Buchloh Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions 514
Charles Harrison Conceptual Art and Critical Judgement 538
Adrian Piper The Logic of Modernism 546
Mari Carmen Ramírez Blueprint Circuits: Conceptual Art and Politics in Latin America 550
Thomas Crow Unwritten Histories of Conceptual Art 564

References

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