Hostage: Difference between revisions
Appearance
No edit summary |
No edit summary |
||
| Line 2: | Line 2: | ||
== Background == | == Background == | ||
Claude Monet - ''Poplars on the Epte'' (1891) | |||
'''Further reading:''' | '''Further reading:''' | ||
| Line 84: | Line 86: | ||
|[[File:A-L-Hostage-11.jpg|center|frameless|100x100px]] | |[[File:A-L-Hostage-11.jpg|center|frameless|100x100px]] | ||
| colspan="3" | | | colspan="3" | | ||
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
|- | |- | ||
|1988 | |1988 | ||
| Line 140: | Line 143: | ||
| colspan="3" | | | colspan="3" | | ||
* ''[https://archive.org/details/contemporarypain0000unse/page/60/mode/1up Contemporary Painting]'' (1992) | * ''[https://archive.org/details/contemporarypain0000unse/page/60/mode/1up Contemporary Painting]'' (1992) | ||
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) | * ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) | ||
|- | |- | ||
| Line 153: | Line 157: | ||
|[[File:A-L-Hostage-21.jpg|center|frameless|100x100px]] | |[[File:A-L-Hostage-21.jpg|center|frameless|100x100px]] | ||
| colspan="3" | | | colspan="3" | | ||
* Behind the text: "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
|- | |- | ||
| | | | ||
| Line 279: | Line 284: | ||
|[[File:A-L-Surf-36.png|center|frameless|100x100px]] | |[[File:A-L-Surf-36.png|center|frameless|100x100px]] | ||
| | | | ||
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
|- | |- | ||
|1990 | |1990 | ||
| Line 286: | Line 292: | ||
|[[File:A-L-Study-for-Hostage-37.jpg|center|frameless|100x100px]] | |[[File:A-L-Study-for-Hostage-37.jpg|center|frameless|100x100px]] | ||
| | | | ||
|Art & Language Paints a Landscape | |"Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | ||
|- | |- | ||
|1990 | |1990 | ||
| Line 525: | Line 531: | ||
| | | | ||
| | | | ||
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.120 | * ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.120 | ||
* "[[Hostage (song)|Hostage]]" song | * "[[Hostage (song)|Hostage]]" song | ||
| Line 598: | Line 605: | ||
| | | | ||
* ''[https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Contemporary Painting]'' (1992) | * ''[https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Contemporary Painting]'' (1992) | ||
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.106 | * ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.106 | ||
|- | |- | ||
| Line 616: | Line 624: | ||
|[[File:A-L-Surf-76.jpg|center|frameless|100x100px]] | |[[File:A-L-Surf-76.jpg|center|frameless|100x100px]] | ||
| | | | ||
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995) | |||
|- | |- | ||
| | | | ||
Latest revision as of 04:57, 9 October 2023
Paintings by Art & Language.
Background
Claude Monet - Poplars on the Epte (1891)
Further reading:
Works
| Year | # | Title | Hostage | Notes | ||
|---|---|---|---|---|---|---|
| 1988 | 1 | Hostage I | ||||
| 1988 | 2 | Hostage II | ||||
| 1988 | 3 | Hostage III | ||||
| 1988 | 4 | Hostage IV | ||||
| 1988 | 5 | Hostage V | ||||
| 1988 | 6 | Hostage VI |
| |||
| 1988 | 7 | Hostage VII | ||||
| 1988 | 8 | Hostage VIII | ||||
| 1988 | 9 | Hostage IX |
| |||
| 1988 | 10 | Hostage X | ||||
| 1988 | 11 | Hostage XI |
| |||
| 1988 | 12 | Hostage XII |
| |||
| 13 | Hostage XIII (1) | |||||
| 13 | Hostage XIII (3) | |||||
| 14 | Hostage XIV | |||||
| 15 | Hostage XV | |||||
| 16 | Hostage XVI | |||||
| 17 | Hostage XVII | |||||
| 18 | Hostage XVIII | |||||
| 19 | Hostage XIX |
| ||||
| 20 | Hostage XX | |||||
| 21 | Hostage XXI |
| ||||
| 22 | Hostage XXII | |||||
| 23 | Hostage XXIII | |||||
| 24 | Hostage XXIV | |||||
| 25 | Hostage XXV | |||||
| Year | # | Title | Hostage | Study | Surf | Notes |
| 26 | Hostage XVI | |||||
| 1989 | 27 | Hostage XXVII | ||||
| 1989 | 28 | Hostage XXVIII |
| |||
| 1989 | 29 | Hostage XXIX |
| |||
| 1989 | 30 | Hostage XXX | ||||
| 1989 | 31 | Hostage XXXI | ||||
| 1989 | 32 | Hostage XXXII | ||||
| 33 | Hostage XXXIII | |||||
| 34 | Hostage XXXIV | |||||
| 35 | Hostage XXXV | |||||
| 1990 | 36 | Hostage XXXVI |
| |||
| 1990 | 37 | Hostage XXXVII | "Art & Language Paints a Landscape" Critical Inquiry (1995) | |||
| 1990 | 38 | Hostage XXXVIII | ||||
| 1990 | 39 | Hostage XXXIX | ||||
| 1990 | 40 | Hostage XL |
| |||
| 1990 | 41 | Hostage XLI |
| |||
| 1990 | 42 | Hostage XLII | ||||
| 1990 | 43 | Hostage XLIII | ||||
| 1990 | 44 | |||||
| 1990 | 45 | |||||
| 1990 | 46 | |||||
| 1990 | 47 | |||||
| 1990 | 48 | Hostage XLVIII | ||||
| 1990 | 49 | Hostage XLIX | ||||
| 1990 | 50 | Hostage L | ||||
| 1990 | 51 | |||||
| 1990 | 52 | Hostage LII | ||||
| 1990 | 53 | Hostage LIII | ||||
| 1990 | 54 | Hostage LIV | ||||
| 1990 | 55 | Hostage LV | ||||
| 1990 | 56 | Hostage LVI | ||||
| 1990 | 57 | |||||
| 1990 | 58 | Hostage LVIII |
| |||
| 1990 | 59 | |||||
| 1990 | 60 | Hostage LX | ||||
| 1990 | 61 | Hostage LXI | ||||
| 1990 | 62 | Hostage LXII | ||||
| 1990 | 63 | |||||
| 1990 | 64 | |||||
| 1990 | 65 | Hostage LXV | ||||
| 1990 | 66 | Hostage LXVI |
| |||
| 1990 | 67 | Hostage LXVII | ||||
| 1990 | 68 |
| ||||
| 1990 | 69 | Hostage LXIX | ||||
| 1990 | 70 | Hostage LXX | ||||
| 1990 | 71 | |||||
| 1990 | 72 | |||||
| 1990 | 73 | Hostage LXXIII |
| |||
| 1990 | 74 | Hostage LXXIV |
| |||
| 1990 | 75 | Hostage LXXV | ||||
| 1990 | 76 | Hostage LXXVI |
| |||
| 77 | ||||||
| 78 | ||||||
| 1991 | 79 | Hostage LXXIX | ||||
| 1991 | 80 | |||||
| 1991 | 81 | |||||
| 1991 | 82 | |||||
| 1991 | 83 | Hostage LXXXIII | ||||


































































