Modernism, Criticism, Realism
Modernism, Criticism, Realism: Alternative Contexts for Art is an anthology compiled by Charles Harrison and Fred Orton published 1984
Contents
| Author | Title | pg. | Notes | |
|---|---|---|---|---|
| I. Aesthetics of Sensibility | ||||
| 1. | Clement Greenberg | Complaints of an Art Critic | 3 | |
| 2. | Richard Wollheim | The Work of Art as Object | 9 | |
| 3. | John Passmore | The Dreariness of Aesthetics | 19 | |
| 4. | Beryl Lake | A Study of the Irrefutability of Two Aesthetic Theories | 25 | |
| 5. | Alasdair MacIntyre | Emotivism | 37 | |
| II. Knowledge and Representation | ||||
| 6. | Jaakko Hintikka | Knowing How, Knowing That, and Knowing What... | 47 | |
| 7. | Ludwig Wittgenstein | Seeing and Seeing as | 57 | |
| 8. | N. R. Hanson | Observation | 69 | |
| 9. | Nelson Goodman | Seven Strictures on Similarity | 85 | |
| 10. | Noam Chomsky | On Cognitive Capacity | 93 | |
| 11. | Barry Barnes | Conceptions of Knowledge | 101 | |
| 12. | Alison Assiter | Philosophical Materialism or the Materialist Conception of History | 113 | |
| III. Representation and Art | ||||
| 13. | William M. Ivins Jnr. | The Blocked Road to Pictorial Communication and The Road Block Broken | 125 | |
| 14. | Michael Baxandall | The Cognitive Style | 139 | |
| 15. | Art & Language | Portrait of V. I. Lenin | 145 | |
| IV. Expression | ||||
| 16. | Nelson Goodman | Expression | 173 | |
| 17. | Thomas S. Szasz | Hysteria as Communication | 181 | |
| 18. | Art & Language | Abstract Expression | 191 | |
| V. Communities and Interests | ||||
| 19. | C. B. Macpherson | The Twentieth-Century Dilemma | 207 | |
| 20. | Alasdair MacIntyre | The Idea of a Social Science | 213 | |
| 21. | Thomas S. Kuhn | Paradigms, Tacit Knowledge and Incommensurability | 229 | |
| 22. | Barry Barnes | Culture and History | 243 | |
| 23. | Art & Language | Author and Producer Revisited | 251 | |
| 24. | Noam Chomsky | Some General Features of Language | 261 | |