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Periodical by Art & Language
Issues
Volume 1
-
Art-Language
Vol. 1 No. 1
May 1969 -
Art-Language
Vol. 1 No. 2
February 1970 -
Art-Language
Vol. 1 No. 3
June 1970 -
Analytical Art
No. 1
July 1971 -
Art-Language
Vol. 1 No. 4
November 1971
Volume 2
-
Art-Language
Vol. 2 No. 1
February 1972 -
Analytical Art
No. 2
June 1972 -
Art-Language
Vol. 2 No. 2
Summer 1972 -
Art-Language
Vol. 2 No. 3
September 1973 -
Art-Language
Vol. 2 No. 4
June 1974
Volume 3 / The Fox
-
Art-Language
Vol. 3 No. 1
September 1974 -
The Fox
No. 1
March 1975 -
Art-Language
Vol. 3 No. 2
May 1975 -
The Fox
No. 2
Fall 1975 -
The Fox
No. 3
May 1976 -
Art-Language
Vol. 3 No. 3
June 1976 -
Art-Language
Vol. 3 No. 4
October 1976
Volume 4
-
Art-Language
Vol. 4 No. 1
May 1977 -
Art-Language
Vol. 4 No. 2
October 1977 -
Art-Language
Vol. 4 No. 3
October 1978 -
Art-Language
Vol. 4 No. 4
June 1980
Volume 5
-
Art-Language
Vol. 5 No. 1
October 1982 -
Art-Language
Vol. 5 No. 2
March 1984 -
Art-Language
Vol. 5 No. 3
March 1985
New Series
-
Art-Language
New Series No. 1
June 1994 -
Art-Language
New Series No. 2
June 1997 -
Art-Language
New Series No. 3
June 1997
Issue details
Volume 1
Vol. 1 No. 1

May 1969
May 1969
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Terry Atkinson (uncredited) | Introduction | 1-10 | Excerpt |
2. | Sol LeWitt | Sentences on conceptual art | 11-13 | Full text |
3. | Dan Graham | Poem-schema | 14-15 | |
4. | Lawrence Weiner | Statements | 17-18 | |
5. | David Bainbridge | Notes on M1 (1) | 19-22 | Full text |
6. | Michael Baldwin | Notes on M1 | 23-30 | |
7. | David Bainbridge | Notes on M1 (2) | 30-32 | Full text |
Vol. 1 No. 2

February 1970
February 1970
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Joseph Kosuth | Introductory note by the American Editor | 1-4 | |
2. | David Bainbridge | ‘The Sculpture...’ (untitled) | 5-7 | |
3. | Frederic Barthelme | Three from May 23rd, 1969 | 8-10 | |
4. | Stephen McKenna | Notes on Marat | 11-13 | |
5. | Michael Baldwin | Plans and Procedures | 14-21 | Excerpt (17) |
6. | Ian Burn | Dialogue | 22 | |
7. | Robert Brown-David Hirons | Moto-Spiritale | 23-24 | |
8. | Terry Atkinson | From an Art & Language Point of View | 25-60 | |
9. | Terry Atkinson | Concerning Interpretation of the Bainbridge/Hurrell Models | 61-71 | |
10. | Harold Hurrell | Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’ | 72-73 | |
11. | Harold Hurrell | Sculptures and Devices | 74-76 | |
12. | Michael Thompson | Conceptual Art: Category & Action | 77-83 | |
13. | Mel Ramsden | Notes on Genealogies | 84-88 |
Vol. 1 No. 3

June 1970
June 1970
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Ian Burn
Roger Cutforth Mel Ramsden |
Proceedings: Society for Theoretical Art and Analyses | 1-3 | |
2. | Mel Ramsden | Art Enquiry (2) | 4-6 | |
3. | Graham J. Howard | (i) Concerning Some Theories and their Worlds | 7-8 | |
4. | Graham J. Howard | (ii) Mona Lisas | 9-10 | |
5. | Bernard Bihari | Marshall McLuhan and the Behavioral Sciences | 11-28 | |
6. | Mel Ramsden | A Preliminary Proposal for the Directing of Perception | 29 | |
7. | Michael Baldwin | General Note
(i) Atkinson and Meaninglessness (ii) Preface (iii) Dead Issues |
30-35 |
Vol. 1 No. 4
November 1971

November 1971
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Stuart Knight | Theory, Knowledge and Hermeneutics | 1-5 | |
2. | Graham Howard | Revelation and Art | 6-15 | |
3. | Graham Howard | Actuality and Potentiality | 16-22 | |
4. | Graham Howard | Accessibility and Conceivability | 23-24 | |
5. | Terry Atkinson | Art Teaching | 25-50 | |
6. | Terry Atkinson | La Pensée avec images | 51-69 | Full text |
Volume 2
Vol. 2 No. 1

February 1972
February 1972
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Terry Atkinson | Unnatural Rules and Excuses | 1-27 | |
2. | Ian Burn | Four Wages of Sense | 28-37 | |
3. | Philip Pilkington
David Rushton Kevin Lole |
Aspects of Authorities | 38-50 | |
4. | Terry Atkinson | On the Material-Character/Physical-Object Paradigm of Art | 51-55 | Full text |
5. | Graham Howard | Ontological Relativity: A Note | 56-57 |
Vol. 2 No. 2

Summer 1972
Summer 1972
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Ian Burn | Some Questions on the Characterization of Questions | 1-10 | |
2. | Terry Atkinson | Information | 11-20 | |
3. | Ian Burn | Art Language and Art-Language | 21-28 | Full text |
4. | Harold Hurrell | Interim Remarks | 29-30 | |
5. | David Bainbridge | Lupus in Fabula | 31 | |
6. | Victor Burgin | In Reply | 32-34 | [1] |
Vol. 2 No. 3

September 1973
September 1973
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Graham Howard | Some Formalities of Technic Relationships | 1-7 | Excerpt |
2. | Graham Howard | Interest Relationships, etc. | 8-9 | |
3. | Graham Howard | Disinterest Relationships, etc. | 10-11 | |
4. | Philip Pilkington
David Rushton |
Models and Indexes: Fringe Benefits | 12-17 | |
5. | Philip Pilkington
David Rushton |
Bibliotherapy | 18-33 | |
6. | Michael Corris | The Fine Structure of Collaboration | 34-37 | |
7. | Michael Corris | Frameworks and Phantoms | 38-52 | |
8. | Ian Burn | Problems of Art & Language Space | 53-72 | |
9. | John F. Hemmings | Note on Reading 1969-1972 | 73-77 | |
10. | David Bainbridge | 'Praxisectomy' and 'Theoryorraphy' | 78 |
Vol. 2 No. 4

June 1974
June 1974
Michael Baldwin, Philip Pilkington
Title | pg. | Notes | |
---|---|---|---|
1. | Violins and Cows | 1-6 | Full text |
2. | Redemption not Adaptation | 7-14 | |
3. | Data Blank, December 1973 | 15 | |
4. | Brainstorm Proposal | 16-25 | |
5. | A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation... | 26-33 | |
6. | Vector and Magnitude | 34 | |
7. | Uplifting Public Utterance | 35 | |
8. | Whether there exists, or has existed an 'ideological' person... | 36 | |
9. | Fragment from Contemporanea Index | 37 | |
10. | Dear... | 38-39 | |
11. | Points of Reference, the Hope of Ideology | 40-44 | |
12. | Art and Language | 45-50 | |
13. | Why J. Kosuth Won't Work for Us & Other Trivia | 51-61 | |
14. | The Old Gourmet (Transcript) | 62-70 | Excerpt (62-63)
Excerpt (68) |
15. | Proceedings M2 | 71-72 | |
16. | Instruction Index a x | 73-99 | Excerpt (87-125) |
17. | Instruction Index b x | 100-123 | |
18. | 'The statement that there is a body of dialectical discourse...' | 124 | |
19. | Further Points of Reference | 126-130 |
Volume 3
Vol. 3 No. 1

September 1974
September 1974
Draft for an Anti-Textbook
Ian Burn, Mel Ramsden, Terry Smith
Title | pg. | Notes | |
---|---|---|---|
1. | Caution | 1 | |
2. | Somewhere to Begin | 2-4 | |
3. | Language has a Hold on us | 5-7 | |
4. | Market Relations | 8-9 | |
5. | Apodictic Tableaux | 10-12 | |
6. | Ideal Speakers... | 13-14 | |
7. | Annotations... Selective Memory (Histrionics?)... | 15-17 | |
8. | Cacophonous... | 18-19 | |
9. | Bureaucracy... | 20 | |
10. | Points of Order? | 21-22 | |
11. | No Refuge in 'Audience'... | 23-26 | |
12. | 'Sometimes I feel like an Artist...' | 27-31 | |
13. | Institutional Serenity | 32-35 | |
14. | A 'Logic' of Going-On? | 36 | |
15. | Do We Have Anything like 'Assertion'? | 37-41 | |
16. | What are we doing in Language? | 42-43 | |
17. | 'Consistency' is an Ideological Postulate | 44-47 | |
18. | Dead Horse... | 48-49 | |
19. | Iteration | 50 | |
20. | More Exhortations? | 51-53 | |
21. | Joseph Kosuth says that the group is a Cultural Ghetto | 54-55 | |
22. | ...Overboard about Kierkegaard | 57-59 | |
23. | Fur Teacups | 60-61 | |
24. | Straight Talk? | 62-63 | |
25. | Equivocating... | 64-67 | |
26. | Routine... | 68 | |
27. | ...Corpse of Official Language | 69-70 | |
28. | We Wish they had a Dictionary | 71-73 | |
29. | ...Concatenation... | 74-75 | |
30. | Bxal-ing | 76-79 | |
31. | Endless Revisability... | 80-82 | |
32. | Striving in the Uproar | 83-86 | |
33. | Art-Career Components | 87-89 | |
34. | The Unreality of this Culture | 90-97 | |
35. | Modeish about Cultural Indeterminacy | 98-100 | |
36. | Exploitation... Education... | 101-103 | |
37. | Shop-Floorish? | 104-105 | |
38. | Leftish Critique | 106-108 | |
39. | Sporadic Encounter | 109-110 |
Vol. 3 No. 2

May 1975
May 1975
Michael Baldwin, Ian Burn, Charles Harrison, Sandra Harrison, Philip Pilkington, Mel Ramsden
Title | pg. | Notes | |
---|---|---|---|
1. | For Thomas Hobbes | 1-6 | |
2. | A Review of Styles | 7-12 | |
3. | ‘To Begin With, While I am Clearly a Marxist Sympathizer...’ | 13-19 | |
4. | Pedagogical Sketchbook (AL) | 20-30 | Excerpt(22) |
5. | Brainstorming – New York | 31-40 | Excerpt |
6. | Art and Language | 41 | |
7. | Community Work | 44-45 | |
8. | Rambling: To Partial Correspondents | 46-51 | |
9. | Vulgar and Popular Opinions | 52-58 | |
10. | Little Grey Rabbit Goes to the Sea | 59-62 | |
11. | Overview – The Paradox of the Heap of Stones | 63-64 | |
12. | Slogan Adaptation | 65-67 | |
13. | ‘Mr. Lin Yutang Refers to “Fair Play”...?’ | 68-80 | |
14. | Strategy is Political: Dear M... | 81-86 | |
15. | My Amazed Admiration (...of the Subtle Complexity Reached by Western Capitalism) | 87-88 | |
16. | Utopian Prayers and Infantile Marxism | 89-92 | |
17. | Accidental Synopsis | 93-94 | |
18. | On the Embarrassing Dangers of Banishing 12-Tone Music | 95 |
Vol. 3 No. 3

June 1976
June 1976
Michael Baldwin, Charles Harrison, Harold Hurrell
Title | pg. | Notes | |
---|---|---|---|
1. | ‘...The Timeless Lumpenness of a Radical Cultural Life...’ | cover-1 | |
2. | Transcript 3.1.76 Plus and Minus | 5-11 | |
3. | Bourgeois Revisionism, What? | 12-23 | |
4. | Conversation: Opacity? | 24-26 | |
5. | Ideology does not penetrate class barriers as a transparent substance | 27-28 | |
6. | Now, naughty revisionism or no | 29-33 | |
7. | Denizens of class struggle | 34-38 | |
8. | How to avoid assumptions that your good heart gets you there | 39-42 | |
9. | Jobless and Gaga | 43-47 | |
10. | Community Arts | 48-52 | |
11. | Abstract Art | 53-65 | |
12. | International: England 1 (o.g.) USA 1 (o.g.) | 66-72 | |
13. | Pastels in Prose – if not a Vignette in Verse... | 73-75 | |
14. | The problems of displaying base explicit directive ‘assumptions’ | 76-84 | |
15. | Shoot the Sodding Ref. | 85-92 | |
16. | Provisions and Rules Again | 93-98 | |
17. | |||
18. | |||
19. | |||
20. | |||
21. | |||
22. | |||
23. | |||
24. | |||
25. | |||
26. | |||
27. |
Vol. 3 No. 4

October 1976
October 1976
Michael Baldwin, Kathryn Bigelow, Mel Ramsden, Mayo Thompson
Title | pg. | Notes | |
---|---|---|---|
1. | Us, Us and Away | 1-5 | |
2. | The Rediscovery of Hazlitt: To Our Knowledgeable Friends, Surrounded by False Homage, Estranged From Real Work | 6-9 | |
3. | In Contradiction | 10-22 | |
4. | The French Disease | 23-34 | |
5. | Semiotique, Hardcore | 35-36 | |
6. | Interdisciplinary Studies: Urology, Arachno-didactics | 37-48 | |
7. | Doge City | 49-62 | |
8. | Above Us the Waves (A Fascist Index) | 63-71 |
Volume 4
Vol. 4 No. 1

May 1977
May 1977
Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden
Title | pg. | Notes | |
---|---|---|---|
1. | Go through the gatehouse... | cover-2 | |
2. | Return Journey | 5-10 | Link |
3. | Simplicissimus | 11-37 | |
4. | Bad Men Have Some Songs | 38-41 | |
5. | The Building Blocks of the University | 42-45 | |
6. | The Long March from 23rd Street to Highgate Cemetery and Back | 46-50 | |
7. | Commentary | 51-55 | |
8. | ‘In Conscience-stricken Wissenschaft...’ | 56-67 |
Vol. 4 No. 2

October 1977
October 1977
Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson
Title | pg. | Notes | |
---|---|---|---|
1. | A note on the cover | 3-5 | |
2. | Preamble | 6 | |
3. | Method 1: On the Material Necessity that the Editors of October, its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism | 7-9 | |
4. | Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse | 10-18 | Full text |
5. | Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism... | 19-41 | |
6. | Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given | 42-54 | |
7. | Method 5: A Crisis of Liberality for the Decaying Macaroni... | 55-61 | |
8. | Method 6: Random complaints | 62-65 | |
9. | Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration | 66-81 |
Vol. 4 No. 3

October 1978
October 1978
Michael Baldwin, Charles Harrison, Sandra Harrison, Lynn Lemaster, Philip Pilkington, Mel Ramsden
Title | pg. | Notes | |
---|---|---|---|
1. | A Note to the Reader | 1-2 | |
2. | Ways of Seeing | 3-123 | Excerpt (73) |
Vol. 4 No. 4

June 1980
June 1980
Michael Baldwin, Charles Harrison, Mel Ramsden
Title | pg. | Notes | |
---|---|---|---|
1. | Art for Society? | 1-25 | Full text |
2. | Portrait of V. I. Lenin | 26-61 | Excerpt (26) |
Volume 5
Vol. 5 No. 1

October 1982
October 1982
Michael Baldwin, Charles Harrison, Mel Ramsden
Title | pg. | Notes | |
---|---|---|---|
1. | Abstract Expression | 1-21 | |
2. | Author and Producer Revisited | 22-31 | |
3. | A Letter to a Canadian Curator | 32-35 | Excerpt |
4. | Three Poems after Friedrich Nietzsche | 36-44 | |
5. | Painting by Mouth | 45-55 | |
6. | A Souvenir of 1979 | 56-68 |
Vol. 5 No. 2

March 1984
March 1984
Michael Baldwin, Charles Harrison, Mel Ramsden, Mayo Thompson
Title | pg. | Notes | |
---|---|---|---|
1. | Victorine | 1-59 | Main articleExcerpt (47) |
Vol. 5 No. 3

March 1985
March 1985
Michael Baldwin, Charles Harrison, Mel Ramsden
Title | pg. | Notes | |
---|---|---|---|
1. | Blue Poles: Introduction | 3-22 | |
2. | Blue Poles: Modernism | 23-41 | |
3. | Blue Poles: Representation and Class: A Conjecture | 42-70 | |
4. | Blue Poles: Implications and Alternatives | 71-88 |
New Series
New Series No. 1
June 1994
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Paul Wood | Mistaken Identities | 3-29 | |
2. | Michael BaldwinCharles Harrison | On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts
1. The End(s) of End-Game Art |
30-42 | |
3. | Michael BaldwinCharles Harrison | 2. The Utterance of Painting | 43-62 | Excerpt (47)
Excerpt (53) |
4. | Michael BaldwinCharles Harrison | 3. Seeing Paintings and Painting's Seeing | 63-69 | Excerpt (63) |
New Series No. 2
June 1997
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Philip Pilkington | Some Darwinian Conditions of the Art & Language Indexes | 3-11 | Full text |
2. | Philip Pilkington | Postscript Contra Atkinson | 12-19 | |
3. | Paul Wood | Refusing to Die | 20-31 | |
4. | Michael BaldwinCharles Harrison | Memories of the Medicine Show
1. Recollecting Conceptual Art |
32-39 | Full text |
5. | Michael BaldwinCharles Harrison | 2. We Aimed to be Amateurs | 40-49 | Full text |
6. | Michael BaldwinCharles Harrison
Mel Ramsden Paul Wood |
Northanger Abbey | 50- |
New Series No. 3
September 1999
Author | Title | pg. | Notes | |
---|---|---|---|---|
1. | Charles Harrison | Editorial Note | 1-2 | |
2. | Michael Corris
Neil Powell |
An Attempt at a Textual Analogue of a Possible Art & Language Exhibition | 3-9 | |
3. | Philip Pilkington | Fake Experience and Talking | 10-14 | Full text |
4. | Charles Harrison | Artists' Writing | 15-34 | Full text |
5. | Mel Ramsden | Artist's Language 1 | 35-45 | Excerpt (32)
Excerpt (39) |
6. | Michael Baldwin | Artist's Langauge 2 | 47-61 | Link (47-56) |
7. | Terry Atkinson | If We are Historical and Logical Monsters then so much the better...v2 | 62-75 |
- ↑ Reprinted in Victor Burgin's Parallel Texts (2011)