Index: Difference between revisions
imported>Dotclub No edit summary |
imported>Dotclub No edit summary |
||
Line 4: | Line 4: | ||
=== A === | === A === | ||
<blockquote>Abel, Charlie | <blockquote>[[Charlie Abel|Abel, Charlie]] | ||
Absolute Music | |||
accessibility | accessibility | ||
accommodation | |||
AC | AC/DC | ||
Acid Rock | |||
Adorno Theodor | Adorno, Theodor W. | ||
Afghanistan the war | Afghanistan, the war in | ||
aggression | aggression | ||
ambience | ambience; —''ambiance'' | ||
ambiguity | ambiguity; —types of | ||
ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art | ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art | ||
American Music Rolls, masters of the | |||
[[Amor and Language|''Amor & Language'']] | |||
Anderson | Anderson, Luana | ||
Andrus Walt | Andrus, Walt | ||
Annesley Ben | [[Ben Annesley|Annesley, Ben]] | ||
AOR | |||
apexart; —Tim Griffin; —Bennett Simpson | |||
Armstrong Louis | Armstrong, Louis | ||
arrangement | arrangement | ||
Line 48: | Line 48: | ||
art —the very idea; —the work of | art —the very idea; —the work of | ||
[[Art & Language]]; —collaboration; —A&L (UK); A&L (NY); [[Art-Language]]; —[[The Fox|The Fox 1–3]]; —[[Red Herring]]; —[[(Provisional) Art & Language|A&L (Provisional)]]; —[[Art-Language Vol. 3 No. 4|The Fox 4]] | |||
Art & Language | ''[[Art & Language Paints a Picture]]'' | ||
Art & Language | ''[[Art & Language Sings a Song]]'' | ||
Art Rock | |||
Artforum | ''Artforum'' | ||
artworld | "artworld, the" | ||
audience | audience | ||
Line 73: | Line 73: | ||
=== B === | === B === | ||
<blockquote>Baby & Child Care | <blockquote>''[[Baby and Child Care|Baby & Child Care]]'' | ||
Banks, George | Banks, George | ||
Line 81: | Line 81: | ||
Barker, Dave | Barker, Dave | ||
Barthelme, Frederick; —the Barthelme Family | [[Frederick Barthelme|Barthelme, Frederick]]; —the Barthelme Family | ||
Beatles, The | Beatles, The | ||
beatniks | |||
Bennie & Smith | Bennie & Smith | ||
Berkeley Folk Festival | [[Berkeley Folk Festival]] | ||
Berry, Chuck | Berry, Chuck | ||
Birch, Gina | [[Gina Birch|Birch, Gina]] | ||
Black Snakes | [[Black Snakes|''Black Snakes'']] | ||
Blank, Les | [[Les Blank photoshoot|Blank, Les]] | ||
Blondet, Jose-Luis | Blondet, Jose-Luis | ||
Blues, Hollers, & Hellos | ''[[Blues, Hollers and Hellos|Blues, Hollers, & Hellos]]'' | ||
Blum, Tim | Blum, Tim | ||
Bomb Records | [[Bomb Records]] | ||
von Bonin, Cosima | von Bonin, Cosima | ||
Line 113: | Line 113: | ||
Borden, Lizzie | Borden, Lizzie | ||
Born in Flames | ''[[Born in Flames (film)|Born in Flames]]'' | ||
“Born in Flames”/“The Sword of God” (I, II) | [[Born in Flames (single)|“Born in Flames”/“The Sword of God” (I, II)]] | ||
Bowie, David | Bowie, David | ||
Bowman, Bill | [[Bill Bowman|Bowman, Bill]] | ||
Brown, Glenn | Brown, Glenn | ||
Line 127: | Line 127: | ||
Buchholz Gallery Cologne | Buchholz Gallery Cologne | ||
Büttner, Werner</blockquote> | [[Werner Büttner|Büttner, Werner]]</blockquote> | ||
=== C === | === C === |
Revision as of 05:19, 17 January 2023
Background
Index
A
Absolute Music
accessibility
accommodation
AC/DC
Acid Rock
Adorno, Theodor W.
Afghanistan, the war in
aggression
ambience; —ambiance
ambiguity; —types of
ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art
American Music Rolls, masters of the
Anderson, Luana
Andrus, Walt
AOR
apexart; —Tim Griffin; —Bennett Simpson
Armstrong, Louis
arrangement
art —the very idea; —the work of
Art & Language; —collaboration; —A&L (UK); A&L (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L (Provisional); —The Fox 4
Art & Language Paints a Picture
Art Rock
Artforum
"artworld, the"
audience
aura; —patina
authenticity
autonomy
avant-garde; —substitutes, cognates
Ayler, Albert and Donald
B
Banks, George
Barker, Danny
Barker, Dave
Barthelme, Frederick; —the Barthelme Family
Beatles, The
beatniks
Bennie & Smith
Berry, Chuck
Blondet, Jose-Luis
Blum, Tim
von Bonin, Cosima
bootleg recording; —records
Borden, Lizzie
“Born in Flames”/“The Sword of God” (I, II)
Bowie, David
Brown, Glenn
Bubblegum
Buchholz Gallery Cologne
C
Cage, John
camp
Capitalism
Caracos, Jean
Carl, Rüdiger
Carpenter, Merlin
Catacombs, The
Chamberlain, Jesse
Channelview High School
Charly Records
“Chemistry”/“Farewell to Arms”
Clark, Anne
Clark, Guy
class
“classic, the”
Cockettes, The
Coconut Hotel
Coleman, Ornette; —harmolodics
Collectables Records
“Columbia”
Communism
concepts; —possession; —capacity; —extension
Conceptual Art
content
Corrected Slogans; —Lp/CD; —the musical comedy
Country & Western: —Outlaw Country
cover
Crawdaddy
Crayola, The Red
Crayola Crayons
crayon
Cream
Creem
Cunningham, Steve; —the Cunningham Family
Cuthell, Dick
D
“Dairymaid’s Lament”/“Free Piece”
Dance; —dance and music
Davis, Frank
Davis, Miles
Del Vikings, The
Deliverance
Denson, Ed
Description, Theory of
Diederichsen, Diedrich
Disco; —dance floor
djs
Domino, Antoine “Fats”
Doors, The
Dorau, Andreas
Dower, Alex
Drag City Records
Draper, Simon
Dreher, Christoph
Driscoll, Mike
Drummond, Paul
Duchamp, Marcel
Dylan, Bob
E
Electro
Emerson, Bonnie
Emo
emotions
empire
Eno, Brian
epistemology
Erickson, Roky
“Eve of Destruction”
expression
F
Fahey, John
failure; —the concept; —the facts
fame; —notoriety
Familiar Ugly, The
Farrar, “Red” George
Fascism
fashion
Ferrari, Luc
fidelity
Fingerpainting
Fingerpointing
Five American Portraits
FM radio
Folk-rock
form; —the formal; —the informal; —formalism; see also Modernist Formalism
Foucault, Michel
“4teen”/“Stink Program”
Frame, Pete
Francis, Sam
F.R.E.D.
freedom
Free-form freakout
free improvisation
Froman, Mark
function; —design; —default
Fugs, The
funk; —funky; —Funk
“Future Pilots”/“Ratman: the Weightwatcher” (I, II)
G
Gaye, Angus
Gerson, Skipper
Getty, The
Gilbert, Chris
Glam Rock
glamour; see also aura
Glass Records
Glennie, Ian
Gnam, Manuel
Go-Ahead Booking
God Bless The Red Krayola and All Who Sail With It
Goodman, Marian
Goodman, Nelson
“Greasy Street”
“Green Door”
Grenada, the invasion of
groups and groupies
Grubbs, David
Gulf War, The
Gulfgate
H
hack
Haino, Keiji
“Hard Rock Café”
Hazel
Heavy Metal
Hendrix, Jimi; —Trio, The
Henschen, Bobby
Hermann, Tom
Hertz, Richard
Hip-Hop
hippies
hit song
hoax; —the very idea; see failure
Hoet, Jan
holism
hootenanny
Horowitz, Ira
House
Hunter, Fredericka
Hurley, George
“Hurricane Fighter Plane”
I
ICA London
idealism
ideas, —million-dollar; —dime a dozen; —hybrids
identity; —personation; —role playing
Iggy: —Stooge; —Pop
improvisation
industries; —The Culture Industry; —the music industry
innovation; —novelty; see also novelty songs
insurgency
Intelligent Life in the Universe
International Artists
interpretation; —open texts;
—asymmetry; —privilege;
—transcendence
Introduction
Iraq, the war in
irony
Irwin, Robert
J
Jackson Pollock Bar, The
Japan in Paris in LA
Japan Records
Jazz
Jefferson Airplane; —Jefferson Starship
Johnson, Sue
Johnston, Lynn
K
Kangaroo?
karaoke
Kelley, Mike
Kidron, Adam
Kinks, The
Kippenberger, Martin
kitsch
Knoebel, Carmen and Imi
KNUZ “Battle of the Bands”
König, Kasper; see Portikus
Kozlov, Christine
Krauss, Scott
Krebber, Michael
Kunsthalle Graz
Kunstverein Graz
Kupersmith, Noel
L
Lauder, Andrew
laws, rules, standards, norms, conventions
Libertarianism
lightshow
Little Richard
Live 1967
Live in Paris 1978
logic
Logic, Lora
Louisiana Gallery, The
love
Love Street Light Circus and Feel Good Machine, The
M
Maimone, Tony
Malefactor, Ade
Mathieu, Konrad
Mayr, Matthias
MC5
McEntire, John
media
mediation; —the very idea
medium
memory
von Meier, Kurt
Metyko, Mike and Barbara
“Microchips & Fish”/“The Story So Far”
Minimalism
misrepresentation; see representation
model
modern, the
monophonic recording
MOR Radio
“Mother”
Mother
Mozart, W. A.; —instrumental and vocal music; —opera; —Lorenzo da Ponte; Five American Portraits—Ad Reinhardt
Mulier Mulier Gallery
Music; —as organized sound; —in itself; —in and as chaos; —the culture and sociality of; —meaning, use and exchange; —authorship and ownership; —History of; —politics of; —production and distribution of; —functional types: academic, popular; —commercial music; —genre; —professional, amateur; —Theory of; —ontology; —Physics/Chemistry/Biology; —instrumentality, intension and extension; —systems and approaches; —style; —objectification: instruments and devices, materials; —potential and possibility given phenomenal effect and affect; —the mind-body distinction and other philosophical puzzles; —states of being; performance: scores, improvisation
Music-Language (BMI)
music-minus-one
Mutesong
Muzak®
N
Nakahara, Masaya
Napalm Death
necessity
New Age
New Orleans House
“New Stream”
New Wave; —“no wave”
Nine Gross & Conspicuous Errors
Nono, Luigi
O
Oban, George
Oehlen, Albert
“Oh-bla-di”
Ohio
“Old Man’s Dream”/“The Milkmaid”
Ono, Yoko
O’Rourke, Jim
Otomo, Yoshihide
overlap; —overlay
P
P-Vine Records
Panama, the invasion of
Parable of Arable Land, The
Parsons, Tony
perfect; —perfection
performance
Penmann, Ian
Pharmacology
Philip Glass Ensemble, The
Piering, Scott
Plank, Conny
Portikus
Post-modernism
pre-modern
pretense
Prina, Stephen
Prinzhorn, Martin
Pritchett, Holly, Joe and Pat
Pryde, Josephine
Psychedelic Music
Psychology
punk
Pure Freude Records
Q
quality
quantity
“querelle”
quiddity
Quiet Album, The
R
Ra, Sun
Radar Records
radio; —Top 40; —Pacifica; —radio play; —“payola”
Randazzo, Elisa
Rap
Rauschenberg, Robert
rave
Ravenstine, Allen
“Rebellation Generation”
recidivism
Rec Rec Records
record
Red Gold
Red Krayola, The
reference; —referentiality; —types of; —modal aspect in
repetition
representation
Reynolds, Simon
Rhythm & Blues
Richter, Tommy
Rivers, Bea and Sam
“roadie”
Rock ’n’ Boll
Rogers, Lelan; —Kenny
Rogerson, Tom
Rollet, Quentin “Q”
Rolling Stone
Rolling Stones, The
Rough Trade; —Music/Records
Rush, Ray
S
S-A Johannsson Quintet
Savage, Jon
Schact, Danny
Schlick, Jörg
Schöneberger, Jürgen
Scott, Richard and family
Semiotics
Sharp, Claude and F. Cavett
Shawyer, Ivor
Shotgun Wedding
Sighs Trapped By Liars
singer/song
Singles
Slayer
Slezak, Rudi
Smiley High School
Smith, Mike; —Portal Excursion
Smith, Tommy
Socialism
Soldier Talk
solidarity; —individual, family, community, neighborhood, national, international
Sordide Sentimental
Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference
Sound Art
soundtrack music for screen/stage
Soundtracks, Epic
sponsorship; —‘this burning man indicates…’
state, the; —anarchy; —utopia
Steffek, Keith
Steirischer Herbst (Graz)
Stockhausen, Karlheinz
Struggle in New York: “…and now for something completely different”
substitutes: —stand-ins; —specters
Sunshine Records (Hamburg)
T
Tapier Music (BMI)
Techno
technology
teeny bopper
teleology
television
theatre
Thomas, David
Thompson, Hazel Muhl
Thompson, Marilyn
Thompson, Mayo; —Mayo J., Sr.
Three Songs on a Trip to the United States/Bismarckstr. 50
Top of the Pops
total recall
Trance
transformation
“Transparent Radiation”
Travis, Geoff
trend
turntablism
U
United States of America, The
V
Varèse, Edgard
Victorine
“Victory Garden”
Vietnam War, The
van Vliet, Don
Vogelauer, Maria
W
Walmsley, Pete
“War Pigs”
“War Sucks”
Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground
Watson, Tom
“We Built This City”
Weltanschauung
White, Chris
Whitney Museum of American Art, —Whitney Biennial; —in the work of Art & Language
Who, The
Williams, Christopher
Williams, Rachel
Wire, The
“Wives in Orbit”/“Yik-Yak”
Wood, Rosemary
Woronov, Mary
Y
Yang, Sandy
Yonemoto; —Bruce; —Norman
Yoshimoto, Sachiyo
Young, Neil
“Your Body is Hot”/”Crayolas on 45”
Z
Zappa, Frank; see also van Vliet