Art & Language (Van Abbemuseum, 1980)
Art & Language is a catalog for Art & Language's 1980 exhibition at the Van Abbemuseum in Eindhoven, Netherlands.
Contents
Incomplete contents
"Texts largely in English, with a few in Dutch. 133 illustrations"[1]
| Author | Title | pg. | Notes | Originally published in | |
|---|---|---|---|---|---|
| 1. | Art & Language | Frameworks | 1-14 | Frameworks (1967) | |
| 2. | Art & Language | Soft Tape | 17 | Soft Tape (1966) | |
| 3. | Terry Atkinson | Introduction to Art-Language Vol. 1 No. 1 | Full article | Art-Language Vol. 1 No. 1 (May 1969) | |
| 4. | Michael Baldwin | Plans and Procedures | Art-Language Vol. 1 No. 2 (February 1970) | ||
| 5. | David Bainbridge
Harold Hurrell |
Lecher System | Lecher System (1969) | ||
| 6. | Philip Pilkington
Dave Rushton |
Don Judd’s Dictim and Its Emptiness | 44-47 | Analytical Art No. 1 (July 1971) | |
| 7. | Kevin Lole | Progress in Art and in Science | Analytical Art No. 1 (July 1971) | ||
| 8. | Art & Language | Comparative Models | 51-62 | Comparative Models (1972) | |
| 9. | Charles Harrison | Mapping and Filing | The New Art[2] (1972) | ||
| 10. | Terry Atkinson | The Index | The New Art[3] (1972) | ||
| 11. | Art & Language | Points of Reference, the Hope of Ideology | 72-75 | Art-Language Vol. 2 No. 4 (June 1974) | |
| 12. | Art & Language | The Old Gourmet | 76-83 | Art-Language Vol. 2 No. 4 (June 1974) | |
| 13. | Art & Language | 'Sometimes I feel like an Artist...' | Art-Language Vol. 3 No. 1 (September 1974) | ||
| 14. | Art & Language | 'Consistency' is an Ideological Postulate | Art-Language Vol. 3 No. 1 (September 1974) | ||
| 15. | Art & Language | Pedagogical Sketchbook (AL) | 92 | Art-Language Vol. 3 No. 2 (May 1975) | |
| 16. | Art & Language | A Review of Styles | Art-Language Vol. 3 No. 2 (May 1975) | ||
| 17. | There are those People who only succeed in Remaining Revolutionaries by Keeping their Eyes Shut: A Conversation between Professor Norman Trotsky and Petrichenko | 109-115 | |||
| 18. | Mel Ramsden | Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get 'Brice Marden's Painting' | Full article | The Fox 2 (Fall 1975) | |
| 19. | Art & Language | Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia) | Art & Language 1966-1975 (1975) | ||
| 20. | Art & Language | Dear Stefan... | Art & Language 1966-1975 (1975) | ||
| 21. | Art & Language | Bourgeois Revisionism, What? | Art-Language Vol. 3 No. 3 (June 1976) | ||
| 22. | Art & Language | Ideology Does Not Penetrate Class Barriers as a Transparent Substance | Art-Language Vol. 3 No. 3 (June 1976) | ||
| 23. | It's Your Line to Dumb Christopher Isherwood and Those Who Think They're Cameras | ||||
| 24. | Art & Language | Simplicissimus | Art-Language Vol. 4 No. 1 (May 1977) | ||
| 25. | Art & Language | The Long March from 23rd Street to Highgate Cemetery and Back | Art-Language Vol. 4 No. 1 (May 1977) | ||
| 26. | Art & Language | Method ? | Art-Language Vol. 4 No. 2 (October 1977) | ||
| 27. | Art & Language | Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration | Art-Language Vol. 4 No. 2 (October 1977) | ||
| 28. | The Sinking of the Good Ship Liberalism | Issue (September 1977) | |||
| 29. | Art & Language | Art for Society? | Art-Language Vol. 4 No. 4 (June 1980) | ||
| 30. | Art & Language | Ways of Seeing | Art-Language Vol. 4 No. 3 (October 1978) | ||
| 31. | Art & Language | Leeds University, February 1979 | 240 | ||
| 32. | Charles Harrison | The Ratification of Abstract Art | Full article | Towards a New Art: Essays on the Background to Abstract Painting 1910-20 (1980) | |
| 33. | Art & Language | Portrait of V. I. Lenin in the Style of Jackson Pollock | Full article | Artforum February 1980 |
References
- ↑ https://www.detritus.com/catalog/catalog.cgi?action=search&keyword=Art
- ↑ Charles Harrison “Mapping and Filing”, from The New Art, Hayward Gallery, London, 1972, pp. 14-16
- ↑ Terry Atkinson, Michael Baldwin, “The Index“, from The New Art, Hayward Gallery, London, 1972, p. 17-