Shows/1994-10-07
| October 7, 1994 | |
|---|---|
 | |
| [[File:|center|frameless|]] | |
| P3 Art and Environment | |
| City |  Tokyo
|
| Tour | |
| Event | Symposium on music and art |
| Billing | |
Schedule
P3 art and environment
7/Oct. 6:00p.m.
In association with Tokyo Art Speak
6:00pm: レクチャー、ヴィデオ・スライド上映 by Mayo Thompson, Albert Oehlen
6:45pm: パフォーマンス by Mayo Thompson, Albert Oehlen, 秋田昌美, 大友良英, 灰野敬二
8:00pm: シンポジウム by Mayo Thompson, Albert Oehlen, David Grubbs, 佐々木敦（映画・音楽評論）, 小倉利丸（経済学／現代資本主義）, 小倉正史（美術批評）, 大友良英（ミュージジャン）平井（音楽論・思想・批判）, 松山晋也（スタジ オ・ヴォイス編集者）他未定。
9:30pm: オープン・ディスカッション ※レコード、CD販売有り
参加入場料：2500円（1 ドリンク）
Retrospectives
David Grubbs, 2013[1]
DG: We had performed part of [Victorine] in Tokyo in ’94 at P3 art and environment, a crazy performance space that was in the basement of a Zen temple. When we were doing the sound check a monk came down to ask us to proofread something he was translating into English.
CSY: He didn’t tell you to turn it down?
DG: No, he was really nice. It was an amazing show. Keiji Haino did a solo percussion performance.
CSY: Not like at brain-melting volume?
DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—just do it, you know? (laughter)
John McEntire, 2021
Recording
Filmed for 
The Red Krayola in Tokyo
References
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