Plekhanov: Difference between revisions
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[[File:Something-Completely-Different-Plekhanov.png|thumb|[[Mayo Thompson]] and [[Christine Kozlov]] performing "Plekhanov" in ''[[And Now for Something Completely Different]]'' (1976)]] | |||
== Lyrics == | == Lyrics == | ||
{{Lyrics| | {{Lyrics| | ||
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== Chronology == | == Chronology == | ||
* {{RLink|Corrected}} | * {{RLink|Corrected}} {{MediaLink|YouTube=https://www.youtube.com/watch?v=0EspQmin76Y}} | ||
** | ** [[Christine Kozlov]] - vocals | ||
** [[Mayo Thompson]] - piano | |||
** {{RLink|Dark}} | |||
* {{RLink|Now}} | * {{RLink|Now}} | ||
Line 52: | Line 55: | ||
** [[Mayo Thompson]] - vocals, organ | ** [[Mayo Thompson]] - vocals, organ | ||
* {{RLink|Kangaroo}} | * {{RLink|Kangaroo}} {{MediaLink|YouTube=https://www.youtube.com/watch?v=Fl80uQuCnRc}} | ||
** | ** [[Mayo Thompson]] - vocals, piano | ||
** [[Lora Logic]] - saxophone | |||
** [[Allen Ravenstine]] - synthesizer | |||
*{{RLink|Shotgun}} {{MediaLink|Bandcamp=https://saj-rec.bandcamp.com/track/plekhanov}} | |||
**[[Mayo Thompson]] - vocals | |||
== Retrospectives == | |||
[[Art & Language]], 1981<ref>Art & Language and The Red Crayola, ‘[https://www.art-language.org/texte/a/TI71h.htm#anglais Notes on the Songs]’, booklet published in connection with L.P. ''Kangaroo?,'' Rough Trade records, London, 1981.</ref><blockquote>We’ve learned the words of [https://en.wikipedia.org/wiki/The_Internationale The Internationale] – they are inflated and overwrought. The discourse of the cultured (and that includes the musical) left has ''volunteered''. For what? A loquaciously theorised exile from the substantive tasks of the class struggle.</blockquote> | |||
== Interpretations == | == Interpretations == | ||
[[ | [[wikipedia:Georgi_Plekhanov|Georgi Plekhanov]] | ||
== Live recordings == | == Live recordings == | ||
{| class="wikitable" | {| class="wikitable" |
Latest revision as of 16:02, 27 August 2024

Lyrics
Who's learned the language Of the Internationale?
The granma had a personnel Crazy enough to eschew Historic investments — Of which there were few Locally
Who's learned the language Of the Internationale?
Nobody's crazy enough Locally — Nor can they be In a way that Obviates pathology The crazy are consigned, then To third-world iconography
Who? What? When? How? What for? Act, agency, scene And actor Is hating something communally (It’s clear To volunteers.)
Our 'conversation' Has volunteered For seventeen years Plekhanov A priori
Neither anticipation Nor fulfilment Is realistic In dialectic
Who was ever disowned By his Granma?
Chronology
Corrected Slogans
- Christine Kozlov - vocals
- Mayo Thompson - piano
Too Dark to Read
And Now for Something Completely Different
- Christine Kozlov - vocals
- Mayo Thompson - vocals, organ
Kangaroo?
- Mayo Thompson - vocals, piano
- Lora Logic - saxophone
- Allen Ravenstine - synthesizer
Shotgun Wedding
- Mayo Thompson - vocals
Retrospectives
Art & Language, 1981[1]
We’ve learned the words of The Internationale – they are inflated and overwrought. The discourse of the cultured (and that includes the musical) left has volunteered. For what? A loquaciously theorised exile from the substantive tasks of the class struggle.
Interpretations
Live recordings
Show | ||
---|---|---|
August 2, 1995 | vocal: Jim O'Rourke | |
September 23, 1995 | video, vocal: Jim O'Rourke (as Gastr del Sol) |
References
- ↑ Art & Language and The Red Crayola, ‘Notes on the Songs’, booklet published in connection with L.P. Kangaroo?, Rough Trade records, London, 1981.