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* Dialectical Materialism: 012, 1975
|[https://www.art-language.org/page/d/126.htm 126]
|h/R126
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* Index XVIII (Now They Are), 1992
|[https://www.art-language.org/page/d/127.htm 127]
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* Index XVIII (Now They Are), 1992
|[https://www.art-language.org/page/d/128.htm 128]
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* Flags for Organisations, 1978
|[https://www.art-language.org/page/d/129.htm 129]
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* Secret Painting, 1968
|[https://www.art-language.org/page/d/130.htm 130]
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* "Twenty Works from 1965-1999 Regarded by Index (Landscape with St. George), 2000-01, Regarded by Twenty Works from 1965-1999"
|[https://www.art-language.org/page/d/131.htm 131]
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* Black Painting, 1965
|[https://www.art-language.org/page/d/132.htm 132]
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* Index: The Studio at 3 Wesley Place; Drawing (i), 1981-82
|[https://www.art-language.org/page/d/133.htm 133]
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* There Were Sighs Trapped by Liars XII, 2000
|[https://www.art-language.org/page/d/134.htm 134]
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* Index IV: (Now They Are), 1992
|[https://www.art-language.org/page/d/135.htm 135]
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* BANK with Art & Language
|[https://www.art-language.org/page/d/136.htm 136]
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* Dialectical Materialism (El Lissitsky 014), 1975
|[https://www.art-language.org/page/d/137.htm 137]
|h/R137
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* Secret Painting, 1967-68
|[https://www.art-language.org/page/d/138.htm 138]
|h/R138
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* Sunnybank, Preleminary Draft, 1967
|[https://www.art-language.org/page/d/139.htm 139]
|g/FS139
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* Index: Wrongs Healed in Official Hope, 1998-99
|[https://www.art-language.org/page/d/140.htm 140]
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* Hello, How Are You?, 1992
|[https://www.art-language.org/page/d/141.htm 141]
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* Indexical Fragment, 1974
|[https://www.art-language.org/page/d/142.htm 142]
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* Framed unit No. 17 of Index (Landscape with St. George), 2001
|[https://www.art-language.org/page/d/143.htm 143]
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* Fragment from The Air Show, 1966
|[https://www.art-language.org/page/d/144.htm 144]
|h/R144
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* Six Negatives, 1968-69
|[https://www.art-language.org/page/d/145.htm 145]
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* Index 10, Comprising Background, Incident, Foreground XVI-XLVI, 1995
* Hostage XIX, 1989
|[https://www.art-language.org/page/d/146.htm 146]
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* Sighs Trapped by Liars and Lovely Slang, 1997-98
|[https://www.art-language.org/page/d/147.htm 147]
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* Index: Incident in a Museum XV, 1986
|[https://www.art-language.org/page/d/148.htm 148]
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* Map of the Sahara Desert after Lewis Caroll, 1967
|[https://www.art-language.org/page/d/149.htm 149]
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* Guaranteed Painting, 1967-68
|[https://www.art-language.org/page/d/150.htm 150]
|h/R150
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* Sighs Trapped by Liars 604-632, 1997
|[https://www.art-language.org/page/d/151.htm 151]
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* Kangaroo?, 1981
|[https://www.art-language.org/page/d/152.htm 152]
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! colspan="3" |f
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* Study after Gustave Courbet's 'Origine du Monde', 1991
|[https://www.art-language.org/page/f/153.htm 153]
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* Study for An Incident: Now They Are, Elegant I, 1993
|[https://www.art-language.org/page/f/154.htm 154]
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* Surf 76, 1990
|[https://www.art-language.org/page/f/155.htm 155]
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* Study for Index: Incident in a Museum 5, 1985
|[https://www.art-language.org/page/f/156.htm 156]
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* Hostage III, 1988
|[https://www.art-language.org/page/f/157.htm 157]
|note
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* 100% Abstract, 1968
|[https://www.art-language.org/page/f/158.htm 158]
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* 100% Abstract, 1968
|[https://www.art-language.org/page/f/159.htm 159]
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* Indexical Fragment, 1975
|[https://www.art-language.org/page/f/160.htm 160]
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* Alternate Map for Documenta (Based on Citation A), 1972
|[https://www.art-language.org/page/f/161.htm 161]
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* Index 05, 1973
|[https://www.art-language.org/page/f/162.htm 162]
|h/R162
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* Portrait of V. I. Lenin in the Winter of 1920 in the Style of Jackson Pollock, 1980
|[https://www.art-language.org/page/f/163.htm 163]
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* Map for Portrait of V. I. Lenin in the Winter of 1921 in the Style of Jackson Pollock, 1980
|[https://www.art-language.org/page/f/164.htm 164]
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* Portrait of V. I. Lenin in the Style of Jackson Pollock IV, 1979
|[https://www.art-language.org/page/f/165.htm 165]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/166.htm 166]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/167.htm 167]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/168.htm 168]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/169.htm 169]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/170.htm 170]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/171.htm 171]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/172.htm 172]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/173.htm 173]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/174.htm 174]
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* Ten Posters: illustrations for Art-Language, 1977
|[https://www.art-language.org/page/f/175.htm 175]
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* Index 01, 1972
|[https://www.art-language.org/page/f/176.htm 176]
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* Index: Incident in a Museum XXVII, 1986
|[https://www.art-language.org/page/f/177.htm 177]
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* Hostage XIX, 1989
* Hostage XXIV, 1989
* Hostage XXII, 1989
|[https://www.art-language.org/page/f/178.htm 178]
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* Venice Biennale Banner, 1976
|[https://www.art-language.org/page/f/179.htm 179]
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* Dialectical Materialism, All Friends Together, 1973
|[https://www.art-language.org/page/f/180.htm 180]
|h/R180
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* Sighs Trapped by Liars
|[https://www.art-language.org/page/f/181.htm 181]
|
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* Portrait of an Artist as an Enthusiast, 1995
* Portrait of an Artist as a Wounded Man, 1995
* Portrait of an Artist as an Optimist, 1995
|[https://www.art-language.org/page/f/182.htm 182]
|
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* Art & Language Paints a Picture installed in the Style of Jackson Pollock Bar.
|[https://www.art-language.org/page/f/183.htm 183]
|
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* A Painting Painted by Actors
* Sighs Trapped by Liars
|[https://www.art-language.org/page/f/184.htm 184]
|
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* Index: The Studio at 3 Wesley Place Painted by Mouth (I), 1982
|[https://www.art-language.org/page/f/185.htm 185]
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* 4 Studies for Acrostic Paintings, 1967
|[https://www.art-language.org/page/f/186.htm 186]
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* Study for Hostage 62, 1990
|[https://www.art-language.org/page/f/187.htm 187]
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* Art & Language in practice
|[https://www.art-language.org/page/f/188.htm 188]
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* Index XIV (Now They Are), 1992
|[https://www.art-language.org/page/f/189.htm 189]
|
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* Framed unit No. 13 of Index (Landscape with St. George), 2001
|[https://www.art-language.org/page/f/190.htm 190]
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* (Bxal) Form Designed for the Collection of Material for an Index, 1975
|[https://www.art-language.org/page/f/191.htm 191]
|
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* Hostage: An Incident and a People's Flag VIII, 1989
|[https://www.art-language.org/page/f/192.htm 192]
|
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* Index: Incident in a Museum (Failed Town Planning), 1987
|[https://www.art-language.org/page/f/193.htm 193]
|
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* Study for Index: Incident in a Museum 2, 1985
|[https://www.art-language.org/page/f/194.htm 194]
|
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* Index: Incident in a Museum XXI, 1987
|[https://www.art-language.org/page/f/195.htm 195]
|
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|-
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* Sighs Trapped by Liars
|[https://www.art-language.org/page/f/196.htm 196]
|
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* Index: A Model for Lucy Grays, 1998
|[https://www.art-language.org/page/f/197.htm 197]
|
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* Hostage (Views of Immensity), 1989
|[https://www.art-language.org/page/f/198.htm 198]
|
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* Hostage (News of Propensity), 1989
|[https://www.art-language.org/page/f/199.htm 199]
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* Study for Index: Incident in a Museum 19, 1986
|[https://www.art-language.org/page/f/200.htm 200]
|
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* Study for a Museum of the Future 2, 1987-88
|[https://www.art-language.org/page/f/201.htm 201]
|
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* Li Proceedings, 1972-73
|[https://www.art-language.org/page/f/202.htm 202]
|h/R202
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* The Artist out of Work, 1999
|[https://www.art-language.org/page/f/203.htm 203]
|
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* Study for Hostage 75, 1990
|[https://www.art-language.org/page/f/204.htm 204]
|
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* Surf 75, 1990
|[https://www.art-language.org/page/f/205.htm 205]
|
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* Showing Sighs Trapped by Liars in progress
|[https://www.art-language.org/page/f/206.htm 206]
|
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* Four Suprematist Squares, 1965
|[https://www.art-language.org/page/f/207.htm 207]
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* Index (Landscape with St. George), 2001
|[https://www.art-language.org/page/f/208.htm 208]
|
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* Hot-Cold, 1967
|[https://www.art-language.org/page/f/209.htm 209]
|h/R209
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|[https://www.art-language.org/page/f/209/209_01.htm 209/209_01]209/209_43
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* Hostage LIII, 1990
|[https://www.art-language.org/page/f/210.htm 210]
|
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* Sighs Trapped by Liars 1-192, 1996-97
|[https://www.art-language.org/page/f/211.htm 211]
|
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* Material Slang (I), 1999
|[https://www.art-language.org/page/f/212.htm 212]
|
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* Background, Incident, Foreground XXXVIII, 1994-95
|[https://www.art-language.org/page/f/213.htm 213]
|
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* Background, Incident, Foreground XVII, 1994-95
|[https://www.art-language.org/page/f/214.htm 214]
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* Example of Malaprop text which appears in Sighs Trapped by Liars, 1996-97
|[https://www.art-language.org/page/f/215.htm 215]
|
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* Attacked by an Unknown Man in a City Park: A Dying Woman; Drawn and Painted by Mouth, 1981
|[https://www.art-language.org/page/f/216.htm 216]
|
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* Example of Malaprop text which appears in Sighs Trapped by Liars, 1996-97
|[https://www.art-language.org/page/f/217.htm 217]
|
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* Untitled Painting, 1965
* Untitled Painting, 1965
* Untitled Painting, 1965
|[https://www.art-language.org/page/f/218.htm 218]
|
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* Looking through a Piece of Glass, Ian Burn, 1967
|[https://www.art-language.org/page/f/219.htm 219]
|
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* There were Sighs Trapped by Liars XVI, 1997-2000
|[https://www.art-language.org/page/f/220.htm 220]
|
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* 22 Sentences: The French Army, 1967
|[https://www.art-language.org/page/f/221.htm 221]
|h/R221
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|
|[https://www.art-language.org/page/f/221/221_01.htm 221/221_01]221/221_24
|
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* Study for Impressionism Returning Sometime in the Future, 1984
|[https://www.art-language.org/page/f/222.htm 222]
|
|-
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* Index: The Studio at 3 Wesley Place in the Dark (III) and Illuminated by and Explosion Nearby (V, VI, VII, VIII), Drawing (iii), 1982
|[https://www.art-language.org/page/f/223.htm 223]
|
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* Art & Language and Luhmann, 1995
|[https://www.art-language.org/page/f/224.htm 224]
|
|-
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* The Key of Dreams, 1978
|[https://www.art-language.org/page/f/225.htm 225]
|
|-
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* Map for a Portrait of V. I. Lenin in the Style of Jackson Pollock, 1979
|[https://www.art-language.org/page/f/226.htm 226]
|
|-
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* Hostage LXXIV, 1990
* Hostage LVIII, 1990
|[https://www.art-language.org/page/f/227.htm 227]
|
|-
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* Index (Now They Are), 1992
|[https://www.art-language.org/page/f/228.htm 228]
|
|-
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* Index: Incident in a Museum XIII, 1986
|[https://www.art-language.org/page/f/229.htm 229]
|
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* Incident, Now They Are, Look Out, 1993
|[https://www.art-language.org/page/f/230.htm 230]
|
|-
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* Art & Language in Practice
|[https://www.art-language.org/page/f/231.htm 231]
|
|-
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* Dialectical Materialism, 1975
|[https://www.art-language.org/page/f/232.htm 232]
|
|-
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* Secret Painting, 1967-68
|[https://www.art-language.org/page/f/233.htm 233]
|h/R233
|-
|
* Flags for Organisations, 1978
|[https://www.art-language.org/page/f/234.htm 234]
|h/R234
|-
|
* Eleven Studies for a Secret Painting, 1967
|[https://www.art-language.org/page/f/235.htm 235]
|
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* Drawing for a Secret Painting, 1967
|[https://www.art-language.org/page/f/236.htm 236]
|
|-
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* Index: Incident in a Museum XXIII, 1987
|[https://www.art-language.org/page/f/237.htm 237]
|
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* Art in America, 1966
|[https://www.art-language.org/page/f/238.htm 238]
|
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* Index: The Studio at 3 Wesley Place Painted by Mouth (I), Drawing (iii), 1982
|[https://www.art-language.org/page/f/239.htm 239]
|
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* Sighs Trapped by Liars 521-531, 1997
|[https://www.art-language.org/page/f/240.htm 240]
|
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* Page 48 of Art-Language Vol. 2, No. 4, June 1974
|[https://www.art-language.org/page/f/241.htm 241]
|
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* Installation in BANK, White 3 (II) at 'Get Together'
|[https://www.art-language.org/page/f/242.htm 242]
|
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* Installation in BANK, White 3 (I) at Gallery Poo Poo
|[https://www.art-language.org/page/f/243.htm 243]
|
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* Dialectical Materialism, 1976
|[https://www.art-language.org/page/f/244.htm 244]
|
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* Dialectical Materialism, 1976
|[https://www.art-language.org/page/f/245.htm 245]
|
|-
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* Untitled Paintings, 1965
|[https://www.art-language.org/page/f/246.htm 246]
|
|-
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* Index X (Now They Are), 1992
|[https://www.art-language.org/page/f/247.htm 247]
|
|-
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* Oxfordshire, 1966
|[https://www.art-language.org/page/f/248.htm 248]
|g/FS248
|-
|
* Index: Wrongs Healed in Official Hope, 1998-99
|[https://www.art-language.org/page/f/249.htm 249]
|
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* Blurting in Art & Language, 1973 Booklet, 92 pp. (page 31).
|[https://www.art-language.org/page/f/250.htm 250]
|h/R250
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* Index 02, 1972
|[https://www.art-language.org/page/f/251.htm 251]
|
|-
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* (Bxal) Forms Designed for the Collection of Material for an Index, 1974
|[https://www.art-language.org/page/f/252.htm 252]
|
|-
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* Three Vocabularies for The Air Show, 1966
|[https://www.art-language.org/page/f/253.htm 253]
|
|-
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* Background, Incident, Foreground XI, 1994
|[https://www.art-language.org/page/f/254.htm 254]
|
|-
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* Index: Incident in a Museum XXV, 1987
|[https://www.art-language.org/page/f/255.htm 255]
|
|-
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* Ten Postcards, 1997
|[https://www.art-language.org/page/f/256.htm 256]
|
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* Ils donnent leur sang: donnez votre travail, 1977
|[https://www.art-language.org/page/f/257.htm 257]
|
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* Soft Tape, 1966
|[https://www.art-language.org/page/f/258.htm 258]
|
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* Archive room, Art & Language in Practice
|[https://www.art-language.org/page/f/259.htm 259]
|
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* Study for Poster for 'Kangaroo?' LP, 1981
|[https://www.art-language.org/page/f/260.htm 260]
|
|-
|
* Corrected Slogans, 1977
|[https://www.art-language.org/page/f/261.htm 261]
|h/R261
|-
! colspan="3" |sons
|-
|[[Black Snakes]]
|[https://www.art-language.org/page/sons/S01.htm S01]
|
|-
|[[Don't Talk to Sociologists...]]
|[https://www.art-language.org/page/sons/S02.htm S02]
|
|-
|[[Plekhanov]]
|[https://www.art-language.org/page/sons/S03.htm S03]
|
|-
|[[Future Pilots]]
|[https://www.art-language.org/page/sons/S04.htm S04]
|
|-
|[[Portrait of V. I. Lenin in the Style of Jackson Pollock, Part I]]
|[https://www.art-language.org/page/sons/S05.htm S05]
|
|-
|[[Portrait of V. I. Lenin in the Style of Jackson Pollock, Part II]]
|[https://www.art-language.org/page/sons/S06.htm S06]
|
|-
|[[If She Loves You]]
|[https://www.art-language.org/page/sons/S07.htm S07]
|
|-
|[[Kangaroo? (song)|Kangaroo?]]
|[https://www.art-language.org/page/sons/S08.htm S08]
|
|-
! colspan="3" |Texte
|-
! colspan="3" |a
|-
|‘Seeing Paintings and Paintings Seeing’, ''Art-Language'' New Series No. 1, June, 1994, pp. 63-69  (p. 63).
|[https://www.art-language.org/texte/a/TI01.htm TI01]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 267-268).
|[https://www.art-language.org/texte/a/TI02.htm TI02]
|
|-
|Charles Harrison, ‘Unit Cure, Unit Ground’ in ''Essays on Art & Language,'' Oxford, 1991, pp. 223-224.
|[https://www.art-language.org/texte/a/TI03.htm TI03]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 144).
|[https://www.art-language.org/texte/a/TI04.htm TI04]
|
|-
|‘Pedagogical Sketchbook (AL)’, ''Art-Language,'' Vol. 3, No. 2, May, 1975, pp. 20-30 (p. 22).
|[https://www.art-language.org/texte/a/TI05.htm TI05]
|
|-
|Charles Harrison, ‘The Moment of Depiction’, ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 197-216 (pp. 203-204).
|[https://www.art-language.org/texte/a/TI06.htm TI06]
|
|-
|''Cinco essayos,'' information leaflet, Galeria Juana de Aizpuru, Madrid, 1999, pp. 1-2.
|[https://www.art-language.org/texte/a/TI07.htm TI07]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 107-108).
|[https://www.art-language.org/texte/a/TI08.htm TI08]
|
|-
|‘The Old Gourmet (transcript)’, ''Art-Language,'' Vol. 2 No. 4, June, 1974, pp. 62-70 (pp. 62-63).
|[https://www.art-language.org/texte/a/TI09.htm TI09]
|
|-
|Art & Language and The Red Crayola, ‘An Old Man’s Dream’ in ''Kangaroo?'' booklet published in connection with ''Kangaroo?'' L.P., Rough Trade Records, London, 1981.
|[https://www.art-language.org/texte/a/TI10.htm TI10]
|
|-
|Art & Language : ''La Conférence du Jeu de Paume'', Flammarion 4/Galerie de Paris, 1996, pp. 8-76 (pp. 13-15).
|[https://www.art-language.org/texte/a/TI11.htm TI11]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 91-92).
|[https://www.art-language.org/texte/a/TI12.htm TI12]
|
|-
|‘Transcription 21.5.73’, ''Art-Language'' Vol. 2 No. 4, June, 1974, pp. 84-85.
|[https://www.art-language.org/texte/a/TI13.htm TI13]
|
|-
|‘Lovely Slang XIII’, Art & Language, ''Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999'', Biennale Leuven, 2001.
|[https://www.art-language.org/texte/a/TI14.htm TI14]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 271).
|[https://www.art-language.org/texte/a/TI15.htm TI15]
|
|-
|‘The Utterance of Painting’, ''Art-Language,'' New Series No. 1, June, 1994, pp. 43-62 (p. 53).
|[https://www.art-language.org/texte/a/TI16.htm TI16]
|
|-
|« L’Art Abstrait » (trans. C. Schlatter), ''Art-Language 1975-78,'' Editions E. Fabre, 1978, pp. 31-45 (pp. 35-36).
|[https://www.art-language.org/texte/a/TI17.htm TI17]
|
|-
|Charles Harrison, ''Hostages'' Booklet, Lisson Gallery, 1988, pp. 1-10 (p. 1).
|[https://www.art-language.org/texte/a/TI18.htm TI18]
|
|-
|John Roberts, ‘Three Men in a Studio’, ''Artmonthly,'' July-August, 1983, pp. 11-12 (p. 11).
|[https://www.art-language.org/texte/a/TI19.htm TI19]
|
|-
|‘Artist’s Language 1’, ''Art-Language,'' New Series No. 3, September, 1999, pp. 36-46 (p. 32).
|[https://www.art-language.org/texte/a/TI20.htm TI20]
|
|-
|‘Artist’s Language 2’, ''Art-Language,'' New Series No. 3, September, 1999, pp. 36-46 (p. 47).
|[https://www.art-language.org/texte/a/TI21.htm TI21]
|
|-
|‘We Aim to be Amateurs’, ''Art & Language and Luhmann,'' Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, pp. 155-175 (p. 175).
|[https://www.art-language.org/texte/a/TI22.htm TI22]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 115).
|[https://www.art-language.org/texte/a/TI23.htm TI23]
|
|-
|Art & Language and the Red Crayola, ‘Hedges’ (Lyric of Song) LP/CD from ''Black Snakes,'' London Publishing House Limited/Slezak Music, 1983 and Drag City, Inc., 1997.
|[https://www.art-language.org/texte/a/TI24.htm TI24]
|
|-
|‘Moti Memoria’, John Roberts (ed) ''The Impossible Document; Photography and Conceptual Art in Britain, 1966-1976.'', Camerawords, London, 1997, pp. 54-69 (pp. 56-57).
|[https://www.art-language.org/texte/a/TI25.htm TI25]
|
|-
|David Batchelor and Art & Language, « Un Entretien au studio au sujet de la peinture »,  ''Hostages XXV-LXXVI,'' Lisson Gallery, Galerie de Paris, Marian Goodman Gallery, 1990, pp. 9-31 (p. 9).
|[https://www.art-language.org/texte/a/TI26.htm TI26]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 278).
|[https://www.art-language.org/texte/a/TI27.htm TI27]
|
|-
|‘Soft-Tape’, ''Art & Language,'' Van Abbemuseum, Eindhoven, 1980, pp. 17-18 (p. 18).
|[https://www.art-language.org/texte/a/TI28.htm TI28]
|
|-
|‘Smugness’ (Letter to the editor), ''Artmonthly,'' September-October, 2000, p. 18.
|[https://www.art-language.org/texte/a/TI29.htm TI29]
|
|-
|‘Interview with Art & Language’ in Aliaga and Cortes (eds.) ''Arte Conceptual Revisado/Conceptual Art Revisited,'' Universidad Politecnica de Valencia, 1990, pp. 175-187 (pp. 175-176).
|[https://www.art-language.org/texte/a/TI30.htm TI30]
|
|-
|‘Hostages a, b, g, d’ in Art & Language, ''Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999'', Biennale Leuven, 2001.
|[https://www.art-language.org/texte/a/TI31.htm TI31]
|
|-
|‘Three Essays’, leaflet for exhibition at Galerie Grita Insam, Vienna, 1999.
|[https://www.art-language.org/texte/a/TI32.htm TI32]
|
|-
|‘The Steel Boxes’, information sheets, Galeria Juana de Aizpuru, Madrid, 1995.
|[https://www.art-language.org/texte/a/TI33.htm TI33]
|
|-
|‘The Ratification of Abstract Art’, ''Art & Language,'' Van Abbemuseum, Eindhoven, 1980, pp. 242-250 (pp. 242-243).
|[https://www.art-language.org/texte/a/TI34.htm TI34]
|
|-
|‘Extracts from some Notes’ (sic) 1967, reproduced in ''Land Art,'' Phaidon, 1997.
|[https://www.art-language.org/texte/a/TI35.htm TI35]
|
|-
|‘Conversations, Pet’s Homes, Decorations and Ornaments’, ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 225-248 (p. 239).
|[https://www.art-language.org/texte/a/TI36.htm TI36]
|
|-
|‘Untitled Painting, 1965’ in Art & Language, ''Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999'', Biennale Leuven, 2001.
|[https://www.art-language.org/texte/a/TI37.htm TI37]
|
|-
|‘Ways of Seeing’, ''Art-Language,'' Vol. 4, No. 3, October, 1978, p. 73.
|[https://www.art-language.org/texte/a/TI38.htm TI38]
|
|-
|''Art & Language; Now They Are,'' catalogue, Galerie Grita Insam, Vienna, 1992, pp. 5-14 (pp. 5-6).
|[https://www.art-language.org/texte/a/TI39.htm TI39]
|
|-
|‘Paul Signac Dreams of the Future II, 1984’, Art & Language, ''Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999'', Biennale Leuven, 2001.
|[https://www.art-language.org/texte/a/TI40.htm TI40]
|
|-
|‘Roma Reason’, ''Radical Philosophy,'' September, 2001.
|[https://www.art-language.org/texte/a/TI41.htm TI41]
|
|-
|‘Old Inhabitants and Therapists’ ''Art & Language and Luhmann,'' Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, p. 118.
|[https://www.art-language.org/texte/a/TI42.htm TI42]
|
|-
|‘Portrait of V. I. Lenin’, ''Art-Language,'' Vol. 4, No 4, June, 1980, pp. 26-61 (p. 26).
|[https://www.art-language.org/texte/a/TI43.htm TI43]
|
|-
|Extract from ''Frameworks-Air-Conditioning,'' Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) ''Art & Language: Texte zum Phanomen Kunst und Sprache,'' Dumont Schauberg, Cologne, 1972, pp. 18-47 (p. 32).
|[https://www.art-language.org/texte/a/TI44.htm TI44]
|
|-
|‘The Utterance of Painting’, ''Art-Language,'' New Series No. 1, June, 1994, pp. 43-62 (p. 47).
|[https://www.art-language.org/texte/a/TI45.htm TI45]
|
|-
|''Frameworks-Air-Conditioning,'' Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) ''Art & Language: Texte zum Phanomen Kunst und Sprache,'' Dumont Schauberg, Cologne, 1972, pp. 18-47 (p. 38).
|[https://www.art-language.org/texte/a/TI46.htm TI46]
|
|-
|‘Study for Lucy Grays’, in ''Sighs Trapped by Liars'' catalogue, Mulier Mulier Gallery, Belgium, 1998.
|[https://www.art-language.org/texte/a/TI47.htm TI47]
|
|-
|« Art & Language Peint une Peinture VI » in ''Art & Language: Now They Are'' catalogue, Labor/Isy Brachot, 1992, pp. 57-70 (p. 57).
|[https://www.art-language.org/texte/a/TI48.htm TI48]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 166).
|[https://www.art-language.org/texte/a/TI49.htm TI49]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 217).
|[https://www.art-language.org/texte/a/TI50.htm TI50]
|
|-
|‘Making Meaningless’ ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 225-249 (pp. 243-244).
|[https://www.art-language.org/texte/a/TI51.htm TI51]
|
|-
|‘Moti Memoria’, John Roberts (ed) ''The Impossible Document; Photography and Conceptual Art in Britain, 1966-1976.'', Camerawords, London, 1997, pp. 54-69 (p. 56).
|[https://www.art-language.org/texte/a/TI52.htm TI52]
|
|-
|‘Painting by Mouth’, ''Art-Language,'' Vol. 5 No. 1, October, 1982, pp. 45-53 (p. 45).
|[https://www.art-language.org/texte/a/TI53.htm TI53]
|
|-
|‘Victorine’, ''Art-Language,'' Vol. 5, No. 2, March, 1984, p. 47, (translation) in ''Art & Language,'' catalogue Galerie Nationale de Jeu de Paume, 1993-94, Acte III, Scene 4.
|[https://www.art-language.org/texte/a/TI54.htm TI54]
|
|-
|‘The Old Gourmet (transcript)’, ''Art-Language,'' Vol. 2 No. 4, June, 1974, pp. 62-70 (p. 68).
|[https://www.art-language.org/texte/a/TI55.htm TI55]
|
|-
|‘BANK presents Art & Language’, leaflet/press release, Galerie Poo Poo, London, 1998.
|[https://www.art-language.org/texte/a/TI56.htm TI56]
|
|-
|‘Brainstorming-New York’, ''Art-Language'', Vol. 3, No. 2, May, 1975, pp. 31-40.
|[https://www.art-language.org/texte/a/TI57.htm TI57]
|
|-
|‘De Legibus Naturae’, ''Studio International,'' May, 1971, pp. 26-32 (p. 28).
|[https://www.art-language.org/texte/a/TI58.htm TI58]
|
|-
|‘Plans and Procedures’, ''Art-Language,'' Vol. 1, No. 2, February, 1970, pp. 14-21 (p. 17).
|[https://www.art-language.org/texte/a/TI59.htm TI59]
|
|-
|‘Guide to Exhibition’, ''Art & Language in Practice'', Fundació Antoni Tàpies, Barcelona, 1999.
|[https://www.art-language.org/texte/a/TI60.htm TI60]
|
|-
|‘Artist’s Language 1’, ''Art-Language,'' New Series No. 3, September, 1999, pp. 36-46 (p. 39).
|[https://www.art-language.org/texte/a/TI61.htm TI61]
|
|-
|‘Mapping and Filing’ in ''The New Art'' (catalogue), Hayward Gallery, London, August, 1972, pp. 14-16 (p. 14).
|[https://www.art-language.org/texte/a/TI62.htm TI62]
|
|-
|‘Remarks on Air-Conditioning’, Arts Magazine, New York, November, 1967.
|[https://www.art-language.org/texte/a/TI63.htm TI63]
|
|-
|''Frameworks-Air-Conditioning,'' Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) ''Art & Language: Texte zum Phanomen Kunst und Sprache,'' Dumont Schauberg, Cologne, 1972, pp. 18-47 (p. 42).
|[https://www.art-language.org/texte/a/TI64.htm TI64]
|
|-
|‘A Tour of the Exhibition with the Artists’, information leaflet, Lisson Gallery, 1994, (ms) p. 7.
|[https://www.art-language.org/texte/a/TI65.htm TI65]
|
|-
|‘BLAHY’, ''Everything Magazine,'' London, Issue 3, 3, 2000, pp. 48-52 (p. 48).
|[https://www.art-language.org/texte/a/TI66.htm TI66]
|
|-
|‘Julian Opie’s Sculpture’ in ''Julian Opie,'' (catalogue), Lisson Gallery, London, 1985, pp. 7-11 (p. 7).
|[https://www.art-language.org/texte/a/TI67.htm TI67]
|
|-
|''Laocoon is a Name,'' (ms.), 1968, pp. 1-4 (p. 1).
|[https://www.art-language.org/texte/a/TI68.htm TI68]
|
|-
|‘Guaranteed Painting’ in ''Art & Language: Conceptual Art from 1965 to 1974'' (catalogue)'','' Mulier Mulier Gallery, Belgium, 1997.
|[https://www.art-language.org/texte/a/TI69.htm TI69]
|
|-
|Steve Edwards, ‘Art & Language’s Doubt’ in ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 249-255 (p. 254).
|[https://www.art-language.org/texte/a/TI70.htm TI70]
|
|-
|Art & Language and The Red Crayola, ‘Notes on the Songs’, booklet published in connection with L.P. ''Kangaroo?,'' Rough Trade records, London, 1981.
|[https://www.art-language.org/texte/a/TI71.htm TI71]
|
|-
! colspan="3" |b
|-
|‘Seeing Paintings and Paintings Seeing’, ''Art-Language'' New Series No. 1, June, 1994, pp. 63-69.
|[https://www.art-language.org/texte/b/TII01.htm TII01]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 13-14, 75-76, 81-83).
|[https://www.art-language.org/texte/b/TII02.htm TII02]
|
|-
|Michel Baudson. « Incidents au Musée », ''Art Press,'' No 114, May, 1987, pp. 10-15.
|[https://www.art-language.org/texte/b/TII03.htm TII03]
|
|-
|‘Memories of the Medicine Show’ ''Art-Language'' New Series No. 2, June 1997, pp. 32-49 (pp. 32-39).
|[https://www.art-language.org/texte/b/TII04.htm TII04]
|
|-
|‘Violins and Cows’, ''Art-Language,'' Vol. 2, No. 4, June, 1974, pp. 1-25.
|[https://www.art-language.org/texte/b/TII05.htm TII05]
|
|-
|Charles Harrison, ‘The Moment of Depiction’, ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 197-216.
|[https://www.art-language.org/texte/b/TII06.htm TII06]
|
|-
|‘Artist’s Language 2’, ''Art-Language,'' New Series No. 3, September, 1999, pp. 36-46 (pp. 47-56).
|[https://www.art-language.org/texte/b/TII07.htm TII07]
|
|-
|‘We Aimed to be Amateurs’, ''Art-Language,'' New Series No. 2, June 1997, pp. 40-49.
|[https://www.art-language.org/texte/b/TII08.htm TII08]
|
|-
|‘Art for Society?’ ''Art-Language'', Vol. 4 No. 4, June, 1980, pp. 1-23.
|[https://www.art-language.org/texte/b/TII09.htm TII09]
|
|-
|‘Artist’s Writing’, ''Art-Language,'' New Series No. 3, September, 1999, pp. 16-35.
|[https://www.art-language.org/texte/b/TII10.htm TII10]
|
|-
|Art & Language : ''La Conférence du Jeu de Paume'', Flammarion 4/Galerie de Paris, 1996, pp. 8-76.
|[https://www.art-language.org/texte/b/TII11.htm TII11]
|
|-
|‘Art & Language Paints a Picture’, first published in ''Gewad Informatief,'' Ghent, March, 1993.
|[https://www.art-language.org/texte/b/TII12.htm TII12]
|
|-
|Philip Pilkington, ‘Fake Experience and Talking’ ''Art-Language'' New Series No. 3, September, 1999, pp. 11-15.
|[https://www.art-language.org/texte/b/TII13.htm TII13]
|
|-
|‘Making Meaningless’ ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 225-249.
|[https://www.art-language.org/texte/b/TII14.htm TII14]
|
|-
|Christian Schlatter « Fragment pour Art & Language » in ''Hostages XXV-LXXVI,'' Lisson Gallery, Galerie de Paris, Marian Goodman Gallery, 1990, pp. 35-42.
|[https://www.art-language.org/texte/b/TII15.htm TII15]
|
|-
|‘The Utterance of Painting’, ''Art-Language,'' New Series No. 1, June, 1994, pp. 43-62.
|[https://www.art-language.org/texte/b/TII16.htm TII16]
|
|-
|« L’Art Abstrait » (trans. C. Schlatter), ''Art-Language 1975-78,'' Editions E. Fabre, 1978, pp. 31-45.
|[https://www.art-language.org/texte/b/TII17.htm TII17]
|
|-
|Charles Harrison, ''Hostages'' Booklet, Lisson Gallery, 1988, pp. 1-10.
|[https://www.art-language.org/texte/b/TII18.htm TII18]
|
|-
|John Roberts, ‘Three Men in a Studio’, ''Artmonthly,'' July-August, 1983, pp. 11-12.
|[https://www.art-language.org/texte/b/TII19.htm TII19]
|
|-
|‘Artist’s Language 1’, ''Art-Language,'' New Series No. 3, September, 1999, pp. 36-46.
|[https://www.art-language.org/texte/b/TII20.htm TII20]
|
|-
|Philip Pilkington, ‘Letter on Inscrutable Objects and Local Meanings’, ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 217-224.
|[https://www.art-language.org/texte/b/TII21.htm TII21]
|
|-
|‘We Aim to be Amateurs’, ''Art & Language and Luhmann,'' Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, pp. 155-175.
|[https://www.art-language.org/texte/b/TII22.htm TII22]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 115-117).
|[https://www.art-language.org/texte/b/TII23.htm TII23]
|
|-
|David Batchelor, ‘Once Were Painters’, ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 177-183.
|[https://www.art-language.org/texte/b/TII24.htm TII24]
|
|-
|‘Moti Memoria’, John Roberts (ed) ''The Impossible Document; Photography and Conceptual Art in Britain, 1966-1976.'', Camerawords, London, 1997, pp. 54-69.
|[https://www.art-language.org/texte/b/TII25.htm TII25]
|
|-
|David Batchelor and Art & Language, « Un Entretien au studio au sujet de la peinture »,  ''Hostages XXV-LXXVI,'' Lisson Gallery, Galerie de Paris, Marian Goodman Gallery, 1990, pp. 9-31.
|[https://www.art-language.org/texte/b/TII26.htm TII26]
|
|-
|‘Return Journey’, ''Art-Language,'' Vol. 4, No. 1, May, 1977, pp. 5-10.
|[https://www.art-language.org/texte/b/TII27.htm TII27]
|
|-
|‘Soft-Tape’, ''Art & Language,'' Van Abbemuseum, Eindhoven, 1980, pp. 17-18.
|[https://www.art-language.org/texte/b/TII28.htm TII28]
|
|-
|‘Concept and Experiment in Britain?’, ''Modern Painters,'' Summer, 2000.
|[https://www.art-language.org/texte/b/TII29.htm TII29]
|
|-
|‘Interview with Art & Language’ in Aliaga and Cortes (eds.) ''Arte Conceptual Revisado/Conceptual Art Revisited,'' Universidad Politecnica de Valencia, 1990, pp. 175-187.
|[https://www.art-language.org/texte/b/TII30.htm TII30]
|
|-
|Carles Guerra, ‘The Last Possessions’, ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 185-195.
|[https://www.art-language.org/texte/b/TII31.htm TII31]
|
|-
|‘Method 2’, ''Art-Language,'' Vol. 4, No. 2, October, 1977, pp. 10-19 (pp. 10-14).
|[https://www.art-language.org/texte/b/TII32.htm TII32]
|
|-
|‘The Steel Boxes’, information sheets, Galeria Juana de Aizpuru, Madrid, 1995.
|[https://www.art-language.org/texte/b/TII33.htm TII33]
|
|-
|‘The Ratification of Abstract Art’, ''Art & Language,'' Van Abbemuseum, Eindhoven, 1980, pp. 242-250 (pp. 242-243).
|[https://www.art-language.org/texte/b/TII34.htm TII34]
|
|-
|
* ‘Extracts from some Notes’ (sic) 1967, reproduced in ''Land Art,'' Phaidon, 1997.
* Facsimile transmission by Art & Language, February, 2001
|[https://www.art-language.org/texte/b/TII35.htm TII35]
|
|-
|Charles Harrison, ‘Art & Language: Landscapes and Interiors’ in ''Contemporary British Art,'' National Museum of Contemporary Art, Seoul, Korea, August, 1998, pp. 61-75.
|[https://www.art-language.org/texte/b/TII36.htm TII36]
|
|-
|Ian Burn, ''Looking at Seeing and Reading,'' catalogue essay, University of New South Wales Gallery, Sydney, 1993.
|[https://www.art-language.org/texte/b/TII37.htm TII37]
|
|-
|‘Ways of Seeing’, ''Art-Language,'' Vol. 4, No. 3, October, 1978, pp. 73-88.
|[https://www.art-language.org/texte/b/TII38.htm TII38]
|
|-
|
* ''Art & Language; Now They Are,'' catalogue, Galerie Grita Insam, Vienna, 1992, pp. 5-14 (pp. 5-7).
* ‘Art & Language Paints a Picture V’, in ‘Art & Language: Now They Are’ catalogue, Galerie Grita Insam, Vienna, 1992, p. 14.
|[https://www.art-language.org/texte/b/TII39.htm TII39]
|
|-
|Charles Harrison, ‘On The Surface of Painting’, ''Critical Inquiry,'' Vol. 15, No 2, Winter 1989, pp. 292-336.
|[https://www.art-language.org/texte/b/TII40.htm TII40]
|
|-
|‘Roma Reason’, ''Radical Philosophy,'' September, 2001.
|[https://www.art-language.org/texte/b/TII41.htm TII41]
|
|-
|‘Old Inhabitants and Therapists’ ''Art & Language and Luhmann,'' Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, pp. 113-181.
|[https://www.art-language.org/texte/b/TII42.htm TII42]
|
|-
|‘Portrait of V. I. Lenin’, ''Art-Language,'' Vol. 4, No 4, June, 1980, pp. 26-61.
|[https://www.art-language.org/texte/b/TII43.htm TII43]
|
|-
|''Frameworks-Air-Conditioning,'' Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) ''Art & Language: Texte zum Phanomen Kunst und Sprache,'' Dumont Schauberg, Cologne, 1972, pp. 18-47.
|[https://www.art-language.org/texte/b/TII44.htm TII44]
|
|-
|‘Three Corrected Transcripts (Transcripts 1-3)’, ''Art-Language,'' New Series No. 1, June, 1994, pp. 43-62 (p. 30-62).
|[https://www.art-language.org/texte/b/TII45.htm TII45]
|
|-
|Charles Harrison, ‘The Legacy of Conceptual Art’, in Gevers (ed.) ''Place, Position, Presentation, Public,'' Jan Van Eyck Akademie, Maastricht, 1993, pp. 41-58.
|[https://www.art-language.org/texte/b/TII46.htm TII46]
|
|-
|‘Study for Lucy Grays’, in ''Sighs Trapped by Liars'' catalogue, Mulier Mulier Gallery, Belgium, 1998.
|[https://www.art-language.org/texte/b/TII47.htm TII47]
|
|-
|« Art & Language Peint une Peinture VI » in ''Art & Language: Now They Are'' catalogue, Labor/Isy Brachot, 1992, pp. 57-70.
|[https://www.art-language.org/texte/b/TII48.htm TII48]
|
|-
|''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 166-168).
|[https://www.art-language.org/texte/b/TII49.htm TII49]
|
|-
|
* ''Art & Language in Practice,'' Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 217-218).
* « La Pensée avec Images », ''Art-Language'' Vol. 1, No. 4, November, 1971, pp. 51-69.
|[https://www.art-language.org/texte/b/TII50.htm TII50]
|
|-
|‘Introduction’ Art & Language, Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999, Biennale Leuven, 2001.
|[https://www.art-language.org/texte/b/TII51.htm TII51]
|
|-
|‘A Story, a Moral and a Postscript’ in Payne (ed.) ''Research and the Artist,'' Oxford,  2000, pp. 70-78.
|[https://www.art-language.org/texte/b/TII52.htm TII52]
|
|-
|‘Painting by Mouth’, ''Art-Language,'' Vol. 5 No. 1, October, 1982, pp. 45-53.
|[https://www.art-language.org/texte/b/TII53.htm TII53]
|
|-
|Extract from ‘Victorine’, '' Art-Language,'' Vol. 5, No. 2,  March, 1984,   p 47, (translation) in ''Art & Language,'' (catalogue) Galerie Nationale de Jeu de Paume, 1993-94, Acte III, Scene 4 – Acte IV, Scene 1.
|[https://www.art-language.org/texte/b/TII54.htm TII54]
|
|-
|‘The Old Gourmet (transcript)’, ''Art-Language,'' Vol. 2 No. 4, June, 1974, pp. 62-70.
|[https://www.art-language.org/texte/b/TII55.htm TII55]
|
|-
|‘Is This What You Mean?’ in ''Get Together'', catalogue, Kunsthalle, Vienna, 1999, p. 94.
|[https://www.art-language.org/texte/b/TII56.htm TII56]
|
|-
|‘Pedagogical Sketchbook (AL)’, ''Art-Language,'' Vol. 3, No. 2, May, 1975, pp. 20-30.
|[https://www.art-language.org/texte/b/TII57.htm TII57]
|
|-
|‘De Legibus Naturae’, ''Studio International,'' May, 1971, pp. 26-32 (p. 28).
|[https://www.art-language.org/texte/b/TII58.htm TII58]
|
|-
|‘Plans and Procedures’, ''Art-Language,'' Vol. 1, No. 2, February, 1970, pp. 14-21.
|[https://www.art-language.org/texte/b/TII59.htm TII59]
|
|-
|Charles Harrison, ‘Indexes and Other Figures’ in ''Essays on Art & Language,'' Oxford, 1991, pp. 63-81.
|[https://www.art-language.org/texte/b/TII60.htm TII60]
|
|-
|Philip Pilkington, ‘Some Darwinian Conditions of the Art & Language Indexes’, ''Art-Language,'' New Series No. 2, June, 1997, pp. 3-11
|[https://www.art-language.org/texte/b/TII61.htm TII61]
|
|-
|
* ‘Mapping and Filing’ in ''The New Art'' (catalogue), Hayward Gallery, London, August, 1972, pp. 14-16 (p. 14).
* ‘The Indexes’, in ''The New Art'' (catalogue) Hayward Gallery, London, August, 1972, pp. 17-19.
|[https://www.art-language.org/texte/b/TII62.htm TII62]
|
|-
|
* ‘Art Language and Art-Language’, ''Art-Language'', Vol. 2, No. 2, Summer, 1972, pp. 21-28.
* ''Frameworks-Air-Conditioning,'' Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) ''Art & Language: Texte zum Phanomen Kunst und Sprache,'' Dumont Schauberg, Cologne, 1972, pp. 18-47 (pp. 18-20).
|[https://www.art-language.org/texte/b/TII63.htm TII63]
|
|-
|‘Bxal’, ''Art-Language'', Vol. 2 No. 4, June, 1974, pp. 87-125.
|[https://www.art-language.org/texte/b/TII64.htm TII64]
|
|-
|‘Letter to Philip Peters’'','' Ms, (unpublished) 1993.
|[https://www.art-language.org/texte/b/TII65.htm TII65]
|
|-
|‘BLAHY’, ''Everything Magazine,'' London, Issue 3, 3, 2000, pp. 48-52.
|[https://www.art-language.org/texte/b/TII66.htm TII66]
|
|-
|‘Julian Opie’s Sculpture’ in ''Julian Opie,'' (catalogue), Lisson Gallery, London, 1985, pp. 7-11.
|[https://www.art-language.org/texte/b/TII67.htm TII67]
|
|-
|''Laocoon is a Name,'' (ms.), 1968, pp. 1-4.
|[https://www.art-language.org/texte/b/TII68.htm TII68]
|
|-
|‘On the Material Character/Physical Object Paradigm of Art’, ''Art-Language,'' Vol. 2 No. 1, February, 1972, pp. 51-55.
|[https://www.art-language.org/texte/b/TII69.htm TII69]
|
|-
|Steve Edwards, ‘Art & Language’s Doubt’ in ''Art & Language in Practice,'' Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 249-255 (p. 254).
|[https://www.art-language.org/texte/b/TII70.htm TII70]
|
|-
|Art & Language and The Red Crayola, 'Notes on the Songs', booklet published in connection with L.P. ''Kangaroo''?, Rough Trade records, London, 1981. Lyrics of songs, etc.
|[https://www.art-language.org/texte/b/TII71.htm TII71]
|
|-
! colspan="3" |f
|-
|
* Indexes
|[https://www.art-language.org/texte/f/indexes.htm indexes]
|
|-
|
* Introduction to the Facsimile Edition
* Index to Volumes 1 to 5, May 1969 - March 1985
* Alphabetical by Author
* Alphabetical by Title
|[https://www.art-language.org/texte/f/I.htm I]
|
|-
|
* Alphabetical List of Works Illustrated
|[https://www.art-language.org/texte/f/II.htm II]
|
|-
|
* Chronological List of Works Illustrated
|[https://www.art-language.org/texte/f/III.htm III]
|
|-
|
* Alphabetical List of Texts
|[https://www.art-language.org/texte/f/IIII.htm IIII]
|
|-
|
* Chronological List of Texts
|[https://www.art-language.org/texte/f/IIIII.htm IIIII]
|
|-
|
* Art & Language List of Exhibitions
* Solo Exhibitions
* Group Exhibitions
|[https://www.art-language.org/texte/f/IIIIII.htm IIIIII]
|
|-
|
|
* Art & Language Bibliography
* Books, Pamphlets, Films and Records by Art & Language
* Periodicals by Art & Language
* Articles, Essays and Reviews by Art and Language
* Books and Catalogues Referring to Art & Language
* Essays, Articles and Reviews on Art & Language
|[https://www.art-language.org/texte/f/IIIIIII.htm IIIIIII]
|
|
|-
|-
|
|
|152
* Too Dark to Read
|[https://www.art-language.org/texte/f/VIII.htm VIII]
|
|
|}
|}

Latest revision as of 03:03, 1 March 2023

Link

Contents

Works Path Notes
Page
Expo
  • Incident: Now They Are, 1992-1993
  • Portrait of an Artist, 1995
 Expo01
  • Untitled Painting, 1965
  • Down to the Stone, 2000
 Expo02
  • Index 01, 1972
 Expo03
  • Indexical Fragments, 1974
  • Ten Illustrations for 'Radical Philosophy', 1978
 Expo04
  • Index: Now They Are, 1992-1993
  • Portrait of an Artist, 1995
 Expo05
  • Index: The Studio at 3 Wesley Place Painted by Mouth I, 1982
  • Lovely Slang VIII, 2000
 Expo06
  • Homes from Homes 1 & 2, 2000-2001
 Expo07
  • Sighs trapped by Liars 1-192, 1997
 Expo08
  • Eleven Studies for a Secret Painting, 1967
  • Dialectical Materialism (Dark Green), 1975
  • Homes from Homes 1 & 2, 2000-2001
 Expo09
  • Sighs Trapped by Liars, 1997-98
 Expo10
  • Sighs Trapped by Liars, 1997-98
 Expo11
  • Untitled Painting, 1965
  • Ten Illustrations for 'Radical Philosophy', 1976
 Expo12
  • Map for a Portrait of V.I. Lenin in the Style of Jackson Pollock, 1979
  • Portrait of V.I. Lenin in the Style of Jackson Pollock V, 1980
  • Homes from Homes 1 & 2, 2000-2001
 Expo13
  • Homes from Homes 1 & 2, 2000-2001
 Expo14
  • Dialectical Materialism, 1976
  • Homes from Homes 1 & 2, 2000-2001
 Expo15
  • 100% Abstract, 1968
  • Over the Trees, 2001
 Expo16
  • Homes from Homes 1 & 2, 2000-2001
 Expo17
  • Homes from Homes 1 & 2, 2000-2001
 Expo18
  • Dialectical Materialism, 1975
  • Study for Hostage 75, 1990
  • Hostage LXXV, 1990
 Expo19
  • Wrongs Healed in Official Hope,1998-1999
 Expo20
  • Hostage XIX, 1989
  • Homes from Homes 1, 2000-2001
 Expo21
  • Wrongs Healed in Official Hope,1998-1999
  • Homes from Homes 1, 2000-2001
 Expo22
  • Homes from Homes 1 & 2, 2000-2001
 Expo23
  • Flags for Organisations, 1978
 Expo24
  • Hostage XIX, 1989
  • Homes from Homes 1 & 2, 2000-2001
 Expo25
a
001
01
02
03
04
05
06
07
08 h/R008
09 h/R009
10
11
12
13 h/R013
14
15
16
17
18
19
20
21
22 h/R022
23
24
25 h/R025
26
27
28
29 h/R029
30 h/R030
31 h/R031
32
33
34
35
36
37
38
b
002
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57 h/R057
58 h/R058
59 h/R059
60
61
62
63
64
65
66
67
68
68a
68b
69
70
  • Kangaroo?
 71
d
  • Index V (Now They Are), 1992
 072
  • Index V (Now They Are), 1992
 073
  • Incident: Now They Are, Elegant, 1993
  • Incident: Now They Are, Next, 1993
 074
  • Study for Hostage 76, 1990
 075
  • Hostage LXXVI, 1990
 076
  • Unit Cure, Unit Ground IV, 1988
 077
  • Study for Unit Cure, Unit Ground, 1987
 078
  • 100% Abstract, 1968
 079
  • Indexical Fragment, 1974
 080
  • Cover of Journal Art-Language Volume 5, number 1, October 1982.
 081
  • Index: Wrongs Healed in Official Hope, 1998-99
 082
  • Hostage XIX, 1989
 083
  • Ask Yourself "Which is the Index ?", 1973
 084
  • There Were Sighs Trapped by Liars XV, 2000
 085
  • Sighs Trapped by Liars 510-602, 1997
 086
  • Portrait of an Artist as an Enthusiast, 1995
 087
  • Index: The Studio at 3 Wesley Place Painted by Mouth II, 1982
 088
  • Index: The Studio at 3 Wesley Place Showing the Position of 'Embarrassments' in III; Drawing (V), 1982
 089
  • Dialectical Materialism (Dark Green), 1975
 090 h/R090
  • Lovely Slang V, 1999
 091
  • Study for Incident, Foreground 2, 1994
 092
  • Portrait of an Artist as a Flash in the Pan, 1995
 093
  • Index (Landscape with St. George), 2001
 094
  • Hostage V, 1988
 095 note
  • Index: The Studio at 3 Wesley Place Painted by Mouth (I), 1982
 096
  • Index: The Studio at 3 Wesley Place Painted by Mouth (I), 1982
 097
  • Sighs Trapped by Liars 1-192, 1996-97
 098
  • Index: Wrongs Healed in Official Hope, 1998-99
 099
  • Hostage LXIX, 1990
 100 h/R100
  • Study for a Museum of the Future I, 1987-88
 101
  • Index: Wrongs Healed in Official Hope, 1998-99
 102
  • Down to the Stone, 2000
 103
  • Hostage LXXV, 1990
 104
  • Sighs Trapped by Liars 373-391, 413-508, 1997
 105
  • 100% Abstract (95% + 5%), 1968
 106
  • Text to Face Gustave Courbet's Burial at Ornans Expressing…, 1981
 107 h/R107
  • Abstract Art (No. 6), 1967
 108 h/R108
  • Hostages α, β, γ, δ 1988
 109 h/R109
  • Escape (3), 1999
 110
  • Background, Incident, Foreground XXXVIII, 1994-95
 111
  • Sighs Trapped by Liars 234-287, 313-342, 343-371, 1997
 112
  • Map to Not Indicate, 1967
 113 h/R113
  • Map of Itself, 1967
 114
  • Sighs Trapped by Liars (Allergy to the S. R.), 1998
 115
  • Untitled Painting, 1965
 116
  • Lovely Slang XIII, 1999
 117
  • Index V (Now They Are), 1992
 118
  • Paul Signac Dreams of the Future II, 1984
 119
  • Art & Language and Luhmann, 1995
 120
  • Entropy, 1966
 121
  • Portrait of V. I. Lenin in the Style of Jackson Pollock V, 1980
 122
  • Untitled Painting, 1965
 123
  • Index XIX (Now They Are), 1992
  • Incident: Now They Are, Look Out, 1993
 124
  • Painting-Sculpture, 1966-67
 125
  • Dialectical Materialism: 012, 1975
 126 h/R126
  • Index XVIII (Now They Are), 1992
 127
  • Index XVIII (Now They Are), 1992
 128
  • Flags for Organisations, 1978
 129
  • Secret Painting, 1968
 130
  • "Twenty Works from 1965-1999 Regarded by Index (Landscape with St. George), 2000-01, Regarded by Twenty Works from 1965-1999"
 131
  • Black Painting, 1965
 132
  • Index: The Studio at 3 Wesley Place; Drawing (i), 1981-82
 133
  • There Were Sighs Trapped by Liars XII, 2000
 134
  • Index IV: (Now They Are), 1992
 135
  • BANK with Art & Language
 136
  • Dialectical Materialism (El Lissitsky 014), 1975
 137 h/R137
  • Secret Painting, 1967-68
 138 h/R138
  • Sunnybank, Preleminary Draft, 1967
 139 g/FS139
  • Index: Wrongs Healed in Official Hope, 1998-99
 140
  • Hello, How Are You?, 1992
 141
  • Indexical Fragment, 1974
 142
  • Framed unit No. 17 of Index (Landscape with St. George), 2001
 143
  • Fragment from The Air Show, 1966
 144 h/R144
  • Six Negatives, 1968-69
 145
  • Index 10, Comprising Background, Incident, Foreground XVI-XLVI, 1995
  • Hostage XIX, 1989
 146
  • Sighs Trapped by Liars and Lovely Slang, 1997-98
 147
  • Index: Incident in a Museum XV, 1986
 148
  • Map of the Sahara Desert after Lewis Caroll, 1967
 149
  • Guaranteed Painting, 1967-68
 150 h/R150
  • Sighs Trapped by Liars 604-632, 1997
 151
  • Kangaroo?, 1981
 152
f
  • Study after Gustave Courbet's 'Origine du Monde', 1991
 153
  • Study for An Incident: Now They Are, Elegant I, 1993
 154
  • Surf 76, 1990
 155
  • Study for Index: Incident in a Museum 5, 1985
 156
  • Hostage III, 1988
 157 note
  • 100% Abstract, 1968
 158
  • 100% Abstract, 1968
 159
  • Indexical Fragment, 1975
 160
  • Alternate Map for Documenta (Based on Citation A), 1972
 161
  • Index 05, 1973
 162 h/R162
  • Portrait of V. I. Lenin in the Winter of 1920 in the Style of Jackson Pollock, 1980
 163
  • Map for Portrait of V. I. Lenin in the Winter of 1921 in the Style of Jackson Pollock, 1980
 164
  • Portrait of V. I. Lenin in the Style of Jackson Pollock IV, 1979
 165
  • Ten Posters: illustrations for Art-Language, 1977
 166
  • Ten Posters: illustrations for Art-Language, 1977
 167
  • Ten Posters: illustrations for Art-Language, 1977
 168
  • Ten Posters: illustrations for Art-Language, 1977
 169
  • Ten Posters: illustrations for Art-Language, 1977
 170
  • Ten Posters: illustrations for Art-Language, 1977
 171
  • Ten Posters: illustrations for Art-Language, 1977
 172
  • Ten Posters: illustrations for Art-Language, 1977
 173
  • Ten Posters: illustrations for Art-Language, 1977
 174
  • Ten Posters: illustrations for Art-Language, 1977
 175
  • Index 01, 1972
 176
  • Index: Incident in a Museum XXVII, 1986
 177
  • Hostage XIX, 1989
  • Hostage XXIV, 1989
  • Hostage XXII, 1989
 178
  • Venice Biennale Banner, 1976
 179
  • Dialectical Materialism, All Friends Together, 1973
 180 h/R180
  • Sighs Trapped by Liars
 181
  • Portrait of an Artist as an Enthusiast, 1995
  • Portrait of an Artist as a Wounded Man, 1995
  • Portrait of an Artist as an Optimist, 1995
 182
  • Art & Language Paints a Picture installed in the Style of Jackson Pollock Bar.
 183
  • A Painting Painted by Actors
  • Sighs Trapped by Liars
 184
  • Index: The Studio at 3 Wesley Place Painted by Mouth (I), 1982
 185
  • 4 Studies for Acrostic Paintings, 1967
 186
  • Study for Hostage 62, 1990
 187
  • Art & Language in practice
 188
  • Index XIV (Now They Are), 1992
 189
  • Framed unit No. 13 of Index (Landscape with St. George), 2001
 190
  • (Bxal) Form Designed for the Collection of Material for an Index, 1975
 191
  • Hostage: An Incident and a People's Flag VIII, 1989
 192
  • Index: Incident in a Museum (Failed Town Planning), 1987
 193
  • Study for Index: Incident in a Museum 2, 1985
 194
  • Index: Incident in a Museum XXI, 1987
 195
  • Sighs Trapped by Liars
 196
  • Index: A Model for Lucy Grays, 1998
 197
  • Hostage (Views of Immensity), 1989
 198
  • Hostage (News of Propensity), 1989
 199
  • Study for Index: Incident in a Museum 19, 1986
 200
  • Study for a Museum of the Future 2, 1987-88
 201
  • Li Proceedings, 1972-73
 202 h/R202
  • The Artist out of Work, 1999
 203
  • Study for Hostage 75, 1990
 204
  • Surf 75, 1990
 205
  • Showing Sighs Trapped by Liars in progress
 206
  • Four Suprematist Squares, 1965
 207
  • Index (Landscape with St. George), 2001
 208
  • Hot-Cold, 1967
 209 h/R209
209/209_01209/209_43
  • Hostage LIII, 1990
 210
  • Sighs Trapped by Liars 1-192, 1996-97
 211
  • Material Slang (I), 1999
 212
  • Background, Incident, Foreground XXXVIII, 1994-95
 213
  • Background, Incident, Foreground XVII, 1994-95
 214
  • Example of Malaprop text which appears in Sighs Trapped by Liars, 1996-97
 215
  • Attacked by an Unknown Man in a City Park: A Dying Woman; Drawn and Painted by Mouth, 1981
 216
  • Example of Malaprop text which appears in Sighs Trapped by Liars, 1996-97
 217
  • Untitled Painting, 1965
  • Untitled Painting, 1965
  • Untitled Painting, 1965
 218
  • Looking through a Piece of Glass, Ian Burn, 1967
 219
  • There were Sighs Trapped by Liars XVI, 1997-2000
 220
  • 22 Sentences: The French Army, 1967
 221 h/R221
221/221_01221/221_24
  • Study for Impressionism Returning Sometime in the Future, 1984
 222
  • Index: The Studio at 3 Wesley Place in the Dark (III) and Illuminated by and Explosion Nearby (V, VI, VII, VIII), Drawing (iii), 1982
 223
  • Art & Language and Luhmann, 1995
 224
  • The Key of Dreams, 1978
 225
  • Map for a Portrait of V. I. Lenin in the Style of Jackson Pollock, 1979
 226
  • Hostage LXXIV, 1990
  • Hostage LVIII, 1990
 227
  • Index (Now They Are), 1992
 228
  • Index: Incident in a Museum XIII, 1986
 229
  • Incident, Now They Are, Look Out, 1993
 230
  • Art & Language in Practice
 231
  • Dialectical Materialism, 1975
 232
  • Secret Painting, 1967-68
 233 h/R233
  • Flags for Organisations, 1978
 234 h/R234
  • Eleven Studies for a Secret Painting, 1967
 235
  • Drawing for a Secret Painting, 1967
 236
  • Index: Incident in a Museum XXIII, 1987
 237
  • Art in America, 1966
 238
  • Index: The Studio at 3 Wesley Place Painted by Mouth (I), Drawing (iii), 1982
 239
  • Sighs Trapped by Liars 521-531, 1997
 240
  • Page 48 of Art-Language Vol. 2, No. 4, June 1974
 241
  • Installation in BANK, White 3 (II) at 'Get Together'
 242
  • Installation in BANK, White 3 (I) at Gallery Poo Poo
 243
  • Dialectical Materialism, 1976
 244
  • Dialectical Materialism, 1976
 245
  • Untitled Paintings, 1965
 246
  • Index X (Now They Are), 1992
 247
  • Oxfordshire, 1966
 248 g/FS248
  • Index: Wrongs Healed in Official Hope, 1998-99
 249
  • Blurting in Art & Language, 1973 Booklet, 92 pp. (page 31).
 250 h/R250
  • Index 02, 1972
 251
  • (Bxal) Forms Designed for the Collection of Material for an Index, 1974
 252
  • Three Vocabularies for The Air Show, 1966
 253
  • Background, Incident, Foreground XI, 1994
 254
  • Index: Incident in a Museum XXV, 1987
 255
  • Ten Postcards, 1997
 256
  • Ils donnent leur sang: donnez votre travail, 1977
 257
  • Soft Tape, 1966
 258
  • Archive room, Art & Language in Practice
 259
  • Study for Poster for 'Kangaroo?' LP, 1981
 260
  • Corrected Slogans, 1977
 261 h/R261
sons
Black Snakes S01
Don't Talk to Sociologists... S02
Plekhanov S03
Future Pilots S04
Portrait of V. I. Lenin in the Style of Jackson Pollock, Part I S05
Portrait of V. I. Lenin in the Style of Jackson Pollock, Part II S06
If She Loves You S07
Kangaroo? S08
Texte
a
‘Seeing Paintings and Paintings Seeing’, Art-Language New Series No. 1, June, 1994, pp. 63-69  (p. 63). TI01
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 267-268). TI02
Charles Harrison, ‘Unit Cure, Unit Ground’ in Essays on Art & Language, Oxford, 1991, pp. 223-224. TI03
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 144). TI04
‘Pedagogical Sketchbook (AL)’, Art-Language, Vol. 3, No. 2, May, 1975, pp. 20-30 (p. 22). TI05
Charles Harrison, ‘The Moment of Depiction’, Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 197-216 (pp. 203-204). TI06
Cinco essayos, information leaflet, Galeria Juana de Aizpuru, Madrid, 1999, pp. 1-2. TI07
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 107-108). TI08
‘The Old Gourmet (transcript)’, Art-Language, Vol. 2 No. 4, June, 1974, pp. 62-70 (pp. 62-63). TI09
Art & Language and The Red Crayola, ‘An Old Man’s Dream’ in Kangaroo? booklet published in connection with Kangaroo? L.P., Rough Trade Records, London, 1981. TI10
Art & Language : La Conférence du Jeu de Paume, Flammarion 4/Galerie de Paris, 1996, pp. 8-76 (pp. 13-15). TI11
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 91-92). TI12
‘Transcription 21.5.73’, Art-Language Vol. 2 No. 4, June, 1974, pp. 84-85. TI13
‘Lovely Slang XIII’, Art & Language, Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999, Biennale Leuven, 2001. TI14
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 271). TI15
‘The Utterance of Painting’, Art-Language, New Series No. 1, June, 1994, pp. 43-62 (p. 53). TI16
« L’Art Abstrait » (trans. C. Schlatter), Art-Language 1975-78, Editions E. Fabre, 1978, pp. 31-45 (pp. 35-36). TI17
Charles Harrison, Hostages Booklet, Lisson Gallery, 1988, pp. 1-10 (p. 1). TI18
John Roberts, ‘Three Men in a Studio’, Artmonthly, July-August, 1983, pp. 11-12 (p. 11). TI19
‘Artist’s Language 1’, Art-Language, New Series No. 3, September, 1999, pp. 36-46 (p. 32). TI20
‘Artist’s Language 2’, Art-Language, New Series No. 3, September, 1999, pp. 36-46 (p. 47). TI21
‘We Aim to be Amateurs’, Art & Language and Luhmann, Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, pp. 155-175 (p. 175). TI22
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 115). TI23
Art & Language and the Red Crayola, ‘Hedges’ (Lyric of Song) LP/CD from Black Snakes, London Publishing House Limited/Slezak Music, 1983 and Drag City, Inc., 1997. TI24
‘Moti Memoria’, John Roberts (ed) The Impossible Document; Photography and Conceptual Art in Britain, 1966-1976., Camerawords, London, 1997, pp. 54-69 (pp. 56-57). TI25
David Batchelor and Art & Language, « Un Entretien au studio au sujet de la peinture »,  Hostages XXV-LXXVI, Lisson Gallery, Galerie de Paris, Marian Goodman Gallery, 1990, pp. 9-31 (p. 9). TI26
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 278). TI27
‘Soft-Tape’, Art & Language, Van Abbemuseum, Eindhoven, 1980, pp. 17-18 (p. 18). TI28
‘Smugness’ (Letter to the editor), Artmonthly, September-October, 2000, p. 18. TI29
‘Interview with Art & Language’ in Aliaga and Cortes (eds.) Arte Conceptual Revisado/Conceptual Art Revisited, Universidad Politecnica de Valencia, 1990, pp. 175-187 (pp. 175-176). TI30
‘Hostages a, b, g, d’ in Art & Language, Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999, Biennale Leuven, 2001. TI31
‘Three Essays’, leaflet for exhibition at Galerie Grita Insam, Vienna, 1999. TI32
‘The Steel Boxes’, information sheets, Galeria Juana de Aizpuru, Madrid, 1995. TI33
‘The Ratification of Abstract Art’, Art & Language, Van Abbemuseum, Eindhoven, 1980, pp. 242-250 (pp. 242-243). TI34
‘Extracts from some Notes’ (sic) 1967, reproduced in Land Art, Phaidon, 1997. TI35
‘Conversations, Pet’s Homes, Decorations and Ornaments’, Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 225-248 (p. 239). TI36
‘Untitled Painting, 1965’ in Art & Language, Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999, Biennale Leuven, 2001. TI37
‘Ways of Seeing’, Art-Language, Vol. 4, No. 3, October, 1978, p. 73. TI38
Art & Language; Now They Are, catalogue, Galerie Grita Insam, Vienna, 1992, pp. 5-14 (pp. 5-6). TI39
‘Paul Signac Dreams of the Future II, 1984’, Art & Language, Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999, Biennale Leuven, 2001. TI40
‘Roma Reason’, Radical Philosophy, September, 2001. TI41
‘Old Inhabitants and Therapists’ Art & Language and Luhmann, Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, p. 118. TI42
‘Portrait of V. I. Lenin’, Art-Language, Vol. 4, No 4, June, 1980, pp. 26-61 (p. 26). TI43
Extract from Frameworks-Air-Conditioning, Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) Art & Language: Texte zum Phanomen Kunst und Sprache, Dumont Schauberg, Cologne, 1972, pp. 18-47 (p. 32). TI44
‘The Utterance of Painting’, Art-Language, New Series No. 1, June, 1994, pp. 43-62 (p. 47). TI45
Frameworks-Air-Conditioning, Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) Art & Language: Texte zum Phanomen Kunst und Sprache, Dumont Schauberg, Cologne, 1972, pp. 18-47 (p. 38). TI46
‘Study for Lucy Grays’, in Sighs Trapped by Liars catalogue, Mulier Mulier Gallery, Belgium, 1998. TI47
« Art & Language Peint une Peinture VI » in Art & Language: Now They Are catalogue, Labor/Isy Brachot, 1992, pp. 57-70 (p. 57). TI48
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 166). TI49
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (p. 217). TI50
‘Making Meaningless’ Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 225-249 (pp. 243-244). TI51
‘Moti Memoria’, John Roberts (ed) The Impossible Document; Photography and Conceptual Art in Britain, 1966-1976., Camerawords, London, 1997, pp. 54-69 (p. 56). TI52
‘Painting by Mouth’, Art-Language, Vol. 5 No. 1, October, 1982, pp. 45-53 (p. 45). TI53
‘Victorine’, Art-Language, Vol. 5, No. 2, March, 1984, p. 47, (translation) in Art & Language, catalogue Galerie Nationale de Jeu de Paume, 1993-94, Acte III, Scene 4. TI54
‘The Old Gourmet (transcript)’, Art-Language, Vol. 2 No. 4, June, 1974, pp. 62-70 (p. 68). TI55
‘BANK presents Art & Language’, leaflet/press release, Galerie Poo Poo, London, 1998. TI56
‘Brainstorming-New York’, Art-Language, Vol. 3, No. 2, May, 1975, pp. 31-40. TI57
‘De Legibus Naturae’, Studio International, May, 1971, pp. 26-32 (p. 28). TI58
‘Plans and Procedures’, Art-Language, Vol. 1, No. 2, February, 1970, pp. 14-21 (p. 17). TI59
‘Guide to Exhibition’, Art & Language in Practice, Fundació Antoni Tàpies, Barcelona, 1999. TI60
‘Artist’s Language 1’, Art-Language, New Series No. 3, September, 1999, pp. 36-46 (p. 39). TI61
‘Mapping and Filing’ in The New Art (catalogue), Hayward Gallery, London, August, 1972, pp. 14-16 (p. 14). TI62
‘Remarks on Air-Conditioning’, Arts Magazine, New York, November, 1967. TI63
Frameworks-Air-Conditioning, Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) Art & Language: Texte zum Phanomen Kunst und Sprache, Dumont Schauberg, Cologne, 1972, pp. 18-47 (p. 42). TI64
‘A Tour of the Exhibition with the Artists’, information leaflet, Lisson Gallery, 1994, (ms) p. 7. TI65
‘BLAHY’, Everything Magazine, London, Issue 3, 3, 2000, pp. 48-52 (p. 48). TI66
‘Julian Opie’s Sculpture’ in Julian Opie, (catalogue), Lisson Gallery, London, 1985, pp. 7-11 (p. 7). TI67
Laocoon is a Name, (ms.), 1968, pp. 1-4 (p. 1). TI68
‘Guaranteed Painting’ in Art & Language: Conceptual Art from 1965 to 1974 (catalogue), Mulier Mulier Gallery, Belgium, 1997. TI69
Steve Edwards, ‘Art & Language’s Doubt’ in Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 249-255 (p. 254). TI70
Art & Language and The Red Crayola, ‘Notes on the Songs’, booklet published in connection with L.P. Kangaroo?, Rough Trade records, London, 1981. TI71
b
‘Seeing Paintings and Paintings Seeing’, Art-Language New Series No. 1, June, 1994, pp. 63-69. TII01
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 13-14, 75-76, 81-83). TII02
Michel Baudson. « Incidents au Musée », Art Press, No 114, May, 1987, pp. 10-15. TII03
‘Memories of the Medicine Show’ Art-Language New Series No. 2, June 1997, pp. 32-49 (pp. 32-39). TII04
‘Violins and Cows’, Art-Language, Vol. 2, No. 4, June, 1974, pp. 1-25. TII05
Charles Harrison, ‘The Moment of Depiction’, Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 197-216. TII06
‘Artist’s Language 2’, Art-Language, New Series No. 3, September, 1999, pp. 36-46 (pp. 47-56). TII07
‘We Aimed to be Amateurs’, Art-Language, New Series No. 2, June 1997, pp. 40-49. TII08
‘Art for Society?’ Art-Language, Vol. 4 No. 4, June, 1980, pp. 1-23. TII09
‘Artist’s Writing’, Art-Language, New Series No. 3, September, 1999, pp. 16-35. TII10
Art & Language : La Conférence du Jeu de Paume, Flammarion 4/Galerie de Paris, 1996, pp. 8-76. TII11
‘Art & Language Paints a Picture’, first published in Gewad Informatief, Ghent, March, 1993. TII12
Philip Pilkington, ‘Fake Experience and Talking’ Art-Language New Series No. 3, September, 1999, pp. 11-15. TII13
‘Making Meaningless’ Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 225-249. TII14
Christian Schlatter « Fragment pour Art & Language » in Hostages XXV-LXXVI, Lisson Gallery, Galerie de Paris, Marian Goodman Gallery, 1990, pp. 35-42. TII15
‘The Utterance of Painting’, Art-Language, New Series No. 1, June, 1994, pp. 43-62. TII16
« L’Art Abstrait » (trans. C. Schlatter), Art-Language 1975-78, Editions E. Fabre, 1978, pp. 31-45. TII17
Charles Harrison, Hostages Booklet, Lisson Gallery, 1988, pp. 1-10. TII18
John Roberts, ‘Three Men in a Studio’, Artmonthly, July-August, 1983, pp. 11-12. TII19
‘Artist’s Language 1’, Art-Language, New Series No. 3, September, 1999, pp. 36-46. TII20
Philip Pilkington, ‘Letter on Inscrutable Objects and Local Meanings’, Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 217-224. TII21
‘We Aim to be Amateurs’, Art & Language and Luhmann, Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, pp. 155-175. TII22
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 115-117). TII23
David Batchelor, ‘Once Were Painters’, Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 177-183. TII24
‘Moti Memoria’, John Roberts (ed) The Impossible Document; Photography and Conceptual Art in Britain, 1966-1976., Camerawords, London, 1997, pp. 54-69. TII25
David Batchelor and Art & Language, « Un Entretien au studio au sujet de la peinture »,  Hostages XXV-LXXVI, Lisson Gallery, Galerie de Paris, Marian Goodman Gallery, 1990, pp. 9-31. TII26
‘Return Journey’, Art-Language, Vol. 4, No. 1, May, 1977, pp. 5-10. TII27
‘Soft-Tape’, Art & Language, Van Abbemuseum, Eindhoven, 1980, pp. 17-18. TII28
‘Concept and Experiment in Britain?’, Modern Painters, Summer, 2000. TII29
‘Interview with Art & Language’ in Aliaga and Cortes (eds.) Arte Conceptual Revisado/Conceptual Art Revisited, Universidad Politecnica de Valencia, 1990, pp. 175-187. TII30
Carles Guerra, ‘The Last Possessions’, Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 185-195. TII31
‘Method 2’, Art-Language, Vol. 4, No. 2, October, 1977, pp. 10-19 (pp. 10-14). TII32
‘The Steel Boxes’, information sheets, Galeria Juana de Aizpuru, Madrid, 1995. TII33
‘The Ratification of Abstract Art’, Art & Language, Van Abbemuseum, Eindhoven, 1980, pp. 242-250 (pp. 242-243). TII34
  • ‘Extracts from some Notes’ (sic) 1967, reproduced in Land Art, Phaidon, 1997.
  • Facsimile transmission by Art & Language, February, 2001
 TII35
Charles Harrison, ‘Art & Language: Landscapes and Interiors’ in Contemporary British Art, National Museum of Contemporary Art, Seoul, Korea, August, 1998, pp. 61-75. TII36
Ian Burn, Looking at Seeing and Reading, catalogue essay, University of New South Wales Gallery, Sydney, 1993. TII37
‘Ways of Seeing’, Art-Language, Vol. 4, No. 3, October, 1978, pp. 73-88. TII38
  • Art & Language; Now They Are, catalogue, Galerie Grita Insam, Vienna, 1992, pp. 5-14 (pp. 5-7).
  • ‘Art & Language Paints a Picture V’, in ‘Art & Language: Now They Are’ catalogue, Galerie Grita Insam, Vienna, 1992, p. 14.
 TII39
Charles Harrison, ‘On The Surface of Painting’, Critical Inquiry, Vol. 15, No 2, Winter 1989, pp. 292-336. TII40
‘Roma Reason’, Radical Philosophy, September, 2001. TII41
‘Old Inhabitants and Therapists’ Art & Language and Luhmann, Institut fur Soziale Gegenwartsfragen, Freiburg i. Br./Kunstraum Wein (Hg.), Passagen Verlag, 1997, pp. 113-181. TII42
‘Portrait of V. I. Lenin’, Art-Language, Vol. 4, No 4, June, 1980, pp. 26-61. TII43
Frameworks-Air-Conditioning, Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) Art & Language: Texte zum Phanomen Kunst und Sprache, Dumont Schauberg, Cologne, 1972, pp. 18-47. TII44
‘Three Corrected Transcripts (Transcripts 1-3)’, Art-Language, New Series No. 1, June, 1994, pp. 43-62 (p. 30-62). TII45
Charles Harrison, ‘The Legacy of Conceptual Art’, in Gevers (ed.) Place, Position, Presentation, Public, Jan Van Eyck Akademie, Maastricht, 1993, pp. 41-58. TII46
‘Study for Lucy Grays’, in Sighs Trapped by Liars catalogue, Mulier Mulier Gallery, Belgium, 1998. TII47
« Art & Language Peint une Peinture VI » in Art & Language: Now They Are catalogue, Labor/Isy Brachot, 1992, pp. 57-70. TII48
Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 166-168). TII49
  • Art & Language in Practice, Vol. 1, Fundació Antoni Tàpies, Barcelona, 1999, pp. 12-285 (pp. 217-218).
  • « La Pensée avec Images », Art-Language Vol. 1, No. 4, November, 1971, pp. 51-69.
 TII50
‘Introduction’ Art & Language, Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by twenty works from 1965-1999, Biennale Leuven, 2001. TII51
‘A Story, a Moral and a Postscript’ in Payne (ed.) Research and the Artist, Oxford,  2000, pp. 70-78. TII52
‘Painting by Mouth’, Art-Language, Vol. 5 No. 1, October, 1982, pp. 45-53. TII53
Extract from ‘Victorine’,  Art-Language, Vol. 5, No. 2,  March, 1984,   p 47, (translation) in Art & Language, (catalogue) Galerie Nationale de Jeu de Paume, 1993-94, Acte III, Scene 4 – Acte IV, Scene 1. TII54
‘The Old Gourmet (transcript)’, Art-Language, Vol. 2 No. 4, June, 1974, pp. 62-70. TII55
‘Is This What You Mean?’ in Get Together, catalogue, Kunsthalle, Vienna, 1999, p. 94. TII56
‘Pedagogical Sketchbook (AL)’, Art-Language, Vol. 3, No. 2, May, 1975, pp. 20-30. TII57
‘De Legibus Naturae’, Studio International, May, 1971, pp. 26-32 (p. 28). TII58
‘Plans and Procedures’, Art-Language, Vol. 1, No. 2, February, 1970, pp. 14-21. TII59
Charles Harrison, ‘Indexes and Other Figures’ in Essays on Art & Language, Oxford, 1991, pp. 63-81. TII60
Philip Pilkington, ‘Some Darwinian Conditions of the Art & Language Indexes’, Art-Language, New Series No. 2, June, 1997, pp. 3-11 TII61
  • ‘Mapping and Filing’ in The New Art (catalogue), Hayward Gallery, London, August, 1972, pp. 14-16 (p. 14).
  • ‘The Indexes’, in The New Art (catalogue) Hayward Gallery, London, August, 1972, pp. 17-19.
 TII62
  • ‘Art Language and Art-Language’, Art-Language, Vol. 2, No. 2, Summer, 1972, pp. 21-28.
  • Frameworks-Air-Conditioning, Art & Language Press, Coventry, 1967, reprinted in Maenz and De Vries (eds.) Art & Language: Texte zum Phanomen Kunst und Sprache, Dumont Schauberg, Cologne, 1972, pp. 18-47 (pp. 18-20).
 TII63
‘Bxal’, Art-Language, Vol. 2 No. 4, June, 1974, pp. 87-125. TII64
‘Letter to Philip Peters’, Ms, (unpublished) 1993. TII65
‘BLAHY’, Everything Magazine, London, Issue 3, 3, 2000, pp. 48-52. TII66
‘Julian Opie’s Sculpture’ in Julian Opie, (catalogue), Lisson Gallery, London, 1985, pp. 7-11. TII67
Laocoon is a Name, (ms.), 1968, pp. 1-4. TII68
‘On the Material Character/Physical Object Paradigm of Art’, Art-Language, Vol. 2 No. 1, February, 1972, pp. 51-55. TII69
Steve Edwards, ‘Art & Language’s Doubt’ in Art & Language in Practice, Vol. 2, Fundació Antoni Tàpies, Barcelona, 1999, pp. 249-255 (p. 254). TII70
Art & Language and The Red Crayola, 'Notes on the Songs', booklet published in connection with L.P. Kangaroo?, Rough Trade records, London, 1981. Lyrics of songs, etc. TII71
f
  • Indexes
 indexes
  • Introduction to the Facsimile Edition
  • Index to Volumes 1 to 5, May 1969 - March 1985
  • Alphabetical by Author
  • Alphabetical by Title
 I
  • Alphabetical List of Works Illustrated
 II
  • Chronological List of Works Illustrated
 III
  • Alphabetical List of Texts
 IIII
  • Chronological List of Texts
 IIIII
  • Art & Language List of Exhibitions
  • Solo Exhibitions
  • Group Exhibitions
 IIIIII
  • Art & Language Bibliography
  • Books, Pamphlets, Films and Records by Art & Language
  • Periodicals by Art & Language
  • Articles, Essays and Reviews by Art and Language
  • Books and Catalogues Referring to Art & Language
  • Essays, Articles and Reviews on Art & Language
 IIIIIII
  • Too Dark to Read
 VIII

Exhibition

[1]

References

  1. ↑ https://www.artrabbit.com/events/wwwartlanguageorg
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