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{| class="wikitable" | {| class="wikitable" | ||
!Works | !Works | ||
! | !Path | ||
!Notes | !Notes | ||
|- | |- | ||
! colspan=" | ! colspan="3" |Expo | ||
|- | |- | ||
| | | | ||
* Incident: Now They Are, 1992-1993 | * Incident: Now They Are, 1992-1993 | ||
* Portrait of an Artist, 1995 | * Portrait of an Artist, 1995 | ||
|[https://www.art-language.org/page/Expo/Expo01.htm Expo01] | |||
|[https://www.art-language.org/page/Expo/Expo01.htm | |||
| | | | ||
|- | |- | ||
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* Untitled Painting, 1965 | |||
* Down to the Stone, 2000 | |||
|[https://www.art-language.org/page/Expo/Expo02.htm Expo02] | |||
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* Index 01, 1972 | |||
|[https://www.art-language.org/page/Expo/Expo03.htm Expo03] | |||
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|- | |||
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* Indexical Fragments, 1974 | |||
* Ten Illustrations for 'Radical Philosophy', 1978 | |||
|[https://www.art-language.org/page/Expo/Expo04.htm Expo04] | |||
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|- | |||
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* Index: Now They Are, 1992-1993 | |||
* Portrait of an Artist, 1995 | |||
|[https://www.art-language.org/page/Expo/Expo05.htm Expo05] | |||
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|- | |||
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* Index: The Studio at 3 Wesley Place Painted by Mouth I, 1982 | |||
* Lovely Slang VIII, 2000 | |||
|[https://www.art-language.org/page/Expo/Expo06.htm Expo06] | |||
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* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo07.htm Expo07] | |||
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* Sighs trapped by Liars 1-192, 1997 | |||
|[https://www.art-language.org/page/Expo/Expo08.htm Expo08] | |||
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|- | |||
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* Eleven Studies for a Secret Painting, 1967 | |||
* Dialectical Materialism (Dark Green), 1975 | |||
* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo09.htm Expo09] | |||
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* Sighs Trapped by Liars, 1997-98 | |||
|[https://www.art-language.org/page/Expo/Expo10.htm Expo10] | |||
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* Sighs Trapped by Liars, 1997-98 | |||
|[https://www.art-language.org/page/Expo/Expo11.htm Expo11] | |||
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|- | |||
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* Untitled Painting, 1965 | |||
* Ten Illustrations for 'Radical Philosophy', 1976 | |||
|[https://www.art-language.org/page/Expo/Expo12.htm Expo12] | |||
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|- | |||
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* Map for a Portrait of V.I. Lenin in the Style of Jackson Pollock, 1979 | |||
* Portrait of V.I. Lenin in the Style of Jackson Pollock V, 1980 | |||
* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo13.htm Expo13] | |||
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|- | |||
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* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo14.htm Expo14] | |||
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|- | |||
| | |||
* Dialectical Materialism, 1976 | |||
* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo15.htm Expo15] | |||
| | |||
|- | |||
| | |||
* 100% Abstract, 1968 | |||
* Over the Trees, 2001 | |||
|[https://www.art-language.org/page/Expo/Expo16.htm Expo16] | |||
| | |||
|- | |||
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* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo17.htm Expo17] | |||
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|- | |||
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* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo18.htm Expo18] | |||
| | |||
|- | |||
| | |||
* Dialectical Materialism, 1975 | |||
* Study for Hostage 75, 1990 | |||
* Hostage LXXV, 1990 | |||
|[https://www.art-language.org/page/Expo/Expo19.htm Expo19] | |||
| | |||
|- | |||
| | |||
* Wrongs Healed in Official Hope,1998-1999 | |||
|[https://www.art-language.org/page/Expo/Expo20.htm Expo20] | |||
| | |||
|- | |||
| | |||
* Hostage XIX, 1989 | |||
* Homes from Homes 1, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo21.htm Expo21] | |||
| | |||
|- | |||
| | |||
* Wrongs Healed in Official Hope,1998-1999 | |||
* Homes from Homes 1, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo22.htm Expo22] | |||
| | |||
|- | |||
| | |||
* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo23.htm Expo23] | |||
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|- | |||
| | |||
* Flags for Organisations, 1978 | |||
|[https://www.art-language.org/page/Expo/Expo24.htm Expo24] | |||
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|- | |||
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* Hostage XIX, 1989 | |||
* Homes from Homes 1 & 2, 2000-2001 | |||
|[https://www.art-language.org/page/Expo/Expo25.htm Expo25] | |||
| | |||
|- | |||
! colspan="3" |a | |||
|- | |||
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|[https://www.art-language.org/page/a/001.htm 001] | |||
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|[https://www.art-language.org/page/a/01.htm 01] | |||
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|[https://www.art-language.org/page/a/02.htm 02] | |||
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|[https://www.art-language.org/page/a/03.htm 03] | |||
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|[https://www.art-language.org/page/a/04.htm 04] | |||
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! colspan="3" |b | |||
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|[https://www.art-language.org/page/b/002.htm 002] | |||
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|[https://www.art-language.org/page/b/68.htm 68] | |||
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|[https://www.art-language.org/page/b/69a.htm 68a] | |||
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|[https://www.art-language.org/page/b/69b.htm 68b] | |||
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|69 | |||
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|[https://www.art-language.org/page/b/70.htm 70] | |||
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|- | |- | ||
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* Kangaroo? | |||
|[https://www.art-language.org/page/b/71.htm 71] | |||
| | | | ||
|- | |||
! colspan="3" |d | |||
|- | |||
| | | | ||
* Index V (Now They Are), 1992 | |||
|[https://www.art-language.org/page/d/072.htm 072] | |||
| | | | ||
|- | |- | ||
| | | | ||
* Index V (Now They Are), 1992 | |||
|[https://www.art-language.org/page/d/073.htm 073] | |||
| | | | ||
|- | |||
| | | | ||
* Incident: Now They Are, Elegant, 1993 | |||
* Incident: Now They Are, Next, 1993 | |||
|[https://www.art-language.org/page/d/074.htm 074] | |||
| | | | ||
|- | |- | ||
| | | | ||
* Study for Hostage 76, 1990 | |||
|[https://www.art-language.org/page/d/075.htm 075] | |||
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|- | |||
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* Hostage LXXVI, 1990 | |||
|[https://www.art-language.org/page/d/076.htm 076] | |||
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|- | |- | ||
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* Unit Cure, Unit Ground IV, 1988 | |||
|[https://www.art-language.org/page/d/077.htm 077] | |||
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|- | |||
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* Study for Unit Cure, Unit Ground, 1987 | |||
|[https://www.art-language.org/page/d/078.htm 078] | |||
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|- | |- | ||
| | | | ||
* 100% Abstract, 1968 | |||
|[https://www.art-language.org/page/d/079.htm 079] | |||
| | | | ||
|- | |||
| | | | ||
* Indexical Fragment, 1974 | |||
|[https://www.art-language.org/page/d/080.htm 080] | |||
| | | | ||
|- | |- | ||
| | | | ||
* Cover of Journal Art-Language Volume 5, number 1, October 1982. | |||
|[https://www.art-language.org/page/d/081.htm 081] | |||
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|- | |||
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* Index: Wrongs Healed in Official Hope, 1998-99 | |||
|[https://www.art-language.org/page/d/082.htm 082] | |||
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|- | |||
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* Hostage XIX, 1989 | |||
|[https://www.art-language.org/page/d/083.htm 083] | |||
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|- | |- | ||
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* Ask Yourself "Which is the Index ?", 1973 | |||
|[https://www.art-language.org/page/d/084.htm 084] | |||
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|- | |||
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* There Were Sighs Trapped by Liars XV, 2000 | |||
|[https://www.art-language.org/page/d/085.htm 085] | |||
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|- | |- | ||
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* Sighs Trapped by Liars 510-602, 1997 | |||
|[https://www.art-language.org/page/d/086.htm 086] | |||
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|- | |||
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* Portrait of an Artist as an Enthusiast, 1995 | |||
|[https://www.art-language.org/page/d/087.htm 087] | |||
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|- | |- | ||
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* Index: The Studio at 3 Wesley Place Painted by Mouth II, 1982 | |||
|[https://www.art-language.org/page/d/088.htm 088] | |||
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|- | |||
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* Index: The Studio at 3 Wesley Place Showing the Position of 'Embarrassments' in III; Drawing (V), 1982 | |||
|[https://www.art-language.org/page/d/089.htm 089] | |||
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|- | |||
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* Dialectical Materialism (Dark Green), 1975 | |||
|[https://www.art-language.org/page/d/090.htm 090] | |||
|h/R090 | |||
|- | |||
| | |||
* Lovely Slang V, 1999 | |||
|[https://www.art-language.org/page/d/091.htm 091] | |||
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|- | |||
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* Study for Incident, Foreground 2, 1994 | |||
|[https://www.art-language.org/page/d/092.htm 092] | |||
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* Portrait of an Artist as a Flash in the Pan, 1995 | |||
|[https://www.art-language.org/page/d/093.htm 093] | |||
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|- | |||
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* Index (Landscape with St. George), 2001 | |||
|[https://www.art-language.org/page/d/094.htm 094] | |||
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* Hostage V, 1988 | |||
|[https://www.art-language.org/page/d/095.htm 095] | |||
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|} | |} | ||
== Exhibition == | == Exhibition == |
Revision as of 22:31, 28 February 2023
Contents
Works | Path | Notes |
---|---|---|
Expo | ||
|
Expo01 | |
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Expo02 | |
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Expo03 | |
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Expo04 | |
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Expo05 | |
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Expo06 | |
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Expo07 | |
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Expo08 | |
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Expo09 | |
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Expo10 | |
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Expo11 | |
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Expo12 | |
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Expo13 | |
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Expo14 | |
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Expo15 | |
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Expo16 | |
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Expo17 | |
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Expo18 | |
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Expo19 | |
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Expo20 | |
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Expo21 | |
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Expo22 | |
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Expo23 | |
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Expo24 | |
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Expo25 | |
a | ||
001 | ||
01 | ||
02 | ||
03 | ||
04 | ||
05 | ||
06 | ||
07 | ||
08 | ||
09 | ||
10 | ||
11 | ||
12 | ||
13 | ||
14 | ||
15 | ||
16 | ||
17 | ||
18 | ||
19 | ||
20 | ||
21 | ||
22 | ||
23 | ||
24 | ||
25 | ||
26 | ||
27 | ||
28 | ||
29 | ||
30 | ||
31 | ||
32 | ||
33 | ||
34 | ||
35 | ||
36 | ||
37 | ||
38 | ||
b | ||
002 | ||
39 | ||
40 | ||
41 | ||
42 | ||
43 | ||
44 | ||
45 | ||
46 | ||
47 | ||
48 | ||
49 | ||
50 | ||
51 | ||
52 | ||
53 | ||
54 | ||
55 | ||
56 | ||
57 | ||
58 | ||
59 | ||
60 | ||
61 | ||
62 | ||
63 | ||
64 | ||
65 | ||
66 | ||
67 | ||
68 | ||
68a | ||
68b | ||
69 | ||
70 | ||
|
71 | |
d | ||
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072 | |
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073 | |
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074 | |
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075 | |
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076 | |
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077 | |
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078 | |
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079 | |
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080 | |
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081 | |
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082 | |
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083 | |
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084 | |
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085 | |
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086 | |
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087 | |
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088 | |
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089 | |
|
090 | h/R090 |
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091 | |
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092 | |
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093 | |
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094 | |
|
095 | note |
152 |