Index: Difference between revisions
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| Line 404: | Line 404: | ||
Hunter, Fredericka | Hunter, Fredericka | ||
Hurley, George | [[George Hurley|Hurley, George]] | ||
“[[Hurricane Fighter Plane]]”</blockquote> | |||
=== I === | === I === | ||
| Line 429: | Line 429: | ||
Intelligent Life in the Universe | Intelligent Life in the Universe | ||
International Artists | [[International Artists]] | ||
interpretation; —open texts; | interpretation; —open texts; | ||
| Line 437: | Line 437: | ||
—transcendence | —transcendence | ||
Introduction | [[Introduction]] | ||
Iraq, the war in | Iraq, the war in | ||
| Line 446: | Line 446: | ||
=== J === | === J === | ||
<blockquote>Jackson Pollock Bar, The | <blockquote>[[The Jackson Pollock Bar|Jackson Pollock Bar, The]] | ||
Japan in Paris in LA | [[Japan in Paris in L.A.|Japan in Paris in LA]] | ||
Japan Records | Japan Records | ||
| Line 461: | Line 461: | ||
=== K === | === K === | ||
<blockquote>Kangaroo? | <blockquote>[[Kangaroo?]] | ||
karaoke | karaoke | ||
| Line 477: | Line 477: | ||
Knoebel, Carmen and Imi | Knoebel, Carmen and Imi | ||
KNUZ “Battle of the Bands” | [[Shows/KNUZ Battle of the Bands|KNUZ “Battle of the Bands”]] | ||
König, Kasper; see Portikus | König, Kasper; see Portikus | ||
Kozlov, Christine | [[Christine Kozlov|Kozlov, Christine]] | ||
Krauss, Scott | Krauss, Scott | ||
| Line 491: | Line 491: | ||
Kunstverein Graz | Kunstverein Graz | ||
Kupersmith, Noel</blockquote> | [[Noel Kupersmith|Kupersmith, Noel]]</blockquote> | ||
=== L === | === L === | ||
| Line 504: | Line 504: | ||
Little Richard | Little Richard | ||
Live 1967 | [[Live 1967]] | ||
Live in Paris 1978 | [[Shows/1978-12-13|Live in Paris 1978]] | ||
logic | logic | ||
Logic, Lora | [[Lora Logic|Logic, Lora]] | ||
Louisiana Gallery, The | Louisiana Gallery, The | ||
| Line 521: | Line 521: | ||
<blockquote>Maimone, Tony | <blockquote>Maimone, Tony | ||
Malefactor, Ade | [[Malefactor, Ade]] | ||
Mathieu, Konrad | Mathieu, Konrad | ||
| Line 529: | Line 529: | ||
MC5 | MC5 | ||
McEntire, John | [[John McEntire|McEntire, John]] | ||
media | media | ||
| Line 543: | Line 543: | ||
Metyko, Mike and Barbara | Metyko, Mike and Barbara | ||
“Microchips & Fish”/“The Story So Far” | [[Micro-Chips & Fish (single)|“Microchips & Fish”/“The Story So Far”]] | ||
Minimalism | Minimalism | ||
| Line 557: | Line 557: | ||
MOR Radio | MOR Radio | ||
“[[Mother]]” | |||
Mother | Mother | ||
| Line 578: | Line 578: | ||
<blockquote>Nakahara, Masaya | <blockquote>Nakahara, Masaya | ||
Napalm Death | [[Listen to This|Napalm Death]] | ||
necessity | necessity | ||
| Line 590: | Line 590: | ||
New Wave; —“no wave” | New Wave; —“no wave” | ||
Nine Gross & Conspicuous Errors | [[Nine Gross and Conspicuous Errors|Nine Gross & Conspicuous Errors]] | ||
Nono, Luigi</blockquote> | Nono, Luigi</blockquote> | ||
| Line 597: | Line 599: | ||
<blockquote>Oban, George | <blockquote>Oban, George | ||
Oehlen, Albert | [[Albert Oehlen|Oehlen, Albert]] | ||
“Oh-bla-di” | “Oh-bla-di” | ||
| Line 603: | Line 605: | ||
Ohio | Ohio | ||
“Old Man’s Dream”/“The Milkmaid” | [[An Old Man's Dream (single)|“Old Man’s Dream”/“The Milkmaid”]] | ||
Ono, Yoko | Ono, Yoko | ||
O’Rourke, Jim | [[Jim O'Rourke|O’Rourke, Jim]] | ||
Otomo, Yoshihide | Otomo, Yoshihide | ||
| Line 614: | Line 616: | ||
=== P === | === P === | ||
<blockquote>P-Vine Records | <blockquote>[[P-Vine Records]] | ||
Panama, the invasion of | Panama, the invasion of | ||
Parable of Arable Land, The | [[The Parable of Arable Land|Parable of Arable Land, The]] | ||
Parsons, Tony | Parsons, Tony | ||
| Line 634: | Line 636: | ||
Piering, Scott | Piering, Scott | ||
Plank, Conny | [[Ludwig's Law|Plank, Conny]] | ||
Portikus | Portikus | ||
| Line 644: | Line 646: | ||
pretense | pretense | ||
Prina, Stephen | [[Stephen Prina|Prina, Stephen]] | ||
Prinzhorn, Martin | Prinzhorn, Martin | ||
| Line 658: | Line 660: | ||
punk | punk | ||
Pure Freude Records</blockquote> | [[Pure Freude Records]]</blockquote> | ||
=== Q === | === Q === | ||
| Line 669: | Line 671: | ||
quiddity | quiddity | ||
Quiet Album, The</blockquote> | [[The Quiet Album|Quiet Album, The]]</blockquote> | ||
=== R === | === R === | ||
<blockquote>Ra, Sun | <blockquote>Ra, Sun | ||
Radar Records | [[Radar Records]] | ||
radio; —Top 40; —Pacifica; —radio play; —“payola” | radio; —Top 40; —Pacifica; —radio play; —“payola” | ||
Randazzo, Elisa | [[Elisa Randazzo|Randazzo, Elisa]] | ||
Rap | Rap | ||
Rauschenberg, Robert | [[Robert Rauschenberg|Rauschenberg, Robert]] | ||
rave | rave | ||
Ravenstine, Allen | [[Allen Ravenstine|Ravenstine, Allen]] | ||
“Rebellation Generation” | “Rebellation Generation” | ||
| Line 692: | Line 694: | ||
recidivism | recidivism | ||
Rec Rec Records | [[Rec Rec Records]] | ||
record | record | ||
Red Gold | [[Red Gold]] | ||
Red Krayola, The | [[The Red Krayola (album)|Red Krayola, The]] | ||
reference; —referentiality; —types of; —modal aspect in | reference; —referentiality; —types of; —modal aspect in | ||
| Line 718: | Line 720: | ||
Rock ’n’ Boll | Rock ’n’ Boll | ||
Rogers, Lelan; —Kenny | [[Lelan Rogers|Rogers, Lelan]]; —Kenny | ||
Rogerson, Tom | Rogerson, Tom | ||
| Line 728: | Line 730: | ||
Rolling Stones, The | Rolling Stones, The | ||
Rough Trade; —Music/Records | [[Rough Trade]]; —Music/Records | ||
Rush, Ray</blockquote> | Rush, Ray</blockquote> | ||
=== S === | === S === | ||
<blockquote>S-A Johannsson Quintet | <blockquote>[[Shotgun Wedding|S-A Johannsson Quintet]] | ||
Savage, Jon | Savage, Jon | ||
Schact, Danny | [[Danny Schacht|Schact, Danny]] | ||
Schlick, Jörg | Schlick, Jörg | ||
| Line 751: | Line 753: | ||
Shawyer, Ivor | Shawyer, Ivor | ||
Shotgun Wedding | [[Shotgun Wedding]] | ||
Sighs Trapped By Liars | [[Sighs Trapped by Liars|Sighs Trapped By Liars]] | ||
singer/song | singer/song | ||
Singles | [[Singles (compilation)|Singles]] | ||
Slayer | Slayer | ||
| Line 767: | Line 769: | ||
Smith, Mike; —Portal Excursion | Smith, Mike; —Portal Excursion | ||
Smith, Tommy | [[Tommy Smith|Smith, Tommy]] | ||
Socialism | Socialism | ||
Soldier Talk | [[Soldier-Talk|Soldier Talk]] | ||
solidarity; —individual, family, community, neighborhood, national, international | solidarity; —individual, family, community, neighborhood, national, international | ||
Sordide Sentimental | [[Shows/1978-12-13|Sordide Sentimental]] | ||
Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference | Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference | ||
| Line 783: | Line 785: | ||
soundtrack music for screen/stage | soundtrack music for screen/stage | ||
Soundtracks, Epic | [[Epic Soundtracks|Soundtracks, Epic]] | ||
sponsorship; —‘this burning man indicates…’ | sponsorship; —‘this burning man indicates…’ | ||
| Line 795: | Line 797: | ||
Stockhausen, Karlheinz | Stockhausen, Karlheinz | ||
Struggle in New York: | [[Struggle in New York]]: “[[And Now for Something Completely Different|…and now for something completely different]]” | ||
substitutes: —stand-ins; —specters | substitutes: —stand-ins; —specters | ||
| Line 816: | Line 818: | ||
theatre | theatre | ||
Thomas, David | [[Pere Ubu|Thomas, David]] | ||
Thompson, Hazel Muhl | Thompson, Hazel Muhl | ||
| Line 822: | Line 824: | ||
Thompson, Marilyn | Thompson, Marilyn | ||
Thompson, Mayo; —Mayo J., Sr. | [[Mayo Thompson|Thompson, Mayo]]; —Mayo J., Sr. | ||
Three Songs on a Trip to the United States/Bismarckstr. 50 | [[Three Songs on a Trip to the United States / Bismarckstr. 50|Three Songs on a Trip to the United States/Bismarckstr. 50]] | ||
Top of the Pops | Top of the Pops | ||
| Line 834: | Line 836: | ||
transformation | transformation | ||
“[[Transparent Radiation]]” | |||
Travis, Geoff | [[Geoff Travis|Travis, Geoff]] | ||
trend | trend | ||
| Line 848: | Line 850: | ||
<blockquote>Varèse, Edgard | <blockquote>Varèse, Edgard | ||
Victorine | [[Victorine]] | ||
“[[Victory Garden]]” | |||
Vietnam War, The | Vietnam War, The | ||
| Line 863: | Line 865: | ||
“War Pigs” | “War Pigs” | ||
“[[War Sucks]]” | |||
Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground | Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground | ||
Watson, Tom | [[Tom Watson|Watson, Tom]] | ||
“We Built This City” | “We Built This City” | ||
| Line 879: | Line 881: | ||
Who, The | Who, The | ||
Williams, Christopher | [[Christopher Williams|Williams, Christopher]] | ||
Williams, Rachel | [[Amor and Language|Williams, Rachel]] | ||
Wire, The | Wire, The | ||
“Wives in Orbit”/“Yik-Yak” | [[Wives in Orbit (single)|“Wives in Orbit”/“Yik-Yak”]] | ||
Wood, Rosemary | Wood, Rosemary | ||
| Line 892: | Line 894: | ||
=== Y === | === Y === | ||
<blockquote>Yang, Sandy | <blockquote>[[Sandy Yang|Yang, Sandy]] | ||
Yonemoto; —Bruce; —Norman | Yonemoto; —Bruce; —Norman | ||
| Line 900: | Line 902: | ||
Young, Neil | Young, Neil | ||
“Your Body is Hot”/”Crayolas on 45”</blockquote> | [[The Red Crayola on Forty-Five (single)|“Your Body is Hot”/”Crayolas on 45”]]</blockquote> | ||
=== Z === | === Z === | ||
<blockquote>Zappa, Frank; see also van Vliet</blockquote> | <blockquote>Zappa, Frank; see also van Vliet</blockquote> | ||
== References == | |||
Revision as of 10:08, 21 March 2023
Background
Published in the Whitney Biennial 2012 catalog.[1]
Index
A
Absolute Music
accessibility
accommodation
AC/DC
Acid Rock
Adorno, Theodor W.
Afghanistan, the war in
aggression
ambience; —ambiance
ambiguity; —types of
ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art
American Music Rolls, masters of the
Anderson, Luana
Andrus, Walt
AOR
apexart; —Tim Griffin; —Bennett Simpson
Armstrong, Louis
arrangement
art —the very idea; —the work of
Art & Language; —collaboration; —A&L (UK); A&L (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L (Provisional); —The Fox 4
Art & Language Paints a Picture
Art Rock
Artforum
"artworld, the"
audience
aura; —patina
authenticity
autonomy
avant-garde; —substitutes, cognates
Ayler, Albert and Donald
B
Banks, George
Barker, Danny
Barker, Dave
Barthelme, Frederick; —the Barthelme Family
Beatles, The
beatniks
Bennie & Smith
Berry, Chuck
Blondet, Jose-Luis
Blum, Tim
von Bonin, Cosima
bootleg recording; —records
Borden, Lizzie
“Born in Flames”/“The Sword of God” (I, II)
Bowie, David
Brown, Glenn
Bubblegum
Buchholz Gallery Cologne
C
Cage, John
camp
Capitalism
Caracos, Jean
Carl, Rüdiger
Carpenter, Merlin
“Chemistry”/“Farewell to Arms”
Clark, Anne
Clark, Guy
class
“classic, the”
Cockettes, The
Coleman, Ornette; —harmolodics
Communism
concepts; —possession; —capacity; —extension
Conceptual Art
content
Corrected Slogans; —Lp/CD; —the musical comedy
Country & Western: —Outlaw Country
cover
Crawdaddy
Crayola Crayons
crayon
Cream
Creem
Cunningham, Steve; —the Cunningham Family
Cuthell, Dick
D
“Dairymaid’s Lament”/“Free Piece”
Dance; —dance and music
Davis, Miles
Del Vikings, The
Denson, Ed
Description, Theory of
Disco; —dance floor
djs
Domino, Antoine “Fats”
Doors, The
Dorau, Andreas
Dower, Alex
Draper, Simon
Dreher, Christoph
Driscoll, Mike
Drummond, Paul
Duchamp, Marcel
Dylan, Bob
E
Electro
Emo
emotions
empire
Eno, Brian
epistemology
Erickson, Roky
“Eve of Destruction”
expression
F
failure; —the concept; —the facts
fame; —notoriety
Farrar, “Red” George
Fascism
fashion
Ferrari, Luc
fidelity
FM radio
Folk-rock
form; —the formal; —the informal; —formalism; see also Modernist Formalism
Foucault, Michel
Frame, Pete
Francis, Sam
freedom
free improvisation
Froman, Mark
function; —design; —default
Fugs, The
funk; —funky; —Funk
G
Gaye, Angus
Gerson, Skipper
Getty, The
Gilbert, Chris
Glam Rock
glamour; see also aura
Glennie, Ian
Gnam, Manuel
Go-Ahead Booking
God Bless The Red Krayola and All Who Sail With It
Goodman, Marian
Goodman, Nelson
“Green Door”
Grenada, the invasion of
groups and groupies
Gulf War, The
H
hack
Haino, Keiji
“Hard Rock Café”
Heavy Metal
Hendrix, Jimi; —Trio, The
Hermann, Tom
Hertz, Richard
Hip-Hop
hippies
hit song
hoax; —the very idea; see failure
Hoet, Jan
holism
hootenanny
Horowitz, Ira
House
Hunter, Fredericka
I
ICA London
idealism
ideas, —million-dollar; —dime a dozen; —hybrids
identity; —personation; —role playing
Iggy: —Stooge; —Pop
improvisation
industries; —The Culture Industry; —the music industry
innovation; —novelty; see also novelty songs
insurgency
Intelligent Life in the Universe
interpretation; —open texts;
—asymmetry; —privilege;
—transcendence
Iraq, the war in
irony
Irwin, Robert
J
Japan Records
Jazz
Jefferson Airplane; —Jefferson Starship
Johnson, Sue
Johnston, Lynn
K
karaoke
Kelley, Mike
Kidron, Adam
Kinks, The
Kippenberger, Martin
kitsch
Knoebel, Carmen and Imi
König, Kasper; see Portikus
Krauss, Scott
Krebber, Michael
Kunsthalle Graz
Kunstverein Graz
L
Lauder, Andrew
laws, rules, standards, norms, conventions
Libertarianism
lightshow
Little Richard
logic
Louisiana Gallery, The
love
Love Street Light Circus and Feel Good Machine, The
M
Maimone, Tony
Mathieu, Konrad
Mayr, Matthias
MC5
media
mediation; —the very idea
medium
memory
von Meier, Kurt
Metyko, Mike and Barbara
“Microchips & Fish”/“The Story So Far”
Minimalism
misrepresentation; see representation
model
modern, the
monophonic recording
MOR Radio
“Mother”
Mother
Mozart, W. A.; —instrumental and vocal music; —opera; —Lorenzo da Ponte; Five American Portraits—Ad Reinhardt
Mulier Mulier Gallery
Music; —as organized sound; —in itself; —in and as chaos; —the culture and sociality of; —meaning, use and exchange; —authorship and ownership; —History of; —politics of; —production and distribution of; —functional types: academic, popular; —commercial music; —genre; —professional, amateur; —Theory of; —ontology; —Physics/Chemistry/Biology; —instrumentality, intension and extension; —systems and approaches; —style; —objectification: instruments and devices, materials; —potential and possibility given phenomenal effect and affect; —the mind-body distinction and other philosophical puzzles; —states of being; performance: scores, improvisation
Music-Language (BMI)
music-minus-one
Mutesong
Muzak®
N
Nakahara, Masaya
necessity
New Age
New Orleans House
“New Stream”
New Wave; —“no wave”
Nine Gross & Conspicuous Errors
Nono, Luigi
O
Oban, George
“Oh-bla-di”
Ohio
“Old Man’s Dream”/“The Milkmaid”
Ono, Yoko
Otomo, Yoshihide
overlap; —overlay
P
Panama, the invasion of
Parsons, Tony
perfect; —perfection
performance
Penmann, Ian
Pharmacology
Philip Glass Ensemble, The
Piering, Scott
Portikus
Post-modernism
pre-modern
pretense
Prinzhorn, Martin
Pritchett, Holly, Joe and Pat
Pryde, Josephine
Psychedelic Music
Psychology
punk
Q
quality
quantity
“querelle”
quiddity
R
Ra, Sun
radio; —Top 40; —Pacifica; —radio play; —“payola”
Rap
rave
“Rebellation Generation”
recidivism
record
reference; —referentiality; —types of; —modal aspect in
repetition
representation
Reynolds, Simon
Rhythm & Blues
Richter, Tommy
Rivers, Bea and Sam
“roadie”
Rock ’n’ Boll
Rogers, Lelan; —Kenny
Rogerson, Tom
Rollet, Quentin “Q”
Rolling Stone
Rolling Stones, The
Rough Trade; —Music/Records
Rush, Ray
S
Savage, Jon
Schlick, Jörg
Schöneberger, Jürgen
Scott, Richard and family
Semiotics
Sharp, Claude and F. Cavett
Shawyer, Ivor
singer/song
Slayer
Slezak, Rudi
Smiley High School
Smith, Mike; —Portal Excursion
Socialism
solidarity; —individual, family, community, neighborhood, national, international
Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference
Sound Art
soundtrack music for screen/stage
sponsorship; —‘this burning man indicates…’
state, the; —anarchy; —utopia
Steffek, Keith
Steirischer Herbst (Graz)
Stockhausen, Karlheinz
Struggle in New York: “…and now for something completely different”
substitutes: —stand-ins; —specters
Sunshine Records (Hamburg)
T
Tapier Music (BMI)
Techno
technology
teeny bopper
teleology
television
theatre
Thompson, Hazel Muhl
Thompson, Marilyn
Thompson, Mayo; —Mayo J., Sr.
Three Songs on a Trip to the United States/Bismarckstr. 50
Top of the Pops
total recall
Trance
transformation
trend
turntablism
U
United States of America, The
V
Varèse, Edgard
Vietnam War, The
van Vliet, Don
Vogelauer, Maria
W
Walmsley, Pete
“War Pigs”
Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground
“We Built This City”
Weltanschauung
White, Chris
Whitney Museum of American Art, —Whitney Biennial; —in the work of Art & Language
Who, The
Wire, The
Wood, Rosemary
Woronov, Mary
Y
Yonemoto; —Bruce; —Norman
Yoshimoto, Sachiyo
Young, Neil
Z
Zappa, Frank; see also van Vliet