Analytical Art No. 1: Difference between revisions
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|[https://garadinervi.tumblr.com/post/167489815676/ian-burn-and-mel-ramsden-art-language/amp Excerpts] | |[https://garadinervi.tumblr.com/post/167489815676/ian-burn-and-mel-ramsden-art-language/amp Excerpts] | ||
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* ''[[The Grammarian]]'' (1970) | |||
* Excerpts in ''Conceptual Art'' (Ursula Meyer, 1972) | |||
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|Graham Howard | |Graham Howard | ||
Latest revision as of 18:54, 8 October 2023
| Analytical Art No. 1 | |
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| Publication | Analytical Art |
| Date | July 1971 |
| Volume | 1 |
| Number | 1 |
| Publisher | |
| Editor | Kevin Lole, Philip Pilkington, David Rushton |
Contents
| Author | Title | Notes | Reprinted in |
|---|---|---|---|
| Philip Pilkington
David Rushton |
Don Judd's Dictum and Its Emptiness |
| |
| David Rushton | On Asserting | ||
| Philip Pilkington | Duchampian Delinquency and the Constitutive Cure | ||
| Kevin Lole | Progress in Art and in Science |
| |
| Terry Atkinson | Obligations | ||
| Kevin Lole | Control Intention and Responsibility | ||
| Ian Burn | The Grammarian | Excerpts |
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| Graham Howard | Hierarchies: A Note | ||
| Peter Smith | Phenomenology as an Hermeneutic of Art | ||
| Christopher Willsmore | The Myth of the Aesthetic Attitude |
Ephemera
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References
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