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| Periodical by [[Art & Language]]
| | '''Art-Language''' was a periodical first published by [[Art & Language]] in 1969. |
|
| |
|
| == Issues == | | == Art-Language and related periodicals == |
| {| class="wikitable"
| | __NOTOC__ |
| |+ | | |
| !Vol.
| | <gallery mode="packed" heights="175px"> |
| !No.
| | File:AL-1-1-front.jpg|link=Art-Language Vol._1_No._1|150px|'''[[Art-Language Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969 |
| !Year
| | Vol. 1 No. 1]]'''<br>May 1969 |
| !Month
| | File:AL-1-2-front.jpg|link=Art-Language Vol._1_No._2|150px|'''[[Art-Language Vol._1_No._2|Art-Language<br>Vol. 1 No. 2]]'''<br>February 1970 |
| !Cover
| | File:AL-1-3-front.jpg|link=Art-Language Vol._1_No._3|150px|'''[[Art-Language Vol._1_No._3|Art-Language<br>Vol. 1 No. 3]]'''<br>June 1970 |
| !pp.
| | File:Analytical-Art-1-1-front.jpg|link=Analytical_Art_No._1|150px|'''[[Analytical_Art_No._1|Analytical Art<br>No. 1]]'''<br>July 1971 |
| !Contents
| | File:AL-1-4-front.jpg|link=Art-Language Vol._1_No._4|150px|'''[[Art-Language Vol._1_No._4|Art-Language<br>Vol. 1 No. 4]]'''<br>November 1971 |
| |-
| | File:AL-2-1-front.jpg|link=Art-Language Vol._2_No._1|150px|'''[[Art-Language Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972 |
| | rowspan="4" |1
| | File:Analytical-Art-1-2-front.jpg|link=Analytical_Art_No._2|150px|'''[[Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972 |
| |1
| | File:AL-2-2-front.jpg|link=Art-Language Vol._2_No._2|150px|'''[[Art-Language Vol._2_No._2|Art-Language<br>Vol. 2 No. 2]]'''<br>Summer 1972 |
| |1969
| | File:AL-2-3-front.jpg|link=Art-Language Vol._2_No._3|150px|'''[[Art-Language Vol._2_No._3|Art-Language<br>Vol. 2 No. 3]]'''<br>September 1973 |
| |May
| | File:AL-2-4-front.jpg|link=Art-Language Vol._2_No._4|150px|'''[[Art-Language Vol._2_No._4|Art-Language<br>Vol. 2 No. 4]]'''<br>June 1974 |
| |[[File:Art-Language-1-1.jpg|center|150px]] | | File:AL-3-1-front.jpg|link=Art-Language Vol._3_No._1|150px|'''[[Art-Language Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974 |
| |32
| | File:Fox-1-1-front.jpg|link=The_Fox_No._1|150px|'''[[The_Fox_No._1|The Fox<br>No. 1]]'''<br>March 1975 |
| |The Journal of conceptual art
| | File:AL-3-2-front.jpg|link=Art-Language Vol._3_No._2|150px|'''[[Art-Language Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975 |
| {| class="wikitable"
| | File:AL-1966-1975-front.png|link=Art_&_Language_1966-1975|150px|'''[[Art_&_Language_1966-1975|Art & Language<br>1966-1975]]'''<br>September 1975 |
| |+
| | File:Fox-1-2-front.jpg|link=The Fox No. 2|150px|'''[[The Fox No. 2|The Fox<br>No. 2]]'''<br>Fall 1975 |
| |1
| | File:Fox-1-3-front.jpg|link=The Fox No. 3|150px|'''[[The Fox No. 3|The Fox<br>No. 3]]'''<br>May 1976 |
| |Terry Atkinson
| | File:AL-3-3-front.jpg|link=Art-Language Vol._3_No._3|150px|'''[[Art-Language Vol._3_No._3|Art-Language<br>Vol. 3 No. 3]]'''<br>June 1976 |
| |Introduction
| | File:AL-3-4-front.jpg|link=Art-Language Vol._3_No._4|150px|'''[[Art-Language Vol._3_No._4|Art-Language<br>Vol. 3 No. 4]]'''<br>October 1976 |
| |[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
| | File:Red-Herring-1-1-front.jpg|link=Red-Herring No. 1|150px|'''[[Red-Herring No. 1|Red-Herring<br>No. 1]]'''<br>January 1977 |
| |- | | File:AL-4-1-front.jpg|link=Art-Language Vol._4_No._1|150px|'''[[Art-Language Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977 |
| |11 | | File:AL-4-2-front.jpg|link=Art-Language Vol._4_No._2|150px|'''[[Art-Language Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977 |
| |Sol LeWitt
| | File:Red-Herring-1-2-front.jpg|link=Red-Herring No. 2|150px|'''[[Red-Herring No. 2|Red-Herring<br>No. 2]]'''<br>1978 |
| |Sentences on conceptual art
| | File:AL-4-3-front.jpg|link=Art-Language Vol._4_No._3|150px|'''[[Art-Language Vol._4_No._3|Art-Language<br>Vol. 4 No. 3]]'''<br>October 1978 |
| |[http://radicalart.info/concept/LeWitt/sentences.html Link] | | File:AL-4-4-front.jpg|link=Art-Language Vol._4_No._4|150px|'''[[Art-Language Vol._4_No._4|Art-Language<br>Vol. 4 No. 4]]'''<br>June 1980 |
| |- | | File:AL-5-1-front.jpg|link=Art-Language Vol._5_No._1|150px|'''[[Art-Language Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982 |
| |14
| | File:AL-5-2-front.jpg|link=Art-Language Vol._5_No._2|150px|'''[[Art-Language Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984 |
| |Dan Graham
| | File:AL-5-3-front.jpg|link=Art-Language Vol._5_No._3|150px|'''[[Art-Language Vol._5_No._3|Art-Language<br>Vol. 5 No. 3]]'''<br>March 1985 |
| |Poem-schema
| | File:AL-NS-1-front.jpg|link=Art-Language New_Series_No._1|'''[[Art-Language New_Series_No._1|Art-Language<br>New Series No. 1]]'''<br>June 1994 |
| |
| | File:AL-NS-2-front.jpg|link=Art-Language New_Series_No._2|'''[[Art-Language New_Series_No._2|Art-Language<br>New Series No. 2]]'''<br>June 1997 |
| |- | | File:AL-NS-3-front.jpg|link=Art-Language New_Series_No._3|'''[[Art-Language New_Series_No._3|Art-Language<br>New Series No. 3]]'''<br>September 1999 |
| |17 | | </gallery> |
| |Lawrence Weiner
| | |
| |Statements
| | {{Navbox-Art-Language}} |
| |[http://radicalart.info/concept/weiner/ Link] | | |
| |- | | == References == |
| |19
| |
| |David Bainbridge
| |
| |Notes on M1 (1)
| |
| |[https://www.ubu.com/papers/bainbridge_m1.html Link]
| |
| |- | |
| |23 | |
| |[[Michael Baldwin]] | |
| |Notes on M1 | |
| |
| |
| |-
| |
| |30 | |
| |David Bainbridge | |
| |Notes on M1 (2)
| |
| |
| |
| |}
| |
| |- | |
| |2
| |
| | rowspan="2" |1970
| |
| |February
| |
| |[[File:AL-1-2-front.jpg|center|150px]]
| |
| |88 | |
| |
| |
| {| class="wikitable"
| |
| |1 | |
| |Joseph Kosuth
| |
| |Introductory note by the American Editor
| |
| |
| |
| |-
| |
| |5 | |
| |David Bainbridge | |
| | | |
| | | |
| |-
| |
| |8
| |
| |[[Frederick Barthelme|Frederic Barthelme]]
| |
| |Three from May 23rd, 1969 | |
| |
| |
| |-
| |
| |11 | |
| |Stephen McKenna
| |
| |Notes on Marat
| |
| |
| |
| |-
| |
| |14
| |
| |[[Michael Baldwin]] | |
| |Plans and Procedures | |
| |[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
| |
| |-
| |
| |22
| |
| |Ian Burn
| |
| |Dialogue
| |
| |
| |
| |-
| |
| |23
| |
| |Robert Brown-David Hirons
| |
| |Moto-Spiritale | |
| | | |
| |- | |
| |25
| |
| | rowspan="2" |Terry Atkinson
| |
| |From an Art & Language Point of View
| |
| |
| |
| |- | |
| |61
| |
| |Concerning Interpretations of the Bainbridge/Hurrell Models
| |
| |
| |
| |-
| |
| |72
| |
| | rowspan="2" |Harold Hurrell | |
| |Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models | |
| |
| |
| |-
| |
| |74
| |
| |Sculptures and Devices
| |
| |
| |
| |- | |
| |77
| |
| |Michael Thompson
| |
| |Conceptual Art: Category & Action
| |
| |
| |
| |-
| |
| |84 | |
| |[[Mel Ramsden]] | |
| |Notes on Genealogies
| |
| |
| |
| |}
| |
| |- | |
| |3
| |
| |June
| |
| |[[File:AL-1-3-front.jpg|center|150px]]
| |
| |36 | |
| |
| |
| {| class="wikitable"
| |
| |1 | |
| |Ian Burn, [[Mel Ramsden]], Roger Cutforth
| |
| |Proceedings: Society for Theoretical Art and Analyses
| |
| |-
| |
| |4 | |
| |[[Mel Ramsden]] | |
| |Art Enquiry (2) | |
| |-
| |
| |7 | |
| | rowspan="2" |Graham J. Howard
| |
| |(i) Concerning Some Theories and their Worlds
| |
| |- | |
| |9
| |
| |(ii) Mona Lisas
| |
| |- | |
| |11 | |
| |Bernard Bihari
| |
| |Marshal McLuhan and the Behavioral Sciences | |
| |-
| |
| |29
| |
| |[[Mel Ramsden]] | |
| |A Preliminary Proposal for the Directing of Perception | |
| |-
| |
| |30
| |
| | rowspan="2" |[[Michael Baldwin]]
| |
| |General Note:
| |
| (i) Atkinson and Meaninglessness
| |
| (ii) Preface
| |
| |-
| |
| |31
| |
| |(iii) Dead Issues
| |
| |}
| |
| |-
| |
| |4
| |
| |1971
| |
| |November
| |
| |[[File:AL-1-4-front.jpg|center|150px]]
| |
| |69 | |
| |
| |
| {| class="wikitable"
| |
| |1 | |
| |Stuart Knight
| |
| |Theory, Knowledge and Hermeneutics
| |
| |
| |
| |- | |
| |6
| |
| | rowspan="3" |Graham Howard
| |
| |Revelation and Art | |
| |
| |
| |-
| |
| |15 | |
| |Actuality and Potentiality
| |
| |
| |
| |-
| |
| |23 | |
| |Accessibility and Conceivability | |
| |
| |
| |-
| |
| |25
| |
| | rowspan="2" |Terry Atkinson and [[Michael Baldwin]]
| |
| |Art Teaching | |
| |
| |
| |-
| |
| |51
| |
| |La Pensée Avec Images
| |
| |[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
| |
| |}
| |
| |-
| |
| | rowspan="4" |2
| |
| |1
| |
| | rowspan="2" |1972
| |
| |February
| |
| |[[File:AL-2-1-front.jpg|center|150px]]
| |
| |57 | |
| |
| |
| {| class="wikitable"
| |
| |1
| |
| |Terry Atkinson and [[Michael Baldwin]]
| |
| |Unnatural Rules and Excuses
| |
| | | |
| |- | |
| |28 | |
| |Ian Burn and [[Mel Ramsden]] | |
| |Four Wages of Sense | |
| |
| |
| |-
| |
| |38
| |
| |Philip Pilkington, David Rushton, and Kevin Lole
| |
| |Aspect of Authorities
| |
| |
| |
| |-
| |
| |51 | |
| |Terry Atkinson and [[Michael Baldwin]] | |
| |On Material-Character / Physical-Object Paradigm of Art
| |
| |[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
| |
| |- | |
| |56
| |
| |Graham Howard
| |
| |Ontological Relativity: A Note
| |
| |
| |
| |}
| |
| |-
| |
| |2
| |
| |Summer
| |
| |[[File:AL-2-2-front.jpg|center|150px]]
| |
| |34 | |
| |
| |
| {| class="wikitable"
| |
| |1
| |
| |Ian Burn and [[Mel Ramsden]] | |
| |Some Questions on the Characterization of Questions
| |
| |
| |
| |- | |
| |11
| |
| |Terry Atkinson and [[Michael Baldwin]]
| |
| |Information | |
| |
| |
| |-
| |
| |21 | |
| |Ian Burn and [[Mel Ramsden]] | |
| |Art Language and Art-Language
| |
| |[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
| |
| |-
| |
| |29 | |
| |Harold Hurrell | |
| |Interim Remarks
| |
| |
| |
| |- | |
| |31 | |
| |David Bainbridge
| |
| |Lupus in Fabula
| |
| |
| |
| |-
| |
| |32
| |
| |Victor Burgin
| |
| |In Reply
| |
| |
| |
| |}
| |
| |- | |
| |3 | |
| |1973
| |
| |September
| |
| |[[File:AL-2-3-front.jpg|center|150px]] | |
| |78 | |
| | | |
| {| class="wikitable"
| |
| |1
| |
| | rowspan="3" |Graham Howard
| |
| |Some Formalities of Technic Relationships
| |
| |[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
| |
| |- | |
| |8
| |
| |Interest Relationships, etc.
| |
| |
| |
| |- | |
| |10
| |
| |Disinterest Relationships, etc.
| |
| | | |
| |-
| |
| |12
| |
| | rowspan="2" |Philip Pilkington and David Rushton | |
| |Models and Indexes: Fringe Benefits
| |
| |
| |
| |- | |
| |18
| |
| |Bibliotherapy
| |
| |
| |
| |- | |
| |34 | |
| |Michael Corris
| |
| |The Fine Structure of Collaboration
| |
| |
| |
| |-
| |
| |38 | |
| |Michael Corris and [[Mel Ramsden]] | |
| |Frameworks and Phantoms
| |
| |
| |
| |-
| |
| |53
| |
| |Ian Burn and [[Mel Ramsden]]
| |
| |Problems of Art & Language Space
| |
| |
| |
| |-
| |
| |73
| |
| |John F. Hemmings
| |
| |Note on Reading 1969 - 1972
| |
| |
| |
| |-
| |
| |78
| |
| |David Bainbridge
| |
| |'Praxisectomy' and 'Theoryorraphy'
| |
| |
| |
| |}
| |
| |-
| |
| |4
| |
| | rowspan="2" |1974
| |
| |June
| |
| |[[File:AL-2-4-front.jpg|center|150px]]
| |
| |125
| |
| |Handbook(s) to Going-On
| |
| [[Michael Baldwin]], Philip Pilkington
| |
| {| class="wikitable"
| |
| |1
| |
| |Violins and Cows
| |
| |[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
| |
| |-
| |
| |7
| |
| |Redemption not Adaptation
| |
| |
| |
| |-
| |
| |15
| |
| |Data Blank, December 1973
| |
| |
| |
| |-
| |
| |16
| |
| |Brainstorm Proposal
| |
| |
| |
| |-
| |
| |26
| |
| |A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...
| |
| |
| |
| |-
| |
| |34
| |
| |Vector and Magnitude
| |
| |
| |
| |-
| |
| |35
| |
| |Uplifting Public Utterance
| |
| |
| |
| |-
| |
| |36
| |
| |Whether there exists, or has existed an 'ideological' person...
| |
| |
| |
| |-
| |
| |37
| |
| |Fragment from Contemporanea Index
| |
| |
| |
| |-
| |
| |38
| |
| |Dear...
| |
| |
| |
| |-
| |
| |40
| |
| |Points of Reference, the Hope of Ideology
| |
| |
| |
| |-
| |
| |45
| |
| |Art & Language
| |
| |
| |
| |-
| |
| |51
| |
| |Why J. Kosuth Won't Work for Us & Other Trivia
| |
| |
| |
| |-
| |
| |62
| |
| |The Old Gourmet (Transcript)
| |
| |[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
| |
| |-
| |
| |71
| |
| |Proceedings M2
| |
| |
| |
| |-
| |
| |73
| |
| |Instruction Index a x
| |
| | rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
| |
| |-
| |
| |100
| |
| |Instruction Index b x
| |
| |-
| |
| |124
| |
| |'The statement that there is a body of dialectical discourse...'
| |
| |-
| |
| |126
| |
| |Further Points of Reference
| |
| |
| |
| |}
| |
| |-
| |
| | rowspan="4" |3
| |
| |1
| |
| |September
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |110
| |
| |Draft for an Anti-Textbook
| |
| Ian Burn, [[Mel Ramsden]], Terry Smith
| |
| {| class="wikitable"
| |
| |1
| |
| |Caution
| |
| |-
| |
| |2
| |
| |Somewhere to Begin
| |
| |-
| |
| |5
| |
| |Language has a Hold on us
| |
| |-
| |
| |8
| |
| |Market Relations
| |
| |-
| |
| |10
| |
| |Apodictic Tableaux
| |
| |-
| |
| |13
| |
| |Ideal Speakers...
| |
| |-
| |
| |15
| |
| |Annotations... Selective Memory (Histrionics?)...
| |
| |-
| |
| |18
| |
| |Cacophonous...
| |
| |-
| |
| |20
| |
| |Bureaucracy...
| |
| |-
| |
| |21
| |
| |Points of Order?
| |
| |-
| |
| |23
| |
| |No Refuge in 'Audience'...
| |
| |-
| |
| |27
| |
| |'Sometimes I feel like an Artist...'
| |
| |-
| |
| |32
| |
| |Institutional Serenity
| |
| |-
| |
| |36
| |
| |A 'Logic' of Going-On?
| |
| |-
| |
| |37
| |
| |Do We Have Anything like 'Assertion'?
| |
| |-
| |
| |42
| |
| |What are we doing in Language?
| |
| |-
| |
| |44
| |
| |'Consistency' is an Ideological Postulate
| |
| |-
| |
| |48
| |
| |Dead Horse...
| |
| |-
| |
| |50
| |
| |Iteration
| |
| |-
| |
| |51
| |
| |More Exhortations?
| |
| |-
| |
| |54
| |
| |Joseph Kosuth says that the group is a Cultural Ghetto
| |
| |-
| |
| |57
| |
| |...Overboard about Kierkegaard
| |
| |-
| |
| |60
| |
| |Fur Teacups
| |
| |-
| |
| |62
| |
| |Straight Talk?
| |
| |-
| |
| |64
| |
| |Equivocating...
| |
| |-
| |
| |68
| |
| |Routine...
| |
| |-
| |
| |69
| |
| |...Corpse of Official Language
| |
| |-
| |
| |71
| |
| |We Wish they had a Dictionary
| |
| |-
| |
| |74
| |
| |...Concatenation...
| |
| |-
| |
| |76
| |
| |Bxal-ing
| |
| |-
| |
| |80
| |
| |Endless Revisability...
| |
| |-
| |
| |83
| |
| |Striving in the Uproar
| |
| |-
| |
| |87
| |
| |Art-Career Components
| |
| |-
| |
| |90
| |
| |The Unreality of this Culture
| |
| |-
| |
| |98
| |
| |Modeish about Cultural Indeterminacy
| |
| |-
| |
| |101
| |
| |Exploitation... Education...
| |
| |-
| |
| |104
| |
| |Shop-Floorish?
| |
| |-
| |
| |108
| |
| |Leftish Critique
| |
| |-
| |
| |109
| |
| |Sporadic Encounter
| |
| |}
| |
| |-
| |
| |2
| |
| |1975
| |
| |May
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |95
| |
| |
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
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| |
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| |
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| |-
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| |
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| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
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| |
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| |
| |
| |
| |
| |-
| |
| |
| |
| |
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| |
| |
| |
| |
| |}
| |
| |-
| |
| |3
| |
| | rowspan="2" |1976
| |
| |June
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |125
| |
| |
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| |4
| |
| |October
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |71
| |
| |Fox 4
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| | rowspan="4" |4
| |
| |1
| |
| | rowspan="2" |1977
| |
| |May
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |67
| |
| |
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| |2
| |
| |October
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |87
| |
| |
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| |3
| |
| |1978
| |
| |November
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |
| |
| |Ways of Seeing
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| |4
| |
| |1980
| |
| |June
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |
| |
| |
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| | rowspan="3" |5
| |
| |1
| |
| |1982
| |
| |October
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |
| |
| |
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| |2
| |
| |1984
| |
| |March
| |
| |[[File:A-L-Victorine-front.jpg|center|150px]]
| |
| |
| |
| |Victorine
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |-
| |
| |3
| |
| |1985
| |
| |March
| |
| |[[File:Art-Language-1-1.jpg|center|150px]]
| |
| |
| |
| |Blue Poles
| |
| {| class="wikitable"
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |-
| |
| |
| |
| |
| |
| |
| |
| |
| |
| |}
| |
| |}
| |
| [[Category:Art & Language]] | | [[Category:Art & Language]] |