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Periodical by [[Art & Language]]
'''Art-Language''' was a periodical first published by [[Art & Language]] in 1969.


== Issues ==
== Art-Language and related periodicals ==
__NOTOC__
__NOTOC__


=== Volume 1 ===
<gallery mode="packed" heights="175px">
<gallery mode="packed" heights=175px>
File:AL-1-1-front.jpg|link=Art-Language Vol._1_No._1|150px|'''[[Art-Language Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-1-front.jpg|link=Art-Language#Vol._1_No._1|150px|'''[[Art-Language#Vol._1_No._1|Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-2-front.jpg|link=Art-Language#Vol._1_No._2|150px|'''[[Art-Language#Vol._1_No._2|Vol. 1 No. 2]]'''<br>February 1970
File:AL-1-2-front.jpg|link=Art-Language Vol._1_No._2|150px|'''[[Art-Language Vol._1_No._2|Art-Language<br>Vol. 1 No. 2]]'''<br>February 1970
File:AL-1-3-front.jpg|link=Art-Language#Vol._1_No._3|150px|'''[[Art-Language#Vol._1_No._3|Vol. 1 No. 3]]'''<br>June 1970
File:AL-1-3-front.jpg|link=Art-Language Vol._1_No._3|150px|'''[[Art-Language Vol._1_No._3|Art-Language<br>Vol. 1 No. 3]]'''<br>June 1970
File:Analytical-Art-1-1-front.jpg|link=Art-Language#Analytical_Art_No._1|150px|'''[[Art-Language#Analytical_Art_No._1|Analytical Art No. 1]]'''<br>July 1971
File:Analytical-Art-1-1-front.jpg|link=Analytical_Art_No._1|150px|'''[[Analytical_Art_No._1|Analytical Art<br>No. 1]]'''<br>July 1971
File:AL-1-4-front.jpg|link=Art-Language#Vol._1_No._4|150px|'''[[Art-Language#Vol._1_No._4|Vol. 1 No. 4]]'''<br>November 1971
File:AL-1-4-front.jpg|link=Art-Language Vol._1_No._4|150px|'''[[Art-Language Vol._1_No._4|Art-Language<br>Vol. 1 No. 4]]'''<br>November 1971
File:AL-2-1-front.jpg|link=Art-Language Vol._2_No._1|150px|'''[[Art-Language Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Analytical_Art_No._2|150px|'''[[Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
File:AL-2-2-front.jpg|link=Art-Language Vol._2_No._2|150px|'''[[Art-Language Vol._2_No._2|Art-Language<br>Vol. 2 No. 2]]'''<br>Summer 1972
File:AL-2-3-front.jpg|link=Art-Language Vol._2_No._3|150px|'''[[Art-Language Vol._2_No._3|Art-Language<br>Vol. 2 No. 3]]'''<br>September 1973
File:AL-2-4-front.jpg|link=Art-Language Vol._2_No._4|150px|'''[[Art-Language Vol._2_No._4|Art-Language<br>Vol. 2 No. 4]]'''<br>June 1974
File:AL-3-1-front.jpg|link=Art-Language Vol._3_No._1|150px|'''[[Art-Language Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=The_Fox_No._1|150px|'''[[The_Fox_No._1|The Fox<br>No. 1]]'''<br>March 1975
File:AL-3-2-front.jpg|link=Art-Language Vol._3_No._2|150px|'''[[Art-Language Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975
File:AL-1966-1975-front.png|link=Art_&_Language_1966-1975|150px|'''[[Art_&_Language_1966-1975|Art & Language<br>1966-1975]]'''<br>September 1975
File:Fox-1-2-front.jpg|link=The Fox No. 2|150px|'''[[The Fox No. 2|The Fox<br>No. 2]]'''<br>Fall 1975
File:Fox-1-3-front.jpg|link=The Fox No. 3|150px|'''[[The Fox No. 3|The Fox<br>No. 3]]'''<br>May 1976
File:AL-3-3-front.jpg|link=Art-Language Vol._3_No._3|150px|'''[[Art-Language Vol._3_No._3|Art-Language<br>Vol. 3 No. 3]]'''<br>June 1976
File:AL-3-4-front.jpg|link=Art-Language Vol._3_No._4|150px|'''[[Art-Language Vol._3_No._4|Art-Language<br>Vol. 3 No. 4]]'''<br>October 1976
File:Red-Herring-1-1-front.jpg|link=Red-Herring No. 1|150px|'''[[Red-Herring No. 1|Red-Herring<br>No. 1]]'''<br>January 1977
File:AL-4-1-front.jpg|link=Art-Language Vol._4_No._1|150px|'''[[Art-Language Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language Vol._4_No._2|150px|'''[[Art-Language Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
File:Red-Herring-1-2-front.jpg|link=Red-Herring No. 2|150px|'''[[Red-Herring No. 2|Red-Herring<br>No. 2]]'''<br>1978
File:AL-4-3-front.jpg|link=Art-Language Vol._4_No._3|150px|'''[[Art-Language Vol._4_No._3|Art-Language<br>Vol. 4 No. 3]]'''<br>October 1978
File:AL-4-4-front.jpg|link=Art-Language Vol._4_No._4|150px|'''[[Art-Language Vol._4_No._4|Art-Language<br>Vol. 4 No. 4]]'''<br>June 1980
File:AL-5-1-front.jpg|link=Art-Language Vol._5_No._1|150px|'''[[Art-Language Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language Vol._5_No._2|150px|'''[[Art-Language Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-3-front.jpg|link=Art-Language Vol._5_No._3|150px|'''[[Art-Language Vol._5_No._3|Art-Language<br>Vol. 5 No. 3]]'''<br>March 1985
File:AL-NS-1-front.jpg|link=Art-Language New_Series_No._1|'''[[Art-Language New_Series_No._1|Art-Language<br>New Series No. 1]]'''<br>June 1994
File:AL-NS-2-front.jpg|link=Art-Language New_Series_No._2|'''[[Art-Language New_Series_No._2|Art-Language<br>New Series No. 2]]'''<br>June 1997
File:AL-NS-3-front.jpg|link=Art-Language New_Series_No._3|'''[[Art-Language New_Series_No._3|Art-Language<br>New Series No. 3]]'''<br>September 1999
</gallery>
</gallery>


=== Volume 2 ===
{{Navbox-Art-Language}}
<gallery mode="packed" heights=150px>
File:AL-2-1-front.jpg|link=Art-Language#Vol._2_No._1|150px|'''[[Art-Language#Vol._2_No._1|Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Art-Language#Analytical_Art_No._2|150px|'''[[Art-Language#Analytical_Art_No._2|Analytical Art No. 2]]'''<br>June 1972
File:AL-2-2-front.jpg|link=Art-Language#Vol._2_No._2|150px|'''[[Art-Language#Vol._2_No._2|Vol. 2 No. 2]]'''<br>Summer 1972
File:AL-2-3-front.jpg|link=Art-Language#Vol._2_No._3|150px|'''[[Art-Language#Vol._2_No._3|Vol. 2 No. 3]]'''<br>September 1973
File:AL-2-4-front.jpg|link=Art-Language#Vol._2_No._4|150px|'''[[Art-Language#Vol._2_No._4|Vol. 2 No. 4]]'''<br>June 1974
</gallery>
 
=== Volume 3 / The Fox ===
<gallery mode="packed" heights=150px>
File:AL-3-1-front.jpg|link=Art-Language#Vol._3_No._1|150px|'''[[Art-Language#Vol._3_No._1|Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_1|The Fox 1]]'''<br>March 1975
File:AL-3-2-front.jpg|link=Art-Language#Vol._3_No._2|150px|'''[[Art-Language#Vol._3_No._2|Vol. 3 No. 2]]'''<br>May 1975
File:Fox-1-2-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_2|The Fox 2]]'''<br>Fall 1975
File:Fox-1-3-front.jpg|link=Art-Language#The_Fox_3|150px|'''[[Art-Language#The_Fox_3|The Fox 3]]'''<br>May 1976
File:AL-3-3-front.jpg|link=Art-Language#Vol._3_No._3|150px|'''[[Art-Language#Vol._3_No._3|Vol. 3 No. 3]]'''<br>June 1976
File:AL-3-4-front.jpg|link=Art-Language#Vol._3_No._4|150px|'''[[Art-Language#Vol._3_No._4|Vol. 3 No. 4]]'''<br>October 1976
</gallery>
 
=== Volume 4 ===
<gallery mode="packed" heights=175px>
File:AL-4-1-front.jpg|link=Art-Language#Vol._4_No._1|150px|'''[[Art-Language#Vol._4_No._1|Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language#Vol._4_No._2|150px|'''[[Art-Language#Vol._4_No._2|Vol. 4 No. 2]]'''<br>October 1977
File:AL-4-3-front.jpg|link=Art-Language#Vol._4_No._3|150px|'''[[Art-Language#Vol._4_No._3|Vol. 4 No. 3]]'''<br>October 1978
File:AL-4-4-front.jpg|link=Art-Language#Vol._4_No._4|150px|'''[[Art-Language#Vol._4_No._4|Vol. 4 No. 4]]'''<br>June 1980
</gallery>
 
=== Volume 5 ===
<gallery mode="packed" heights=175px>
File:AL-5-1-front.jpg|link=Art-Language#Vol._5_No._1|150px|'''[[Art-Language#Vol._5_No._1|Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language#Vol._5_No._2|150px|'''[[Art-Language#Vol._5_No._2|Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-3-front.jpg|link=Art-Language#Vol._5_No._3|150px|'''[[Art-Language#Vol._5_No._3|Vol. 5 No. 3]]'''<br>March 1985
</gallery>
 
== Issue details ==
 
=== Volume 1 ===
 
==== Vol. 1 No. 1 ====
[[File:AL-1-1-front.jpg|thumb|150px|Vol. 1 No. 1<br>May 1969]]
 
May 1969
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Terry Atkinson (uncredited)
|Introduction
|1
|[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
|-
|2.
|Sol LeWitt
|Sentences on conceptual art
|11
|[http://radicalart.info/concept/LeWitt/sentences.html Link]
|-
|3.
|Dan Graham
|Poem-schema
|14
|
|-
|4.
|Lawrence Weiner
|Statements
|17
|[http://radicalart.info/concept/weiner/ Link]
|-
|5.
|David Bainbridge
|Notes on M1 (1)
|19
|[https://www.ubu.com/papers/bainbridge_m1.html Link]
|-
|6.
|[[Michael Baldwin]]
|Notes on M1
|23
|
|-
|7.
|David Bainbridge
|Notes on M1 (2)
|30
|
|}
 
==== Vol. 1 No. 2  ====
[[File:AL-1-2-front.jpg|thumb|150px|Vol. 1 No. 2<br>February 1970]]
 
February 1970
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Joseph Kosuth
|Introductory note by the American Editor
|1
|
|-
|2.
|David Bainbridge
|(untitled)
|5
|
|-
|3.
|[[Frederick Barthelme|Frederic Barthelme]]
|Three from May 23rd, 1969
|8
|
|-
|4.
|Stephen McKenna
|Notes on Marat
|11
|
|-
|5.
|[[Michael Baldwin]]
|Plans and Procedures
|14
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
|-
|6.
|Ian Burn
|Dialogue
|22
|
|-
|7.
|Robert Brown-David Hirons
|Moto-Spiritale
|23
|
|-
|8.
|Terry Atkinson
|From an Art & Language Point of View
|25
|
|-
|9.
|Terry Atkinson
|Concerning Interpretations of the Bainbridge/Hurrell Models
|61
|
|-
|10.
|Harold Hurrell
|Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models
|72
|
|-
|11.
|Harold Hurrell
|Sculptures and Devices
|74
|
|-
|12.
|Michael Thompson
|Conceptual Art: Category & Action
|77
|
|-
|13.
|[[Mel Ramsden]]
|Notes on Genealogies
|84
|
|}
 
==== Vol. 1 No. 3  ====
[[File:AL-1-3-front.jpg|thumb|150px|Vol. 1 No. 3<br>June 1970]]
 
June 1970
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Ian Burn
[[Mel Ramsden]]
 
Roger Cutforth
|Proceedings: Society for Theoretical Art and Analyses
|1
|
|-
|2.
|[[Mel Ramsden]]
|Art Enquiry (2)
|4
|
|-
|3.
|Graham J. Howard
|(i) Concerning Some Theories and their Worlds
|7
|
|-
|4.
|Graham J. Howard
|(ii) Mona Lisas
|9
|
|-
|5.
|Bernard Bihari
|Marshal McLuhan and the Behavioral Sciences
|11
|
|-
|6.
|[[Mel Ramsden]]
|A Preliminary Proposal for the Directing of Perception
|29
|
|-
|7.
|[[Michael Baldwin]]
|General Note:
(i) Atkinson and Meaninglessness
 
(ii) Preface
 
(iii) Dead Issues
|30
|
|}
 
==== Vol. 1 No. 4 ====
 
November 1971
 
[[File:AL-1-4-front.jpg|thumb|150px|Vol. 1 No. 4<br>November 1971]]
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Stuart Knight
|Theory, Knowledge and Hermeneutics
|1
|
|-
|2.
|Graham Howard
|Revelation and Art
|6
|
|-
|3.
|Graham Howard
|Actuality and Potentiality
|15
|
|-
|4.
|Graham Howard
|Accessibility and Conceivability
|23
|
|-
|5.
|Terry Atkinson
[[Michael Baldwin]]
|Art Teaching
|25
|
|-
|6.
|Terry Atkinson
[[Michael Baldwin]]
|La Pensée Avec Images
|51
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
|}
 
=== Volume 2 ===
 
==== Vol. 2 No. 1 ====
[[File:AL-2-1-front.jpg|thumb|150px|Vol. 2 No. 1<br>February 1972]]
 
February 1972
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Terry Atkinson
[[Michael Baldwin]]
|Unnatural Rules and Excuses
|1
|
|-
|2.
|Ian Burn
[[Mel Ramsden]]
|Four Wages of Sense
|28
|
|-
|3.
|Philip Pilkington
David Rushton
Kevin Lole
|Aspect of Authorities
|38
|
|-
|4.
|Terry Atkinson
[[Michael Baldwin]]
|On Material-Character / Physical-Object Paradigm of Art
|51
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
|-
|5.
|Graham Howard
|Ontological Relativity: A Note
|56
|
|}
 
==== Vol. 2 No. 2 ====
[[File:AL-2-2-front.jpg|thumb|150px|Vol. 2 No. 2<br>Summer 1972]]
 
Summer 1972
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Ian Burn
[[Mel Ramsden]]
|Some Questions on the Characterization of Questions
|1
|
|-
|2.
|Terry Atkinson
[[Michael Baldwin]]
|Information
|11
|
|-
|3.
|Ian Burn
[[Mel Ramsden]]
|Art Language and Art-Language
|21
|[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
|-
|4.
|Harold Hurrell
|Interim Remarks
|29
|
|-
|5.
|David Bainbridge
|Lupus in Fabula
|31
|
|-
|6.
|Victor Burgin
|In Reply
|32
|
|}
 
==== Vol. 2 No. 3 ====
[[File:AL-2-3-front.jpg|thumb|150px|Vol. 2 No. 3<br>September 1973]]
 
September 1973
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Links
|-
|1.
|Graham Howard
|Some Formalities of Technic Relationships
|1
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|-
|2.
|Graham Howard
|Interest Relationships, etc.
|8
|
|-
|3.
|Graham Howard
|Disinterest Relationships, etc.
|10
|
|-
|4.
|Philip Pilkington
David Rushton
|Models and Indexes: Fringe Benefits
|12
|
|-
|5.
|Philip Pilkington
David Rushton
|Bibliotherapy
|18
|
|-
|6.
|Michael Corris
|The Fine Structure of Collaboration
|34
|
|-
|7.
|Michael Corris
[[Mel Ramsden]]
|Frameworks and Phantoms
|38
|
|-
|8.
|Ian Burn
[[Mel Ramsden]]
|Problems of Art & Language Space
|53
|
|-
|9.
|John F. Hemmings
|Note on Reading 1969 - 1972
|73
|
|-
|10.
|David Bainbridge
|'Praxisectomy' and 'Theoryorraphy'
|78
|
|}
 
==== Vol. 2 No. 4 ====
[[File:AL-2-4-front.jpg|thumb|150px|Vol. 2 No. 4<br>June 1974]]
 
June 1974
 
[[Michael Baldwin]], Philip Pilkington
{| class="wikitable"
!
!Title
!pg.
!Links
|-
|1.
|Violins and Cows
|1
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
|-
|2.
|Redemption not Adaptation
|7
|
|-
|3.
|Data Blank, December 1973
|15
|
|-
|4.
|Brainstorm Proposal
|16
|
|-
|5.
|A-L and me...
What I know, care about...
Going-on as Grammar. No money, no prospects...
Fear...
Starvation...
|26
|
|-
|6.
|Vector and Magnitude
|34
|
|-
|7.
|Uplifting Public Utterance
|35
|
|-
|8.
|Whether there exists, or has existed an 'ideological' person...
|36
|
|-
|9.
|Fragment from Contemporanea Index
|37
|
|-
|10.
|Dear...
|38
|
|-
|11.
|Points of Reference, the Hope of Ideology
|40
|
|-
|12.
|Art & Language
|45
|
|-
|13.
|Why J. Kosuth Won't Work for Us & Other Trivia
|51
|
|-
|14.
|The Old Gourmet (Transcript)
|62
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
|-
|15.
|Proceedings M2
|71
|
|-
|16.
|Instruction Index a x
|73
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
|-
|17.
|Instruction Index b x
|100
|-
|18.
|'The statement that there is a body of dialectical discourse...'
|124
|-
|19.
|Further Points of Reference
|126
|
|}
 
=== Volume 3 ===
{| class="wikitable"
|+
!Cover
!Contents
|-
|[[File:AL-3-1-front.jpg|center|150px]]September 1974
 
Vol. 3 No. 1
|Draft for an Anti-Textbook
Ian Burn, [[Mel Ramsden]], Terry Smith
{| class="wikitable"
|1
|Caution
|-
|2
|Somewhere to Begin
|-
|5
|Language has a Hold on us
|-
|8
|Market Relations
|-
|10
|Apodictic Tableaux
|-
|13
|Ideal Speakers...
|-
|15
|Annotations... Selective Memory (Histrionics?)...
|-
|18
|Cacophonous...
|-
|20
|Bureaucracy...
|-
|21
|Points of Order?
|-
|23
|No Refuge in 'Audience'...
|-
|27
|'Sometimes I feel like an Artist...'
|-
|32
|Institutional Serenity
|-
|36
|A 'Logic' of Going-On?
|-
|37
|Do We Have Anything like 'Assertion'?
|-
|42
|What are we doing in Language?
|-
|44
|'Consistency' is an Ideological Postulate
|-
|48
|Dead Horse...
|-
|50
|Iteration
|-
|51
|More Exhortations?
|-
|54
|Joseph Kosuth says that the group is a Cultural Ghetto
|-
|57
|...Overboard about Kierkegaard
|-
|60
|Fur Teacups
|-
|62
|Straight Talk?
|-
|64
|Equivocating...
|-
|68
|Routine...
|-
|69
|...Corpse of Official Language
|-
|71
|We Wish they had a Dictionary
|-
|74
|...Concatenation...
|-
|76
|Bxal-ing
|-
|80
|Endless Revisability...
|-
|83
|Striving in the Uproar
|-
|87
|Art-Career Components
|-
|90
|The Unreality of this Culture
|-
|98
|Modeish about Cultural Indeterminacy
|-
|101
|Exploitation... Education...
|-
|104
|Shop-Floorish?
|-
|108
|Leftish Critique
|-
|109
|Sporadic Encounter
|}
|-
|[[File:AL-3-2-front.jpg|center|150px]]May 1975
 
Vol. 3 No. 2
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|[[File:AL-3-3-front.jpg|center|150px]]June 1976


Vol. 3 No. 3
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[[Category:Art & Language]]
[[Category:Art & Language]]

Latest revision as of 09:10, 17 April 2023

Art-Language was a periodical first published by Art & Language in 1969.

Art-Language and related periodicals

References

Retrieved from "https://redkrayolawiki.org/w/index.php?title=Art-Language&oldid=2320"