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* ''Conceptual Art: A Critical Anthology'' (ed. Alberro & Stimson, 1999)
* ''[[Conceptual Art: A Critical Anthology]]'' (ed. Alberro & Stimson, 1999)
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|''Transcript 3.1.76 Plus and Minus''
|''Transcript 3.1.76 Plus and Minus''
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
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|''Conversation: Opacity?''
|''Conversation: Opacity?''
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
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|''Now, naughty revisionism or no''
|''Now, naughty revisionism or no''
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|''Abstract Art''
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|[https://www.art-language.org/texte/a/TI17h.htm#anglais '''Excerpt'''] (35-36)
 
[https://www.art-language.org/texte/b/TII17h.htm#francais French translation]
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* ''[[Art & Language 1975-78]]'' (1978)
* ''[[Art & Language 1975-78]]'' (1978)

Latest revision as of 05:21, 25 January 2024

Art-Language Vol. 3 No. 3
Publication Art-Language
Date June 1976
Volume 3
Number 3
Publisher
Editor Michael Baldwin, Charles Harrison, Harold Hurrell

Contents

Title pg. Notes Reprinted in
‘...The Timeless Lumpenness of a Radical Cultural Life...’ cover-1
Transcript 3.1.76 Plus and Minus 5-11
Bourgeois Revisionism, What? 12-23
Conversation: Opacity? 24-26
Ideology does not penetrate class barriers as a transparent substance 27-28
Now, naughty revisionism or no 29-33
Denizens of class struggle 34-38
How to avoid assumptions that your good heart gets you there 39-42
Jobless and Gaga 43-47
Community Arts 48-52
Abstract Art 53-65 Excerpt (35-36)

French translation

International: England 1 (o.g.) USA 1 (o.g.) 66-72
Pastels in Prose – if not a Vignette in Verse... 73-75
The problems of displaying base explicit directive ‘assumptions’ 76-84
Shoot the Sodding Ref. 85-92
Provisions and Rules Again 93-98
More Unsightly Speculations 99-102
Diagrammata or...In making Friends We Make Our Life (Arthur Mee) 103-104
Don’t Speak of Man’s Potentialities and their being made Actual in Society 105-106
(Education is not putting sight into blind eyes, so...) Back to the Sandbank 107-109
What’s an ideological boundary then? 110-114
Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? 115-119
Who’s a little Max Stirner then? 120-121
A tale in the sump oil: notes from under the car; you can’t help them breaking down 122-125

Ephemera

References

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