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!Title
!Title
!pg.
!pg.
!Reprinted in
|-
|-
|1.
|1.
|Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)
|''Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)''
|1-3
|1-3
|
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
|-
|-
|2.
|2.
|'We have some non-utilitarian problems (of notation) in the face of...'
|''<nowiki/>'We have some non-utilitarian problems (of notation) in the face of...'''
|4-6
|4-6
|
|-
|-
|3.
|3.
|This Connects with the Given Political Moment, etc....
|''This Connects with the Given Political Moment, etc....''
|7-9
|7-9
|
|-
|-
|4.
|4.
|To Boring Professors...Transitional Demands
|''To Boring Professors...Transitional Demands''
|10-11
|10-11
|
|-
|-
|5.
|5.
|'A point of reference...or what? Individual (distributed) ideo-prac-...'
|''<nowiki/>'A point of reference...or what? Individual (distributed) ideo-prac-...'''
|12-14
|12-14
|
|-
|-
|6.
|6.
|Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict
|''Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict''
|15-17
|15-17
|
|-
|-
|7.
|7.
|Notes...More Worry about Going-On
|''Notes...More Worry about Going-On''
|18-20
|18-20
|
|-
|-
|8.
|8.
|The Preservation of the Species: Direct Speech
|''The Preservation of the Species: Direct Speech''
|21-22
|21-22
|
|-
|-
|9.
|9.
|The Preservation of the Species: Counter Course
|''The Preservation of the Species: Counter Course''
|23-24
|23-24
|
|-
|-
|10.
|10.
|'Putative art practice in Britain is focussed on the art schools. Most...'
|''<nowiki/>'Putative art practice in Britain is focussed on the art schools. Most...'''
|25-27
|25-27
|
|-
|-
|11.
|11.
|Self-Superseding Strategy...or the Given Political Moment
|''Self-Superseding Strategy...or the Given Political Moment''
|28-32
|28-32
|
|-
|-
|12.
|12.
|Good Evening...It's Modern Amusements Time Again
|''Good Evening...It's Modern Amusements Time Again''
|33-36
|33-36
|
|-
|-
|13.
|13.
|For the B.B.C.: A Visual Description of...
|''For the B.B.C.: A Visual Description of...''
|37-39
|37-39
|
|-
|-
|14.
|14.
|'The requirement that one should see his 'work' as 'in' the dialectic of...'
|''<nowiki/>'The requirement that one should see his 'work' as 'in' the dialectic of...'''
|40
|40
|
|-
|-
|15.
|15.
|Good Morning - Old-Fashioned Amusements
|''Good Morning - Old-Fashioned Amusements''
|41-42
|41-42
|
|-
|-
|16.
|16.
|'We might want to walk into over-complex iterations, just like a lot of...'
|''<nowiki/>'We might want to walk into over-complex iterations, just like a lot of...'''
|43
|43
|
|-
|-
|17.
|17.
|Historically Proper Names
|''Historically Proper Names''
|44-45
|44-45
|
|-
|-
|18.
|18.
|Alphabet of Lenin - Intermediate Para-Structures
|''Alphabet of Lenin - Intermediate Para-Structures''
|46-48
|46-48
|
|-
|-
|19.
|19.
|Dear Stefan...
|''Dear Stefan...''
|49-51
|49-51
|
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
|}
|}


== Background ==
== Background ==
<blockquote>Oxford: Museum of Modern Art, 1975. Exhibition catalogue which is written in parody of the [[Art-Language]] Journals.<ref>https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/</ref></blockquote>{{Navbox-Art-Language}}
<blockquote>Oxford: Museum of Modern Art, 1975. Exhibition catalogue which is written in parody of the [[Art-Language]] Journals.<ref>https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/</ref></blockquote>
 
== Ephemera ==
<gallery mode="packed">
File:AL-1966-1975-poster.jpg|Exhibition poster<ref>https://www.contemporaryartlibrary.org/project/art-language-at-rob-tufnell-cologne-10473</ref>
</gallery>


== References ==
== References ==
 
{{Navbox-Art-Language}}<references />
[[Category:Art-Language]]
[[Category:Art-Language]]

Latest revision as of 20:22, 8 October 2023

Front cover

Download from Monoskop

Contents

Title pg. Reprinted in
1. Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia) 1-3
2. 'We have some non-utilitarian problems (of notation) in the face of...' 4-6
3. This Connects with the Given Political Moment, etc.... 7-9
4. To Boring Professors...Transitional Demands 10-11
5. 'A point of reference...or what? Individual (distributed) ideo-prac-...' 12-14
6. Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict 15-17
7. Notes...More Worry about Going-On 18-20
8. The Preservation of the Species: Direct Speech 21-22
9. The Preservation of the Species: Counter Course 23-24
10. 'Putative art practice in Britain is focussed on the art schools. Most...' 25-27
11. Self-Superseding Strategy...or the Given Political Moment 28-32
12. Good Evening...It's Modern Amusements Time Again 33-36
13. For the B.B.C.: A Visual Description of... 37-39
14. 'The requirement that one should see his 'work' as 'in' the dialectic of...' 40
15. Good Morning - Old-Fashioned Amusements 41-42
16. 'We might want to walk into over-complex iterations, just like a lot of...' 43
17. Historically Proper Names 44-45
18. Alphabet of Lenin - Intermediate Para-Structures 46-48
19. Dear Stefan... 49-51

Background

Oxford: Museum of Modern Art, 1975. Exhibition catalogue which is written in parody of the Art-Language Journals.[1]

Ephemera

  • Exhibition poster[2]
    Exhibition poster[2]

References

  1. ↑ https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/
  2. ↑ https://www.contemporaryartlibrary.org/project/art-language-at-rob-tufnell-cologne-10473
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