The Fox No. 3: Difference between revisions
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{{PeriodicalInfo | '''[https://ubu.com/media/text/fox/Fox3.pdf Download from UbuWeb]'''{{PeriodicalInfo | ||
|Publication=[[The Fox]] | |Publication=[[The Fox]] | ||
|Image1=Fox-1-3-front.jpg | |Image1=Fox-1-3-front.jpg | ||
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== Contents == | == Contents == | ||
{| class="wikitable" | |||
!Author | |||
!Title | |||
!pg. | |||
!Notes | |||
!Reprinted in | |||
|- | |||
! colspan="4" |Discussions | |||
! | |||
|- | |||
|Peter Benchley ([[Mel Ramsden]]) | |||
|''The Lumpen-Headache'' | |||
| | |||
| | |||
| | |||
* ''Art and Autonomy: A Critical Reader'' (ed. Lütticken, 2022) | |||
|- | |||
|[[Kathryn Bigelow]] | |||
|''Review: Not on the Development of Contradiction'' | |||
| | |||
| | |||
| | |||
|- | |||
|Sarah Charlesworth | |||
|''For Artists Meeting'' | |||
| | |||
| | |||
| | |||
|- | |||
|Martha Rosler | |||
|''Review: Under the Rug'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Mel Ramsden]] | |||
|''Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year?'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Art & Language|Art & Language, UK]] | |||
|''Having-Your-Heart-In-The-Right-Place Is Not Making History'' | |||
| | |||
| | |||
| | |||
* ''[[Conceptual Art: A Critical Anthology]]'' (ed. Alberro & Stimson, 1999) | |||
|- | |||
|[[Art & Language|Art & Language, UK]] | |||
|''Worst of All Allies'' | |||
| | |||
| | |||
| | |||
* ''[[Art & Language 1975-78]]'' (1978) | |||
|- | |||
|Carole Condé | |||
Karl Beveridge | |||
|''The Edge of Edge'' | |||
| | |||
| | |||
| | |||
|- | |||
|Steve Lockhard | |||
|''Review: The Incredible Rocky'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Christine Kozlov]] | |||
[[Mayo Thompson]] | |||
|''Autopaptripassionata'' | |||
| | |||
| | |||
| | |||
|- | |||
|Sharlene Spingler | |||
|''Review: Chic Kicking Muse'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Art & Language|Art & Language, UK]] | |||
|''Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends'' | |||
| | |||
| | |||
| | |||
|- | |||
|Ian Burn | |||
|''For Your Reference'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Mayo Thompson]] | |||
|''Review: Convoy'' | |||
| | |||
| | |||
| | |||
|- | |||
|Jasna Tijardović | |||
|''The 'Liquidation' of Art: Self-Management or Self-Protection'' | |||
| | |||
| | |||
| | |||
|- | |||
! colspan="4" |Articles | |||
! | |||
|- | |||
|Ross Neher | |||
|''Bathysiderodromophobia'' | |||
| | |||
| | |||
| | |||
|- | |||
|Nigel Lendon | |||
|''Has Your License Expired?'' | |||
| | |||
| | |||
| | |||
|- | |||
|Joseph Kosuth | |||
|''Work'' | |||
| | |||
| | |||
| | |||
|- | |||
|Fern Tiger | |||
Edward Robbins | |||
|''Method or Mouthtalk?'' | |||
| | |||
| | |||
| | |||
|- | |||
|Michael Corris | |||
Preston Heller | |||
Andrew Menard | |||
|''The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman'' | |||
| | |||
| | |||
| | |||
|- | |||
|David Rushton | |||
Paul Wood | |||
|''History'' | |||
| | |||
| | |||
| | |||
|- | |||
|Goran Djordjevic | |||
|''On the Class Character of Art'' | |||
| | |||
| | |||
| | |||
|- | |||
|Hervé Fischer | |||
|''Sociological Art as Utopian Strategy'' | |||
| | |||
| | |||
| | |||
|- | |||
|David Rushton | |||
Paul Wood | |||
|''Art-Learning'' | |||
| | |||
| | |||
| | |||
|- | |||
! colspan="4" |Correspondence & Notes | |||
! | |||
|- | |||
| | |||
|''Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others'' | |||
| | |||
| | |||
| | |||
|- | |||
|May Stevens | |||
|''Art & Class'' | |||
| | |||
| | |||
| | |||
|- | |||
|Jane Klion | |||
Julie Wolf | |||
|''Students Fighting Faculty at WU'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Mayo Thompson]] | |||
|''Natural Alliances'' | |||
| | |||
| | |||
| | |||
|- | |||
|[[Mayo Thompson]] | |||
|''For the Sensitive'' | |||
| | |||
| | |||
| | |||
|- | |||
|Stefan Morawski | |||
|''Theses on Aesthetics'' | |||
| | |||
| | |||
| | |||
|} | |||
== | == Ephemera == | ||
<gallery mode="packed"> | |||
File:Fox-3-poster.jpg|Poster<ref>https://www.contemporaryartlibrary.org/project/art-language-at-rob-tufnell-cologne-10473</ref> | |||
</gallery> | |||
== References == | == References == | ||
{{Navbox-Art-Language}}<references /> |
Latest revision as of 04:58, 9 December 2023
The Fox No. 3 | |
---|---|
![]() | |
Publication | The Fox |
Date | May 1976 |
Volume | 1 |
Number | 3 |
Publisher | Art & Language Foundation |
Editor |
Contents
Author | Title | pg. | Notes | Reprinted in |
---|---|---|---|---|
Discussions | ||||
Peter Benchley (Mel Ramsden) | The Lumpen-Headache |
| ||
Kathryn Bigelow | Review: Not on the Development of Contradiction | |||
Sarah Charlesworth | For Artists Meeting | |||
Martha Rosler | Review: Under the Rug | |||
Mel Ramsden | Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year? | |||
Art & Language, UK | Having-Your-Heart-In-The-Right-Place Is Not Making History |
| ||
Art & Language, UK | Worst of All Allies |
| ||
Carole Condé
Karl Beveridge |
The Edge of Edge | |||
Steve Lockhard | Review: The Incredible Rocky | |||
Christine Kozlov | Autopaptripassionata | |||
Sharlene Spingler | Review: Chic Kicking Muse | |||
Art & Language, UK | Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends | |||
Ian Burn | For Your Reference | |||
Mayo Thompson | Review: Convoy | |||
Jasna Tijardović | The 'Liquidation' of Art: Self-Management or Self-Protection | |||
Articles | ||||
Ross Neher | Bathysiderodromophobia | |||
Nigel Lendon | Has Your License Expired? | |||
Joseph Kosuth | Work | |||
Fern Tiger
Edward Robbins |
Method or Mouthtalk? | |||
Michael Corris
Preston Heller Andrew Menard |
The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman | |||
David Rushton
Paul Wood |
History | |||
Goran Djordjevic | On the Class Character of Art | |||
Hervé Fischer | Sociological Art as Utopian Strategy | |||
David Rushton
Paul Wood |
Art-Learning | |||
Correspondence & Notes | ||||
Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others | ||||
May Stevens | Art & Class | |||
Jane Klion
Julie Wolf |
Students Fighting Faculty at WU | |||
Mayo Thompson | Natural Alliances | |||
Mayo Thompson | For the Sensitive | |||
Stefan Morawski | Theses on Aesthetics |
Ephemera
-
Poster[1]