Analytical Art No. 1: Difference between revisions
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== Contents == | == Contents == | ||
{| class="wikitable" | {| class="wikitable" | ||
!Author | !Author | ||
!Title | !Title | ||
!Notes | !Notes | ||
!Reprinted in | |||
|- | |- | ||
|Philip Pilkington | |Philip Pilkington | ||
David Rushton | David Rushton | ||
|Don Judd's Dictum and Its Emptiness | |''Don Judd's Dictum and Its Emptiness'' | ||
| | | | ||
| | |||
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
|- | |- | ||
|David Rushton | |David Rushton | ||
|On Asserting | |''On Asserting'' | ||
| | |||
| | | | ||
|- | |- | ||
|Philip Pilkington | |Philip Pilkington | ||
|Duchampian Delinquency and the Constitutive Cure | |''Duchampian Delinquency and the Constitutive Cure'' | ||
| | |||
| | | | ||
|- | |- | ||
|Kevin Lole | |Kevin Lole | ||
|Progress in Art and in Science | |''Progress in Art and in Science'' | ||
| | | | ||
| | |||
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
|- | |- | ||
|Terry Atkinson | |Terry Atkinson | ||
[[Michael Baldwin]] | [[Michael Baldwin]] | ||
|Obligations | |''Obligations'' | ||
| | |||
| | | | ||
|- | |- | ||
|Kevin Lole | |Kevin Lole | ||
|Control Intention and Responsibility | |''Control Intention and Responsibility'' | ||
| | |||
| | | | ||
|- | |- | ||
|Ian Burn | |Ian Burn | ||
[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|The Grammarian | |''The Grammarian'' | ||
|[https://garadinervi.tumblr.com/post/167489815676/ian-burn-and-mel-ramsden-art-language/amp Excerpts] | |[https://garadinervi.tumblr.com/post/167489815676/ian-burn-and-mel-ramsden-art-language/amp Excerpts] | ||
| | |||
* ''[[The Grammarian]]'' (1970) | |||
* Excerpts in ''Conceptual Art'' (Ursula Meyer, 1972) | |||
|- | |- | ||
|Graham Howard | |Graham Howard | ||
|Hierarchies: A Note | |''Hierarchies: A Note'' | ||
| | |||
| | | | ||
|- | |- | ||
|Peter Smith | |Peter Smith | ||
|Phenomenology as an Hermeneutic of Art | |''Phenomenology as an Hermeneutic of Art'' | ||
| | |||
| | | | ||
|- | |- | ||
|Christopher Willsmore | |Christopher Willsmore | ||
|The Myth of the Aesthetic Attitude | |''The Myth of the Aesthetic Attitude'' | ||
| | |||
| | | | ||
|} | |} | ||
== | == Ephemera == | ||
<gallery mode="packed"> | |||
File:Analytical-Art-1-1-ad.png|Advertisement | |||
</gallery> | |||
== References == | |||
{{Navbox-Art-Language}} | {{Navbox-Art-Language}} | ||
Latest revision as of 18:54, 8 October 2023
Analytical Art No. 1 | |
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![]() | |
Publication | Analytical Art |
Date | July 1971 |
Volume | 1 |
Number | 1 |
Publisher | |
Editor | Kevin Lole, Philip Pilkington, David Rushton |
Contents
Author | Title | Notes | Reprinted in |
---|---|---|---|
Philip Pilkington
David Rushton |
Don Judd's Dictum and Its Emptiness |
| |
David Rushton | On Asserting | ||
Philip Pilkington | Duchampian Delinquency and the Constitutive Cure | ||
Kevin Lole | Progress in Art and in Science |
| |
Terry Atkinson | Obligations | ||
Kevin Lole | Control Intention and Responsibility | ||
Ian Burn | The Grammarian | Excerpts |
|
Graham Howard | Hierarchies: A Note | ||
Peter Smith | Phenomenology as an Hermeneutic of Art | ||
Christopher Willsmore | The Myth of the Aesthetic Attitude |
Ephemera
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