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'''Art-Language''' was a periodical first published by [[Art & Language]] in 1969.
'''Art-Language''' was a periodical first published by [[Art & Language]] in 1969.


== Issues ==
== Art-Language and related periodicals ==
__NOTOC__
__NOTOC__


=== Volume 1 ===
<gallery mode="packed" heights="175px">
<gallery mode="packed" heights="175px">
File:AL-1-1-front.jpg|link=Art-Language#Vol._1_No._1|150px|'''[[Art-Language#Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-1-front.jpg|link=Art-Language Vol._1_No._1|150px|'''[[Art-Language Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-2-front.jpg|link=Art-Language#Vol._1_No._2|150px|'''[[Art-Language#Vol._1_No._2|Art-Language<br>Vol. 1 No. 2]]'''<br>February 1970
File:AL-1-2-front.jpg|link=Art-Language Vol._1_No._2|150px|'''[[Art-Language Vol._1_No._2|Art-Language<br>Vol. 1 No. 2]]'''<br>February 1970
File:AL-1-3-front.jpg|link=Art-Language#Vol._1_No._3|150px|'''[[Art-Language#Vol._1_No._3|Art-Language<br>Vol. 1 No. 3]]'''<br>June 1970
File:AL-1-3-front.jpg|link=Art-Language Vol._1_No._3|150px|'''[[Art-Language Vol._1_No._3|Art-Language<br>Vol. 1 No. 3]]'''<br>June 1970
File:Analytical-Art-1-1-front.jpg|link=Art-Language#Analytical_Art_No._1|150px|'''[[Art-Language#Analytical_Art_No._1|Analytical Art<br>No. 1]]'''<br>July 1971
File:Analytical-Art-1-1-front.jpg|link=Analytical_Art_No._1|150px|'''[[Analytical_Art_No._1|Analytical Art<br>No. 1]]'''<br>July 1971
File:AL-1-4-front.jpg|link=Art-Language#Vol._1_No._4|150px|'''[[Art-Language#Vol._1_No._4|Art-Language<br>Vol. 1 No. 4]]'''<br>November 1971
File:AL-1-4-front.jpg|link=Art-Language Vol._1_No._4|150px|'''[[Art-Language Vol._1_No._4|Art-Language<br>Vol. 1 No. 4]]'''<br>November 1971
File:AL-2-1-front.jpg|link=Art-Language Vol._2_No._1|150px|'''[[Art-Language Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Analytical_Art_No._2|150px|'''[[Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
File:AL-2-2-front.jpg|link=Art-Language Vol._2_No._2|150px|'''[[Art-Language Vol._2_No._2|Art-Language<br>Vol. 2 No. 2]]'''<br>Summer 1972
File:AL-2-3-front.jpg|link=Art-Language Vol._2_No._3|150px|'''[[Art-Language Vol._2_No._3|Art-Language<br>Vol. 2 No. 3]]'''<br>September 1973
File:AL-2-4-front.jpg|link=Art-Language Vol._2_No._4|150px|'''[[Art-Language Vol._2_No._4|Art-Language<br>Vol. 2 No. 4]]'''<br>June 1974
File:AL-3-1-front.jpg|link=Art-Language Vol._3_No._1|150px|'''[[Art-Language Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=The_Fox_No._1|150px|'''[[The_Fox_No._1|The Fox<br>No. 1]]'''<br>March 1975
File:AL-3-2-front.jpg|link=Art-Language Vol._3_No._2|150px|'''[[Art-Language Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975
File:AL-1966-1975-front.png|link=Art_&_Language_1966-1975|150px|'''[[Art_&_Language_1966-1975|Art & Language<br>1966-1975]]'''<br>September 1975
File:Fox-1-2-front.jpg|link=The Fox No. 2|150px|'''[[The Fox No. 2|The Fox<br>No. 2]]'''<br>Fall 1975
File:Fox-1-3-front.jpg|link=The Fox No. 3|150px|'''[[The Fox No. 3|The Fox<br>No. 3]]'''<br>May 1976
File:AL-3-3-front.jpg|link=Art-Language Vol._3_No._3|150px|'''[[Art-Language Vol._3_No._3|Art-Language<br>Vol. 3 No. 3]]'''<br>June 1976
File:AL-3-4-front.jpg|link=Art-Language Vol._3_No._4|150px|'''[[Art-Language Vol._3_No._4|Art-Language<br>Vol. 3 No. 4]]'''<br>October 1976
File:Red-Herring-1-1-front.jpg|link=Red-Herring No. 1|150px|'''[[Red-Herring No. 1|Red-Herring<br>No. 1]]'''<br>January 1977
File:AL-4-1-front.jpg|link=Art-Language Vol._4_No._1|150px|'''[[Art-Language Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language Vol._4_No._2|150px|'''[[Art-Language Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
File:Red-Herring-1-2-front.jpg|link=Red-Herring No. 2|150px|'''[[Red-Herring No. 2|Red-Herring<br>No. 2]]'''<br>1978
File:AL-4-3-front.jpg|link=Art-Language Vol._4_No._3|150px|'''[[Art-Language Vol._4_No._3|Art-Language<br>Vol. 4 No. 3]]'''<br>October 1978
File:AL-4-4-front.jpg|link=Art-Language Vol._4_No._4|150px|'''[[Art-Language Vol._4_No._4|Art-Language<br>Vol. 4 No. 4]]'''<br>June 1980
File:AL-5-1-front.jpg|link=Art-Language Vol._5_No._1|150px|'''[[Art-Language Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language Vol._5_No._2|150px|'''[[Art-Language Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-3-front.jpg|link=Art-Language Vol._5_No._3|150px|'''[[Art-Language Vol._5_No._3|Art-Language<br>Vol. 5 No. 3]]'''<br>March 1985
File:AL-NS-1-front.jpg|link=Art-Language New_Series_No._1|'''[[Art-Language New_Series_No._1|Art-Language<br>New Series No. 1]]'''<br>June 1994
File:AL-NS-2-front.jpg|link=Art-Language New_Series_No._2|'''[[Art-Language New_Series_No._2|Art-Language<br>New Series No. 2]]'''<br>June 1997
File:AL-NS-3-front.jpg|link=Art-Language New_Series_No._3|'''[[Art-Language New_Series_No._3|Art-Language<br>New Series No. 3]]'''<br>September 1999
</gallery>
</gallery>


=== Volume 2 ===
{{Navbox-Art-Language}}
<gallery mode="packed" heights="150px">
File:AL-2-1-front.jpg|link=Art-Language#Vol._2_No._1|150px|'''[[Art-Language#Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Art-Language#Analytical_Art_No._2|150px|'''[[Art-Language#Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
File:AL-2-2-front.jpg|link=Art-Language#Vol._2_No._2|150px|'''[[Art-Language#Vol._2_No._2|Art-Language<br>Vol. 2 No. 2]]'''<br>Summer 1972
File:AL-2-3-front.jpg|link=Art-Language#Vol._2_No._3|150px|'''[[Art-Language#Vol._2_No._3|Art-Language<br>Vol. 2 No. 3]]'''<br>September 1973
File:AL-2-4-front.jpg|link=Art-Language#Vol._2_No._4|150px|'''[[Art-Language#Vol._2_No._4|Art-Language<br>Vol. 2 No. 4]]'''<br>June 1974
</gallery>
 
=== Volume 3 / The Fox ===
<gallery mode="packed" heights="150px">
File:AL-3-1-front.jpg|link=Art-Language#Vol._3_No._1|150px|'''[[Art-Language#Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_1|The Fox<br>No. 1]]'''<br>March 1975
File:AL-3-2-front.jpg|link=Art-Language#Vol._3_No._2|150px|'''[[Art-Language#Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975
File:Fox-1-2-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_2|The Fox<br>No. 2]]'''<br>Fall 1975
File:Fox-1-3-front.jpg|link=Art-Language#The_Fox_3|150px|'''[[Art-Language#The_Fox_3|The Fox<br>No. 3]]'''<br>May 1976
File:AL-3-3-front.jpg|link=Art-Language#Vol._3_No._3|150px|'''[[Art-Language#Vol._3_No._3|Art-Language<br>Vol. 3 No. 3]]'''<br>June 1976
File:AL-3-4-front.jpg|link=Art-Language#Vol._3_No._4|150px|'''[[Art-Language#Vol._3_No._4|Art-Language<br>Vol. 3 No. 4]]'''<br>October 1976
</gallery>
 
=== Volume 4 ===
<gallery mode="packed" heights="175px">
File:AL-4-1-front.jpg|link=Art-Language#Vol._4_No._1|150px|'''[[Art-Language#Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language#Vol._4_No._2|150px|'''[[Art-Language#Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
File:AL-4-3-front.jpg|link=Art-Language#Vol._4_No._3|150px|'''[[Art-Language#Vol._4_No._3|Art-Language<br>Vol. 4 No. 3]]'''<br>October 1978
File:AL-4-4-front.jpg|link=Art-Language#Vol._4_No._4|150px|'''[[Art-Language#Vol._4_No._4|Art-Language<br>Vol. 4 No. 4]]'''<br>June 1980
</gallery>
 
=== Volume 5 ===
<gallery mode="packed" heights="175px">
File:AL-5-1-front.jpg|link=Art-Language#Vol._5_No._1|150px|'''[[Art-Language#Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language#Vol._5_No._2|150px|'''[[Art-Language#Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-3-front.jpg|link=Art-Language#Vol._5_No._3|150px|'''[[Art-Language#Vol._5_No._3|Art-Language<br>Vol. 5 No. 3]]'''<br>March 1985
</gallery>
 
=== New Series ===
<gallery mode="packed" heights="175px">
File:AL-NS-1-front.jpg|link=Art-Language#New_Series_No._1|150px|'''[[Art-Language#New_Series_No._1|Art-Language<br>New Series No. 1]]'''<br>June 1994
File:AL-NS-2-front.jpg|link=Art-Language#New_Series_No._2|150px|'''[[Art-Language#New_Series_No._2|Art-Language<br>New Series No. 2]]'''<br>June 1997
File:AL-NS-3-front.jpg|link=Art-Language#New_Series_No._3|150px|'''[[Art-Language#New_Series_No._3|Art-Language<br>New Series No. 3]]'''<br>June 1997
</gallery>
 
== Art-Language ==
 
=== Volume 1 ===
 
==== Vol. 1 No. 1 ====
[[File:AL-1-1-front.jpg|thumb|150px|Vol. 1 No. 1<br>May 1969]]
 
May 1969
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Terry Atkinson (uncredited)
|Introduction
|1-10
|[https://theoria.art-zoo.com/art-language-editorial-terry-atkinson/ Excerpt]
|-
|2.
|Sol LeWitt
|Sentences on conceptual art
|11-13
|[http://radicalart.info/concept/LeWitt/sentences.html Full text]
|-
|3.
|Dan Graham
|Poem-schema
|14-15
|
|-
|4.
|Lawrence Weiner
|Statements
|17-18
|
|-
|5.
|David Bainbridge
|Notes on M1 (1)
|19-22
|[https://www.ubu.com/papers/bainbridge_m1.html Full text]
|-
|6.
|[[Michael Baldwin]]
|Notes on M1
|23-30
|
|-
|7.
|David Bainbridge
|Notes on M1 (2)
|30-32
|[https://www.ubu.com/papers/bainbridge_m1.html Full text]
|}
 
==== Vol. 1 No. 2  ====
[[File:AL-1-2-front.jpg|thumb|150px|Vol. 1 No. 2<br>February 1970]]
 
February 1970
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Joseph Kosuth
|Introductory note by the American Editor
|1-4
|
|-
|2.
|David Bainbridge
|‘The Sculpture...’ (untitled)
|5-7
|
|-
|3.
|[[Frederick Barthelme|Frederic Barthelme]]
|Three from May 23rd, 1969
|8-10
|
|-
|4.
|Stephen McKenna
|Notes on Marat
|11-13
|
|-
|5.
|[[Michael Baldwin]]
|Plans and Procedures
|14-21
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt] (17)
|-
|6.
|Ian Burn
|Dialogue
|22
|
|-
|7.
|Robert Brown-David Hirons
|Moto-Spiritale
|23-24
|
|-
|8.
|Terry Atkinson
|From an Art & Language Point of View
|25-60
|
|-
|9.
|Terry Atkinson
|Concerning Interpretation of the Bainbridge/Hurrell Models
|61-71
|
|-
|10.
|Harold Hurrell
|Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’
|72-73
|
|-
|11.
|Harold Hurrell
|Sculptures and Devices
|74-76
|
|-
|12.
|Michael Thompson
|Conceptual Art: Category & Action
|77-83
|
|-
|13.
|[[Mel Ramsden]]
|Notes on Genealogies
|84-88
|
|}
 
==== Vol. 1 No. 3  ====
[[File:AL-1-3-front.jpg|thumb|150px|Vol. 1 No. 3<br>June 1970]]
 
June 1970
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Ian Burn
Roger Cutforth
[[Mel Ramsden]]
|Proceedings: Society for Theoretical Art and Analyses
|1-3
|
|-
|2.
|[[Mel Ramsden]]
|Art Enquiry (2)
|4-6
|
|-
|3.
|Graham J. Howard
|(i) Concerning Some Theories and their Worlds
|7-8
|
|-
|4.
|Graham J. Howard
|(ii) Mona Lisas
|9-10
|
|-
|5.
|Bernard Bihari
|Marshall McLuhan and the Behavioral Sciences
|11-28
|
|-
|6.
|[[Mel Ramsden]]
|A Preliminary Proposal for the Directing of Perception
|29
|
|-
|7.
|[[Michael Baldwin]]
|General Note
(i) Atkinson and Meaninglessness
 
(ii) Preface
 
(iii) Dead Issues
|30-35
|
|}
 
==== Vol. 1 No. 4 ====
 
November 1971
 
[[File:AL-1-4-front.jpg|thumb|150px|Vol. 1 No. 4<br>November 1971]]
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Stuart Knight
|Theory, Knowledge and Hermeneutics
|1-5
|
|-
|2.
|Graham Howard
|Revelation and Art
|6-15
|
|-
|3.
|Graham Howard
|Actuality and Potentiality
|16-22
|
|-
|4.
|Graham Howard
|Accessibility and Conceivability
|23-24
|
|-
|5.
|Terry Atkinson
[[Michael Baldwin]]
|Art Teaching
|25-50
|
|-
|6.
|Terry Atkinson
[[Michael Baldwin]]
|La Pensée avec images
|51-69
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Full text]
|}
 
=== Volume 2 ===
 
==== Vol. 2 No. 1 ====
[[File:AL-2-1-front.jpg|thumb|150px|Vol. 2 No. 1<br>February 1972]]
 
February 1972
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Terry Atkinson
[[Michael Baldwin]]
|Unnatural Rules and Excuses
|1-27
|
|-
|2.
|Ian Burn
[[Mel Ramsden]]
|Four Wages of Sense
|28-37
|
|-
|3.
|Philip Pilkington
David Rushton
 
Kevin Lole
|Aspects of Authorities
|38-50
|
|-
|4.
|Terry Atkinson
[[Michael Baldwin]]
|On the Material-Character/Physical-Object Paradigm of Art
|51-55
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Full text]
|-
|5.
|Graham Howard
|Ontological Relativity: A Note
|56-57
|
|}
 
==== Vol. 2 No. 2 ====
[[File:AL-2-2-front.jpg|thumb|150px|Vol. 2 No. 2<br>Summer 1972]]
 
Summer 1972
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Ian Burn
[[Mel Ramsden]]
|Some Questions on the Characterization of Questions
|1-10
|
|-
|2.
|Terry Atkinson
[[Michael Baldwin]]
|Information
|11-20
|
|-
|3.
|Ian Burn
[[Mel Ramsden]]
|Art Language and Art-Language
|21-28
|[https://www.art-language.org/texte/b/TII63h.htm#francais Full text]
|-
|4.
|Harold Hurrell
|Interim Remarks
|29-30
|
|-
|5.
|David Bainbridge
|Lupus in Fabula
|31
|
|-
|6.
|Victor Burgin
|In Reply
|32-34
|<ref>Reprinted in Victor Burgin's Parallel Texts (2011)</ref>
|}
 
==== Vol. 2 No. 3 ====
[[File:AL-2-3-front.jpg|thumb|150px|Vol. 2 No. 3<br>September 1973]]
 
September 1973
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Graham Howard
|Some Formalities of Technic Relationships
|1-7
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|-
|2.
|Graham Howard
|Interest Relationships, etc.
|8-9
|
|-
|3.
|Graham Howard
|Disinterest Relationships, etc.
|10-11
|
|-
|4.
|Philip Pilkington
David Rushton
|Models and Indexes: Fringe Benefits
|12-17
|
|-
|5.
|Philip Pilkington
David Rushton
|Bibliotherapy
|18-33
|
|-
|6.
|Michael Corris
|The Fine Structure of Collaboration
|34-37
|
|-
|7.
|Michael Corris
[[Mel Ramsden]]
|Frameworks and Phantoms
|38-52
|
|-
|8.
|Ian Burn
[[Mel Ramsden]]
|Problems of Art & Language Space
|53-72
|
|-
|9.
|John F. Hemmings
|Note on Reading 1969-1972
|73-77
|
|-
|10.
|David Bainbridge
|'Praxisectomy' and 'Theoryorraphy'
|78
|
|}
 
==== Vol. 2 No. 4 ====
[[File:AL-2-4-front.jpg|thumb|150px|Vol. 2 No. 4<br>June 1974]]
 
June 1974
 
[[Michael Baldwin]], Philip Pilkington
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Violins and Cows
|1-6
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Full text]
|-
|2.
|Redemption not Adaptation
|7-14
|
|-
|3.
|Data Blank, December 1973
|15
|
|-
|4.
|Brainstorm Proposal
|16-25
|
|-
|5.
|A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...
|26-33
|
|-
|6.
|Vector and Magnitude
|34
|
|-
|7.
|Uplifting Public Utterance
|35
|
|-
|8.
|Whether there exists, or has existed an 'ideological' person...
|36
|
|-
|9.
|Fragment from Contemporanea Index
|37
|
|-
|10.
|Dear...
|38-39
|
|-
|11.
|Points of Reference, the Hope of Ideology
|40-44
|
|-
|12.
|Art and Language
|45-50
|
|-
|13.
|Why J. Kosuth Won't Work for Us & Other Trivia
|51-61
|
|-
|14.
|The Old Gourmet (Transcript)
|62-70
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt] (62-63)
[https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt] (68)
|-
|15.
|Proceedings M2
|71-72
|
|-
|16.
|Instruction Index a x
|73-99
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpt] (87-125)
|-
|17.
|Instruction Index b x
|100-123
|-
|18.
|'The statement that there is a body of dialectical discourse...'
|124
|-
|19.
|Further Points of Reference
|126-130
|
|}
 
=== Volume 3 ===
 
==== Vol. 3 No. 1 ====
[[File:AL-3-1-front.jpg|thumb|150px|Vol. 3 No. 1<br>September 1974]]
 
September 1974
 
Draft for an Anti-Textbook
 
Ian Burn, [[Mel Ramsden]], Terry Smith
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Caution
|1
|
|-
|2.
|Somewhere to Begin
|2-4
|
|-
|3.
|Language has a Hold on us
|5-7
|
|-
|4.
|Market Relations
|8-9
|
|-
|5.
|Apodictic Tableaux
|10-12
|
|-
|6.
|Ideal Speakers...
|13-14
|
|-
|7.
|Annotations... Selective Memory (Histrionics?)...
|15-17
|
|-
|8.
|Cacophonous...
|18-19
|
|-
|9.
|Bureaucracy...
|20
|
|-
|10.
|Points of Order?
|21-22
|
|-
|11.
|No Refuge in 'Audience'...
|23-26
|
|-
|12.
|'Sometimes I feel like an Artist...'
|27-31
|
|-
|13.
|Institutional Serenity
|32-35
|
|-
|14.
|A 'Logic' of Going-On?
|36
|
|-
|15.
|Do We Have Anything like 'Assertion'?
|37-41
|
|-
|16.
|What are we doing in Language?
|42-43
|
|-
|17.
|'Consistency' is an Ideological Postulate
|44-47
|
|-
|18.
|Dead Horse...
|48-49
|
|-
|19.
|Iteration
|50
|
|-
|20.
|More Exhortations?
|51-53
|
|-
|21.
|Joseph Kosuth says that the group is a Cultural Ghetto
|54-55
|
|-
|22.
|...Overboard about Kierkegaard
|57-59
|
|-
|23.
|Fur Teacups
|60-61
|
|-
|24.
|Straight Talk?
|62-63
|
|-
|25.
|Equivocating...
|64-67
|
|-
|26.
|Routine...
|68
|
|-
|27.
|...Corpse of Official Language
|69-70
|
|-
|28.
|We Wish they had a Dictionary
|71-73
|
|-
|29.
|...Concatenation...
|74-75
|
|-
|30.
|Bxal-ing
|76-79
|
|-
|31.
|Endless Revisability...
|80-82
|
|-
|32.
|Striving in the Uproar
|83-86
|
|-
|33.
|Art-Career Components
|87-89
|
|-
|34.
|The Unreality of this Culture
|90-97
|
|-
|35.
|Modeish about Cultural Indeterminacy
|98-100
|
|-
|36.
|Exploitation... Education...
|101-103
|
|-
|37.
|Shop-Floorish?
|104-105
|
|-
|38.
|Leftish Critique
|106-108
|
|-
|39.
|Sporadic Encounter
|109-110
|
|}
 
==== Vol. 3 No. 2 ====
[[File:AL-3-2-front.jpg|thumb|150px|Vol. 3 No. 2<br>May 1975]]
May 1975
 
[[Michael Baldwin]], Ian Burn, Charles Harrison, Sandra Harrison, Philip Pilkington, [[Mel Ramsden]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|For Thomas Hobbes
|1-6
|
|-
|2.
|A Review of Styles
|7-12
|
|-
|3.
|‘To Begin With, While I am Clearly a Marxist Sympathizer...’
|13-19
|
|-
|4.
|Pedagogical Sketchbook (AL)
|20-30
|[https://www.art-language.org/texte/a/TI05h.htm#anglais Excerpt](22)
|-
|5.
|Brainstorming – New York
|31-40
|[https://www.art-language.org/texte/a/TI57h.htm#anglais Excerpt]
|-
|6.
|Art and Language
|41
|
|-
|7.
|Community Work
|44-45
|
|-
|8.
|Rambling: To Partial Correspondents
|46-51
|
|-
|9.
|Vulgar and Popular Opinions
|52-58
|
|-
|10.
|Little Grey Rabbit Goes to the Sea
|59-62
|
|-
|11.
|Overview – The Paradox of the Heap of Stones
|63-64
|
|-
|12.
|Slogan Adaptation
|65-67
|
|-
|13.
|‘Mr. Lin Yutang Refers to “Fair Play”...?’
|68-80
|
|-
|14.
|Strategy is Political: Dear M...
|81-86
|
|-
|15.
|My Amazed Admiration (...of the Subtle Complexity Reached by Western Capitalism)
|87-88
|
|-
|16.
|Utopian Prayers and Infantile Marxism
|89-92
|
|-
|17.
|Accidental Synopsis
|93-94
|
|-
|18.
|On the Embarrassing Dangers of Banishing 12-Tone Music
|95
|
|}
 
==== Vol. 3 No. 3 ====
[[File:AL-3-3-front.jpg|thumb|150px|Vol. 3 No. 3<br>June 1976]]
June 1976
 
[[Michael Baldwin]], Charles Harrison, Harold Hurrell
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|‘...The Timeless Lumpenness of a Radical Cultural Life...’
|cover-1
|
|-
|2.
|Transcript 3.1.76 Plus and Minus
|5-11
|
|-
|3.
|Bourgeois Revisionism, What?
|12-23
|
|-
|4.
|Conversation: Opacity?
|24-26
|
|-
|5.
|Ideology does not penetrate class barriers as a transparent substance
|27-28
|
|-
|6.
|Now, naughty revisionism or no
|29-33
|
|-
|7.
|Denizens of class struggle
|34-38
|
|-
|8.
|How to avoid assumptions that your good heart gets you there
|39-42
|
|-
|9.
|Jobless and Gaga
|43-47
|
|-
|10.
|Community Arts
|48-52
|
|-
|11.
|Abstract Art
|53-65
|
|-
|12.
|International: England 1 (o.g.) USA 1 (o.g.)
|66-72
|
|-
|13.
|Pastels in Prose – if not a Vignette in Verse...
|73-75
|
|-
|14.
|The problems of displaying base explicit directive ‘assumptions’
|76-84
|
|-
|15.
|Shoot the Sodding Ref.
|85-92
|
|-
|16.
|Provisions and Rules Again
|93-98
|
|-
|17.
|
|
|
|-
|18.
|
|
|
|-
|19.
|
|
|
|-
|20.
|
|
|
|-
|21.
|
|
|
|-
|22.
|
|
|
|-
|23.
|
|
|
|-
|24.
|
|
|
|-
|25.
|
|
|
|-
|26.
|
|
|
|-
|27.
|
|
|
|}
 
==== Vol. 3 No. 4 ====
[[File:AL-3-4-front.jpg|thumb|150px|Vol. 3 No. 4<br>October 1976]]
October 1976
 
[[Michael Baldwin]], Kathryn Bigelow, [[Mel Ramsden]], [[Mayo Thompson]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Us, Us and Away
|1-5
|
|-
|2.
|The Rediscovery of Hazlitt: To Our Knowledgeable Friends, Surrounded by False Homage, Estranged From Real Work
|6-9
|
|-
|3.
|In Contradiction
|10-22
|
|-
|4.
|The French Disease
|23-34
|
|-
|5.
|Semiotique, Hardcore
|35-36
|
|-
|6.
|Interdisciplinary Studies: Urology, Arachno-didactics
|37-48
|
|-
|7.
|Doge City
|49-62
|
|-
|8.
|Above Us the Waves (A Fascist Index)
|63-71
|
|}
 
=== Volume 4 ===
==== Vol. 4 No. 1 ====
[[File:AL-4-1-front.jpg|thumb|150px|Vol. 4 No. 1<br>May 1977]]
May 1977
 
[[Michael Baldwin]], Charles Harrison, Philip Pilkington, [[Mel Ramsden]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Go through the gatehouse...
|cover-2
|
|-
|2.
|Return Journey
|5-10
|[https://www.art-language.org/texte/b/TII27h.htm#anglais Link]
|-
|3.
|Simplicissimus
|11-37
|
|-
|4.
|Bad Men Have Some Songs
|38-41
|
|-
|5.
|The Building Blocks of the University
|42-45
|
|-
|6.
|The Long March from 23rd Street to Highgate Cemetery and Back
|46-50
|
|-
|7.
|Commentary
|51-55
|
|-
|8.
|‘In Conscience-stricken Wissenschaft...’
|56-67
|
|}
 
==== Vol. 4 No. 2 ====
[[File:AL-4-2-front.jpg|thumb|150px|Vol. 4 No. 2<br>October 1977]]
October 1977
 
[[Michael Baldwin]], Charles Harrison, Philip Pilkington, [[Mel Ramsden]], [[Mayo Thompson]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|A note on the cover
|3-5
|
|-
|2.
|Preamble
|6
|
|-
|3.
|Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism
|7-9
|
|-
|4.
|Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse
|10-18
|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full text]
|-
|5.
|Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism...
|19-41
|
|-
|6.
|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
|42-54
|
|-
|7.
|Method 5: A Crisis of Liberality for the Decaying Macaroni...
|55-61
|
|-
|8.
|Method 6: Random complaints
|62-65
|
|-
|9.
|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration
|66-81
|
|}
 
==== Vol. 4 No. 3 ====
[[File:AL-4-3-front.jpg|thumb|150px|Vol. 4 No. 3<br>October 1978]]
October 1978
 
Michael Baldwin, Charles Harrison, Sandra Harrison, Lynn Lemaster, Philip Pilkington, Mel Ramsden
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|A Note to the Reader
|1-2
|
|-
|2.
|Ways of Seeing
|3-123
|[https://www.art-language.org/texte/a/TI38h.htm#anglais Excerpt] (73)
|}
 
==== Vol. 4 No. 4 ====
[[File:AL-4-4-front.jpg|thumb|150px|Vol. 4 No. 4<br>June 1980]]
June 1980
 
[[Michael Baldwin]], Charles Harrison, [[Mel Ramsden]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Art for Society?
|1-25
|[https://www.art-language.org/texte/b/TII09h.htm#anglais Full text]
|-
|2.
|Portrait of V. I. Lenin
|26-61
|[https://www.art-language.org/texte/a/TI43h.htm#anglais Excerpt] (26)
|}
 
=== Volume 5 ===
==== Vol. 5 No. 1 ====
[[File:AL-5-1-front.jpg|thumb|150px|Vol. 5 No. 1<br>October 1982]]
October 1982
 
[[Michael Baldwin]], Charles Harrison, [[Mel Ramsden]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Abstract Expression
|1-21
|
|-
|2.
|Author and Producer Revisited
|22-31
|
|-
|3.
|A Letter to a Canadian Curator
|32-35
|[https://theoria.art-zoo.com/letter-to-a-canadian-curator-baldwinramsden-harrison/ Excerpt]
|-
|4.
|Three Poems after Friedrich Nietzsche
|36-44
|
|-
|5.
|Painting by Mouth
|45-55
|
|-
|6.
|A Souvenir of 1979
|56-68
|
|}
 
==== Vol. 5 No. 2 ====
[[File:AL-5-2-front.jpg|thumb|150px|Vol. 5 No. 2<br>March 1984]]
March 1984
 
[[Michael Baldwin]], Charles Harrison, [[Mel Ramsden]], [[Mayo Thompson]]
 
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Victorine
|1-59
|[[Victorine|Main article]][https://www.art-language.org/texte/a/TI54h.htm#anglais Excerpt] (47)
|}
 
==== Vol. 5 No. 3 ====
[[File:AL-5-3-front.jpg|thumb|150px|Vol. 5 No. 3<br>March 1985]]
March 1985
 
[[Michael Baldwin]], Charles Harrison, [[Mel Ramsden]]
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Blue Poles: Introduction
|3-22
|
|-
|2.
|Blue Poles: Modernism
|23-41
|
|-
|3.
|Blue Poles: Representation and Class: A Conjecture
|42-70
|
|-
|4.
|Blue Poles: Implications and Alternatives
|71-88
|
|}
 
=== New Series ===
 
==== New Series No. 1 ====
June 1994
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Paul Wood
|Mistaken Identities
|3-29
|
|-
|2.
|[[Michael Baldwin]]Charles Harrison
[[Mel Ramsden]]
|On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts
1. The End(s) of End-Game Art
|30-42
|
|-
|3.
|[[Michael Baldwin]]Charles Harrison
[[Mel Ramsden]]
|2. The Utterance of Painting
|43-62
|[https://www.art-language.org/texte/a/TI45h.htm#anglais Excerpt] (47)
[https://www.art-language.org/texte/a/TI16h.htm#anglais Excerpt] (53)
|-
|4.
|[[Michael Baldwin]]Charles Harrison
[[Mel Ramsden]]
|3. Seeing Paintings and Painting's Seeing
|63-69
|[https://www.art-language.org/texte/a/TI01h.htm#anglais Excerpt] (63)
|}
 
==== New Series No. 2 ====
June 1997
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Philip Pilkington
|Some Darwinian Conditions of the Art & Language Indexes
|3-11
|[https://www.art-language.org/texte/b/TII61h.htm#anglais Full text]
|-
|2.
|Philip Pilkington
|Postscript Contra Atkinson
|12-19
|
|-
|3.
|Paul Wood
|Refusing to Die
|20-31
|
|-
|4.
|[[Michael Baldwin]]Charles Harrison
[[Mel Ramsden]]
|Memories of the Medicine Show
1. Recollecting Conceptual Art
|32-39
|[https://www.art-language.org/texte/b/TII04.htm Full text]
|-
|5.
|[[Michael Baldwin]]Charles Harrison
[[Mel Ramsden]]
|2. We Aimed to be Amateurs
|40-49
|[https://www.art-language.org/texte/b/TII08.htm Full text]
|-
|6.
|[[Michael Baldwin]]Charles Harrison
[[Mel Ramsden]]
Paul Wood
|Northanger Abbey
|50-
|
|}
 
==== New Series No. 3 ====
September 1999
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Charles Harrison
|Editorial Note
|1-2
|
|-
|2.
|Michael Corris
Neil Powell
|An Attempt at a Textual Analogue of a Possible Art & Language Exhibition
|3-9
|
|-
|3.
|Philip Pilkington
|Fake Experience and Talking
|10-14
|[https://www.art-language.org/texte/b/TII13h.htm#anglais Full text]
|-
|4.
|Charles Harrison
|Artists' Writing
|15-34
|[https://www.art-language.org/texte/b/TII10h.htm#anglais Full text]
|-
|5.
|[[Mel Ramsden]]
|Artist's Language 1
|35-45
|[https://www.art-language.org/texte/a/TI20h.htm#anglais Excerpt] (32)
[https://www.art-language.org/texte/a/TI61h.htm#anglais Excerpt] (39)
|-
|6.
|[[Michael Baldwin]]
|Artist's Langauge 2
|47-61
|[https://www.art-language.org/texte/b/TII07h.htm#anglais Link] (47-56)
|-
|7.
|Terry Atkinson
|If We are Historical and Logical Monsters then so much the better...v2
|62-75
|
|}
 
== The Fox ==
 
==== The Fox Vol. 1 No. 1 ====
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|
|
|
|
|-
|2.
|
|
|
|
|-
|3.
|
|
|
|
|-
|4.
|
|
|
|
|-
|5.
|
|
|
|
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|6.
|
|
|
|
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|7.
|
|
|
|
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|8.
|
|
|
|
|-
|9.
|
|
|
|
|-
|10.
|
|
|
|
|-
|11.
|
|
|
|
|-
|12.
|
|
|
|
|-
|13.
|
|
|
|
|-
|14.
|
|
|
|
|-
|15.
|
|
|
|
|}
 
==== The Fox 2 ====
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|
|
|
|
|-
|2.
|
|
|
|
|-
|3.
|
|
|
|
|-
|4.
|
|
|
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|-
|5.
|
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|6.
|
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|7.
|
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|8.
|
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|9.
|
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|-
|10.
|
|
|
|
|-
|11.
|
|
|
|
|-
|12.
|
|
|
|
|-
|13.
|
|
|
|
|-
|14.
|
|
|
|
|-
|15.
|
|
|
|
|}
 
==== The Fox 3 ====
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|
|
|
|
|-
|2.
|
|
|
|
|-
|3.
|
|
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|-
|4.
|
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|5.
|
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|6.
|
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|7.
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|8.
|
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|9.
|
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|10.
|
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|11.
|
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|12.
|
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|13.
|
|
|
|
|-
|14.
|
|
|
|
|-
|15.
|
|
|
|
|}
 
== Analytical Art ==
 
==== Analytical Art No. 1 ====
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|
|
|
|
|-
|2.
|
|
|
|
|-
|3.
|
|
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|4.
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|5.
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|6.
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|7.
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|8.
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|9.
|
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|10.
|
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|11.
|
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|12.
|
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|13.
|
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|
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|-
|14.
|
|
|
|
|-
|15.
|
|
|
|
|}


==== Analytical Art No. 2 ====
== References ==
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|
|
|
|
|-
|2.
|
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|3.
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|4.
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|5.
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|6.
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|7.
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|8.
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|9.
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|10.
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|11.
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|12.
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|13.
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|14.
|
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|15.
|
|
|
|
|}
[[Category:Art & Language]]
[[Category:Art & Language]]

Latest revision as of 09:10, 17 April 2023

Art-Language was a periodical first published by Art & Language in 1969.

Art-Language and related periodicals

References

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