Art-Language Vol. 3 No. 3: Difference between revisions
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
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|''Conversation: Opacity?'' | |''Conversation: Opacity?'' | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
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|''Now, naughty revisionism or no'' | |''Now, naughty revisionism or no'' | ||
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|''Abstract Art'' | |''Abstract Art'' | ||
|53-65 | |53-65 | ||
| | |[https://www.art-language.org/texte/a/TI17h.htm#anglais '''Excerpt'''] (35-36) | ||
[https://www.art-language.org/texte/b/TII17h.htm#francais French translation] | |||
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* ''[[Art & Language 1975-78]]'' (1978) | * ''[[Art & Language 1975-78]]'' (1978) | ||
Latest revision as of 04:21, 25 January 2024
| Art-Language Vol. 3 No. 3 | |
|---|---|
| Publication | Art-Language |
| Date | June 1976 |
| Volume | 3 |
| Number | 3 |
| Publisher | |
| Editor | Michael Baldwin, Charles Harrison, Harold Hurrell |
Contents
| Title | pg. | Notes | Reprinted in |
|---|---|---|---|
| ‘...The Timeless Lumpenness of a Radical Cultural Life...’ | cover-1 |
| |
| Transcript 3.1.76 Plus and Minus | 5-11 | ||
| Bourgeois Revisionism, What? | 12-23 |
| |
| Conversation: Opacity? | 24-26 | ||
| Ideology does not penetrate class barriers as a transparent substance | 27-28 |
| |
| Now, naughty revisionism or no | 29-33 | ||
| Denizens of class struggle | 34-38 | ||
| How to avoid assumptions that your good heart gets you there | 39-42 | ||
| Jobless and Gaga | 43-47 | ||
| Community Arts | 48-52 | ||
| Abstract Art | 53-65 | Excerpt (35-36) |
|
| International: England 1 (o.g.) USA 1 (o.g.) | 66-72 | ||
| Pastels in Prose – if not a Vignette in Verse... | 73-75 |
| |
| The problems of displaying base explicit directive ‘assumptions’ | 76-84 | ||
| Shoot the Sodding Ref. | 85-92 | ||
| Provisions and Rules Again | 93-98 | ||
| More Unsightly Speculations | 99-102 | ||
| Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | 103-104 | ||
| Don’t Speak of Man’s Potentialities and their being made Actual in Society | 105-106 | ||
| (Education is not putting sight into blind eyes, so...) Back to the Sandbank | 107-109 | ||
| What’s an ideological boundary then? | 110-114 | ||
| Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | 115-119 | ||
| Who’s a little Max Stirner then? | 120-121 | ||
| A tale in the sump oil: notes from under the car; you can’t help them breaking down | 122-125 |
Ephemera
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Ad in The Fox 3
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