Jump to content

Art-Language Vol. 4 No. 2: Difference between revisions

From Red Krayola Wiki
No edit summary
No edit summary
 
(4 intermediate revisions by the same user not shown)
Line 33: Line 33:
|Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse
|Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse
|10-18
|10-18
|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full article]
|[https://www.art-language.org/texte/b/TII32h.htm#anglais '''Full article''']
|
|
|-
|-
Line 40: Line 40:
|
|
|
|
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
|-
|-
|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
Line 45: Line 46:
|
|
|
|
* Excerpt in ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
|-
|-
|Method 5: A Crisis of Liberality for the Decaying Macaroni...
|Method 5: A Crisis of Liberality for the Decaying Macaroni...

Latest revision as of 05:22, 25 January 2024

Art-Language Vol. 4 No. 2
Publication Art-Language
Date October 1977
Volume 4
Number 2
Publisher
Editor Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson

Contents

Title pg. Notes Reprinted in
A note on the cover 3-5
Preamble 6
Method 1: On the Material Necessity that the Editors of October, its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism 7-9
Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse 10-18 Full article
Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism... 19-41
Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given 42-54
Method 5: A Crisis of Liberality for the Decaying Macaroni... 55-61
Method 6: Random complaints 62-65
Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration 66-81

References