Art-Language New Series No. 3: Difference between revisions
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|Artists' Writing | |Artists' Writing | ||
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|[https://www.art-language.org/texte/b/TII10h.htm#anglais Full article] | |[https://www.art-language.org/texte/b/TII10h.htm#anglais Full article]<ref>Adapted into the first chapter of [[Conceptual Art and Painting: Further Essays on Art & Language|''Conceptual Art and Painting: Further Essays on Art & Language'']] (2001)</ref> | ||
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|[[Mel Ramsden]] | |[[Mel Ramsden]] | ||
Revision as of 02:04, 8 October 2023
| Art-Language New Series No. 3 | |
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| Publication | Art-Language |
| Date | September 1999 |
| Volume | New Series |
| Number | 3 |
| Publisher | |
| Editor | |
Contents
| Author | Title | pg. | Notes |
|---|---|---|---|
| Charles Harrison | Editorial Note | 1-2 | |
| Michael Corris
Neil Powell |
An Attempt at a Textual Analogue of a Possible Art & Language Exhibition | 3-9 | |
| Philip Pilkington | Fake Experience and Talking | 10-14 | Full article |
| Charles Harrison | Artists' Writing | 15-34 | Full article[1] |
| Mel Ramsden | Artist's Language 1 | 35-45 | Excerpt (36)
Excerpt (32) Excerpt (39) |
| Michael Baldwin | Artist's Langauge 2 | 47-61 | Excerpt (47-56) |
| Terry Atkinson | If We are Historical and Logical Monsters then so much the better...v2 | 62-75 |
References
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- ↑ Adapted into the first chapter of Conceptual Art and Painting: Further Essays on Art & Language (2001)