Art-Language Vol. 3 No. 1: Difference between revisions
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|1. | |1. | ||
|Caution | |''Caution'' | ||
|1 | |1 | ||
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|- | |- | ||
|2. | |2. | ||
|Somewhere to Begin | |''Somewhere to Begin'' | ||
|2-4 | |2-4 | ||
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|- | |- | ||
|3. | |3. | ||
|Language has a Hold on us | |''Language has a Hold on us'' | ||
|5-7 | |5-7 | ||
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|- | |- | ||
|4. | |4. | ||
|Market Relations | |''Market Relations'' | ||
|8-9 | |8-9 | ||
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|- | |- | ||
|5. | |5. | ||
|Apodictic Tableaux | |''Apodictic Tableaux'' | ||
|10-12 | |10-12 | ||
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|- | |- | ||
|6. | |6. | ||
|Ideal Speakers... | |''Ideal Speakers...'' | ||
|13-14 | |13-14 | ||
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|- | |- | ||
|7. | |7. | ||
|Annotations... Selective Memory (Histrionics?)... | |''Annotations... Selective Memory (Histrionics?)...'' | ||
|15-17 | |15-17 | ||
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|- | |- | ||
|8. | |8. | ||
|Cacophonous... | |''Cacophonous...'' | ||
|18-19 | |18-19 | ||
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|- | |- | ||
|9. | |9. | ||
|Bureaucracy... | |''Bureaucracy...'' | ||
|20 | |20 | ||
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|- | |- | ||
|10. | |10. | ||
|Points of Order? | |''Points of Order?'' | ||
|21-22 | |21-22 | ||
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|- | |- | ||
|11. | |11. | ||
|No Refuge in 'Audience'... | |''No Refuge in 'Audience'...'' | ||
|23-26 | |23-26 | ||
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|- | |- | ||
|12. | |12. | ||
|'Sometimes I feel like an Artist...' | |''<nowiki/>'Sometimes I feel like an Artist...''' | ||
|27-31 | |27-31 | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
|- | |- | ||
|13. | |13. | ||
|Institutional Serenity | |''Institutional Serenity'' | ||
|32-35 | |32-35 | ||
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|- | |- | ||
|14. | |14. | ||
|A 'Logic' of Going-On? | |''A 'Logic' of Going-On?'' | ||
|36 | |36 | ||
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|- | |- | ||
|15. | |15. | ||
|Do We Have Anything like 'Assertion'? | |''Do We Have Anything like 'Assertion'?'' | ||
|37-41 | |37-41 | ||
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|- | |- | ||
|16. | |16. | ||
|What are we doing in Language? | |''What are we doing in Language?'' | ||
|42-43 | |42-43 | ||
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|- | |- | ||
|17. | |17. | ||
|'Consistency' is an Ideological Postulate | |''<nowiki/>'Consistency' is an Ideological Postulate'' | ||
|44-47 | |44-47 | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
|- | |- | ||
|18. | |18. | ||
|Dead Horse... | |''Dead Horse...'' | ||
|48-49 | |48-49 | ||
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|- | |- | ||
|19. | |19. | ||
|Iteration | |''Iteration'' | ||
|50 | |50 | ||
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|- | |- | ||
|20. | |20. | ||
|More Exhortations? | |''More Exhortations?'' | ||
|51-53 | |51-53 | ||
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|- | |- | ||
|21. | |21. | ||
|Joseph Kosuth says that the group is a Cultural Ghetto | |''Joseph Kosuth says that the group is a Cultural Ghetto'' | ||
|54-55 | |54-55 | ||
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|- | |- | ||
|22. | |22. | ||
|...Overboard about Kierkegaard | |''...Overboard about Kierkegaard'' | ||
|57-59 | |57-59 | ||
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|- | |- | ||
|23. | |23. | ||
|Fur Teacups | |''Fur Teacups'' | ||
|60-61 | |60-61 | ||
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|- | |- | ||
|24. | |24. | ||
|Straight Talk? | |''Straight Talk?'' | ||
|62-63 | |62-63 | ||
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|- | |- | ||
|25. | |25. | ||
|Equivocating... | |''Equivocating...'' | ||
|64-67 | |64-67 | ||
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|- | |- | ||
|26. | |26. | ||
|Routine... | |''Routine...'' | ||
|68 | |68 | ||
| | | | ||
|- | |- | ||
|27. | |27. | ||
|...Corpse of Official Language | |''...Corpse of Official Language'' | ||
|69-70 | |69-70 | ||
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|- | |- | ||
|28. | |28. | ||
|We Wish they had a Dictionary | |''We Wish they had a Dictionary'' | ||
|71-73 | |71-73 | ||
| | | | ||
|- | |- | ||
|29. | |29. | ||
|...Concatenation... | |''...Concatenation...'' | ||
|74-75 | |74-75 | ||
| | | | ||
|- | |- | ||
|30. | |30. | ||
|Bxal-ing | |''Bxal-ing'' | ||
|76-79 | |76-79 | ||
| | | | ||
|- | |- | ||
|31. | |31. | ||
|Endless Revisability... | |''Endless Revisability...'' | ||
|80-82 | |80-82 | ||
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|- | |- | ||
|32. | |32. | ||
|Striving in the Uproar | |''Striving in the Uproar'' | ||
|83-86 | |83-86 | ||
| | | | ||
|- | |- | ||
|33. | |33. | ||
|Art-Career Components | |''Art-Career Components'' | ||
|87-89 | |87-89 | ||
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|- | |- | ||
|34. | |34. | ||
|The Unreality of this Culture | |''The Unreality of this Culture'' | ||
|90-97 | |90-97 | ||
| | | | ||
|- | |- | ||
|35. | |35. | ||
|Modeish about Cultural Indeterminacy | |''Modeish about Cultural Indeterminacy'' | ||
|98-100 | |98-100 | ||
| | | | ||
|- | |- | ||
|36. | |36. | ||
|Exploitation... Education... | |''Exploitation... Education...'' | ||
|101-103 | |101-103 | ||
| | | | ||
|- | |- | ||
|37. | |37. | ||
|Shop-Floorish? | |''Shop-Floorish?'' | ||
|104-105 | |104-105 | ||
| | | | ||
|- | |- | ||
|38. | |38. | ||
|Leftish Critique | |''Leftish Critique'' | ||
|106-108 | |106-108 | ||
| | | | ||
|- | |- | ||
|39. | |39. | ||
|Sporadic Encounter | |''Sporadic Encounter'' | ||
|109-110 | |109-110 | ||
| | | |
Revision as of 19:08, 8 October 2023
Note: A digital copy of this issue is included in the free Home From Home Kit D'exposition.
Art-Language Vol. 3 No. 1 | |
---|---|
![]() | |
Publication | Art-Language |
Date | September 1974 |
Volume | 3 |
Number | 1 |
Publisher | |
Editor | Ian Burn, Mel Ramsden, Terry Smith |
Contents
Title | pg. | Reprinted in | |
---|---|---|---|
1. | Caution | 1 | |
2. | Somewhere to Begin | 2-4 | |
3. | Language has a Hold on us | 5-7 | |
4. | Market Relations | 8-9 | |
5. | Apodictic Tableaux | 10-12 | |
6. | Ideal Speakers... | 13-14 | |
7. | Annotations... Selective Memory (Histrionics?)... | 15-17 | |
8. | Cacophonous... | 18-19 | |
9. | Bureaucracy... | 20 | |
10. | Points of Order? | 21-22 | |
11. | No Refuge in 'Audience'... | 23-26 | |
12. | 'Sometimes I feel like an Artist...' | 27-31 |
|
13. | Institutional Serenity | 32-35 | |
14. | A 'Logic' of Going-On? | 36 | |
15. | Do We Have Anything like 'Assertion'? | 37-41 | |
16. | What are we doing in Language? | 42-43 | |
17. | 'Consistency' is an Ideological Postulate | 44-47 |
|
18. | Dead Horse... | 48-49 | |
19. | Iteration | 50 | |
20. | More Exhortations? | 51-53 | |
21. | Joseph Kosuth says that the group is a Cultural Ghetto | 54-55 | |
22. | ...Overboard about Kierkegaard | 57-59 | |
23. | Fur Teacups | 60-61 | |
24. | Straight Talk? | 62-63 | |
25. | Equivocating... | 64-67 | |
26. | Routine... | 68 | |
27. | ...Corpse of Official Language | 69-70 | |
28. | We Wish they had a Dictionary | 71-73 | |
29. | ...Concatenation... | 74-75 | |
30. | Bxal-ing | 76-79 | |
31. | Endless Revisability... | 80-82 | |
32. | Striving in the Uproar | 83-86 | |
33. | Art-Career Components | 87-89 | |
34. | The Unreality of this Culture | 90-97 | |
35. | Modeish about Cultural Indeterminacy | 98-100 | |
36. | Exploitation... Education... | 101-103 | |
37. | Shop-Floorish? | 104-105 | |
38. | Leftish Critique | 106-108 | |
39. | Sporadic Encounter | 109-110 |
Retrospectives
Charles Harrison, 1991[1]
In recognition of the increasingly transatlantic character of the group, Art-Language, vol. 3, no. 1, was composed entirely of transcripts from conversations recorded in New York and was edited by Burn, Ramsden, and Smith. This edition of the journal was published in September 1974 with the subtitle 'Draft for an Anti-Textbook'. That this publication was largely disregarded in England, however, served only to emphasize the grounds of divergence of interests. With the publication of The Fox in New York the following April, the quorateness of Art-Language itself was finally called into question.
References
- ↑ Essays on Art & Language, pg. 114