Art-Language Vol. 3 No. 3: Difference between revisions
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== | == Ephemera == | ||
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== References == | |||
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[[Category:Art-Language]] | [[Category:Art-Language]] |
Revision as of 01:49, 8 October 2023
Art-Language Vol. 3 No. 3 | |
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Publication | Art-Language |
Date | June 1976 |
Volume | 3 |
Number | 3 |
Publisher | |
Editor | Michael Baldwin, Charles Harrison, Harold Hurrell |
Contents
Title | pg. | Notes |
---|---|---|
‘...The Timeless Lumpenness of a Radical Cultural Life...’ | cover-1 | [1] |
Transcript 3.1.76 Plus and Minus | 5-11 | |
Bourgeois Revisionism, What? | 12-23 | |
Conversation: Opacity? | 24-26 | |
Ideology does not penetrate class barriers as a transparent substance | 27-28 | |
Now, naughty revisionism or no | 29-33 | |
Denizens of class struggle | 34-38 | |
How to avoid assumptions that your good heart gets you there | 39-42 | |
Jobless and Gaga | 43-47 | |
Community Arts | 48-52 | |
Abstract Art | 53-65 | [2] |
International: England 1 (o.g.) USA 1 (o.g.) | 66-72 | |
Pastels in Prose – if not a Vignette in Verse... | 73-75 | [3] |
The problems of displaying base explicit directive ‘assumptions’ | 76-84 | |
Shoot the Sodding Ref. | 85-92 | |
Provisions and Rules Again | 93-98 | |
More Unsightly Speculations | 99-102 | |
Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | 103-104 | |
Don’t Speak of Man’s Potentialities and their being made Actual in Society | 105-106 | |
(Education is not putting sight into blind eyes, so...) Back to the Sandbank | 107-109 | |
What’s an ideological boundary then? | 110-114 | |
Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | 115-119 | |
Who’s a little Max Stirner then? | 120-121 | |
A tale in the sump oil: notes from under the car; you can’t help them breaking down | 122-125 |
Ephemera


References
- ↑ Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)
- ↑ Republished in Art & Language 1975-78 (1978)
- ↑ Republished in Art & Language 1975-78 (1978)