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== Contents ==
== Contents ==
[https://monoskop.org/File:Art_and_Language_1966-1975.pdf Download from Monoskop]
{| class="wikitable"
{| class="wikitable"
!Title
!Title
!pg.
!pg.
!Notes
|-
|-
|Victorine
|Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)
|1-59
|1-3
|[https://www.art-language.org/texte/a/TI54h.htm#anglais Excerpt] (47)
|-
|'We have some non-utilitarian problems (of notation) in the face of...'
|4-6
|-
|This Connects with the Given Political Moment, etc....
|7-9
|-
|To Boring Professors...Transitional Demands
|10-11
|-
|'A point of reference...or what? Individual (distributed) ideo-prac-...'
|12-14
|-
|Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict
|15-17
|-
|Notes...More Worry about Going-On
|18-20
|-
|The Preservation of the Species: Direct Speech
|21-22
|-
|The Preservation of the Species: Counter Course
|23-24
|-
|'Putative art practice in Britain is focussed on the art schools. Most...'
|25-27
|-
|Self-Superseding Strategy...or the Given Political Moment
|28-32
|-
|Good Evening...It's Modern Amusements Time Again
|33-36
|-
|For the B.B.C.: A Visual Description of...
|37-39
|-
|'The requirement that one should see his 'work' as 'in' the dialectic of...'
|40
|-
|Good Morning - Old-Fashioned Amusements
|41-42
|-
|'We might want to walk into over-complex iterations, just like a lot of...'
|43
|-
|Historically Proper Names
|44-45
|-
|Alphabet of Lenin - Intermediate Para-Structures
|46-48
|-
|Dear Stefan...
|49-51
|}
|}


== Background ==
== Background ==
<blockquote>Oxford: Museum of Modern Art, 1975


{{Navbox-Art-Language}}
21 x 14.7cm, 52pp plus card covers. Exhibition catalogue which is written in parody of the [[Art-Language]] Journals. Reproduced texts by the conceptual art group and no illustrations.<ref>https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/</ref></blockquote>{{Navbox-Art-Language}}


== References ==
== References ==


[[Category:Art-Language]]
[[Category:Art-Language]]

Revision as of 09:09, 17 April 2023

Contents

Download from Monoskop

Title pg.
Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia) 1-3
'We have some non-utilitarian problems (of notation) in the face of...' 4-6
This Connects with the Given Political Moment, etc.... 7-9
To Boring Professors...Transitional Demands 10-11
'A point of reference...or what? Individual (distributed) ideo-prac-...' 12-14
Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict 15-17
Notes...More Worry about Going-On 18-20
The Preservation of the Species: Direct Speech 21-22
The Preservation of the Species: Counter Course 23-24
'Putative art practice in Britain is focussed on the art schools. Most...' 25-27
Self-Superseding Strategy...or the Given Political Moment 28-32
Good Evening...It's Modern Amusements Time Again 33-36
For the B.B.C.: A Visual Description of... 37-39
'The requirement that one should see his 'work' as 'in' the dialectic of...' 40
Good Morning - Old-Fashioned Amusements 41-42
'We might want to walk into over-complex iterations, just like a lot of...' 43
Historically Proper Names 44-45
Alphabet of Lenin - Intermediate Para-Structures 46-48
Dear Stefan... 49-51

Background

Oxford: Museum of Modern Art, 1975 21 x 14.7cm, 52pp plus card covers. Exhibition catalogue which is written in parody of the Art-Language Journals. Reproduced texts by the conceptual art group and no illustrations.[1]

References

  1. ↑ https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/
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