The Fox No. 3: Difference between revisions
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== Contents == | == Contents == | ||
{| class="wikitable" | {| class="wikitable" | ||
!Title | |||
!Author | !Author | ||
!pg. | !pg. | ||
!Notes | !Notes | ||
| Line 18: | Line 18: | ||
! colspan="4" |Discussions | ! colspan="4" |Discussions | ||
|- | |- | ||
|The Lumpen-Headache | |||
|Peter Benchley | |Peter Benchley | ||
| | | | ||
| | | | ||
|- | |- | ||
|Review: Not on the Development of Contradiction | |||
|[[Kathryn Bigelow]] | |[[Kathryn Bigelow]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|For Artists Meeting | |||
|Sarah Charlesworth | |Sarah Charlesworth | ||
| | | | ||
| | | | ||
|- | |- | ||
|Review: Under the Rug | |||
|Martha Rosler | |Martha Rosler | ||
| | | | ||
| | | | ||
|- | |- | ||
|Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year? | |||
|[[Mel Ramsden]] | |[[Mel Ramsden]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|Having-Your-Heart-In-The-Right-Place Is Not Making History | |||
|[[Art & Language|Art & Language, UK]] | |[[Art & Language|Art & Language, UK]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Edge of Edge | |||
|Carole Condé | |Carole Condé | ||
Karl Beveridge | Karl Beveridge | ||
| | | | ||
| | | | ||
|- | |- | ||
|Review: The Incredible Rocky | |||
|Steve Lockhard | |Steve Lockhard | ||
| | | | ||
| | | | ||
|- | |- | ||
|Autopaptripassionata | |||
|[[Christine Kozlov]] | |[[Christine Kozlov]] | ||
[[Mayo Thompson]] | [[Mayo Thompson]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|Review: Chic Kicking Muse | |||
|Sharlene Spingler | |Sharlene Spingler | ||
| | | | ||
| | | | ||
|- | |- | ||
|Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends | |||
|[[Art & Language|Art & Language, UK]] | |[[Art & Language|Art & Language, UK]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|For Your Reference | |||
|Ian Burn | |Ian Burn | ||
| | | | ||
| | | | ||
|- | |- | ||
|Review: Convoy | |||
|[[Mayo Thompson]] | |[[Mayo Thompson]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|The 'Liquidation' of Art: Self-Management or Self-Protection | |||
|Jasna Tijardović | |Jasna Tijardović | ||
| | | | ||
| | | | ||
| Line 93: | Line 93: | ||
! colspan="4" |Articles | ! colspan="4" |Articles | ||
|- | |- | ||
|Bathysiderodromophobia | |||
|Ross Neher | |Ross Neher | ||
| | | | ||
| | | | ||
|- | |- | ||
|Has Your License Expired? | |||
|Nigel Lendon | |Nigel Lendon | ||
| | | | ||
| | | | ||
|- | |- | ||
|Work | |||
|Joseph Kosuth | |Joseph Kosuth | ||
| | | | ||
| | | | ||
|- | |- | ||
|Method or Mouthtalk? | |||
|Fern Tiger | |Fern Tiger | ||
Edward Robbins | Edward Robbins | ||
| | | | ||
| | | | ||
|- | |- | ||
|The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman | |||
|Michael Corris | |Michael Corris | ||
Preston Heller | Preston Heller | ||
Andrew Menard | Andrew Menard | ||
| | | | ||
| | | | ||
|- | |- | ||
|History | |||
|David Rushton | |David Rushton | ||
Paul Wood | Paul Wood | ||
| | | | ||
| | | | ||
|- | |- | ||
|On the Class Character of Art | |||
|Goran Djordjevic | |Goran Djordjevic | ||
| | | | ||
| | | | ||
|- | |- | ||
|Sociological Art as Utopian Strategy | |||
|Hervé Fischer | |Hervé Fischer | ||
| | | | ||
| | | | ||
|- | |- | ||
|Art-Learning | |||
|David Rushton | |David Rushton | ||
Paul Wood | Paul Wood | ||
| | | | ||
| | | | ||
| Line 145: | Line 145: | ||
! colspan="4" |Correspondence & Notes | ! colspan="4" |Correspondence & Notes | ||
|- | |- | ||
|Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others | |||
| | | | ||
| | | | ||
| | | | ||
|- | |- | ||
|Art & Class | |||
|May Stevens | |May Stevens | ||
| | | | ||
| | | | ||
|- | |- | ||
|Students Fighting Faculty at WU | |||
|Jane Klion | |Jane Klion | ||
Julie Wolf | Julie Wolf | ||
| | | | ||
| | | | ||
|- | |- | ||
|Natural Alliances | |||
|[[Mayo Thompson]] | |[[Mayo Thompson]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|For the Sensitive | |||
|[[Mayo Thompson]] | |[[Mayo Thompson]] | ||
| | | | ||
| | | | ||
|- | |- | ||
|Theses on Aesthetics | |||
|Stefan Morawski | |Stefan Morawski | ||
| | | | ||
| | | | ||
Revision as of 06:06, 28 February 2023
| The Fox No. 3 | |
|---|---|
| Publication | The Fox |
| Date | May 1976 |
| Volume | 1 |
| Number | 3 |
| Publisher | Art & Language Foundation |
| Editor | |
Contents
| Title | Author | pg. | Notes |
|---|---|---|---|
| Discussions | |||
| The Lumpen-Headache | Peter Benchley | ||
| Review: Not on the Development of Contradiction | Kathryn Bigelow | ||
| For Artists Meeting | Sarah Charlesworth | ||
| Review: Under the Rug | Martha Rosler | ||
| Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year? | Mel Ramsden | ||
| Having-Your-Heart-In-The-Right-Place Is Not Making History | Art & Language, UK | ||
| The Edge of Edge | Carole Condé
Karl Beveridge |
||
| Review: The Incredible Rocky | Steve Lockhard | ||
| Autopaptripassionata | Christine Kozlov | ||
| Review: Chic Kicking Muse | Sharlene Spingler | ||
| Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends | Art & Language, UK | ||
| For Your Reference | Ian Burn | ||
| Review: Convoy | Mayo Thompson | ||
| The 'Liquidation' of Art: Self-Management or Self-Protection | Jasna Tijardović | ||
| Articles | |||
| Bathysiderodromophobia | Ross Neher | ||
| Has Your License Expired? | Nigel Lendon | ||
| Work | Joseph Kosuth | ||
| Method or Mouthtalk? | Fern Tiger
Edward Robbins |
||
| The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman | Michael Corris
Preston Heller Andrew Menard |
||
| History | David Rushton
Paul Wood |
||
| On the Class Character of Art | Goran Djordjevic | ||
| Sociological Art as Utopian Strategy | Hervé Fischer | ||
| Art-Learning | David Rushton
Paul Wood |
||
| Correspondence & Notes | |||
| Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others | |||
| Art & Class | May Stevens | ||
| Students Fighting Faculty at WU | Jane Klion
Julie Wolf |
||
| Natural Alliances | Mayo Thompson | ||
| For the Sensitive | Mayo Thompson | ||
| Theses on Aesthetics | Stefan Morawski | ||
