The Fox No. 3: Difference between revisions
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|Peter Benchley | |Peter Benchley ([[Mel Ramsden]]) | ||
|''The Lumpen-Headache'' | |''The Lumpen-Headache'' | ||
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* '' | * ''Art and Autonomy: A Critical Reader'' (ed. Lütticken, 2022) | ||
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|[[Kathryn Bigelow]] | |[[Kathryn Bigelow]] | ||
Latest revision as of 04:58, 9 December 2023
| The Fox No. 3 | |
|---|---|
| Publication | The Fox |
| Date | May 1976 |
| Volume | 1 |
| Number | 3 |
| Publisher | Art & Language Foundation |
| Editor | |
Contents
| Author | Title | pg. | Notes | Reprinted in |
|---|---|---|---|---|
| Discussions | ||||
| Peter Benchley (Mel Ramsden) | The Lumpen-Headache |
| ||
| Kathryn Bigelow | Review: Not on the Development of Contradiction | |||
| Sarah Charlesworth | For Artists Meeting | |||
| Martha Rosler | Review: Under the Rug | |||
| Mel Ramsden | Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year? | |||
| Art & Language, UK | Having-Your-Heart-In-The-Right-Place Is Not Making History |
| ||
| Art & Language, UK | Worst of All Allies |
| ||
| Carole Condé
Karl Beveridge |
The Edge of Edge | |||
| Steve Lockhard | Review: The Incredible Rocky | |||
| Christine Kozlov | Autopaptripassionata | |||
| Sharlene Spingler | Review: Chic Kicking Muse | |||
| Art & Language, UK | Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends | |||
| Ian Burn | For Your Reference | |||
| Mayo Thompson | Review: Convoy | |||
| Jasna Tijardović | The 'Liquidation' of Art: Self-Management or Self-Protection | |||
| Articles | ||||
| Ross Neher | Bathysiderodromophobia | |||
| Nigel Lendon | Has Your License Expired? | |||
| Joseph Kosuth | Work | |||
| Fern Tiger
Edward Robbins |
Method or Mouthtalk? | |||
| Michael Corris
Preston Heller Andrew Menard |
The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman | |||
| David Rushton
Paul Wood |
History | |||
| Goran Djordjevic | On the Class Character of Art | |||
| Hervé Fischer | Sociological Art as Utopian Strategy | |||
| David Rushton
Paul Wood |
Art-Learning | |||
| Correspondence & Notes | ||||
| Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others | ||||
| May Stevens | Art & Class | |||
| Jane Klion
Julie Wolf |
Students Fighting Faculty at WU | |||
| Mayo Thompson | Natural Alliances | |||
| Mayo Thompson | For the Sensitive | |||
| Stefan Morawski | Theses on Aesthetics | |||
Ephemera
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Poster[1]
