Art-Language New Series No. 2: Difference between revisions
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== Contents == | == Contents == | ||
{| class="wikitable" | {| class="wikitable" | ||
!Author | |||
!Title | !Title | ||
!pg. | !pg. | ||
!Notes | !Notes | ||
|- | |- | ||
|Philip Pilkington | |||
|Some Darwinian Conditions of the Art & Language Indexes | |Some Darwinian Conditions of the Art & Language Indexes | ||
|3-11 | |3-11 | ||
|[https://www.art-language.org/texte/b/TII61h.htm#anglais Full article] | |[https://www.art-language.org/texte/b/TII61h.htm#anglais Full article] | ||
|- | |- | ||
|Philip Pilkington | |||
|Postscript Contra Atkinson | |Postscript Contra Atkinson | ||
|12-19 | |12-19 | ||
| | | | ||
|- | |- | ||
|Paul Wood | |||
|Refusing to Die | |Refusing to Die | ||
|20-31 | |20-31 | ||
| | | | ||
|- | |- | ||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
[[Charles Harrison]] | [[Charles Harrison]] | ||
[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|Memories of the Medicine Show | |||
1. Recollecting Conceptual Art | |||
|32-39 | |32-39 | ||
|[https://www.art-language.org/texte/b/TII04.htm#anglais Full article] | |[https://www.art-language.org/texte/b/TII04.htm#anglais Full article] | ||
|- | |- | ||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
[[Charles Harrison]] | [[Charles Harrison]] | ||
[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|2. We Aimed to be Amateurs | |||
|40-49 | |40-49 | ||
|[https://www.art-language.org/texte/b/TII08.htm#anglais Full article]<ref>Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)</ref> | |[https://www.art-language.org/texte/b/TII08.htm#anglais Full article]<ref>Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)</ref> | ||
|- | |- | ||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
[[Charles Harrison]] | [[Charles Harrison]] | ||
Line 55: | Line 54: | ||
Paul Wood | Paul Wood | ||
|Northanger Abbey | |||
|50-64 | |50-64 | ||
|<ref>Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," ''Art Press'', hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in ''Art Press'', hors-série, no. 17, 1996, pp.174-178. (''[[Conceptual Art and Painting: Further Essays on Art & Language]]''). Krauss's article also appears in ''[[Sighs Trapped by Liars]]'' (1997)</ref> | |<ref>Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," ''Art Press'', hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in ''Art Press'', hors-série, no. 17, 1996, pp.174-178. (''[[Conceptual Art and Painting: Further Essays on Art & Language]]''). Krauss's article also appears in ''[[Sighs Trapped by Liars]]'' (1997)</ref> | ||
|} | |} | ||
== References == | |||
== | |||
{{Navbox-Art-Language}} | {{Navbox-Art-Language}} | ||
[[Category:Art-Language]] | [[Category:Art-Language]] |
Revision as of 01:57, 8 October 2023
Art-Language New Series No. 2 | |
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Publication | Art-Language |
Date | June 1997 |
Volume | New Series |
Number | 2 |
Publisher | |
Editor |
Contents
Author | Title | pg. | Notes |
---|---|---|---|
Philip Pilkington | Some Darwinian Conditions of the Art & Language Indexes | 3-11 | Full article |
Philip Pilkington | Postscript Contra Atkinson | 12-19 | |
Paul Wood | Refusing to Die | 20-31 | |
Michael Baldwin | Memories of the Medicine Show
1. Recollecting Conceptual Art |
32-39 | Full article |
Michael Baldwin | 2. We Aimed to be Amateurs | 40-49 | Full article[1] |
Michael Baldwin
Paul Wood |
Northanger Abbey | 50-64 | [2] |
References
- ↑ Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)
- ↑ Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," Art Press, hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in Art Press, hors-série, no. 17, 1996, pp.174-178. (Conceptual Art and Painting: Further Essays on Art & Language). Krauss's article also appears in Sighs Trapped by Liars (1997)