Art-Language Vol. 3 No. 3: Difference between revisions
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!Title | !Title | ||
!pg. | !pg. | ||
|- | |- | ||
|‘...The Timeless Lumpenness of a Radical Cultural Life...’ | |‘...The Timeless Lumpenness of a Radical Cultural Life...’ | ||
|cover-1 | |cover-1 | ||
|- | |- | ||
|Transcript 3.1.76 Plus and Minus | |Transcript 3.1.76 Plus and Minus | ||
|5-11 | |5-11 | ||
|- | |- | ||
|Bourgeois Revisionism, What? | |Bourgeois Revisionism, What? | ||
|12-23 | |12-23 | ||
|- | |- | ||
|Conversation: Opacity? | |Conversation: Opacity? | ||
|24-26 | |24-26 | ||
|- | |- | ||
|Ideology does not penetrate class barriers as a transparent substance | |Ideology does not penetrate class barriers as a transparent substance | ||
|27-28 | |27-28 | ||
|- | |- | ||
|Now, naughty revisionism or no | |Now, naughty revisionism or no | ||
|29-33 | |29-33 | ||
|- | |- | ||
|Denizens of class struggle | |Denizens of class struggle | ||
|34-38 | |34-38 | ||
|- | |- | ||
|How to avoid assumptions that your good heart gets you there | |How to avoid assumptions that your good heart gets you there | ||
|39-42 | |39-42 | ||
|- | |- | ||
|Jobless and Gaga | |Jobless and Gaga | ||
|43-47 | |43-47 | ||
|- | |- | ||
|Community Arts | |Community Arts | ||
|48-52 | |48-52 | ||
|- | |- | ||
|Abstract Art | |Abstract Art | ||
|53-65 | |53-65 | ||
|- | |- | ||
|International: England 1 (o.g.) USA 1 (o.g.) | |International: England 1 (o.g.) USA 1 (o.g.) | ||
|66-72 | |66-72 | ||
|- | |- | ||
|Pastels in Prose – if not a Vignette in Verse... | |Pastels in Prose – if not a Vignette in Verse... | ||
|73-75 | |73-75 | ||
|- | |- | ||
|The problems of displaying base explicit directive ‘assumptions’ | |The problems of displaying base explicit directive ‘assumptions’ | ||
|76-84 | |76-84 | ||
|- | |- | ||
|Shoot the Sodding Ref. | |Shoot the Sodding Ref. | ||
|85-92 | |85-92 | ||
|- | |- | ||
|Provisions and Rules Again | |Provisions and Rules Again | ||
|93-98 | |93-98 | ||
|- | |- | ||
| | |More Unsightly Speculations | ||
| | |99-102 | ||
|- | |- | ||
| | |Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | ||
| | |103-104 | ||
|- | |- | ||
| | |Don’t Speak of Man’s Potentialities and their being made Actual in Society | ||
| | |105-106 | ||
|- | |- | ||
| | |(Education is not putting sight into blind eyes, so...) Back to the Sandbank | ||
| | |107-109 | ||
|- | |- | ||
| | |What’s an ideological boundary then? | ||
| | |110-114 | ||
|- | |- | ||
| | |Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | ||
| | |115-119 | ||
|- | |- | ||
| | |Who’s a little Max Stirner then? | ||
| | |120-121 | ||
|- | |- | ||
| | |A tale in the sump oil: notes from under the car; you can’t help them breaking down | ||
| | |122-125 | ||
|} | |} | ||
Revision as of 07:22, 17 April 2023
| Art-Language Vol. 3 No. 3 | |
|---|---|
| Publication | Art-Language |
| Date | June 1976 |
| Volume | 3 |
| Number | 3 |
| Publisher | |
| Editor | Michael Baldwin, Charles Harrison, Harold Hurrell |
Contents
| Title | pg. |
|---|---|
| ‘...The Timeless Lumpenness of a Radical Cultural Life...’ | cover-1 |
| Transcript 3.1.76 Plus and Minus | 5-11 |
| Bourgeois Revisionism, What? | 12-23 |
| Conversation: Opacity? | 24-26 |
| Ideology does not penetrate class barriers as a transparent substance | 27-28 |
| Now, naughty revisionism or no | 29-33 |
| Denizens of class struggle | 34-38 |
| How to avoid assumptions that your good heart gets you there | 39-42 |
| Jobless and Gaga | 43-47 |
| Community Arts | 48-52 |
| Abstract Art | 53-65 |
| International: England 1 (o.g.) USA 1 (o.g.) | 66-72 |
| Pastels in Prose – if not a Vignette in Verse... | 73-75 |
| The problems of displaying base explicit directive ‘assumptions’ | 76-84 |
| Shoot the Sodding Ref. | 85-92 |
| Provisions and Rules Again | 93-98 |
| More Unsightly Speculations | 99-102 |
| Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | 103-104 |
| Don’t Speak of Man’s Potentialities and their being made Actual in Society | 105-106 |
| (Education is not putting sight into blind eyes, so...) Back to the Sandbank | 107-109 |
| What’s an ideological boundary then? | 110-114 |
| Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | 115-119 |
| Who’s a little Max Stirner then? | 120-121 |
| A tale in the sump oil: notes from under the car; you can’t help them breaking down | 122-125 |
Background


