Art-Language Vol. 3 No. 3: Difference between revisions
Appearance
imported>Dotclub No edit summary |
imported>Dotclub No edit summary |
(No difference)
|
Revision as of 08:22, 17 April 2023
Art-Language Vol. 3 No. 3 | |
---|---|
![]() | |
Publication | Art-Language |
Date | June 1976 |
Volume | 3 |
Number | 3 |
Publisher | |
Editor | Michael Baldwin, Charles Harrison, Harold Hurrell |
Contents
Title | pg. |
---|---|
‘...The Timeless Lumpenness of a Radical Cultural Life...’ | cover-1 |
Transcript 3.1.76 Plus and Minus | 5-11 |
Bourgeois Revisionism, What? | 12-23 |
Conversation: Opacity? | 24-26 |
Ideology does not penetrate class barriers as a transparent substance | 27-28 |
Now, naughty revisionism or no | 29-33 |
Denizens of class struggle | 34-38 |
How to avoid assumptions that your good heart gets you there | 39-42 |
Jobless and Gaga | 43-47 |
Community Arts | 48-52 |
Abstract Art | 53-65 |
International: England 1 (o.g.) USA 1 (o.g.) | 66-72 |
Pastels in Prose – if not a Vignette in Verse... | 73-75 |
The problems of displaying base explicit directive ‘assumptions’ | 76-84 |
Shoot the Sodding Ref. | 85-92 |
Provisions and Rules Again | 93-98 |
More Unsightly Speculations | 99-102 |
Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | 103-104 |
Don’t Speak of Man’s Potentialities and their being made Actual in Society | 105-106 |
(Education is not putting sight into blind eyes, so...) Back to the Sandbank | 107-109 |
What’s an ideological boundary then? | 110-114 |
Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | 115-119 |
Who’s a little Max Stirner then? | 120-121 |
A tale in the sump oil: notes from under the car; you can’t help them breaking down | 122-125 |
Background

