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!Title
!Title
!pg.
!pg.
!Notes
|-
|-
|‘...The Timeless Lumpenness of a Radical Cultural Life...’
|‘...The Timeless Lumpenness of a Radical Cultural Life...’
|cover-1
|cover-1
|<ref>Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)</ref>
|-
|-
|Transcript 3.1.76 Plus and Minus
|Transcript 3.1.76 Plus and Minus
|5-11
|5-11
|
|-
|-
|Bourgeois Revisionism, What?
|Bourgeois Revisionism, What?
|12-23
|12-23
|
|-
|-
|Conversation: Opacity?
|Conversation: Opacity?
|24-26
|24-26
|
|-
|-
|Ideology does not penetrate class barriers as a transparent substance
|Ideology does not penetrate class barriers as a transparent substance
|27-28
|27-28
|
|-
|-
|Now, naughty revisionism or no
|Now, naughty revisionism or no
|29-33
|29-33
|
|-
|-
|Denizens of class struggle
|Denizens of class struggle
|34-38
|34-38
|
|-
|-
|How to avoid assumptions that your good heart gets you there
|How to avoid assumptions that your good heart gets you there
|39-42
|39-42
|
|-
|-
|Jobless and Gaga
|Jobless and Gaga
|43-47
|43-47
|
|-
|-
|Community Arts
|Community Arts
|48-52
|48-52
|
|-
|-
|Abstract Art
|Abstract Art
|53-65
|53-65
|
|-
|-
|International: England 1 (o.g.) USA 1 (o.g.)
|International: England 1 (o.g.) USA 1 (o.g.)
|66-72
|66-72
|
|-
|-
|Pastels in Prose – if not a Vignette in Verse...
|Pastels in Prose – if not a Vignette in Verse...
|73-75
|73-75
|
|-
|-
|The problems of displaying base explicit directive ‘assumptions’
|The problems of displaying base explicit directive ‘assumptions’
|76-84
|76-84
|
|-
|-
|Shoot the Sodding Ref.
|Shoot the Sodding Ref.
|85-92
|85-92
|
|-
|-
|Provisions and Rules Again
|Provisions and Rules Again
|93-98
|93-98
|
|-
|-
|More Unsightly Speculations
|More Unsightly Speculations
|99-102
|99-102
|
|-
|-
|Diagrammata or...In making Friends We Make Our Life (Arthur Mee)
|Diagrammata or...In making Friends We Make Our Life (Arthur Mee)
|103-104
|103-104
|
|-
|-
|Don’t Speak of Man’s Potentialities and their being made Actual in Society
|Don’t Speak of Man’s Potentialities and their being made Actual in Society
|105-106
|105-106
|
|-
|-
|(Education is not putting sight into blind eyes, so...) Back to the Sandbank
|(Education is not putting sight into blind eyes, so...) Back to the Sandbank
|107-109
|107-109
|
|-
|-
|What’s an ideological boundary then?
|What’s an ideological boundary then?
|110-114
|110-114
|
|-
|-
|Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’?
|Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’?
|115-119
|115-119
|
|-
|-
|Who’s a little Max Stirner then?
|Who’s a little Max Stirner then?
|120-121
|120-121
|
|-
|-
|A tale in the sump oil: notes from under the car; you can’t help them breaking down
|A tale in the sump oil: notes from under the car; you can’t help them breaking down
|122-125
|122-125
|
|}
|}


Revision as of 02:02, 20 April 2023

Art-Language Vol. 3 No. 3
Publication Art-Language
Date June 1976
Volume 3
Number 3
Publisher
Editor Michael Baldwin, Charles Harrison, Harold Hurrell

Contents

Title pg. Notes
‘...The Timeless Lumpenness of a Radical Cultural Life...’ cover-1 [1]
Transcript 3.1.76 Plus and Minus 5-11
Bourgeois Revisionism, What? 12-23
Conversation: Opacity? 24-26
Ideology does not penetrate class barriers as a transparent substance 27-28
Now, naughty revisionism or no 29-33
Denizens of class struggle 34-38
How to avoid assumptions that your good heart gets you there 39-42
Jobless and Gaga 43-47
Community Arts 48-52
Abstract Art 53-65
International: England 1 (o.g.) USA 1 (o.g.) 66-72
Pastels in Prose – if not a Vignette in Verse... 73-75
The problems of displaying base explicit directive ‘assumptions’ 76-84
Shoot the Sodding Ref. 85-92
Provisions and Rules Again 93-98
More Unsightly Speculations 99-102
Diagrammata or...In making Friends We Make Our Life (Arthur Mee) 103-104
Don’t Speak of Man’s Potentialities and their being made Actual in Society 105-106
(Education is not putting sight into blind eyes, so...) Back to the Sandbank 107-109
What’s an ideological boundary then? 110-114
Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? 115-119
Who’s a little Max Stirner then? 120-121
A tale in the sump oil: notes from under the car; you can’t help them breaking down 122-125

Background

Advertisement in The Fox No. 3
Postcard advertisement for it and Corrected Slogans

References

  1. ↑ Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)
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